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Jimmy’s Notes on ‘Episode 21: Matango (Mini-Analysis)’

It’s been a rough week on Monster Island, what with the Board of Directors mandating masks (again). I’m a big fan of them hiring Douglas Gordon as the Island’s security chief, though. Plus, the Board is sharing some…inside info with me you may hear on a future episode.

Anyway, I only have a few of my own notes plus Nathan’s notes from his independent study for this week’s blog. I think he only has a few more of the films from that study left. Atragon and Frankie v. Barry, I think. Regardless, I have some snark to deliver.

  • It’s “Ghost in the Shell,” Nathan, not “Ghost in a Shell.” Direct vs. indirect articles. Big difference, as you know.
  • Trust me when I say some things in Tokyo will follow you everywhere. At least for a while. And I don’t mean puppies.
  • Birds get sucked into jet engines a lot, man. We pilots do have our own superstitions. Canada geese are the worst offenders. (Sorry, Chris Cooke).
  • To learn more about Hahajima, which has the big mountain Dd G told us about, click here. Let me tell you, it is a beautiful place. Nathan, Jet Jaguar, and I will be taking a hike there soon.
  • If you’re curious about the DC Comics villain Matango, read this.

Here are Nathan’s leftover notes:

  • Kubo’s face is seen. He’s unscarred. (Which makes the ending that much more interesting. –Jimmy)
  • Music during credits is weirdly upbeat.
  • “Tokyo and all her dust.” Men and money are left behind.
  • Writer loses his pages in water. I’d be upset. But he thinks writers steal everything. (You would know better than me, Nathan. –Jimmy)
  • “Top lady” = mistress (and double entendre?) (Yep. –Jimmy)
  • 40 million yen yacht. Best that money can buy. Destroyed by storm.
  • Scare girls and then treat them tender. “That’s not psychology—that’s a paperback novel!” (One of the best lines in the film! –Jimmy)
  • Professor is a psychologist. Appropriate and ironic.
  • The women are polar opposites. Mami (Mizuno) is a flirtatious harlot while Akiko is a chaste, shy girl who’s never been kissed.
  • 7 characters for the 7 deadly sins. (You can thank Danny DiManna for that idea. I still can’t figure out which character is which sin, though. Maybe Rev. Mifune could help explain?  –Jimmy)
  • Music is somewhat minimalistic for the most part. Not Ifukube or Sato. (It was Sadao Bekku. –Jimmy)
  • The hallucinations begin before they reach the island with the phantom ship. Perhaps an indication that Yoshida is already unhinged.
  • Fog is a common motif. It obscures. It clouds. Drug reference?
  • This film is Lost meets Gilligan’s Island with a Twilight Zone ending.
  • The set design for the ship is great. The mold everywhere. Unique. Like a haunted house. Reminiscent of classic Universal horror.
  • Is it possible this whole film is Akira Kubo’s fever dream? How much of it is true? There are things that don’t add up. (Given what we heard from Dr. Dourif, I’m pretty sure it was real. –Jimmy)
  • The mold is great foreshadowing for Matango.
  • Eyeless turtle: foreboding.
  • Matnago is said to be a radiation mutant. Anti-nuclear. Doesn’t explain everything.
  • Nationality of boat concealed. Communist and western. Even Japan. Humanity represented. No one is innocent.
  • Matango is the forbidden fruit. May eat everything else but that.
  • Plays on natural need—eating—and makes it scary. Do it and suffer. Much like Nightmare on Elm Street with sleeping. (“Never eat again…”. –Jimmy)
  • The location photography is amazing.
  • Is this island attracting boats to it and sinking them? Bermuda Triangle?
  • First Matango appears almost 43 minutes in.
  • Two characters fire at Matango but not sure they hit it or saw anything but audience sees mushroom goo on ground.
  • This film was almost banned because of the mushroom man make-up. Looked like bombing victims. (The Hibakusha, which we’ll be discussing in a future episode. –Jimmy)
  • Even the characters think they saw ghosts—but there are footprints.
  • Illustrates why William Golding had no girls in Lord of the Flies: aggravates things. Aggravates men. Unlike that story, they are just as corruptible. (To hear his full reasoning from the foreword to his book, watch this video. –Jimmy)
  • “Akiko…this is Mother.” (Clearly that was the mushrooms talking. Those lying Matango! –Jimmy)
  • Yoshida says frayed nerves make people see witches and devils. Tries to explain strange happenings away. (That just sounds like trick-or-treaters at Halloween. –Jimmy)
  • Yoshida and Mami have a full-on make-out session. Most sexual thing in a Honda film.
  • Koyama pulls rope as he falls. Lifeline. Symbolic. Body has bills strewn about him. Also symbolic. Died amassing useless wealth.
  • Mami’s wardrobe changes to reflect her allegiance. Green and plantlike.
  • One character eats Matango and has vision of dancing showgirls amid Tokyo neon. Drugs. Revelry. Opulence.
  • The Matango laugh was recycled later for Baltan on Ultraman. (And it’s just as disturbing coming from those big beetles! –Jimmy)
  • Sakuta runs, but he eventually jumps overboard. Then writes on wall that everyone else is dead. Betrayal.
  • The professor and Akiko decide to leave. Almost happy ending. Then mushroom people show up. Like a zombie movie. Night of the Living Dead? Hacks off an arm. (Maybe George Romero saw this movie? –Jimmy)
  • Seems a little convenient that he leaves on boat and gets found. Why take him to psychiatric ward?
  • Doctor says, “We are grateful that you were able to come back.” Are they speaking of him as a patient? (Another parallel to The Cabinet of Dr. Caligari. –Jimmy)
  • (In “The Voice in the Night,”) John and his fiancée are like the prof and student in the film: innocent but they succumb to temptation. And are corrupted spiritually and physically. (Read more about this story here. –Jimmy)

