{"id":377,"date":"2020-03-18T06:00:00","date_gmt":"2020-03-18T10:00:00","guid":{"rendered":"http:\/\/monsterislandfilmvault.com\/?p=377"},"modified":"2020-03-18T01:28:39","modified_gmt":"2020-03-18T05:28:39","slug":"jimmys-notes-on-episode-12-daniel-dimanna-vs-king-kong-2005","status":"publish","type":"post","link":"https:\/\/monsterislandfilmvault.com\/index.php\/2020\/03\/18\/jimmys-notes-on-episode-12-daniel-dimanna-vs-king-kong-2005\/","title":{"rendered":"Jimmy&#8217;s Notes on &#8216;Episode 12: Daniel DiManna vs. King Kong (2005)&#8217;"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"783\" height=\"327\" src=\"https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2019\/10\/JIMMYS-NOTES.jpg?resize=783%2C327\" alt=\"\" class=\"wp-image-188\" srcset=\"https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2019\/10\/JIMMYS-NOTES.jpg?w=783&amp;ssl=1 783w, https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2019\/10\/JIMMYS-NOTES.jpg?resize=300%2C125&amp;ssl=1 300w, https:\/\/i0.wp.com\/monsterislandfilmvault.com\/wp-content\/uploads\/2019\/10\/JIMMYS-NOTES.jpg?resize=768%2C321&amp;ssl=1 768w\" sizes=\"auto, (max-width: 783px) 100vw, 783px\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-embed-wordpress aligncenter wp-block-embed is-type-wp-embed is-provider-tenor\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/tenor.com\/embed\/14429632#?secret=fAWG4hObRE\" data-secret=\"fAWG4hObRE\" width=\"500\" height=\"750\" frameborder=\"0\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">All right, this blog, like last week\u2019s episode on <em>King Kong<\/em> 2005, wants to be as long as that film. Thanks to contractual obligations, I have to include all of Marchand\u2019s unused notes, which he split between his computer and a legal pad for whatever reason this time. I am suddenly more appreciative of the glorious invention that is copy and paste.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Let\u2019s get this over with,\nshall we?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>My Notes:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Yes, I borrowed Dr. Aoki\u2019s pteronadon bot without permission. I don\u2019t think he\u2019s missed it yet. So, unless he gets transfer to Monster Island, I don\u2019t think it\u2019ll be a problem. As for flying Danny here on it, well, I couldn\u2019t resist taking it for a test flight. I now know how to improve on the thing\u2019s admittedly goofy design. <\/li><li>I dare you to tell me you don\u2019t like sand, DiManna!<\/li><li>I am fine with Daniel calling me \u201cJimbo\u201d\u2026for now. (Yes, I\u2019m being flippant).<\/li><li>Nice job catching me before I corrected you, Marchand.<\/li><li>Actually, Danny, the dinosaur Kong fights in the original isn\u2019t a Rex. It\u2019s closer to an Allosaurus. It\u2019s just called a \u201c<a href=\"https:\/\/wikizilla.org\/wiki\/Meat-Eater\" target=\"_blank\" rel=\"noopener\">meat-eater<\/a>\u201d in the novelization.<\/li><li>Actually, Danny, I don\u2019t think gorillas\u2014even Kong\u2014qualify as predators. At least in this film. Normal gorillas are vegetarians, but some do eat insects. Kong in this film was never seen eating meat. Therefore, he doesn\u2019t qualify as a predator.<\/li><li>Jackson himself didn\u2019t say he treated this like filming on Skull Island itself in the 1930s. That was a crewmember. Watch that $5 blu-ray again.<\/li><li>Mothra\u2019s not a butterfly, Daniel! Her species is obvious! (Or was that a joke? I\u2019ll forgive a joke. \ud83d\ude1b ).<\/li><li>I can neither confirm nor deny that I am the Jimmy in this film. And yes, like the Doctor, <a href=\"https:\/\/www.youtube.com\/watch?v=6f-49cGWD2Y\" target=\"_blank\" rel=\"noopener\">I will explain later<\/a>. Maybe.<\/li><li>There were more than just the two crewmembers who survived in the 1933 <em>King Kong<\/em>, Daniel.<\/li><li><em>King Kong <\/em>(1976) is two hours and 14 minutes long. Over one hour shorter.