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Jimmy’s Notes on Episode 46: Daniel DiManna vs. ‘Gamera Super Monster’

Looks like Episode 46 should’ve been called, “Jimmy From NASA: Silent but Deadly.” Except the “deadly” part was before the broadcast and the “silent” part was during it.

I spent many hours filling out paperwork with Raymund Martin at the office of the Monster Island Legal Action Team because of this. Thankfully, with the help of Mr. Martin’s paralegal, Gary Steward, I’m happy to say that a court case won’t happen. Danny was too happy with his new toy to press charges or file lawsuits, anyway.

So…Gamera: Super Monster. I think Nate needed my banter to keep him from losing more of his mind, but Danny deprived him (and you, listeners) of it. That was easily the most unhinged he’s ever gotten on the air. I should’ve brought him some Jack Daniels.

Now for the part you came to read: my notes on the episode. I had plenty of time to jot them down since I was under Danny’s vow of silence.

  • In my defense, I figured Danny would love riding the pteronadon-bot again, and he’s surprisingly resilient given he survived the fall into the ocean. Maybe Nate was unintentionally right about him being Superman with a Beta Capsule?
  • Should my job feel threatened that Nate handled himself remarkably well without my help? No, because he needs someone to push his figurative and literal buttons. Plus, our viewership would drop because sometimes I get more love than him. 😛
  • I can’t find what karate level Mach Fumiake achieved (story has it she got a blackbelt, but that was after she made this movie), but she did become a champion pro-wrestler in AJW. I even found one of her matches on YouTube!
https://www.youtube.com/watch?v=Zp59WwS1IbA
  • That RX7 was beautiful. Mazdas are gorgeous. I had a 1980 Mazda RX7 back in the day. That’s why I was pissed when Zanon destroyed the one in the movie.
  • What can I say? I’m a sucker for women who know martial arts and can kick my @$$.
  • If you were any other man, Danny, I would’ve killed you for mocking Nick Adams! My laser pistol is kept in a secret drawer in my producer booth.
  • Exploiting my past trauma…how very Sun Tzu of you, Marchand.
  • It’s “Gamera: Super Monster,” Marchand, not “Super Monster Gamera.” (But I doubt anyone cares).
  • I let Danny win. I knew he was faking. I just enjoyed taking a mini-vacation. 😉 Besides, like I said, I have giant robots I built myself in my garage.

Here are Nate’s leftover notes:

The Movie

  • Nine planets: eight now, apparently. (There are NINE planets. You can’t convince me otherwise. –Jimmy)
  • “Resistance is futile.” Good grief, I hope TNG didn’t get that from this! (At least the Borg did it better than Zanon. Small comfort? –Jimmy)
  • I thought about splicing in clips of all the previous episodes I’d done for the Year of Gamera, but I decided not to because it was easier—maybe?—to just broadcast about it. (I could’ve done it if I wasn’t so busy in my garage off the clock. –Jimmy)
  • Oh my gosh, Kenny! You play better than you sing!
  • How is it that only one guy saw the Spacewoman transform and teleport? (I got nothing. –Jimmy)
  • This “Gamera March” gets old quick. (That’s because it’s not from my movie. 😛 –Jimmy)
  • The time of day transforms with the Spacewomen. (Beautiful women can do that, especially when they’re henshin heroines. –Jimmy)
  • Don’t you hate it when your henshin attack gets interrupted by villains too smart to let you do it? (All the time. 😛 –Jimmy)
  • I don’t feel any stakes in this stock footage. I barely feel any stakes in the new footage!
  • When your ringtone sounds like an oily spring. (It might’ve been recorded in my garage…. –Jimmy)
  • Keiichi is stupidly trusting of strangers.
  • Giruge, high heels on a beach doesn’t sound like a good idea. (For once, I have to agree with you, Nate. –Jimmy)
  • If this is actually in the same universe as the previous movies, Gamera is having a lot of déjà vu. “History repeating.” And Zanon can resurrect and control kaiju. How is he having this much trouble conquering Earth?! (You’re complaining, why? –Jimmy)
  • Kilara conveniently opens a portal to Keiichi.
  • “One more chance” is never “one more chance” with Zanon—because he doesn’t understand the concept of numbers. (He went to the “gooder” schools. –Jimmy)
  • This movie is basically several episodes of a henshin hero show spliced together with spit and glue into a compilation movie with Gamera stock footage. (You might want to have it on Henshin Men, Nate. 😛 –Jimmy)
  • This movie just does whatever it wants without explanation. (Like me. 😛 –Jimmy)
  • So. Much. Padding!
  • Gamera jazz hands.

Commentary by Richard Pusateri

  • Says he likes Gamera more because of studying this movie?! (Some universities offer degrees in it. –Jimmy)
  • Likens tokusatsu to bonsai gardening: they know it isn’t real but appreciate the artistry of it and don’t see it as deceptive or trickery.
  • Argues that a movie doesn’t have to be good as long as it’s entertaining. (paraphrase)
  • “Space Macarana.” 😛
  • Toho = MGM, Toei = Warner Bros. Daiei = Universal
  • Could see this as a coda in a symphony or as a greatest hits album.
  • The wormhole recalls Godzilla’s Revenge.
  • The music in the “Dodzilla” scene might be emulating the theme from Son of Godzilla.
  • Jokes that Jackie Chan was Giruge’s stunt double.
  • Gamera vs. Barugon to the Shaft theme.
  • Jokes that Keiichi begging Gamera not to go to Shane.

Intro by August Ragone

  • “Previously on Gamera…”
  • A musical?

Galbraith

  • Claims the Dozilla clip was cut from the US version.

LeMay

  • Yuasa went on to direct episodes of Ultraman 80 after this.
  • This was sort of the inspiration for the 1995 Playdia video game Gamera: The Time Adventure.

Toku Topic: The Rise and Fall of Daiei Film (aka the Japanese Film Crash of 1970)

  • The Japanese Film Crash of 1970:
    • Films had to be leaner and more commercial, appealing to broader audiences. Genres like yakuza and “youth pictures” died. By 1970-1971, franchises like The Crazy Cats, Young Guy, Station Front, and the Boss were gone.
    • Genre films were being screened more at drive-ins and lowbrow theaters. Toho went from dealing with studios like Columbia and AIP to struggling “fly-by-night” companies.
    • There were several other trends that contributed to this:
      • People moved from the cities to the suburbs. This brought theater attendance down. Industrialization. Many theaters were closed because of this.
      • Foreign films started eating up ticket sales, and by 1975, they outsold domestic releases. It was hard to compete with big-budget Hollywood productions.

We did it! It’s uphill from here!

Since Nate survived (barely), Godzilla Redux continues next week with 1956’s Godzilla, King of the Monsters!, We’ll be joined by “the littlest gatekeeper,” Elijah Thomas of the Kaiju Conversation podcast. He’ll tell you who the “tru phans” are. Then, much to Nate’s excitement, he’s having the original Tourists return to start their journey through the Heisei Gamera trilogy with 1995’s Gamera: Guardian of the Universe.

Huzzah!

Social media:

#JimmyFromNASALives       #WeShallOvercome

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Jimmy’s Notes on Episode 45 | ‘Godzilla: The Series’ – ‘New Family’ and ‘DeadLoch’ (feat. Eli Harris)

I can neither confirm nor deny that I spent a sizable portion of my latest paycheck on aloe vera cream after getting burned in episode 45 by Eli Harris. He’s lucky he’s a paying Patron, or I would’ve tongue-lashed him right back. (Nate’s editorial: Whatever helps you sleep at night, Jimmy).

Now for what you actually came here to read: my notes on the episode. In between enduring some zingers, I managed to take a few. They were mostly responses to what Nate and Eli said as opposed to corrections. Kudos there, guys. But you won’t always be able to escape that. So, here’s what I jotted down:

  • That’s your best recommendation for a drink, Marchand? These are better: The Happy Moment, the Megalon Bomb, and the Plasma Spark. Although, my personal favorite is the Nick Adams Apple Cider.
  • Digimon is clearly superior to Pokémon—yes, because technology. I might even still have one (or three) of those virtual pet toys in my quarters. (Don’t judge me!)
  • I want an ejection button and seat for the guests’ chairs. I might even install one in the host chair, Marchand. I know George 3 has suggested I do that. After the episode 45 broadcast, it got more tempting. 😛
  • Don’t make me pull that EES lever, Marchand! I’ll shoot you into space myself! 😛
  • Or the show inspired the unmade Godzilla (1998) sequel? I’m sure they were in development relatively close together. This video from the Kaiju Masterclass online convention sheds some great light on it. It’s an interview with screenwriter Tab Murphy.
  • I could take Monique. Can she claim to have survived the (in)famous War in Space? I don’t think so! Next time I see her at the gym, I’ll challenge her to a sparring match. I’ll let you know how it goes. (Nate’s editorial: Badly).
  • I offered to have the H.E.A.T.-Seeker treated for rust, but Tatapoulos won’t do it. He says the boat would lose its charm if it was treated. Maybe this is my inner “car guy” talking here, but I have to disagree. Especially since you don’t want rust weakening your hull when you’re being attacked by a kaiju.
  • Randy Hernandez isn’t ready for my quips. You know firsthand, Nate.
  • Nate, that was the Titan Truth Podcast logo! How did you miss that?!