That does it for my notes this week.

Join us next Wednesday to hear the start of the “Daimajin Days” when Nathan’s friends Joe and Joy Metter returned to start their journey through the Daimajin trilogy. Then this month’s mini-analysis will be on Ishiro Honda’s other 1963 classic, Atragon.

As the Board says, “Together we can find a better way forward.”

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#WeShallOvercome

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Bonus Episode #4: Interview with Ben Chaffins

Hello, kaiju lovers!

As a special Fifth Wednesday Bonus Episode (which will become a regular feature of the show), I interviewed SciFi Japan writer Ben Chaffins about his new book, Discovering Tokusatsu. In it he chronicles his many quests to get interviews with high-profile people working in tokusatsu filmmaking. You’ll hear about how Ben got his gig at SciFi Japan, why he wrote the book, and how much of a “stan” he is for Ultraman: The Next and Ultraman Nexus (whose special effects director he interviewed for an exclusive chapter in this book).

Oh, and by the way, Ben’s Twitter profile pic is Ultraman Nexus with sunglasses. Deal with it! 😛 Follow Ben on Twitter and Instagram.

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (Godzilla Novelization Project); elizilla13; and Chris Cooke (host of One Cross Radio)! Thanks for your support!

You, too, can support us on Patreon!

This bonus episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
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Facebook
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Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#MonsterIslandFilmVault

© 2020 Moonlighting Ninjas Media

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Episode 21: ‘Matango’ (Mini-Analysis)

Hello, kaiju lovers!

An artsy Japanese horror film about mushrooms based on a British short story?

That’s sounds insane enough to work!

Despite getting slapped with the schlocky English title, “Attack of the Mushroom People,” Matango ranks as one of director Ishiro Honda’s greatest achievements in tokustasu filmmaking. Screenwriter Takeshi Kimura considered it to be his magnum opus. It’s a story replete with subtlety and symbolism, an indictment of Japan’s newfound opulence and decadence in the early 1960s, and it’s as relevant now for any audience as it was back then. It’s such an important film, Nathan and his intrepid producer, Jimmy From NASA, interview the only scientist on Monster Island’s who’s brave and/or crazy enough to study the Matango—with frightening results! 

Featuring Daniel DiManna as the voice of Dr. Dante Dourif.

Episode image created by Michael Hamilton. Check out his podcast, The Kaiju Groupie.

This is meant to supplement this episode of Kaijuvision Radio: Episode 45: Matango (Attack of the Mushroom People) (1963) (Westernization and Globalization)

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (Godzilla Novelization Project); elizilla13; and Chris Cooke (host of One Cross Radio)! Thanks for your support!

You, too, can support us on Patreon!

This episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

  • “Attack of the Mushroom People: Ishiro Honda’s Matango William Hope Hodgson’s ‘The Voice in the Night’” by Anthony Camara (Monsters and Monstrosity from the Fin de Siécle to the Millennium, edited by Sharla Hutchinson and Rebecca A. Brown)
  • “The history and current state of drug abuse in Japan” by Kiyoshi Wada (Annals of the New York Academy of Sciences, Jan 2011, vol. 1216, no. 1, p 62-72)
  • Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godzisewski
  • “Ishiro Honda-thon Ep. 5: Matango (1963) Review” by Adam Noyes (AN Productions) (YouTube)
  • Kaijuvision Radio, “Episode 8: King Kong vs. Godzilla (1962)”
  • “Methamphetamine Solution: Drugs and the Reconstruction of Nation in Postwar Japan” by Miriam Kingsburg (The Journal of Asian Studies, Feb. 2013, vol. 72, no. 1, p. 141-162)
  • Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda by Peter H. Brothers
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Jimmy’s Notes on ‘Episode 20: Bex vs. Rebirth of Mothra III’

I’m not a religious man—which may sound strange given that I work on an Island with a giant moth goddess—but even I was concerned about Bex after her sudden conversion to “Mothrianity.” Honestly, I was happy to see the good Reverend Mifune bring her to senses and Christianity by breaking Belvera’s influence on her. It was not unlike what Shota did for Lora in Rebirth of Mothra III.