<\/li><li>\u201cI had saw it on the big screen\u201d? Verb tenses, Danny! I expect better from a writer. \ud83d\ude1b<\/li><li>Here\u2019s the Roger Ebert <a href=\"https:\/\/www.rogerebert.com\/reviews\/king-kong-2005\" target=\"_blank\" rel=\"noopener\">review<\/a> Nathan brought up (and yes, you misremembered what he said). Here&#8217;s the<a href=\"https:\/\/www.youtube.com\/watch?v=pTe_P2AWmGM)\" target=\"_blank\" rel=\"noopener\"> video review<\/a>.<\/li><li>They aren\u2019t T-Rexes, Nathan. They\u2019re <a href=\"https:\/\/wikizilla.org\/wiki\/Vastatosaurus_rex\" target=\"_blank\" rel=\"noopener\">V-Rexes<\/a>. Both of you got it wrong!<\/li><li>\u201cPJ\u2019s version\u201d? Danny is on initials terms with Peter Jackson? I doubt it. \ud83d\ude1b<\/li><li>It wasn\u2019t trailers but one of Peter Jackson\u2019s video diaries on <a href=\"http:\/\/www.kongisking.net\" target=\"_blank\" rel=\"noopener\">www.kongisking.net<\/a> where he announced back-to-back sequels to the film. They were <em>Son of Kong<\/em> and <em>King Kong: Into the Wolf&#8217;s Lair<\/em>. And I agree: they would\u2019ve been amazing! You can watch it <a href=\"https:\/\/youtu.be\/NtRq-NNJxlQ\" target=\"_blank\" rel=\"noopener\">here<\/a> with a fan edit trailer. Sadly, it includes a stupid clip from the stupid <em>Date Movie<\/em>. Ugh!<\/li><li>You got your Bugs Bunny cartoons mixed up, Danny. The one you were thinking of was \u201cWhat\u2019s Up Doc?\u201d not \u201cShow Biz Bugs\u201d (which you called \u201cShow Biz Bunny\u201d). The latter is about a jealous Daffy Duck trying to upstage Bugs on stage.<\/li><li>My whole backstory will be in my tell-all book, <em>War in Space: The Jimmy From NASA Story<\/em>. \ud83d\ude1b<\/li><li>My international man of mystery Schick gets me more luck the ladies more than you have, Marchand! \ud83d\ude1b<\/li><li>I\u2019m happy to say, as promised in this episode, I am now one of Danny\u2019s patrons on Patreon\u2014and I used Nathan\u2019s debit card to do it! \ud83d\ude1b<\/li><li>The sexist essay Nathan was referring to (and forgot to include in the show notes) was \u201cThe Myth Goes Downward: The Infantilization, Electrification, Mechanization, and General Diminishment of King Kong\u201d by Paul Di Filippo. It\u2019s from the book <em>Kong Unbound: The Cultural Impact, Pop Mythos, and Scientific Plausibility of a Cinematic Legend<\/em>.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nathan\u2019s Unused Notes \u2013 Blu-Ray Special Features:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jackson saw <em>King Kong<\/em> 1933 as a kid in 1970. It\ninspired his love of science fiction and fantasy and his desire to be a\nfilmmaker. He made super 8 films and stop motion. There\u2019s lots of SFX in his\nfilms because he was a \u201cfrustrated special effects guy.\u201d Solitary. <em>(-Sounds like me, except I work on robots\nand mecha. \u2013Jimmy)<\/em><\/li><li>Universal\napproached him in 1995 to remake either <em>Kong<\/em>\nor <em>The Creature from the Black Lagoon<\/em>.<\/li><li>The first script\nwas closer in tone to <em>The Mummy <\/em>(1999).<\/li><li>Work was done in\n1996 by Weta using lots of practical effects.<\/li><li>Jackson and his\ncrew visited the Empire State Building, and he signed his name on the peak.<\/li><li>The film wasn\u2019t\nstoryboarded. It was all pre-viz. No finished script at the time it started.<\/li><li>It had more\nminiatures than <em>The Lord of the Rings<\/em>.<\/li><li>Started with T-Rex\nfight like the original film as proof of concept.<\/li><li>Naomi Watts had to\nlearn how to dance. Jamie Bell (Jimmy) had danced since age 6. <em>(So\u2026I can neither confirm nor deny that I,\ntoo, can dance. \u2013Jimmy)<\/em><\/li><li>Jack Black tapped\ninto his inner-Denham by using an old camera to make short films. Boxer and\ncriminal.<\/li><li>First shot filmed\nwas when Ann arrives at dock.<\/li><li>The boat bought\nfor the production had fish in it that had to be shipped out.<\/li><li>Jackson got\nseasick, so he shot on sets.<\/li><li>Jackson says the\nnatives aren\u2019t based on a particular civilization but are an amalgam of several\nfrom that time. They use their hair to make clothing. The actors came from\nPolynesia, Cambodia, etc.<\/li><li>The dinosaurs\nweren\u2019t paleontologically accurate but stylized and more evolved. The V-Rexes\nwere a family (mother, father, juvenile). Some like the Wetasaur were made up.