As required by my contact, here are Nate’s leftover notes from the episode:

“New Family, Part 1”

  • The Twin Towers are in the theme and some establishing shots. Awkward? (No. –Jimmy)
  • Pays very close attention continuity despite minor changes. Jamaica being Zilla’s first stop.
  • Nick’s attitude shifts even in this episode: from killing Zilla Jr. to studying it. More Toho-esque.
  • Zilla Jr. holds Nick like Kong does Anne. Almost eats him. Not because of fish smell? Acts like a dog—scratches door and walks in circle before lying down.
  • Animal didn’t know Nick was Audrey’s boyfriend?! (Can you blame him for forgetting? Remember the movie, man! –Jimmy)

 “New Family, Part 2”

  • There are some scaling issues. Sometimes Zilla Jr. is HUGE. (They went for drama and not realism, obviously. –Jimmy)
  • Zilla Jr. throws rocks like Showa Godzilla. He’s also clever and strategic. Thankfully, Zilla Jr. breathes atomic fire and is more durable. Survives landslide.
  • Establishes tension between HEAT and military.

“Deadloch”

  • Hugh Trevor. Pisces.
  • Funny how Monique yells, “Randy!” and Elsie yells, “Nick!” when they dive in to save them. (Two words: sexual tension. –Jimmy)

Notes on the Series

  • Godzilla is animalistic but smart enough to solve problems. He’s loyal to HEAT, but he has his own agency.
  • They had access to other Toho monsters outside of the “big three,” but they kept coming up with ideas for cool new monsters, so there was no room for them.

Nate shared all his Loch Ness Monster research. Hot damn!

Sadly, I don’t know if Nate will survive the next episode, even with guest Daniel DiManna in the guest chair. He calls it “the nadir of the Year of Gamera.” That would be Gamera Super Monster. Even with a pseudo-Star Destroyer and hot women in spandex, it’s a hard sell for me. Assuming Nate survives, we get back to Godzilla Redux with 1956’s Godzilla, King of the Monsters!, which will feature “the littlest gatekeeper,” Elijah Thomas of the Kaiju Conversation podcast. That’ll be interesting.

See you next week!

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
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Jimmy’s Notes on Episode 44: The MSTies vs. ‘Gamera vs. Zigra’

Zigra. Proof positive that Sharknado needs to go into space. Need I say more?

Actually, yes. It’s part of my contractual obligations. But I wouldn’t mind being shot into space. I could easily pilot my way back to Earth, unlike Nate.

As for my notes on episode 44, I took a surprising amount for a movie about a giant flying turtle battling a huge space shark. Let’s get into them:

  • Neil mispronounces “bathysphere” as “bathosphere.”
  • And you’re complaining about this, why, Nate?

  • The name of the actress playing Woman X/Chikako is Eiko Yanami.
  • Nate, did you forget the lady scientist in Final Wars?

  • Tom Servo does say, “We all die in a yellow bathysphere,” during the MST3K episode, Nate. But sadly, the Board mandated you not watch those. I’m genuinely sorry.
  • Appropriately, Nezura and the Baby Gameras have a xylophone player.
  • There are several theories related to the effect of sonic waves on the brain, but testing these theories has yielded inconclusive results.
  • It’s “Rhodes and McCorkle,” Nate, not “Brooke and McCorkle.” Brooke is one of their first names, so it’s understandable you’d get them mixed up.
  • The name of the baseball team with the “curse of the colonel” is the Honshin Tigers.
  • From what I can tell, the “FRP” from your Kamogawa Sea World research was fiber-reinforced plastic.
  • Doc Brown’s theories on time travel…don’t get me started! It creates way too many paradoxes and begs too many questions. I’ll spare you all the rant.
  • Travis and I had a great discussion about time travel in Star Wars after the broadcast. Or rather, he listened to me rant.
  • The Skull Island episode was 14, Nate.

Here are Nate’s leftover notes from his episode 44 research, included as per my contractual obligations:

  • Japan does have a space agency. Episode 15.
  • The audio quality on the theme song is subpar. What happened? (Budget cuts. Duh. –Jimmy)
  • The first scenes have parallelism: Ken starts his day and we see the animals at SeaWorld.
  • A seal named Nick?! (He’s not your friend, Mr. Hayden. –Jimmy)
  • Was Gamera just there or was his Turtle Sense tingling? (Turtle Sense. How else does he know where there are children in trouble? –Jimmy)
  • There’s an insignia is Star Trek that looks like the iris on the Zigra ship. (It’s the Vulcan insignia, I think. –Jimmy)
  • Wow. Woman X actually says kids are smarter.
  • Planet Zigra. Zigrans. Monster is named Zigra. (Confusing, I know. It’d be like a human naming his child “Earth” or “Human” or “Terran.” Although, there is a Tera Strong. –Jimmy)
  • She references both the Kanto and Sanriku earthquakes (episode 33).
  • Lots of scientific info for the kids. Educational.
  • She (Woman X) runs like molasses. And conveniently freezes. The heck?!
  • And the kids somehow know how to use the spaceship controls. Ken even says he can use a motorboat easily. (I taught him now. 😛 –Jimmy)
  • Gamera always has bloodshot eyes. Is he on drugs? Not sleeping? Both? (Perhaps he should be drug tested. –Jimmy)
  • Man, the dads missed a ride with Gamera because they got hypnotized.
  • Helen says at tech end of the scene, “Boys are no use at all.” The littlest feminist.
  • “Earth Defense Army,” huh? (They didn’t last long, unfortunately, in large part because of their weakness during the Zigra Invasion of 1971. –Jimmy)
  • Of course the fisherman stops for Woman X. (What guy wouldn’t? 😛  –Jimmy)
  • And Tokyo Tower will be destroyed again later in a better Gamera film.
  • Oh, now Gamera’s underbelly can take shots. And yet he still needs a rock.
  • And his fire breath is so hot, it still works underwater. Sure. (It defies science, so I don’t get it, either. –Jimmy)
  • Inexplicable bipedal-ness!
  • These Showa Gamera movies liked not have normal bipedal monsters aside from Gamera.
  • So, the different water pressure made him bigger. And he’s going to wipe everyone out because of this. Also, he should rule the oceans because he’s “beautiful.” (He’s quite the narcissist. –Jimmy)
  • Good grief, these kids can sneak into anything, including bathyspheres. Why? (Ninjas. Duh! 😛 –Jimmy)
  • Gamera foes love to sleep. Zigra, Jiger, Barugon. Others?
  • Gamera threw a rock at Zigra and then snuck up to grab the bathysphere. What the heck?!
  • Chikako the geologist knows a lot about biology. (All scientists know everything about science. Trist me, I know. 😛 –Jimmy)
  • What happens if cell activity stops? (Is this a trick question? –Jimmy)
  • They’re dead but not dead? They say to use electroshock—and we don’t see it.

The Commentary by Sean Rhoads and Brooke McCorkle

  • Opens with a moon exploration scene, which was a product of the time. Apollo program going on in 1971. Moon landing in 1969.
  • Yellow caps and blue shirts were the uniforms for preschoolers.
  • The actress who plays the older sister was Flobella two years earlier.
  • Interestingly, the EPA was established this year.
  • Japan relies on the sea more than any other country, and twice as much as second-place Scandinavia.
  • There’s disagreement over the “Gamera Song” lyrics because the words can be used, in one form or another, for elements (gold, wood, fire, etc.), the days of the week, or the names of planets.
  • (Rhoades says “Gamera vs. Gigan”). (I’d have interrupted and corrected them, but I wasn’t there. –Jimmy)
  • Tokyo Tower is a national symbol, particularly of technological advancement because it’s a radio tower.
  • McCorkle sees Zigra as the embodiment of planetary wrath because he has the same blame as his planet. Similar to Battra.
  • The environmental moral is about personal and not corporate pollution.

Arrow Booklet

  • Daiei was removed from the Tokyo Stock Exchange Dec. 28, 1971.
  • Yuasa blamed the studio’s failure on Masaichi’s son, Hidemasa, being “too much of an artist to run a movie studio.”

Ragone Intro

  • He says this was the first Gamera movie to tackle environmentalism. Others have argued against this.
  • The old man is bad attempt at a joke referring to a Japanese folk tale about a woman travels into the ocean and returns as an old man.