Now if only Marchand will let me live down the whole female clone and teleporter business. It wasn’t my fault!

The things I put up with.

I kid (for the most part…).

Let’s get into my notes from the episode:

  • Nathan and Bex never talked about Moll speaking in tongues to Mothra Leo. They discussed it briefly before the broadcast, so I’m surprised they didn’t bring it up given their religious backgrounds.
  • So, back when I was a kid and growing up in japan for a bit, my best friend, Masao, fell into a deep depression after our scout master wouldn’t give him a monster rustler badge after we helped a certain famous kaiju defeat a certain space squid. He said it was discipline for “stealing” a yellow submarine. I was a Beatles fan, what can I say?
  • I preferred Kilik myself in the Soul Caliber games. It drives Nathan crazy. Every time I poke his Siegfried to death, he keeps singing, “Kilik is cheap! Kilik is cheap!”
  • Dinosaurs were wiped out twice. Or is it the “Power of the Retcon” again? It may have—according to Nathan—saved my life in the War in Space, but it’s scarier than the Infinity Gauntlet at this point. 😛
  • As for my T-Rex and triceratops story, the long and short of it is it happened, I confess, while I was field testing the ORCA on Skull Island. That’s all.
  • Gravity manipulation explains how Ghidorah can fly with one wing, but then why would be need wings at all? #sciencequestions
  • It makes Mothra Leo 130,000,002 years old, Nathan! Duh!
  • I anticipated Bex going from NEET to hikikimori. Miki’s powers might be rubbing off on me.
  • Nathan didn’t make it clear that the Tower of Waves novel (which has several different title translations, as you’ll see in his notes) ended in Aokigahara.
  • Sometimes I wonder, as unscientific as this sounds, if we have yurei wandering the jungles on the Island….
  • Nathan’s description of Sea of Trees is almost right. Both the American and the Japanese man intend to commit suicide there. IMDB summaries it like this: “A suicidal American befriends a Japanese man lost in a forest near Mt. Fuji and the two search for a way out.”

And now, as per my contractual obligations, her are Nathan’s leftover notes but with my snarky commentary:

Rebirth of Mothra III Notes:

  • This random dude is a Yankees fan. That’d make my alma mater’s b-ball coach happy. (Nathan told me he called Yankee Stadium “Mecca.” –Jimmy)
  • “Old Tanaka”? A nod to the producer?
  • Huh? Who’s the bust? Why are there lots of pictures of westerners in a Japanese classroom? (The increased westernization of Japan? –Jimmy)
  • No one is panicking on the street as Ghidorah flies over at 18:35 or so. (This is Japan. Kaiju attacks are as common as thunderstorms. –Jimmy)
  • Oh man! The sisters get sparkles this time! (And now so does your new “sister,” Nathan. 😛 –Jimmy)
  • Mothra leo appears 20 minutes in.
  • Some of these CGI effects—like the soccer ball hitting the membrane—look hokey.
  • The classic wing problem: they don’t flap enough.
  • Fairy shoots at Ghiddorah—and it does nothing.
  • Of course Lora betrays Moll—she’s played by a new actress. 😛 (A great man once said, “And I thought my jokes were bad.” –Jimmy)
  • Those CGI tentacles looked terrible.
  • This is starting to remind me of Gamera 3, and this was a year before it! (I don’t know if that’s too nice to this movie or too mean to Gamera 3. –Jimmy)
  • Oh no! Tiny grape Koolaide volcanos! (Sounds like my delicious science fair project. –Jimmy)
  • The set design for the dome is cool.
  • Hilariously, I think all three sisters wear go-go boots this time. (Do you have a thing for go-go boots, Nathan? This is the third episode you’ve mentioned them. 😛  –Jimmy)
  • Now the dome walls don’t dissolve things?
  • We still have 25 minutes to go, and thus feels like the end!
  • Moll dies—and becomes a Tron animation. (I’m sad this wasn’t said on the air. –Jimmy)
  • There’s a prehistoric Mothra. Because shut up.
  • Oh whoa! Belvera rides Fairy!
  • “Different opinions.” Yeah, on genocide, child murder, mind control. You know, small stuff. (You know, little things. –Jimmy)
  • It would’ve been cooler if the sister had to stab Moll with the sword to resurrect her. (That sounds a bit sadistic. –Jimmy)
  • Whoa. Did they actually have a bunch of child extras at the end or was it CGI?
  • These might be my favorite kids in the trilogy, but they do disappear for a bit in the middle.

Big Book 2 by John LeMay

  • There’s a photo of Tanaka in the parents’ house.