<\/li><li>They used a\nmassive computer system to from LOTR to make CGI extras. They don\u2019t fight like\nOrcs but walk like New Yorkers\u2014any differences? jokes Jackson.<\/li><li>Weta wrote a new\nprogram called Building Bot to create missing buildings in NYC cityscape.<\/li><li>The real Empire\nState Building took 14 months to construct. The digital version took 18 months.\nIrony. <em>(Digital construction is harder\nthan real construction. I should know. I worked at NASA. \u2013Jimmy)<\/em><\/li><li>Peter Jackson,\nRick Baker, Frank Darabont, and other famous people attached to Kong flew the\nairplanes that attacked Kong as a nod to Schoedsack and Cooper doing that in\nthe 1933 original. Jackson even shaved his trademark beard! <em>(I\u2019m not even sure that was Jackson. Like\nJonathan Frakes as Riker on <\/em>Star Trek: The Next Generation<em>, he looks like a completely different\nperson. Maybe he was dubbed over by the real Jackson? \ud83d\ude1b \u2013Jimmy)<\/em><\/li><li>Kong is a misunderstood\nmonster. Weta watched Charles Laughton in <em>The\nHunchback of Notre Dame<\/em> for inspiration.<\/li><li>They made him a\npunch-drunk boxer and mountain man. They used an albino gorilla at a zoo for\ninspiration. <em>(Can you say, \u201cKiko\u201d? \u2013Jimmy).\n<\/em>His broken jaw was modeled after an inbred pug named Monster. It was toned\ndown later (as you\u2019ll notice in the <a href=\"https:\/\/www.youtube.com\/watch?v=j2x4sym4QXY\" target=\"_blank\" rel=\"noopener\">first trailer<\/a>). He was redesigned\nafter the first trailer.<\/li><li>The final\nreference used for Kong was Umagami the ape from an IMAX film. The filmmakers\nultimately decided he should look like a real gorilla. <\/li><li>Gorillas beat\nchests with open cupped hands while movie gorillas use fists. They compromised\nby having hands between open and clenched.<\/li><li>Some mocap was dropped,\nbut Serkis was used as reference. <\/li><li>Jackson said this\nwas always the film he wanted to make.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nathan\u2019s Unused Notes \u2013 The Film:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>The opening\ncredits are like original.<\/li><li>Opens with apes\nand monkeys in zoo next to a Hooverville. Then we go to Vaudeville clips. Cuts\nbetween that and images of Depression. Alcohol bottles smashed. Prohibition.<\/li><li>Naomi Watts\u2019\ncostume looks just like Fay Wray\u2019s.<\/li><li>I never knew there\nwere that many nicknames for breasts in the \u201830s.<\/li><li>\u201cUniversal is\ndesperate for stock footage!\u201d (4<sup>th<\/sup> wall)<\/li><li>Maybe it\u2019s the\nwriter in me, but I like that Jack Driscoll is a playwright in this. \u201cIf you\nreally loved it, you would\u2019ve jumped\u201d (Denham to Jack).<\/li><li>Jimmy?! Is that my\nproducer?! Stowed away. Found in hold 4 years ago. Arm broken in two places.\nWouldn\u2019t say where he came from. He\u2019s a prankster. Defaces Baxter\u2019s posters.\nJimmy can dance!<\/li><li>Live animals in\ncage sign on Jack\u2019s cage. Symbolic?<\/li><li>Was it necessary\nto have the typing of Skull Island be in slo-mo?<\/li><li>Ann and Jack\u2019s\nrelationship gets more development in this than original. All the characters\nget more development. Helps that it\u2019s 3 hours long!<\/li><li>Sure, hold the\nimportant map over the edge of the ship! Yep! There it goes!<\/li><li>Is it just me or\ndid the rock the <em>Venture<\/em> bumps into\nat 51 minutes look like a huge face? One definitely does later.<\/li><li>Of course there\nare skulls on Skull Island.<\/li><li>Jackson is a\nlittle overly fond of scary slo-mo in this film.<\/li><li>Ann screams and\nthen Kong roars. Appropriate.<\/li><li>The wall and\nnatives definitely remind me of LOTR. There\u2019s a chasm as well as a wall. That\nhelps explain how the creatures are kept out.<\/li><li>Triceratops\u2019 twitching\ntail homage to original?<\/li><li>I love that Lumpy\ntries to kill a bug with a frying pan. Then he shoots them.<\/li><li>\u201cThere\u2019s only one\ncreature capable of leaving a footprint that size\u2026and that\u2019s me!