Big Book by John LeMay

  • Yuasa says Zigra was inspired by a shark attack in Japan that made national news.
  • Gamera gets off easy—hypnotized into a coma—compared to previous movies.

Galbraith

  • Describes Zigra as “part shark, part bird, with a touch of the Nautilus.” (He’s not wrong. –Jimmy)
  • Calls this “a cheap, depressing little film.” (Okay, even I think this is a bit mean. –Jimmy)

Unsurprisingly, Nate got through all his notes on Kamogawa Sea World. But then again, it’s not like it was a particularly scholarly topic.

Next week is our first ever Patreon-sponsored episode. In fact, MIFV MAX member Eli Harris pledged at the level where he could come on the show as a guest! He and Nate will discussed three episodes of Godzilla: The Series, specifically the two-part premiere “New Family” and Eli’s favorite episode, “DeadLoch.” Then, unfortunately for Nate, the “Year of Gamera” continues with the infamous Gamera: Super Monster. It has some of his favorite things—kaiju, superheroes, and spaceships—but I’m not sure he’ll survive. Hang in there, man! Remember what I always say:

#WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

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BONUS Jimmy’s Notes on Quantum Mechanics (for KW Episode 80/MIFV Bonus Episode 8)

The special crossover broadcast between MIFV and Kaiju Weekly on Godzilla: Singular Point went long. So long, in fact, Nate wasn’t able to share his research on quantum mechanics. Their “Amalgam Universe” fusion wasn’t quite absolute. Well, I should say he wasn’t able to share our research. I did 97% of it since, you know, I worked at NASA. But as Nate said during the broadcast, he’s “the best three-percenter” we know. (I kid, by the way. Nate spent several hours researching, and he consulted with me and the other scientists on Monster Island).

So, as a supplement to this special episode (which will be out Wednesday on both the Kaiju Weekly and Monster Island Film Vault feeds), I’m presenting that research. I think it explains quantum mechanics pretty well for a layman and sheds a little light on Singular Point. It’ll hopefully make the series a bit easier to understand and increase your appreciation for it. Toh Enjoe, the screenwriter, is a former physicist, and that background is definitely apparent in this wonderful series.

Anyway, like I said, the episode drops Wednesday. Enjoy!

NOTE: All bullets in quotes are lifted directly from the listed sources. All others are paraphrases.

NOTE 2: Read Nate’s leftover notes on the series itself in another Jimmy’s Notes.

  • Sources:
  • Richard Feynmann, who won the Nobel Peace Prize for his work on quantum electrodynamics, said, “If you think you understand quantum physics, you don’t understand quantum physics.”
  • However, has helped us develop technologies like computers, digital cameras, LED screens, lasers, and nuclear power plants.
  • Basically, everything works with quantum physics.
  • “It’s right there in the name– the word “quantum” comes from the Latin for “how much” and reflects the fact that quantum models always involve something coming in discrete amounts.”
  • “Quantum mechanics is a fundamental theory in physics that provides a description of the physical properties of nature at the scale of atoms and subatomic particles.[2]:1.1 It is the foundation of all quantum physics including quantum chemistry, quantum field theory, quantum technology, and quantum information science.”
  • “Classical physics, the description of physics that existed before the theory of relativity and quantum mechanics, describes many aspects of nature at an ordinary (macroscopic) scale, while quantum mechanics explains the aspects of nature at small (atomic and subatomic) scales, for which classical mechanics is insufficient. Most theories in classical physics can be derived from quantum mechanics as an approximation valid at large (macroscopic) scale.[3]”
  • “In classical mechanics, objects exist in a specific place at a specific time. However, in quantum mechanics, objects instead exist in a haze of probability; they have a certain chance of being at point A, another chance of being at point B and so on.”
  • “Quantum mechanics (QM) developed over many decades, beginning as a set of controversial mathematical explanations of experiments that the math of classical mechanics could not explain. It began at the turn of the 20th century, around the same time that Albert Einstein published his theory of relativity, a separate mathematical revolution in physics that describes the motion of things at high speeds. Unlike relativity, however, the origins of QM cannot be attributed to any one scientist.”
  • The three principles of quantum mechanics, which gained acceptance between 1900 and 1930:
    • “Quantized properties: Certain properties, such as position, speed and color, can sometimes only occur in specific, set amounts, much like a dial that “clicks” from number to number. This challenged a fundamental assumption of classical mechanics, which said that such properties should exist on a smooth, continuous spectrum. To describe the idea that some properties “clicked” like a dial with specific settings, scientists coined the word ‘quantized.’”
      • “In 1900, German physicist Max Planck sought to explain the distribution of colors emitted over the spectrum in the glow of red-hot and white-hot objects, such as light-bulb filaments. When making physical sense of the equation he had derived to describe this distribution, Planck realized it implied that combinations of only certain colors (albeit a great number of them) were emitted, specifically those that were whole-number multiples of some base value. Somehow, colors were quantized! This was unexpected because light was understood to act as a wave, meaning that values of color should be a continuous spectrum. What could be forbidding atoms from producing the colors between these whole-number multiples? This seemed so strange that Planck regarded quantization as nothing more than a mathematical trick.”
      • “Planck’s equation also contained a number that would later become very important to future development of QM; today, it’s known as ‘Planck’s Constant.’”
    • “Particles of light: Light can sometimes behave as a particle. This was initially met with harsh criticism, as it ran contrary to 200 years of experiments showing that light behaved as a wave; much like ripples on the surface of a calm lake. Light behaves similarly in that it bounces off walls and bends around corners, and that the crests and troughs of the wave can add up or cancel out. Added wave crests result in brighter light, while waves that cancel out produce darkness. A light source can be thought of as a ball on a stick being rhythmically dipped in the center of a lake. The color emitted corresponds to the distance between the crests, which is determined by the speed of the ball’s rhythm.”
      • “In 1905, Einstein published a paper, “Concerning an Heuristic Point of View Toward the Emission and Transformation of Light,” in which he envisioned light traveling not as a wave, but as some manner of “energy quanta.” This packet of energy, Einstein suggested, could “be absorbed or generated only as a whole,” specifically when an atom “jumps” between quantized vibration rates. This would also apply, as would be shown a few years later, when an electron “jumps” between quantized orbits. Under this model, Einstein’s “energy quanta” contained the energy difference of the jump; when divided by Planck’s constant, that energy difference determined the color of light carried by those quanta.”
      • “Roughly two decades after Einstein’s paper, the term “photon” was popularized for describing energy quanta, thanks to the 1923 work of Arthur Compton, who showed that light scattered by an electron beam changed in color. This showed that particles of light (photons) were indeed colliding with particles of matter (electrons), thus confirming Einstein’s hypothesis. By now, it was clear that light could behave both as a wave and a particle, placing light’s “wave-particle duality” into the foundation of QM.”
    • “Waves of matter: Matter can also behave as a wave. This ran counter to the roughly 30 years of experiments showing that matter (such as electrons) exists as particles.”
    • These aren’t physical waves, though. It’s an abstract mathematical description. In other words, no one knows if it’s real because no one has seen a quantum wave. All we see is an electron particle. This barrier in knowledge between the quantum realm and our world is called a measurement barrier.
    • The Double Slit experiment: Think of firing a paintball gun at a wall with two slits. You expect to see two lines on the back wall thanks to the slits. Quantum wavelengths enter those slits and then split off into new waves, creating multiple lines.
  • “Also in 1927, Heisenberg made another major contribution to quantum physics. He reasoned that since matter acts as waves, some properties, such as an electron’s position and speed, are “complementary,” meaning there’s a limit (related to Planck’s constant) to how well the precision of each property can be known. Under what would come to be called “Heisenberg’s uncertainty principle,” it was reasoned that the more precisely an electron’s position is known, the less precisely its speed can be known, and vice versa. This uncertainty principle applies to everyday-size objects as well, but is not noticeable because the lack of precision is extraordinarily tiny. According to Dave Slaven of Morningside College (Sioux City, IA), if a baseball’s speed is known to within a precision of 0.1 mph, the maximum precision to which it is possible to know the ball’s position is 0.000000000000000000000000000008 millimeters.”
  • “In 1927, Paul Dirac applied a quantum understanding of electric and magnetic fields to give rise to the study of “quantum field theory” (QFT), which treated particles (such as photons and electrons) as excited states of an underlying physical field.”
  • “Since the breakthrough of renormalization, QFT has served as the foundation for developing quantum theories about the four fundamental forces of nature: 1) electromagnetism, 2) the weak nuclear force, 3) the strong nuclear force and 4) gravity. The first insight provided by QFT was a quantum description of electromagnetism through “quantum electrodynamics” (QED), which made strides in the late 1940s and early 1950s. Next was a quantum description of the weak nuclear force, which was unified with electromagnetism to build “electroweak theory” (EWT) throughout the 1960s. Finally came a quantum treatment of the strong nuclear force using “quantum chromodynamics” (QCD) in the 1960s and 1970s. The theories of QED, EWT and QCD together form the basis of the Standard Model of particle physics. Unfortunately, QFT has yet to produce a quantum theory of gravity. That quest continues today in the studies of string theory and loop quantum gravity.”
  • “There’s lots of places to start this sort of discussion, and this is as good as any: everything in the universe has both particle and wave nature, at the same time. There’s a line in Greg Bear’s fantasy duology (The Infinity Concerto and The Serpent Mage), where a character describing the basics of magic says “All is waves, with nothing waving, over no distance at all.”
  • “One of the most surprising and (historically, at least) controversial aspects of quantum physics is that it’s impossible to predict with certainty the outcome of a single experiment on a quantum system. When physicists predict the outcome of some experiment, the prediction always takes the form of a probability for finding each of the particular possible outcomes, and comparisons between theory and experiment always involve inferring probability distributions from many repeated experiments.”
  • “The mathematical description of a quantum system typically takes the form of a “wavefunction,” generally represented in equations by the Greek letter psi: Ψ.”
  • “In either class of foundational model, the probability of finding an outcome is not given directly by the wavefunction, but by the square of the wavefunction … This is known as the “Born Rule” after German physicist Max Born who first suggested this (in a footnote to a paper in 1926), and strikes some people as an ugly ad hoc addition.”
  • Einstein’s EPR paper and “entanglement”:
    • “The EPR paper argued that quantum physics allowed the existence of systems where measurements made at widely separated locations could be correlated in ways that suggested the outcome of one was determined by the other. They argued that this meant the measurement outcomes must be determined in advance, by some common factor, because the alternative would require transmitting the result of one measurement to the location of the other at speeds faster than the speed of light. Thus, quantum mechanics must be incomplete, a mere approximation to some deeper theory (a “local hidden variable” theory, one where the results of a particular measurement do not depend on anything farther away from the measurement location than a signal could travel at the speed of light (“local”), but are determined by some factor common to both systems in an entangled pair (the “hidden variable”)).”
  • “This was regarded as an odd footnote for about thirty years, as there seemed to be no way to test it, but in the mid-1960’s the Irish physicist John Bell worked out the consequences of the EPR paper in greater detail. Bell showed that you can find circumstances in which quantum mechanics predicts correlations between distant measurements that are stronger than any possible theory of the type preferred by E, P, and R. This was tested experimentally in the mid-1970’s by John Clauser, and a series of experiments by Alain Aspect in the early 1980’s is widely considered to have definitively shown that these entangled systems cannot possibly be explained by any local hidden variable theory.”
  • Quantum tunneling: when a wavelength passes through a barrier, is degrades. If the barrier is narrow enough, it may still exist on the other side. Protons have a chance of existing on the other side. We’re alive because of it. This is what makes the sun shine. Protons normally repel each other, but they have a small chance of tunneling, which turns hydrogen into helium and releases fusion energy.