“Inside Japan’s ‘suicide forest’”

  • “More than 100 people who were not from the area surrounding Aokigahara committed suicide there between 2013 and 2015, according to a local government report. Countrywide, suicides totaled roughly 24,000 people in 2015 alone, according to the country’s Ministry of Health, Labor and Welfare. These numbers do not include attempted suicides.”
  • “One study found suicide death rates to be on the decline in many peer nations from 1985 to 2010, except in Japan and South Korea, where rates increased by 20% and 280%, respectively.”
  • “Other studies and government materials have cited a number of risk factors, including academic pressures, depression, overwork, financial struggles and unemployment.”
  • “Beyond that, there’s stigma around receiving mental health care, especially for men, and a greater tendency in Japan to view suicide as ‘a rational decision.’ One of the terms for suicide is ‘jiketsu,’ which means to decide for yourself.”

“Aokigahara Forest” (http://www.aokigaharaforest.com/)

  • “Because the landscape is so similar, the brain is distorted and it is difficult to keep direction at any time.”
  • “According to some Japanese spiritualists, the trees themselves soaked in themselves a malevolent energy accumulated over centuries.”

“What is Aokigahara? All About The Most Haunted Forest in Japan”

  • “It all started with a mystery novel called “Kuroi Jukai” (translated as Black Sea of Trees) by Seicho Matsumoto in 1960. The novel ends romantically with the lovers committing suicide in the forest, which revitalized the Suicide Forest’s popularity among those who wanted to end their life.”

I have to give it to Nathan: he got through most of his notes. Mind you, it was our second-longest episode yet, but listeners seem to like it. He does have a terrible habit of over-preparing, though.

Next week Nathan is solo—well, unless you count me heckling him—next week when he does a mini-analysis of 1963’s Matango, which was directed by Ishiro Honda. Then next month we start the “Daimajin Days” when Joe and Joy Metter return to see 1966’s Daimajin.

Also, I have some juicy super-secret inside information about Godzilla vs. Kong. 😉

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Episode 20: Bex vs. ‘Rebirth of Mothra III’

Hello, kaiju lovers!

Twelve-centimeter girls, tiny robot dragons, and redemption—and we’re not talking about the movie!

After some shenanigans with Jimmy From NASA’s teleporter, Nathan and resident “Mothrian” Bex (Redeemed Otaku podcast) finish the “Summer of Mothra” with the surprisingly good Rebirth of Mothra III. Although, maybe they’re just riding high on Bex’s hyperbolic enthusiasm over this movie. But it isn’t hard to improve on the empty, fluffy whimsy of the second one. There’s a lot of meat (bubble) to chew on thematically. Not to mention it also features one of the best-looking King Ghidorahs ever, time travel, and dinosaur puppets. However, Bex gets so carried away with her newfound faith in Mothra, she gets a visit from Monster Island’s chaplain, Rev. Mifune! Uh-oh….

For the first time, we’re covering not one but two Toku Topics: the hikikimori and Aokigahara (Aoki Forest). The child hero, Shota, is likely a member of the former, and much of the movie is set in that infamous forest.

It’s an episode that spans the emotional gamut, that’s for sure!

BE SURE TO LISTEN UNTIL AFTER THE CREDITS!

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna (Godzilla Novelization Project), elizilla13, and Joejira! Thanks for your support! (And also to Michael “The Kaiju Groupie” Hamilton, who joined just before this episode was posted).

Read Jimmy’s Notes on this episode.

Timestamps:
Prologue: 0:00-2:20
Intro: 2:20-6:25
Entertaining Info Dump: 6:25-12:57
Toku Talk: 12:57-1:24:26
Promo: 1:24:26-1:25:16
Toku Topic: 1:25:16-2:10:53
Outro: 2:10:53-2:19:46
Epilogue: 2:19:46-end

MIFV Social Media:
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Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media (and Becky “Bex” Smith)

Bibliography/Further Reading:

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Jimmy’s Notes on ‘Episode 19: Gorath (feat. Jack GMan Hudgens)

I still can’t believe that I don’t remember meeting GMan at the Monsterland Tavern when he visited. I’m starting to think the barkeep mixed some Faro Island red berry juice into my Jack Daniels. I especially would’ve remembered the emergency evacuation switch only launching the walls and ceiling and not the whole building. That was a fun recovery mission. The damn thing flew all the way back to the Japanese mainland and landed on a beach. Thankfully, it was closed due to COVID-19, so no one got hurt.

Regardless, I have my notes to get into for episode 19 on Gorath:

  • Yes, Ryo Ikedbe died in 2010.
  • It’s “Kimura” not “Kimaira,” Jack.
  • Near as I can tell, it was Honda who decided to change Moguera into a robot in The Mysterians.
  • You said “Kimura” when you meant “Shimura,” Nathan. But considering how similar their names are—Takashi Shimura vs. Takeshi Kimura—that’s understandable.
  • Confirm with Danny that “Maguma” wasn’t in Ultra Q originally.
  • Yes. I like Godzilla vs. SpaceGodzilla. Fight me!

