{"id":744,"date":"2020-12-09T03:00:00","date_gmt":"2020-12-09T08:00:00","guid":{"rendered":"http:\/\/monsterislandfilmvault.com\/?p=744"},"modified":"2021-03-24T14:33:22","modified_gmt":"2021-03-24T18:33:22","slug":"episode-30-latitude-zero-mini-analysis","status":"publish","type":"post","link":"https:\/\/monsterislandfilmvault.com\/index.php\/2020\/12\/09\/episode-30-latitude-zero-mini-analysis\/","title":{"rendered":"Episode 30: \u2018Latitude Zero\u2019 (Mini-Analysis)"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"388\" src=\"https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2020\/12\/58-latitude-zero-posters-obv28yg24g-.jpg?resize=554%2C388&#038;ssl=1\" alt=\"\" class=\"wp-image-745\" srcset=\"https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2020\/12\/58-latitude-zero-posters-obv28yg24g-.jpg?w=554&amp;ssl=1 554w, https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2020\/12\/58-latitude-zero-posters-obv28yg24g-.jpg?resize=300%2C210&amp;ssl=1 300w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Hello, kaiju lovers!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This week&#8217;s episode is a \u201ctraditional\u201d mini-analysis of <em>Latitude Zero<\/em>, an almost obscure 1969 Toho science fiction film directed by Ishiro Honda, who probably had to take a dip in the \u201cBath of Immunity\u201d to endure the stress of making it. To say it was harrowing would be an understatement. This strange American\/Japanese co-production has a troubled history full of clashing sensibilities and creative differences (which you can hear more about in <a href=\"https:\/\/monsterislandfilmvault.com\/index.php\/2019\/12\/11\/episode-6-nick-hayden-vs-king-kong-escapes\/\" target=\"_blank\" rel=\"noreferrer noopener\">MIFV episode six<\/a>). However, the main topic of the episode is the concept of utopia because Latitude Zero seems to be a rare example in fiction of a successful one. Spoiler warning: Nathan doesn&#8217;t buy it.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Afterward, Nathan and Jimmy are visited by the Monster Island Board of Directors&#8217; executive assistant, Ms. Perkins, who is the Island&#8217;s head of PR. She wanted to discuss recent \u201cfake news\u201d being spread by Jimmy From NASA and also announce the Board\u2019s decision on Nathan\u2019s proposals for season two of MIFV.&nbsp;All this plus listener feedback!&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This episode features Celeste Mora as Ms. Perkins (Twitter: <a href=\"https:\/\/twitter.com\/VOCelesteMora\" target=\"_blank\" rel=\"noreferrer noopener\">@VOCelesteMora<\/a>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The song heard in the episode is \u201cOpening the Way\u201d by Pablo Coma, which is a remix from the video game <em>Shadow of the Colossus<\/em>. It is from the OCRemix album, <a href=\"https:\/\/ocremix.org\/album\/72\/badass-boss-themes-volume-iii\" target=\"_blank\" rel=\"noreferrer noopener\"><em>BadAss Boss Themes: Volume III<\/em><\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The episode thumbnail was created by Michael Hamilton.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We\u2019d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (co-hosts of <a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/kaiju-weekly\/id1330448313\" target=\"_blank\" rel=\"noopener\">Kaiju Weekly<\/a>); Danny DiManna (author\/creator of the <a href=\"https:\/\/godzillanovelizationproject.wordpress.com\/\" target=\"_blank\" rel=\"noopener\">Godzilla Novelization Project<\/a>); Eli Harris (<a href=\"https:\/\/www.instagram.com\/kaijumediajunkie\/\" target=\"_blank\" rel=\"noopener\">elizilla13<\/a>); Chris Cooke (host of <a href=\"http:\/\/2099onecrossst.com\/category\/one-cross-radio\/\" target=\"_blank\" rel=\"noopener\">One Cross Radio<\/a>), and Bex from <a href=\"https:\/\/redeemedotaku.libsyn.com\/\" target=\"_blank\" rel=\"noopener\">Redeemed Otaku<\/a>! Thanks for your support!