Until next time, remember: #WeShallOvercome

#JimmyFromNASALives

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Jimmy’s Notes on Episode 42: Ben Avery vs. ‘Gamera vs. Jiger’

As good as episode 42 was (because “life, the universe, and everything”), I took plenty of notes on it. Nate has some explaining to do! 😛

Let’s get started:

  • Nate mispronounced “syndrome.” Shame, shame. 😛
  • I asked Mr. Martin for his thoughts on pen theft, and this is what he told me on Twitter:
    • “Per the Standards and Practices memorandum issued by the (Monster Island Board of Directors): Any and all items located on Monster Island, its wharf and docking bay, and all nearby archipelagos, whether explicitly or implicitly stated, belong to the Monster Island Entertainment Corporation, LLC, and its subsidiaries and stockholders. Any willful destruction and/or unauthorized removal of MIEC ‘meek’) property is a crime under Oceanic Law; dismissal, fines, and jail time are all possible dependent upon the severity of the crime. Judgement will be handled by the Monster Island Judicial System (‘midges’) and justice will be swift and fair. The Monster Island Legal Action Team will oversee all prosecutions, with the current Attorney General presiding as Lead Counsel against any defendants.”
    • I then said, “Thank you. I now fear for (Ben Avery’s) life.” To which Mr. Martin said, “I believe the Board has discontinued the use of genetically-engineered Hunter-Tracker Meganula larvae, but don’t quote me on that until I get Gary to do the archive research.”
  • How did Ben watch both versions of the movie? I suspect he watched it with his kids before leaving for the Island and then again when he arrived.
  • The Exorcist film was released December 26, 1973. The novel was published June 1971. In other words, Gamera vs. Jiger predates both.
  • Yes, Shunsuke Kikuchi worked on both Dragon Ball and Dragon Ball Z.
  • “You and Jimmy”? You mean me and Masao? Be specific, Marchand!
  • The name of the Keisuke actor is Sanshiro Honoo.
  • It’s Lemuria, Nate. That was the other “lost continent” you couldn’t think of.
  • It annoys me that I forgot what I was going to say toward the end of the Toku Talk.
  • Nate was right. The Irwin Allen-produced submarine TV series was Voyage to the Bottom of the Sea.
  • According to this inflation calculator, $500 million in 1970 would be $3,469,007,731.96 in 2021(!).
  • Here are the authors the International Symposium of Science Fiction that Nate didn’t mention (all of them hailed from the Soviet Union):
    • Vasilii Pavlovich Berezhnoi
    • Yulii Iosifovich Kagarlitskii (aka Julius Kagarlitsky)
    • Ieremei Iudovich Parnov
    • Vasilii Dmitrievich Zackharchenko
  • Personally, I loved Expo ’70! Seeing Gamera there was exciting. He even remembered me and gave me a wave. But sadly, all my photos from the event were destroyed when the Messiah 13 Aliens attacked New York. L
  • Your Dad guarded a moon rock, eh, Nate? That’s impressive, but I have Venus rocks. I’ll show them to you next time you come over to my quarters, Nate.
  • This is the human washing machine, and I do like this model. 😉
  • This was the best info I could find quickly on Tiger Child. And it’s not a nature documentary. It’s loftier than that, it seems.
  • Here’s an article on maglev technology. It’s mostly used for trains. If you’ve been to Disneyworld in Florida, you’ve ridden a train that uses it.
  • Nice catch at the end with Patreon, Ben. In order to donate $3 a day, someone would have to become my intern—which would be nice, actually.

Now for the contractually-obligated leftover notes from Nate’s episode prep:

The Film (Main Notes)

  • Hiroshi has the bushiest eyebrows. (He practically has to comb them. –Jimmy)
  • There’s a nice matting of a long distance live action shot with some toku footage of Gamera.
  • Jiger is female. Jiger has a giant head. Big head code? She drinks water after awakening. Rarely seen. Jiger doesn’t crawl, unlike other quadrupeds. (“Big head code”? That was a thing in ‘90s video games, right? I know, “Okay, boomer.” 😛 –Jimmy)
  • How did Gamera go from flying to swimming in one cut? (Bad editing. –Jimmy)
  • You know, Jiger, Mothra did that ship-destroying move first. Must be a female kaiju thing. (I’ll pass that observation along to the scientists. –Jimmy)
  • Jiger means “terrible as a demon,” apparently.
  • Now the “Gamera song” has gone from listing planet names to the days of the week. Because. (The original was better. Because it was in my movie, of course. –Jimmy)
  • Gamera has a cheerleading squad. (Lucky bastard! –Jimmy)
  • Gamera stole the “tail smash” move from Godzilla.
  • Those x-rays are on display on the Island and used for reference.
  • These kids just know how to operate the sub. (Well, Masao and I did, too. But, you know, we’re smart. –Jimmy)
  • Unsurprisingly, the English-speaking actors aren’t great.
  • What does people from Africa getting weak going north and Eskimos getting weak going south have to do with Jiger being weak to sound?
  • 80 metric tons? Gamera’s a lot lighter than basically every Toho kaiju. By a lot. Godzilla is at least a 1,000 times heavier. (Talk about completely different weight classes! –Jimmy)
  • The kids yell at Gamera as if he can hear them. Which it seems he can. (Because…psychic? –Jimmy)

Intro by Ragone

  • In Shoben Jump Magzaine, Jiger was called “Monster X.”