Now for Nathan’s leftover notes, which I must include to fulfill my contractual obligations:

  • Starts with two women stripping to go swimming before being interrupted by rocket launch. I don’t remember if we see them again.
  • Gorath is a rogue star with 6,000 Earth’s mass but is ¾ the size. Very dense. For perspective, the Sun has 330,000 times Earth’s mass and is 109 times the diameter. (You’ve made this NASA engineer happy. –Jimmy)
  • Explore Gorath like Columbus, huh? (Before or after his statue is torn down? –Jimmy)
  • Does gravity increase exactly in relation to mass? (Indeed, it does. Read about it here. –Jimmy)
  • Jun Tazaki is the captain of the JX-1. He says he’d tell his men if they were going to die to reassure them—then tells them they can’t escape a few minutes later. (Reminds me of my first training mission. It was a lot like the Kobayashi Maru. –Jimmy)
  • Would it be in poor taste for them to yell, “Banzai!” just before dying? (Not in Japan. But that might be why it was cut in the U.S. release. –Jimmy)
  • The zero G scene is pretty good.
  • A light, even comical scene in a Kimura script?! What?! For some reason, I feel like it belongs in M*A*S*H*. No subtitles for the song for some reason. It’s a singing joyride. Yet more evidence that Honda secretly wanted to direct a musical. Composed by Kan Ishi.
  • Over 11.8 billion yen invested in JX-1. (Chump change compared to the Gohten! –Jimmy)
  • Other ships are being built in other countries, but they say Japan’s ship is putting them to shame. Nationalistic? (Nope. Patriotic. –Jimmy)
  • Hey, it’s Dr. Who in the bar! (Let’s hope not. I’m not giving him his “Robot Kong” back! –Jimmy)
  • The wide shot of the ship fleet looks like models on a board.
  • The music during the construction scene almost sounds like Ifukube. The models look cool, though.
  • They have a 13th floor! (Good thing I’m not superstitious. –Jimmy)
  • The power core looks like the TNG warp core! (I know, right! –Jimmy)
  • The evacuation scene actually reminded me of G2014.
  • UN Gorath Countermeasures Center. They have a lot of countermeasures centers in the Heisei era.
  • They send Shimura to South Pole but won’t tell him why. Probably because Maguma looks stupid.
  • The composite shot with Maguma looks good.
  • I thought Tsuburaya didn’t want blood in his film? Maguma’s death is gory.
  • And staring at Gorath on a TV screen cures amnesia. Huh? (Yeah, I got nothing on this. –Jimmy)
  • They celebrate saving Earth at the end despite the fact it only cost the Moon and billions in damages. (Still better than being dead. –Jimmy)
  • Science and scientists are credited with saving the world. Another thematic statement.
  • They do at least talk about putting the Earth back in its orbit. (Which is good, because, well, I haven’t the time to list all the dire consequences of moving it. –Jimmy)

LeMay

  • Maguma was to come back for DAM but didn’t.
  • Kenji Sahara had a broken leg during production, but Honda insisted he be in the film.
  • Had more time and money given to it than other tokusatsu films.

Galbraith IV

  • Former military pilot turned sci-fi author Jojiro Okami’s story was the inspiration for this. As was Battle in Outer Space, The Mysterians, and Dogora.

Honda Biography

  • Released just six months after the USSR launched the first man in space, Yuri Gagarin. Embodies Honda’s twin ideals of international cooperation and science above politics.
  • It was made at the height of the space race. It borrows the plot of When Worlds Collide by Gorge Pal. Honda shows science being pursued ethically and positively, unlike in his previous sci-fi films.
  • Endo possibly takes a shot at Pal’s film: “Mankind [used to be] separated into white, black, and yellow races before the United Nations. Trust, honor, and cooperation were qualities that brought us together.”
  • “The common folk cannot be at the forefront of big problems, but there are so many of them…so, those scenes create depth for the story. These are the types of people that I want in my films. This is the very foundation of my films.” –Honda
  • There’s no panic because Honda thought that wouldn’t seem real.
  • Honda regretted letting the walrus Magma be added to the film. “That was definitely the human weakness of Ishiro Honda. That idea came from above. They make more profit with monsters [in the movie]. I think that left a scar on the film.” It was originally scripted as a “dinosaur-like creature,” but Honda didn’t want to remind audiences of Godzilla.
  • Ryfle and Godizewski argue that the controversial US-Japan alliance casts a shadow on the film. The “futuristic” 1980s Japan looks like post-Occupation Japan of 1961. Japan and America are above reproach, while fictional nations like Crenion and the USSO offer mild dissent before acquiescing. Japanese scientists are more advanced.