\u201d (Lumpy)<\/li><li>\u201cNobody\u2019s gonna\nthink these are fake\u201d(4<sup>th<\/sup> wall).<\/li><li>These raptors are\ncrazy. Going after prey that huge?!<\/li><li>Wilhelm scream!<\/li><li>Preston looks like\nhe\u2019s heard this speech many times.<\/li><li>\u201cI\u2019m just an actor\nwith a gun who\u2019s lost his motivation\u201d (4<sup>th<\/sup> wall).<\/li><li>We see Kong eating\nplants like a real gorilla.<\/li><li>Kong blocks Ann\u2019s\nway like in \u201976.<\/li><li>Running around\nbarefoot in a jungle must be tearing up her feet.<\/li><li>Water scorpions?\nMan, everything on this island is crazy aggressive.<\/li><li>And Denham becomes\na snuff filmmaker.<\/li><li>Not all CGI. Some\npractical creature effects.<\/li><li>Kong does pick up\na man: Hayes.<\/li><li>The iconic log\nscene recreated. Tries to account for surviving fall by having it get caught on\nvines.<\/li><li>It\u2019s hard not to\ninvite <em>Jurassic Park<\/em> comparisons.<\/li><li>Quietest. V-Rex.\nEver!<\/li><li>I love that Kong\nstands with one foot on V-Rex when he beats his chest.<\/li><li>The shot of Jack\nand Ann running through the jungle looks just like \u201933.<\/li><li>The Broadway sign\nlooks just like \u201933.<\/li><li>\u201cThe Beast\u201d: a\nworking title for \u201933.<\/li><li>\u201cKong\u2019s unfailing\nability to destroy the things he loves.\u201d<\/li><li>Kong starts\ngrabbing every blonde he sees. From the real jungle to the urban\/concrete\njungle.<\/li><li>The trolley attack\nreferences the train attack in \u201933.<\/li><li>The military\nattacking Kong makes me think of a Japanese kaiju film.<\/li><li>Wow. The biplanes\ndeploy without anyone talking about it. Dang!<\/li><li>I wonder which cameos\nwere in the planes Kong destroyed?<\/li><li>Now the pilots see\nAnn. They only almost killed her once.<\/li><li>The soldiers pose and\nsmile over Kong\u2019s corpse. Sensationalize. <\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nathan\u2019s Unused Notes &#8211; <em>King Kong: The History of a Movie Icon <\/em>by Ray Morton: <\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Robert Zemeckis\nwould\u2019ve been the executive on Jackson\u2019s 1997 script for Kong if it was filmed.<\/li><li><em>The Frighteners<\/em>\npoor performance shook Universal\u2019s confidence in Jackson. <\/li><li>Jack Driscoll was\nmodeled after Arthur Miller (<em>All My Sons<\/em>,\n<em>Death of a Salesman<\/em>, <em>A View from the Bridge<\/em>).<\/li><li>Jackson sought to\ncombine elements of Cooper\u2019s beastly Kong with de Laurentiis\u2019s more romantic\nKong. Saw him as a battle-hardened silverback. He told the Los Angles times he\nsaw Kong as \u201ca very old gorilla [that has] never felt a single bit of empathy\nfor another living creature during his long\u2026brutal life.\u201d Kong intended to kill\nAnn, \u201cand then he slowly moves away from that and it comes full circle.\u201d<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nathan\u2019s Unused Notes &#8211; \u201cKing Kong\u2019s Melancholly\u201d by\nCynthia Erb:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jackson called Universal\u2019s cancelation of his original Kong script \u201cthe blackest day in my entire career.\u201d<\/li><li>Argues that Jackson\u2019s Kong is melancholy and shifts the emphasis from horror to mood and tears because Watts\u2019 Ann cries more than she screams.<\/li><li>Argues that the extended cut frames Kong as an invader and presents the U.S. as \u201ca bullying global entity at a stage of late empire\u201d a la Joseph Conrad\u2019s <em>Heart of Darkness<\/em>.<\/li><li>Says Jackson\u2019s <em>Kong<\/em> reframes history through a modern lens (9\/11 allegory).<\/li><li>Uses the \u201cDepression\u201d to set a mood of \u201cdepression.\u201d Focused on objects, which leads to melancholy. Watts\u2019 Ann is earthy, hungry.<\/li><li>This Ann is less afraid of predatory men than of being put into a \u201cstandardized role.\u201d An indication of modernity. She gets up to leave when Denham wonders if she\u2019d fit in a size four dress.