The Commentary by Edward L. Holland

  • Yuasa sought out the child actors in this film.
  • There was a second monster boom in Japan in 1971.
  • Jiger’s roar is a variation of Guiron’s.
  • Yuasa was fond of beer.
  • Says the film plays out a bit like an Ultraman episode.
  • Sithantaku, the “Eifel Tower of Osaka.”
  • Story has it that Tsuburyaya sent a letter to Yuasa telling him to tone down the gore in the Gamera films.
  • Gamera looks like a vinyl toy after being impregnated by Jiger.
  • They use an “opaque projector on steroids” to discuss Gamera’s anatomy.

Galbraith

  • People either think it’s outrageous or “routine.”

Toku Topic: Expo ‘70

  • Many science fiction writers and artists were involved with the Expo, including:
    • A farcical multi-screen science fiction film created by writer Abe Kõbõ and filmmaker Teshigahara Hiroshi for the Auto Pavilion.
  • “With its characteristic rhetoric of multi-polar humanism, the text goes on to assert that wisdom to avoid such a dire fate and unlock the ‘prosperity of mankind’ can be found not in one place but ‘wherever human beings can be found.’ ‘If the diverse wisdoms of mankind can be effectively exchanged and [allowed to] mutually stimulate each other,’ the text continues, ‘a higher level of knowledge can appear, and from the understanding and tolerance between different traditions, we can achieve the harmonious development of a better life for all of mankind.’”
  • The corporate pavilions, which were dominated by domestic Japanese pavilions, also featured various visions of the future. “The Mitsubishi Future Pavilion, which was divided into a display of the untamed elemental power of ‘Japan’s Nature’ followed by ‘Japan’s Sky,’ ‘Japan’s Sea,’ and ‘Japan’s Earth’ as they would be developed in the twenty-first century: space stations and a weather monitoring and control center in the sky; an underwater city, ‘marine pasture,’ and power plant in the sea; and a twenty-first century city on land.
  • The biggest reason Expo ’70 was seen as a “city of the future” (mirai no toshi) was the “juxtaposition of innovative architectural forms, including Tange’ s Grand Roof, the low inflated dome of the American Pavilion and aggressively pitched roof of the Soviet Pavilion, and most especially, the contributions of the young Japanese architects associated with the Metabolist movement, including Kikutake Kiyonori’s Expo Tower and Kurokawa Kishô’s Toshiba IHI Pavilion and Takara Beautilion, all interpenetrated by the futuristic transportation infrastructure of monorails and moving sidewalks.” (By the way, the Metabolist movement was a postwar architectural movement in Japan that sought to fuse architectural megastructures with organic growth).

Writing this made me nostalgic for Expo ’70. I was barely 11 and was very impressionable. I’ve little doubt attending it pushed me toward a career in space and NASA.

Anyway, next week’s episode marks the beginning of a new chapter for MIFV: “Godzilla Redux.” Nate will be covering the Godzilla films he discussed on…his previous podcast with…someone else. He starts with the beginning, naturally, with Godzilla (1954). He’s bringing back the original Tourist crew of Nick Hayden, Timothy Deal, Joe Metter, and Joy Metter. Then we have a special crossover episode with Kaiju Weekly for the soon-to-be-internationally-released anime Godzilla: Singular Point. We’re working out the details, but it should be BIG. Then the “Year of Gamera” continues with Gamera vs. Zigra, which will feature Kaiju Weekly co-host/MIFV MAX member Travis Alexander and Atomic Turtle host Matt Noponen. I know Nate dislikes it, but come on! A beautiful woman parades around in a bikini for 15-20 minutes! What’s not to like?

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

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Jimmy’s Notes on Episode 41: ‘Sayonara Jupiter’ (Mini-Analysis)

I’m amazed we weren’t bombarded with e-mails and DM’s calling me crazy. Why? Sayonara Jupiter isn’t exactly a classic for tokusatsu fans, but I love the damn film. Marchand can joke all he wants about it only being because of the infamous zero gravity sex scene or because it was dedicated everyone from my former employer—which means it was dedicated to me. And let me tell you, I wasn’t the only one at NASA who tried zero G lovemaking. However, I will tell you that, as John Varley showed in his novel Titan, it takes great care and every move must be planned. Otherwise, you risk a concussion, and that would kill the mood. I speak from experience.

(Poor Maggie. She dumped me the next day at the infirmary for that. Served me right).

Anyway, as usual with Nate’s scripted episodes, I don’t have many notes since he consults with me before going on the air, especially with a space film like this. I do have the leftover notes from his research, though. Here they are:

  • Solar System Weekly magazine. They still thought paper mags would be a thing in 150 years. (I still have a subscription. –Jimmy)
  • There’s a lot of English being spoken in this. (It’s a very international film. Also, English is already the trade language on Earth, so it makes sense it would be in space. –Jimmy)
  • Blatant product placement for Coke in zero G! (And I still prefer Pepsi. –Jimmy)
  • Loves long sequences of the spaceships. And odd cinematography at weird angles. (Beautiful. –Jimmy)
  • Also, Zoids! (You mean “droids”? 😛 –Jimmy)
  • The woman knows a little Japanese. And she speaks it perfectly.
  • Characters switch between English and Japanese and still understand each other. Proto-Final Wars. Star Wars. (Two words: universal translator. –Jimmy)
  • Ha! American watches Ghidorah the Three-Headed Monster. Honda watched a samurai movie. (That’s a popular film in NASA. –Jimmy)
  • Hmm. That’s a clever logo. Many meanings.
  • Why do the old ladies dress like they’re from ‘50s? (Because they’re old? 😛 –Jimmy)
  • There’s some strange parallelism between the protester attack and GT3HM. (Which is weird. –Jimmy)
  • Hirata appears. He has a mustache.
  • Of course Honda grabs the cute terrorist and takes her away. In a slo-mo hall scene. Well, they know each other, at least.
  • Space Arrow. (I love this ship. Not as much as other ships, but it’s still excellent engineering. –Jimmy)
  • The ship’s AI is named Navajo. Okay…. (The combat AI was named “Tom A. Hawk. 😛  –Jimmy)
  • Oh no. A photo of his family. He’s dead.
  • The scale of these miniatures aren’t quite as convincing as American sci-fi films.
  • Is the Jupiter Ghost ship the dark spot? It’s 120 KM long—3/4 of a mile!
  • There are several interracial romances between Japanese and westerners in this. (You can thank Nick Adams and Glen for that. J -Jimmy)
  • What’s happening with this red wormhole thing? Where’d it come from? (Amusing that computer screams “Wake up”). Later established to be a black hole. (Shouldn’t it be a “red hole”? –Jimmy)
  • The Japanese actors speak surprisingly good English.
  • Einstein City? Where’s that? (The moon. –Jimmy)
  • ‘80s-style retro-future. (Reminds me of my youth. –Jimmy)
  • Hippy Jesus gets a music video?
  • These people hardly seem like terrorists. (That’s what terrorists want you to think! –Jimmy)
  • Some of the acting is subpar. Mostly the westerners.
  • Pills that give you courage without side effects? That’s an interesting drug. Placebo? (The pill is a lie. –Jimmy)
  • “Neo-retro.” (Good one, Nate. –Jimmy)
  • What’s with the graffiti on the walls of the control room? (Freedom of expression is encouraged in NASA. Sometimes. –Jimmy)
  • I don’t get Carlos’s weird love for Jupiter. He wants to give it a “perfect death.”
  • Crewman named Tanaka. Another homage?
  • They have a warp core?
  • I get the feeling the conflicting theme here is whether humanity has the right to destroy a planet to save themselves. Destroy part of nature to save themselves.
  • Eiji says he’ll “turn to gas” to protect the solar system. (All matter can become gas at the right temperatures. That sounded unintentionally frightening. –Jimmy)
  • One guy—a westerner—gets excited at the end, but everyone else is somber. Probably for the deaths and other sacrifices.
  • Eiji and his lover get graves on an asteroid. Carlos asks for one next to him. Millie says she’s tired of making graves for those she loves. A statement celebrating life.
  • First scene based on images from Voyager 1 and 2 of Mars.
  • The Jupiter Church scenes were filmed in Okinawa.
  • Says the Jupiter Ghost was a lifeform?! So, it’s a kaiju?! It was a massive model.
  • Found the theory about solarizing a planet to be “romantic.”
  • Komtasu wrote the novel and created the studio Io to make the film.
  • Hashimoto whispered to Komatsu just before starting filming: “Komatsu-san, I hope we stay in the planning stages forever.” (That would drive me crazy! I like results and enjoying the fruits of my labor. –Jimmy)
  • The same special effects system used for Star Wars, Motion Control System (MCS) was requested, but the staff was inexperienced with it and had to learn it. They even had a “top secret” robot cameraman called “Abbot” that required the operator to spend a day at lecture and training to learn its computer system.
  • First Japanese film to use computer graphics.
  • The miniature designers also worked on Macross and Gundam.
  • Several sources say Gorath eventually led to this film. (That damn rogue star still gives me nightmares! –Jimmy)
  • Considered making this into an anime first.
  • Director Tezuka modeled all his scientist characters after Komatsu.
  • Yuko Weisser says a theater group he was in called Forest of Muses (Muse No Mori) made their own stage version of the film subtitled End of Miyazu. It featured yakuza clan trying to explode Jupiter. The clan’s ladies were the main characters.