“Intergalactic star” (Wikipedia) (These are excerpts from that article. –Jimmy)

  • “Another hypothesis, that is not mutually exclusive to the galactic collisions hypothesis, is that intergalactic stars were ejected from their galaxy of origin by a close encounter with the supermassive black hole in the galaxy center, should there be one. In such a scenario, it is likely that the intergalactic star(s) was originally part of a multiple star system where the other stars were pulled into the supermassive black hole and the soon-to-be intergalactic star was accelerated and ejected away at very high speeds. Such an event could theoretically accelerate a star to such high speeds that it becomes a hypervelocity star, thereby escaping the gravitational well of the entire galaxy.[6] In this respect, model calculations (from 1988) predicts the supermassive black hole in the center of our Milky Way galaxy to expel one star every 100,000 years on average.[7]”

 “Star unlike any found in the Milky Way appears to be an intergalactic intruder” by Michael Irving (Again, these are excerpts from the article. –Jimmy)

  • “Astronomers have discovered a star in the Milky Way that doesn’t belong. Officially known as J1124+4535, the star has a chemical composition unlike any others ever observed in our home galaxy, suggesting it’s an intergalactic interloper that may have come from a dwarf galaxy that was swallowed up by the Milky Way.”
  • “Through LAMOST observations and a follow-up using the Subaru Telescope in Japan, J1124 was found to have a relatively low amount of magnesium and high levels of europium. This particular chemical composition so far seems to be unique to this star, compared to the rest of the Milky Way.”
  • “This kind of galactic merger happens all the time. The aftermaths of collisions between the Milky Way and smaller galaxies are visible all around us, and many more are predicted in the future – culminating in a spectacular merger between the Milky Way and Andromeda in about four billion years’ time.”
  • “J1124+4535 isn’t the first intergalactic star to be discovered in our neck of the woods. Stars traveling at hypervelocity speeds have been found to be hurtling towards the Milky Way from other galaxies, with the Large Magellanic Cloud, a dwarf galaxy that orbits our own, the most likely point of origin.”

“Lost in Space: Half of All Stars Are Rogues Between Galaxies” by Charles Q. Choi (Once again, these are excerpts from the article. –Jimmy)

  • “As many as half of all stars in the universe lie in the vast gulfs of space between galaxies, an unexpected discovery made in a new study using NASA rockets. These stars could help solve mysteries regarding missing light and particles that theory had suggested should exist, scientists say.”
  • “In the study, astronomers investigated the extragalactic background light, the sum of all light emitted by stars in the universe throughout history. Prior research had detected fluctuations in this light that did not appear to come from any known galaxies. Scientists had suggested these fluctuations might come from primordial galaxies, the very earliest galaxies, whose light has yet to be detected.”
  • “Instead, this finding of bright, blue light unexpectedly reveals these fluctuations may come from something called ‘intrahalo light,’ which is created by stars flung into intergalactic space during titanic collisions and mergers of galaxies. The researchers found that there was as much light from these intergalactic stars as there was from stars located in galaxies.”

“HUBBLE FINDS INTERGALACTIC STARS” (For the last time, these are excerpts from the article. –Jimmy)

  • “NASA’s Hubble Space Telescope has found a long sought population of ‘stellar outcasts’ – stars tossed out of their home galaxy into the dark emptiness of intergalactic space. This is the first time stars have been found more than 300,000 light-years (three Milky Way diameters) from the nearest big galaxy.”
  • “The isolated stars dwell in the Virgo cluster of galaxies, about 60 million light-years away. The results suggest this population of ‘lone stars’ (Haha! –Jimmy) accounts for 10 percent of the Virgo cluster’s mass, or 1 trillion Sun-like stars adrift among the 2,500 galaxies in Virgo.”
  • “Intergalactic stars have been predicted to exist as a result of galaxy interactions and mergers early in a galaxy cluster’s history. These close encounters should have ripped stars out of their home galaxies and tossed them into intergalactic space, where they drift free of the gravitational influence of any single galaxy.”
  • “The stars are bright red giants – stars late in their lives. Presumably there are many fainter stars – perhaps as many as 10 million – in the same field but are below Hubble’s sensitivity.”

I wish they’d spent more time discussing rogue stars, but we were pressed for time thanks to our contracts. Jack understood that. Perhaps in the future MIFV could do “redux” episodes as Nathan as suggested once or twice. Then I could go nuts researching rogue stars (again)!

In the meantime, our resident “Mothrian” Bex from Redeemed Otaku returned to finish up the “Summer of Mothra,” which you’ll hear next week. Let’s just say things got…Star Trek-ian. Then Nathan does a mini-analysis of Matango as the second episode in July.

Be there or be square!

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Episode 19: ‘Gorath’ (feat. Jack “GMan” Hudgens)

Hello, kaiju lovers!

Before Armageddon, before Star Trek: The Motion Picture, there was Gorath. Nathan is joined by the most loved and hated film critic in the kaiju community, Jack “GMan” Hudgens, to discuss this Toho classic that has been described as the lovechild of Mothra (1961) and The Last War. While it isn’t the most exciting film, Nathan and GMan explore how its theme of unity is a timeless message, and one that people need to hear now more than ever. Along the way, they compare this to Star Trek and H.P. Lovecraft stories and discuss how Maguma the giant walrus has done nothing but get shoehorned into stories he didn’t need to be in. Also, GMan gets into a bar fight with Jimmy From NASA. Yep.