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You, too, can support us on <a href=\"https:\/\/www.patreon.com\/monsterislandfilmvault\" target=\"_blank\" rel=\"noopener\">Patreon<\/a> and get this and other perks starting at only $3 a month!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This episode is approved by the Monster Island Board of Directors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Read <a href=\"http:\/\/monsterislandfilmvault.com\/index.php\/2020\/12\/09\/episode-30-latitude-zero-mini-analysis\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jimmy&#8217;s <\/a><a href=\"http:\/\/monsterislandfilmvault.com\/index.php\/2020\/12\/16\/jimmys-notes-on-episode-30-latitude-zero-mini-analysis\/\" target=\"_blank\" rel=\"noreferrer noopener\">Notes <\/a>on this episode.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright size-medium\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2020\/12\/IMG_9792-300x300.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" class=\"wp-image-746\" srcset=\"https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2020\/12\/IMG_9792.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2020\/12\/IMG_9792.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2020\/12\/IMG_9792.jpg?w=640&amp;ssl=1 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Podcast Social Media:<br><\/strong><a href=\"https:\/\/twitter.com\/TheMonsterIsla1\" target=\"_blank\" rel=\"noopener\">Twitter<\/a><br><a href=\"https:\/\/www.facebook.com\/MonsterIslandFilmVault\/\" target=\"_blank\" rel=\"noopener\">Facebook<\/a><br><a href=\"https:\/\/www.instagram.com\/monsterislandfilmvault\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Follow Jimmy on Twitter: <a href=\"https:\/\/twitter.com\/NasaJimmy\" target=\"_blank\" rel=\"noopener\">@NasaJimmy<\/a><br>Follow the Monster Island Board of Directors on Twitter: <a href=\"https:\/\/twitter.com\/MonsterIslaBOD\" target=\"_blank\" rel=\"noopener\">@MonsterIslaBOD<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">#JimmyFromNASALives &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; #MonsterIslandFilmVault<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a9 2020 Moonlighting Ninjas Media<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bibliography\/Further Reading:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>\u201cThe Ambiguous Necessity of Utopia: Post-Colonial Literatures and the Persistence of Hope\u201d by Bill Ashcroft (<em>Social Alternatives<strong>, <\/strong><\/em>Vol. 28 No.3, 2009)<\/li><li><em>The Big Book of Japanese Giant Monster Movies Volume 1: 1954-1982<\/em> by John LeMay<\/li><li><em>The Big Book of Japanese Giant Monster Movies: The Lost Films<\/em> (Mutated Edition) by John LeMay<\/li><li>\u201cDystopia: Who Needs It?\u201d by Adrian Mourby (<em>History Today; <\/em>Dec 2003; 53, 12; ProQuest Research Library, pg. 16)<\/li><li><em>Ishiro Honda: A Life in Film, from Godzilla to Kurosawa <\/em>by Steve Ryfle and Ed Godzisewski<\/li><li><em>Japanese Science Fiction, Fantasy and Horror Films: A Critical Analysis and Filmography of 103 Features Released in the United States 1950-1992<\/em> by Stuart Galbraith IV<\/li><li><a href=\"https:\/\/youtu.be\/_q-v_DlTVeI\" target=\"_blank\" rel=\"noopener\">Kaijuvision Radio &#8211; Episode 52: Latitude Zero (1969) (The South China Sea Disputes)<\/a><\/li><li><em>Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda<\/em> by Peter H. Brothers<\/li><li>\u201cNews from Somewhere: Enhanced Sociability and the Composite Definition of Utopia and Dystopia\u201d by Gregory Claeys (<em>The Journal of the Historical Association<\/em>)<\/li><li>\u201cPragmatism, Utopia and Anti-Utopia\u201d by Ruth Levitas (<em>Critical Horizons: A Journal of Philosophy and Social Theory <\/em>9.1, May 2008, 42\u201359)<\/li><li><a href=\"https:\/\/theweek.com\/articles\/760689\/problem-utopias#:~:text=For\" target=\"_blank\" rel=\"noopener\">\u201cThe problem with utopia\u201d by Michael Shermer (<em>This Week <\/em>and <em>Aeon<\/em>)<\/a><\/li><li><em>Utopia<\/em> by Thomas More<\/li><li><a href=\"https:\/\/theconversation.com\/utopia-isnt-just-idealistic-fantasy-it-inspires-people-to-change-the-world-118962\" target=\"_blank\" rel=\"noopener\">\u201cUtopia isn\u2019t just idealistic fantasy \u2013 it inspires people to change the world\u201d by Heather Alberro (<em>The Conversation<\/em>)<\/a><\/li><li>\u201cUtopian Fiction as Moral Philosophy; Imagination and Critique\u201d by Roger J. H. King (<em>Utopian Studies<\/em>, No. 3 (1991), pp. 72-78)<\/li><li><em>Writing Giant Monsters <\/em>by John LeMay<\/li><\/ul>\n<div class=\"powerpress_player\" id=\"powerpress_player_2359\"><audio class=\"wp-audio-shortcode\" id=\"audio-744-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/mcdn.podbean.com\/mf\/web\/apa9qj\/s1e30-latitude-zero-mini-analysis-v-1-1-e54ghbjuy76trdghui67trdgfcb.mp3?_=1\" \/><a href=\"http:\/\/mcdn.podbean.com\/mf\/web\/apa9qj\/s1e30-latitude-zero-mini-analysis-v-1-1-e54ghbjuy76trdghui67trdgfcb.mp3\" target=\"_blank\" rel=\"noopener\">http:\/\/mcdn.podbean.com\/mf\/web\/apa9qj\/s1e30-latitude-zero-mini-analysis-v-1-1-e54ghbjuy76trdghui67trdgfcb.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"http:\/\/mcdn.podbean.com\/mf\/web\/apa9qj\/s1e30-latitude-zero-mini-analysis-v-1-1-e54ghbjuy76trdghui67trdgfcb.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw(&#039;https:\/\/monsterislandfilmvault.com\/?powerpress_pinw=744-podcast&#039;);\" rel=\"nofollow noopener\">Play in new window<\/a> | <a href=\"http:\/\/mcdn.podbean.com\/mf\/web\/apa9qj\/s1e30-latitude-zero-mini-analysis-v-1-1-e54ghbjuy76trdghui67trdgfcb.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow noopener\" download=\"s1e30-latitude-zero-mini-analysis-v-1-1-e54ghbjuy76trdghui67trdgfcb.mp3\" target=\"_blank\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/monsterislandfilmvault.com\/index.php\/feed\/podcast\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a><\/p><!--powerpress_player-->","protected":false},"excerpt":{"rendered":"<p>Hello, kaiju lovers! This week&#8217;s episode is a \u201ctraditional\u201d mini-analysis of Latitude Zero, an almost obscure 1969 Toho science fiction film directed by Ishiro Honda,&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/monsterislandfilmvault.com\/index.php\/2020\/12\/09\/episode-30-latitude-zero-mini-analysis\/\">Continue Reading<span class=\"screen-reader-text\">Episode 30: \u2018Latitude Zero\u2019 (Mini-Analysis)<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":25,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4,7,6],"tags":[639,37,650,651,376,641,645,638,643,198,19,642,644,634,221,649,15,637,640,41,647,648,636,79,635],"series":[],"class_list":["post-744","post","type-post","status-publish","format-standard","hentry","category-podcast","category-mini-analysis","category-mini-sode","tag-639","tag-akira-takarada","tag-ambassador-productions","tag-bath-of-immunity","tag-batman","tag-caesar-romero","tag-dr-malik","tag-dystopia","tag-griffin","tag-ishiro-honda","tag-jimmy-from-nasa","tag-joseph-cotton","tag-kroiga","tag-latitude-zero","tag-listener-feedback","tag-ms-perkins","tag-nathan-marchand","tag-protopia","tag-science-fiction","tag-shinichi-sekizawa","tag-star-trek","tag-ted-sherdeman","tag-thomas-more","tag-toho","tag-utopia","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts\/744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/comments?post=744"}],"version-history":[{"count":3,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts\/744\/revisions"}],"predecessor-version":[{"id":780,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts\/744\/revisions\/780"}],"wp:attachment":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/media?parent=744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/categories?post=744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/tags?post=744"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/series?post=744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}