And now my Jimmy’s Notes on Toho classics comes to end. But now I get to write them as part of MIFV’s “Godzilla Redux.” Which means we eventually get to discuss my “man crush,” as Marchand puts it, Nick Adams again!

Next week Nate continues the “Year of Gamera” with Gamera vs. Jiger, an episode that will feature podcaster and writer Ben Avery. Then the aforementioned “Godzilla Redux” begins with the original 1954 classic, Godzilla, directed by Ishiro Honda.

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

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Jimmy’s Notes on Episode 40: The MSTies vs. ‘Gamera vs. Guiron’

Strap in, folks. I have a lot of notes for last week’s episode. And Marchand took way too many notes and didn’t use them all. Of course.

First, here are my notes:

  • Correction, Nate: “Joel and the Bots.” I know you love Mike, but the Gamera episodes were Joel’s.
  • It’s “Gaos” (“gows”) not “Gyros,” Greg.
  • The “Dull surprise!” skit was from the Alien from L.A. episode of MST3K.
  • The ridiculously long title of LeMay’s film cuts book is The Big Book of Japanese Giant Monster Movies: The Lost Cuts: Editing Japanese Monsters Volume 1: U.S. Edits (1956-2000). You’re welcome.
  • The name of Kondo’s/Cornjob’s’s actor is Kon Ohmura.
  • Did you say, “Mao,” Nate? Like the Chinese communist leader? How have you not been fired? Does the Board secretly admire the tyrant?
  • It was snow, not a block of ice, Luke.
  • Those alien women’s eyes … they haunt my nightmares! It’s why I’m glad I wasn’t around when they tried to kidnap Gamera after the broadcast. It’s a good thing Crystal Lady was around to save the day.
  • “Flobella” not “Florbella,” Luke. Although, there is some confusion over this.
  • Come on, Nate, have you seen the Xilien women? Hot damn!

  • Yes, I am a proud “Plutoist.” I’ve only visited that rock once, but I assure it is still a planet!
  • “Ideal”? You meant, “idea,” Luke.
  • I know what you mean, Luke, when it comes to navigating city traffic. I grew up in New York City and Japan. I saw the madness of both.
  • What’s a “kig,” Nate? (it’s “kids”).
  • Gamera vs. Jiger not on MST3K, Nate says. Hahaha! (Click here to see how wrong he is).

Now to fulfill my contractual obligations by posting Marchand’s leftover notes:

The Movie

  • Starts with an astronomy lesson. This made Jimmy happy. (Yes, it did, even though some of that info is wrong. –Jimmy)
  • Jimmy also felt right at home in the observatory. He’s been there. (Yes, and it is a wonderful place. I would live at an observatory, if I could. –Jimmy)
  • Of course the kids see the spaceship before everyone else! It’s Gamera! (I usually see spaceships before everyone else. But I’m also a Gamera kid. –Jimmy)
  • Why was the ship sent to earth? (To get to the other side? I don’t know. It’s Gamera. –Jimmy)
  • You could cynically say that the monsters and aliens and stuff only exist in the kids’ imaginations.
  •  “It’s just a rabbit.” Tell that to Night of the Lepus! (Hear Nate’s appearance on Kaiju Weekly for that here. –Jimmy)
  • “They flew here. They’re civilized!” Hahaha! Did you forget the Virasians? (I didn’t. Yeesh! –Jimmy)
  • Gamera must have a spider-sense for children in peril.
  • Do we need color commentary from the kids? (Is this a rhetorical question? –Jimmy)
  • Ah, they have short range transporters. Someone saw Star Trek. We’re leery of teleporters now, though. That’s why your tour guide (Jessica) is out there. (At least you have a sister …. –Jimmy)
  • These sets want to compete with the color of Oz.
  • Jimmy’s annoyed that this sliding floor is nicer to kids than the anti-grav hallways on the Virasian ship. (So unfair! 😛 –Jimmy)
  • Maybe the bad dubs are malfunctioning translator chokers?
  • There is some nice subtle acting from the spacewomen.
  •  “My son”? Trying to be his mother?
  • Jimmy says the American Aerospace Bureau are a bunch of hacks. You can’t believe them when they say flying saucers aren’t real. (Damn straight! –Jimmy)
  • Do they really think these kids are that smart? According to Ragone, the actor playing the white kid couldn’t be in the next movie because his grades dropped.
  • Their razor looks like a ray gun! And the buzzsaw does, too.
  • “Let the monsters fight.” That’s where Ishiro Serizawa got the line.
  • Tom calls the Terrans “big sisters”? It’ a Japanese thing that’s weird in translation. (Probably, given what we’ve researched before. –Jimmy)
  • The “reverse button.” How these two are smart makes no sense, unlike the last one.
  • This is a slow teleporter suddenly.
  • Flobella shoots Barbella because a chair fell on her? There’s a word for someone like that. Also, Terrans just disappear when they die? Did they die? (Apparently not. –Jimmy)
  • The foam blocks don’t hurt the kids. 😛 But it’s a nice subversion that they don’t escape by shooting the button.
  • Gamera has his kid cheerleaders again. They do pretty much nothing aside from accidentally unleash Guiron, who attacks the Terrans, and pushing random buttons that somehow make Guiron go to his room. And even then, Gamera had already retreated underwater! And then they launch a missile that accidentally kills Flobella. At least Masao and Jim did stuff. (Thank you! –Jimmy)
  • Gamera can’t touch his legs. I think that’s a problem.
  • The kids only launched one missile. Where’d the other one come from? Probably the same place as the second Ghidorah skull in GvK.
  • I didn’t realize Gamera was a certified welder. Or that it was magic welding that could make a spaceship airtight again.
  • In the end, the adults learn to believe their kids. Is that a good lesson?
  • The little girl jokes that Kon (Cornjob) is an alien. (I think he is. –Jimmy)
  • Gamera nods at Akio makes his speech. It is Gamera approved.

The Commentary by David Kalat

  • He defends the child actors by saying they are part of a sliver of the population of people who want to be an actor, are good at acting, and are children.
  • Yuasa focused less on the dialogue with the kids and let them “play act” the scene.
  •  (Kalat can’t pronounce half of the Japanese names right).
  • (Says he knows only one sentence in Japanese: “My whole family loves baseball.” He says one day he will go to japan, say this, and presumably starve).
  • Argues that the gory death of Space Gyaos wasn’t intended to be taken seriously. Compared it to Loony Tunes.
  • A kid once said a kid told him that Tsuburaya told him he shouldn’t have such gruesome violence in the Gamera movies. He wasn’t sure the kid was telling the truth because he thought they’d be kindred and introduced more silliness to the Godzilla films. They never met.
  • Compares the effects in this film to a Mickie Mouse cartoon and Kermit the Frog. It looks pleasing, not believable.
  • Yuasa actually asked Toho to let him watch prints of Godzilla films to make Gamera, which they said no. Tsuburaya Productions (I think) let me watch them. He didn’t see Toho as competition but as an older brother he could learn from.
  • Daiei owed Nisan Takahashi more money than anyone else in 1971. Supposedly, he was given the rights to Gamera as payment. He was confused when the heisei trilogy was made, but he did publish a novel titled, Gamera vs. Phoenix.
  • Yuasa: “Watch many movies. Praise what you like about them.” (Words to live by. You hear that, internet? –Jimmy)

Intro by Ragone

  • The composer, Shunsuke Kikuchi, went on to make music for many anime, including Dragon Ball Z.
  • Kids didn’t like the Space Gyaos death, and Yuasa regretted it.

Arrow Booklet

  • Films were churned out annually. Drama scenes filmed in four weeks and the special effects done in two months.
  • Guiron is art director Akira Inoue’s personal favorite monster.

LeMay

  • Yuasa was given another tine budget (20 million yen). They decided to set it on an alien planet to save money and tap into children’s fears of being lost from home.
  • Reiko Kasahara, who played the kind older sister in Gyaos, is one of the alien villainesses.
  • Guiron was considered for Gamera 2, and is rumored to have inspired Legion’s pointy head.

Galbraith

  • Says the dub is so bad, the lines could’ve been read by a cocktail waitress or gas station attendant.