<\/li><li>Says Black\u2019s manic Denham makes him a character type called an intriguer or schemer, which also characterized Shakespeare\u2019s Iago in <em>Othello<\/em>. This forms a \u201cdyadic relationship\u201d with the depressive Kong.<\/li><li>Argues that Jackson\u2019s Kong is driven not by a sex drive but by a \u201cdeath drive.\u201d Jacqueline Rose: \u201cThe death drive is identified by Freud in the moment when the child seeks to master absence by staging the recall of the lost object, but finds it can only do so by first making the object disappear. This allows the child to achieve its aim only by repeating the very moment it is designed to avoid.\u201d Compares Kong to Norman Bates in <em>Psycho<\/em>. Compulsive repetition.\u00a0\u00a0 <\/li><li>The Manhattanites and Islanders are paralleled in that both are shown to survivors in a harsh environment.<\/li><li>Argues that the overzealous soldiers attacking Kong in Central Park, seeing him as an invader and New York as \u201csacred ground,\u201d is an allegory for 9\/11. Argues that this goes further with the skeletal Empire State Building in the morning, which parallels Art Spiegelman\u2019s 9\/11 memoir <em>In the Shadow of No Towers<\/em>. Kong seemingly mouthing \u201cbeautiful\u201d on top of the structure recalls how American towers were seen as \u201cutopian gestures\u2026transcendental, sky-catching, awesome\u201d (Mark Kingwell).<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-gfycat\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/gfycat.com\/flatwhichaustralianfurseal\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Well, I\u2019m glad that\u2019s\ndone. If you read the whole thing, congrats!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Join us next week for a\n(hopefully) much shorter episode on another epic: the 1959 Toho classic <em>The Three Treasures<\/em>, starring Toshiro\nMifune. Then the \u201cKong Quest\u201d enters the MonsterVerse with <em>Kong: Skull Island<\/em> in April with Dallas Mora of <a href=\"https:\/\/geekdevotions.com\/\" target=\"_blank\" rel=\"noopener\">Geek Devotions<\/a> as the guest host.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Follow me on Twitter: <a href=\"https:\/\/twitter.com\/NasaJimmy\" target=\"_blank\" rel=\"noopener\">@NasaJimmy<\/a><br>#JimmyFromNASALives<br> #WeShallOvercome<\/p>\n","protected":false},"excerpt":{"rendered":"<p>All right, this blog, like last week\u2019s episode on King Kong 2005, wants to be as long as that film. Thanks to contractual obligations, I&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/monsterislandfilmvault.com\/index.php\/2020\/03\/18\/jimmys-notes-on-episode-12-daniel-dimanna-vs-king-kong-2005\/\">Continue Reading<span class=\"screen-reader-text\">Jimmy&#8217;s Notes on &#8216;Episode 12: Daniel DiManna vs. King Kong (2005)&#8217;<\/span><\/a><\/div>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":27,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3,114],"tags":[311,33,309,88,317,302,19,318,14,300,303,305,242,316,315,310],"series":[],"class_list":["post-377","post","type-post","status-publish","format-standard","hentry","category-blog","category-jimmys-notes","tag-andy-serkis","tag-daniel-dimanna","tag-dinosaurs","tag-fay-wray","tag-heart-of-darkness","tag-jack-black","tag-jimmy-from-nasa","tag-joseph-campbell","tag-king-kong","tag-king-kong-2005","tag-naomi-watts","tag-peter-jackson","tag-skull-island","tag-special-effects","tag-venture","tag-weta-digital","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts\/377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/comments?post=377"}],"version-history":[{"count":3,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts\/377\/revisions"}],"predecessor-version":[{"id":2965,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/posts\/377\/revisions\/2965"}],"wp:attachment":[{"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/media?parent=377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/categories?post=377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/tags?post=377"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/monsterislandfilmvault.com\/index.php\/wp-json\/wp\/v2\/series?post=377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}