This is meant to supplement this episode of Kaijuvision Radio: Episode 44: Gorath (1962) (Near Earth Objects/Science of Gorath).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13 and Joejira! Thanks for your support! (Forgive me for forgetting to say this on the air! I’ll make it up to you next time!)

You, too, can support us on Patreon!

Follow GMan on Twitter. Check out The Drift Space.

Read Jimmy’s Notes on this episode.

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Jimmy’s Notes on ‘Episode 18: Bex vs. Rebirth of Mothra II’

I have to be honest, listeners—I didn’t see Bex’s conversion to Mothrianity coming. (Did she make that up, or is that a real religion? Do the Shobijin know?) I’m not a religious guy myself, but it still took me aback. I hope Bex is happy. It’s still weird, though.

What was I doing? Oh, yeah. Writing about…Rebirth of Mothra II. The deep valley between two short mountains, as Nathan said. Oh, man….

Let’s get my notes done first.

  • I sleep…sometimes. I mean, I was dead once (maybe? 😛 ), so I got plenty then.
  • The character from The Tick Nathan brought up was a hero, not a villain. He was the Living Doll, who was part of a team called the Decency Squad.
  • You can’t terminate me, Marchand—you haven’t the “fire” power! 😛
  • What? I flung a bug at my teacher because she was annoying. You know what that’s like, Nathan. We’ve had talks about your terrible kindergarten teacher.
  • Bex is right. Hikari Mitsushima (who played Shiori) is pretty.
  • The thorax is the midsection of an insect, Marchand. To quote Sherlock, “Do your research!”
  • Ghogo predates Furby by a year!
  • “Buzzkill”? Well, you just guaranteed that I won’t tell you.
  • NOAA stands for the National Oceanic and Atmospheric Administration.
  • You meant to say “first,” not “second,” Nathan.
  • You meant to say, “Rebirth of Mothra II,” at the end, Nathan.
  • Gorath is a rogue star, not a planetoid, Nathan. I should’ve said that live, but I was in shock from Bex’s revelation.

And now, because I’m contractually obligated, here are Nathan’s leftover notes (plus my comments).

The Movie:

  • You killed Furby, you punk! And took his bling!
  • What?! What happened with the cat and cigarette?
  • Shiori uprooted a Furby.
  • Gorgo? Gorgo is a giant British lizard who’s looking for her son.
  • Dagahra appears about 24 minutes in.
  • “Eat at McDonald’s every day.” I bet that’s a product of the dubtitles. (Well, as you pointed out on Kaijuvision Radio, Nathan, McDonald’s broke into the Japanese market in the early ‘70s, so it’s possible. I saw it happen.  –Jimmy)
  • 27 minutes in, and we’ve already found the temple. Sheesh.
  • Wait, what?! How’d the kids get into the giant waterslide?
  • Okay, the temple rising out the water looks pretty cool. The water actually scales really well when that and fire usually have trouble with that.
  • Why is the fat kid so dumb he really walks off the ledge? (He’d never get picked as a Gamera kid. Not precocious enough. –Jimmy)
  • The two morons are on the temple? When did that happen?
  • I’m confused. Did Belvera want the treasure to conquer the world or just Dagahra? (Yes. –Jimmy)
  • The temple has lightning and lasers as a security system.
  • Dagahra can fly and swim? Because shut up.
  • Wait, now Dagahra can damage the temple? What happened to the security system?
  • Mothra Leo just won a game of chicken with Dagahra. (I played chicken with Dagahra once with the Gohten. Koji wasn’t happy with me. –Jimmy)
  • Mothra Leo got his belly beam back.
  • Are the morons even under Belvera’s control anymore? Yes, they are.
  • Gorgo has a mouth? Where? He just bit a guy. (You don’t want to know. Trust me. –Jimmy)
  • The singing sequences are a littles less impressive this time.
  • Suddenly Mothra Leo is reenacting his mother’s death…and it has the impact of a thrown sponge.
  • This underwater sequence is hokey. No bubbles.
  • Barem cannon!
  • This movie overuses superimposition.
  • Really, kids? See! They lied! Also, why couldn’t we see Fairy zap them?
  • You know, at least these are mostly real sets. Not CGI. (No Star Wars Prequel-it is here. –Jimmy)
  • Isn’t that the opal egg for Barugon? 😛 Wait? There are two? Or three? (I can confirm it isn’t. Did you forget Barugon is on the Island, Nathan? You should know these things. –Jimmy)
  • “Help me, kids, you’re my only hope,” says Tall Leia while growling like a monster.
  • So…is Tall Leia the new Mu Empress? Again, someone call Jinguji! Is she an AI? A ghost? (It just raises too many questions).
  • “I have some Turkish Delight for you!” (So, I guess Jadis the White Witch is also her cousin? –Jimmy)
  • How did they magically gain the ability to super jump? And to super throw? (You’re asking questions of this movie again. Haven’t you learned? –Jimmy)
  • The Elias do speak in unison sometimes.
  • Did the falling bridge breach the temple’s warp core? (Now I want to examine this temple. –Jimmy)
  • So…why does a civilization that has nothing to do with Mothra have a creature that reinvigorates Mothra? (Again, you ask questions. It’s futile. –Jimmy)
  • Great. Now Mothra Leo has shields like a starship. (I can get behind this. For scientific purposes, of course. –Jimmy)
  • The morphing effects look all right.
  • The ancient civilization’s temple was just offshore.
  • The fat kid wears an Oakland A’s shirt the whole time.
  • It’s a pearl—also, “She’s got the whole world in her hands!”
  • What is with this end theme? Is it trying to be rap? It almost sounds like the first theme for Rurouni Kenshin.
  • Also, the soundtrack keeps almost being Ifukube Godzilla music.