Toku Topic: The First “Traffic War” in Japan

  • Due to all of this growth, key traffic problems included overloading and speeding by dump trucks and gravel trucks and reckless driving by taxi drivers, which were frequently criticized by newspapers and other media. “Most media accounts built a consensus that the main victims of accidents were children, the aged, pedestrians, and cyclists, while the main offenders were professional drivers.”
    • “The situation is very different in Japan. More young (less than 16 years old) and old (more than 54 years old) non-car users are killed in traffic accidents than are car users.”
    • 75% of Japan is mountainous, so population density is high. Since most roads go through highly populated urban areas, it’s difficult to isolate pedestrians and cyclists, who are constitute 60% of auto accidents in Japan.
  •  “…collisions with other vehicles in the US constitute a higher proportion of fatal accidents, whereas collisions with pedestrians play a larger role in Japan. The percentage of fatal vehicle accidents involving collisions with pedestrians is larger in Japan than in the US (28.5 vs. 18.2%). The percentages of traffic accident deaths among non car-users are also larger in Japan than in the US (motorcyclists: 18.6 vs. 6%, bicyclists: 12.3 vs. 2%, pedestrians: 27.7 vs. 14.1%). This results in nearly 60% of Japanese traffic-accident deaths being among non-car users, compared 20% in the US (ITARDA, 1997).”
  •  “In Japan, accident death rates for 16–24 years old increased during the late 1970s and 1980s (MCA, 1997b), even though most high school students were prohibited from having drivers’ licenses by internal school rules (Koshi, 1988).”
  • A few of the aforementioned policies:
    • Japan solutions are focused more on law enforcement and education that engineering (i.e. airbags). It seemed to work as traffic deaths dropped by half from 1970-1980.

Marchand talks about this movie more than Akio talks about traffic accidents. The Stockholm Syndrome really is settling in!

Next week Nate finishes his series of mini-sodes on Toho classics with one of my favorite Toho films, Sayonara Jupiter. It’s a film by the author of Submersion of Japan and the director of Return of Godzilla. It should be … interesting, to say the least. What Nate’s doing after that, I don’t know. Then his friend Ben Avery, the ruler of a mighty podcast empire, returns for the next chapter in the “Year of Gamera” with Gamera vs. Jiger. She got the moves.

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The MIFV Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

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Jimmy’s Notes on Episode 39: The Drifters vs. ‘Gamera vs. Viras’

I wrote down the most notes I’ve had in a long time for episode 39, so buckle up, space cadets, you’re about to get schooled by Jimmy!

  • Nate, the “uncut 90-minute version” was how the first Japanese laserdisc was marketed, not when it was on U.S. TV. Did you forget that from my Entertaining Info Dump? Apparently.
  • There was debate over whether the actress in the film had the same hair color as my mother, but it’s a moot point now because she … died in New York. Yeah, the woman J.R. was probably the actress who played her in this film. Or someone who looked like her. Or he’s crazy.
  • Goji-kun and Bro Kong caused a lot of issues with the broadcast that were edited out of the podcast version. It was a mess. Ultra-Mite was sleeping on the job or something.
  • In Nate’s defense, I’ve gone back and forth on how to say Viras’s name, and I grew up in Japan. I guess I’m still a dirty, dirty American. I also fought the space squid. Well, I helped Gamera fight him. It’s more than most of my fellow Gamera kids did.
  • It was cut to a third, Jack, not by a third.
  • So, while Carl Craig has the spray-painted Nerf gun with a beer can on it, I have a real Virasian blaster rifle. It’s not my favorite gun, but it did burn through my target in my private little shooting range here on the Island.
  • Yes, I’m not happy about not getting invited to the Gamera Gala. And Masao is upset I wasn’t, too. But given what happened to Nate, maybe it was for the best.
  • Yeah, and here’s my Gamera badge:
  • “Relegate,” not, “regulate,” Jack.
  • Yeah, Masao won’t shut up about giving Gamera the “Friend to All Children” title. It drives our fellow Gamera kids crazy. And given that Kenny is already psychotic, that’s saying something!
  • I should also note that my father doesn’t look like the actor in this movie, either. He was a proud member of the U.S. Air Force who was stationed in Japan for a while. It was partly because of him that I enlisted.
  • Carl Craig’s father was American and his mother Japanese.
  • I have a judo merit badge and a blackbelt. Don’t cross me, J.R.! (They don’t work well when I’m drunk, though ….)
  • Masao and I didn’t get our Golden Pheasant awards for a month because we got grounded for our shenanigans. You’d think helping to save the world would nullify that, but no, my parents didn’t want me sub-jacking later in life.
  • Soichi Noguchi and I go way back. He helped me test fly the Gohten once.
  • There was a lot of crack in that MIBOD memo.
  • Death trumps cancer. And I will find out what “J.R.” stands for! Maybe it’s just “Junior.”
  • I’m looking forward to Sayonara Jupiter.
  • Marveller? I’ve yet to examine that machine. Japanese Spider-Man needs to let me keep it in my garage for a day next time.

Now for Nate’s leftover notes:

The Movie

  • Gamera can breathe fire in the vacuum of space. Sure. (Even physics bow to the new MIBOD-appointed “king of the monsters.” –Jimmy)
  • Of course the kids can operate a sub better than the adults. This is a Gamera movie! (No, it’s because Masao and I were brilliant children. –Jimmy)
  • On Twitter, Gamera offered to race Jimmy and Masao in a sub again. (And one of these days, we’ll take him up on that offer. –Jimmy)
  • “Super Catch ray.” Do they use that on Pokemon, too?
  • Gamera can somehow hear the kids in the sub and understand them. Because. (This still baffles the scientists. –Jimmy)
  • Videotron. Isn’t that a sequel to Videodrome?
  • “Making up stories”? Did you forget Gamera is real? (Just wait until the next movie ….)
  • That flying Gamera prop looks goofy. It’s the eyes.
  • Transformer mass shifting. The mind control device goes from the size of a grapefruit to the size of a VW Beetle. (I want some of this tech. It’d make it easier to hide more vehicles in my garage. –Jimmy)
  • Their computer’s “Processing” screen is a kaleidoscope.
  • Well, that guy was disarmed.
  • Getting pinned to the wall like that doesn’t look comfortable. How do they stay up when they’re off the floor and not pinned to the wall? It’s terrible because they can slip their hands out easily. And they escape easily. (Or I’d been reading a lot of books on Houdini. –Jimmy)
  • This stock footage is passed off as a different dam (Okumusashi Dam). Sadly, it still has the B&W problem.
  • Because an alien spaceship somehow works the same as an earth submarine?
  • I see Jimmy was a tech genius even back then. He figured out the Virases ship in no time. (Did you forget it’s me you’re talking about? –Jimmy)
  • Why can’t the aliens control Gamera anymore? (Because. –Jimmy)
  • Virases can combine into a giant. Because.
  • I do like how big Viras weaponizes what’s left of the ship.
  • Gamera says, “Go home and get stoned!”
  • Seriously, Gamera? Defeated by getting flipped on your back?

Intro to the film by Ragone

  • Carl Craig was born in South Carolina to Japanese mother and American military man. He spoke fluent Japanese. He served in the military himself and for U.S. security after 9-11.
  • Viras looks like a squid, but in the original script, he was called “Geso,” the Japanese word for cuttlefish. His name was chosen in a name contest held by Shonen Jump and Bokura, which had prizes, but Yuasa said these were staged.

The Commentary by Carl Craig and Jim Cirronella

  • Carl Craig got the role because his aunt lived next door to one of the producers. They wanted an American kid who spoke Japanese, and he was blonde-haired and blue-eyed and could do that. Yuasa wanted it to have an international flair.
  • It was filmed in 2.5 months. Craig’s days started at 4am. He was picked up from a base and had a tutor for school over the two-hour drive.
  • There are some scenes where Craig has a bandage on his finger because he cut his finger throwing a bottle and went to the ER. He also lost his U.S. handkerchief and was given a Japanese one.
  • This was the first Gamera movie to have stock footage. About 20 minutes. Craig hadn’t seen this footage until he and his fifth-grade class went to see it at the premiere.

LeMay

  • Masakazu Nagata, the president of Daiei, was involved with the Boy Scouts, which is why they were involved.
  • One of the aliens is Riki Hashimoto, who played Daimajin.

Galbraith

  • He says Carl Craig’s last name is “Clay.” (Seriously, why can’t anyone get his name right? I know how he feels. –Jimmy)

He got through all his Toku Topic notes, which is good.

Next week is the second of the “Year of Gamera” double-header when poor Nate has to suffer through Gamera vs. Guiron (which has the best of the MST3K episodes). He’ll be joined by Luke Jaconetti of the Earth Destruction Directive podcast and Greg Meyer, who formerly hosted the Out of the Speedforce podcast. After that Nate’s series of mini-sodes on Toho classics comes to an end with another of my favorite Toho films, Sayonara Jupiter. We’re still working out issues with guests, but it looks like to be a solo episode.  

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The MIFV Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

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Jimmy’s Notes on Episode 38: Eric Anderson vs. ‘Godzilla vs. Kong’

Well, this is annoying.

Nate and I were transferring files between our respective laptops, and in the shuffle an older version of “Jimmy’s Notes” overwrote the newer version.

In other words, my notes on episode 38 (Godzilla vs. Kong) were lost.

Damnit, Marchand!

I can tell you that my notes included bullet points about:

  • Eric mispronouncing something.
  • H.E.A.T. being sent to the Hollow Earth to get Titanus Doug succeeded in finding him, and he was released on Monster Island today.
  • The fact that a kaiju version of Alcoholics Anonymous should probably be started in light of Kong’s latest antics. Speaking as someone who’s been known to drink a bit too much Jack Daniels on occasion (and get into bar fights), I know how Kong feels.
  • Realizing I’m 0-2 against Kong with Mechani-Kong Mk. 2. In my defense, I was trying to incapacitate and not kill him both times. If I ever went all out with Mechani-Kong Mk. 2, the results would’ve been much different. Regardless, my pride has recovered since then.
  • Nate needing to get his own tux! He asked me to loan him mine, but it wouldn’t fit. He owes it to himself to get his own, just like Eric said.
  • How getting Jet Jaguar fitted for a tux was … weird. Especially now with his Singular Point mods. I had to call in a favor with a special tailor.
  • How it wasn’t “Kongtainment,” Nate. It was just “Kong Containment.”

Here’s Nate’s leftover notes … which is a lot.

The Film

  • Someone should merchandise Jia’s Kong doll. (I’m sure the Board will get on that. –Jimmy)
  • I like the MV credits sequences. There are lots of throwbacks to past MV films in here. Like Randa talking about the many ecosystems. Then we get a rundown of Godzilla and Kong’s past exploits.
  • I heard some people say that Bernie was Alex Jones. That’s not far off. I didn’t mind him, but that might be because I know a few people like him. (Even Alex Jones is right sometimes. –Jimmy)
  • Like in K33, they just put Kong on a huge raft with no explanation of how. I prefer that. Given the big jump in technology in this, you just learn to accept it.
  • Some things get repeated a bit too much at first. “Ancient rivalry” is one.
  • Call me crazy, but the finger touch reminds me of the Da Vinci painting of God touching Adam. (I thought Kong was the “king” not the “god.” –Jimmy)
  • I love the van scene because it makes me think of Stranger Things with the ‘80s-sounding techno.
  • I heard someone complain about the Tide pod reference. It would’ve been a long time after that, but it makes sense that he’d be leery of internet challenges and would still be dealing with lawsuits. Maybe it was an adlib?
  • The score doesn’t have nostalgic tunes like KOTM, but it does have shades of them. It’s somewhere between G14 and KOTM.
  • I love how Kong is puzzled by snow. (Sometimes it puzzles me, too, so he’s in good company. –Jimmy)
  • Josh naming MG seems a bit odd. It really should’ve been Ren Serizawa. (Or me. –Jimmy)
  • I really did feel a bit sorry for the Skullcrawler MG kills. It does show how much of a threat MG is because those things were terrifying in Kong: Skull Island.
  • The Heisei Gamera trilogy is all over the MV G-films. This has Gamera 3 in it. Godzilla is protecting the Earth/nature and not humanity, which means he causes lots of collateral damage without regard to humans.
  • When Jia signs about Kong’s heartbeat, she beats her chest a bit like Kong. I like that. (It’s cute. Is it her sign for Kong? –Jimmy)

Toku Topic: Theaters vs. Streaming

These are mostly quotations from the following sources:

  • https://www.cnbc.com/2021/01/02/movie-theater-owners-are-frustrated-about-streaming-but-their-survival-depends-on-studios.html
  • “According to a study held in June 2020, just 14 percent of adults said that they strongly preferred seeing a movie for the first time in a theater, and 36 percent said that they would much rather stream the film at home than visit a cinema. Preferences for watching a new release in a cinema instead of via a streaming service in the United States changed significantly between 2018 and 2020, signaling a shift in consumer behavior and potentially a risk for movie theaters in the country. Also important to note is the effect of the coronavirus on consumer confidence. There was a drop in the share of movie fans willing to visit cinemas between March and June 2020, likely the result of consumers fearing the risk of infection and feeling more comfortable viewing movies in the safety of their own home.”
  • “Studios and exhibition have always had a lovely but contentious relationship,” one movie theater operator with locations in the southern part of the U.S. said on condition of anonymity. “Exhibition is basically a business that has blank screens and empty seats and we can’t do what we do without the studios.”
  • “These windows were created by studios decades ago in an effort ‘to get multiple bites out of the same apple,’ another movie theater operator said.”
  • “Netflix Inc has streamed original movies at the same time, or just a few weeks after, their debut in cinemas. Competitor Amazon Studios has said it would like some of its films to play for only two to eight weeks in theaters before hitting the Amazon Prime Video streaming service.”
  • “Director Steven Spielberg told Britain’s ITV News last year that movies seen primarily via streaming should compete for Emmys, not Oscars. A representative declined to comment on whether the director will urge the Academy to address the issue.”
  • Before the pandemic, there was talk of extending the theater duration times for big budget films and allowing smaller films to head to “direct-to-consumer” channels faster. But when cinemas were forced to close for six months (or more), cinemas were forced to adhere to much shorter releases. Many faced bankruptcy.
  • Theaters owners and other industry observers were quick to criticize Warner’s move. Chris Johnson, the CEO of Classic Cinemas, called Warner’s decision “ridiculous and short-sighted,” and Adam Aron, the CEO of AMC Theaters, argued that Warner would “sacrifice a considerable portion of the profitability” of movies that bypassed the traditional theatrical release. David Sims piled on in The Atlantic, saying of Warner’s decision, “Audiences will have little incentive to pay more to see these films in theaters.” His conclusion? “Theater chains are right to fear for their survival.”
  • You know who else hated it? Christopher Nolan. He spoke against it vehemently in defense of the theater-going experience (it might’ve been to promote Tenet, but who knows).
  • “PwC partner CJ Bangah told me her big consulting firm’s annual media and entertainment outlook is projecting a 65% drop in global revenues for the movie sector.”
  • “Worse, Bangah said, recovery for the film industry is a long ways away. As she delicately put it, it’s ‘within the realm of possibility’ that the industry will fight through an “uphill battle” to full recovery, but ‘we’re not forecasting a return to 2019 revenue levels in the five years of our forecast for cinema.’”
  • “Shorter windows would keep some customers at home, said Greg Marcus, chief executive of The Marcus Corporation, owner of the fourth-largest U.S. theater chain. ‘If you damage the business and take away 10 percent of our customers, we won’t be able to reinvest in the theatrical experience,” Marcus said. “That would ultimately hurt content providers.’”
  • “In the study, we analyzed what happened to theatrical revenue in Korea from 2015 through 2018 — a period during which Hollywood studios significantly shortened the exclusive theatrical windows for their releases, from three months to only one month. We found that, after controlling for differences between movies with early digital releases versus traditional release windows, early releases had a statistically and economically insignificant impact on theater sales, equivalent to around a 0.8% drop in total theatrical revenue during the first eight weeks of the movie’s theatrical run in Korea. Most theatergoers, it turned out, remained loyal to the theatrical experience even when they had the option of watching the movie at home while the movie was still showing in theaters.” Take this with caution.
  • “What we learned in our Korean study suggests that a similar effect may exist for movies, which in turn suggests that John Fithian, the president of the National Association of Theater Owners, was right when he argued that ‘theaters provide a beloved immersive, shared experience that cannot be replicated’ — but that Jason Kilar, the CEO of WarnerMedia, was also right when said that early digital releases provided an opportunity to give customers a choice ‘whether that choice is to enjoy a great new movie out at the cinema, to open up HBO Max, or to do both.’”
  • In 2019 (before the dark times—before the COVID), Christina Garnett wrote, “Maybe we’ve already chosen the user experience we want… instant, at our fingertips, and cheaper than the traditional alternative.”

Okay, it wasn’t as much as I expected.

Next week you’ll hear the return of another member of my ever-growing rogues gallery, and this time he brought a friend: Jack “GMan” Hudgens and J.R. Villers from The Drift Space podcast. They came to continue the “Year of Gamera” with a movie that dramatizes an exciting chapter of my life: Gamera vs. Viras. Yes, I have lasso skills and helped Gamera fight aliens. How do you think I got a job at NASA? Then poor Nate has to suffer through a second Gamera movie in a row with Gamera vs. Guiron, and he’ll be joined by Luke Jaconetti of the Earth Destruction Directive podcast and Greg Meyer, who hosts several podcasts.

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The MIFV Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

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