Japan’s Green Monsters by Sean Rhodes and Brooke McCorkle

  • Eschews family concerns for streamlined message on water pollution.
  • Mothra Leo soars over ocean with school of dolphins following. Makes message clear.
  • Like Godzilla vs. Biollante, this film says humanity can’t anticipate what will happen when they tamper with nature through genetic engineering.

The Toku Topic:

“Marine pollution” (Wikipedia) (https://en.wikipedia.org/wiki/Marine_pollution)

  • “In the late 1950s and early 1960s, there were several controversies about dumping radioactive waste off the coasts of the United States by companies licensed by the Atomic Energy Commission, into the Irish Sea from the British reprocessing facility at Windscale, and into the Mediterranean Sea by the French Commissariat à l’Energie Atomique. After the Mediterranean Sea controversy, for example, Jacques Cousteau became a worldwide figure in the campaign to stop marine pollution. Marine pollution made further international headlines after the 1967 crash of the oil tanker Torrey Canyon, and after the 1969 Santa Barbara oil spill off the coast of California.”
  • “Marine pollution was a major area of discussion during the 1972 United Nations Conference on the Human Environment, held in Stockholm. That year also saw the signing of the Convention on the Prevention of Marine Pollution by Dumping of Wastes and Other Matter, sometimes called the London Convention. … The London Convention applied only to waste dumped from ships, and thus did nothing to regulate waste discharged as liquids from pipelines.”
  • “Dust from the Sahara moving around the southern periphery of the subtropical ridge moves into the Caribbean and Florida during the warm season as the ridge builds and moves northward through the subtropical Atlantic. Dust can also be attributed to a global transport from the Gobi and Taklamakan deserts across Korea, Japan, and the Northern Pacific to the Hawaiian Islands.”
  • “In a study published by Environmental Science & Technology, Schmidt et al. (2017) calculated that the Yangtze, Indus, Yellow River, Hai River, Nile, Ganges, Pearl River, Amur, Niger, and the Mekong ‘transport 88–95% of the global [plastics] load into the sea.’”
  • “The remains of an albatross containing ingested flotsam. Many animals that live on or in the sea consume flotsam by mistake, as it often looks similar to their natural prey. Plastic debris, when bulky or tangled, is difficult to pass, and may become permanently lodged in the digestive tracts of these animals. Especially when evolutionary adaptions make it impossible for the likes of turtles to reject plastic bags, which resemble jellyfish when immersed in water, as they have a system in their throat to stop slippery foods from otherwise escaping. Thereby blocking the passage of food and causing death through starvation or infection.”
  • “Many animals that live on or in the sea consume flotsam by mistake, as it often looks similar to their natural prey. Plastic debris, when bulky or tangled, is difficult to pass, and may become permanently lodged in the digestive tracts of these animals. Especially when evolutionary adaptions make it impossible for the likes of turtles to reject plastic bags, which resemble jellyfish when immersed in water, as they have a system in their throat to stop slippery foods from otherwise escaping. Thereby blocking the passage of food and causing death through starvation or infection.”
  • “Many of these long-lasting pieces end up in the stomachs of marine birds and animals, including sea turtles, and black-footed albatross. In a 2008 Pacific Gyre voyage, Algalita Marine Research Foundation researchers began finding that fish are ingesting plastic fragments and debris. Of the 672 fish caught during that voyage, 35% had ingested plastic pieces.”
  • “Noise also makes species communicate louder, which is called the Lombard vocal response. Whale songs are longer when submarine-detectors are on.[101] If creatures don’t “speak” loud enough, their voice can be masked by anthropogenic sounds. These unheard voices might be warnings, finding of prey, or preparations of net-bubbling. When one species begins speaking louder, it will mask other species voices, causing the whole ecosystem to eventually speak louder.[102]”
  • “The amount of awareness on marine pollution is vital to the support of keeping the prevention of trash from entering waterways and ending up in our oceans. The EPA reports that in 2014 Americans generated about 258 million tons of waste, and only a third was recycled or composted. In 2015, there was over 8 million tons of plastic that made it into the ocean. The Ocean Conservancy reported that China, Indonesia, Philippines, Thailand, and Vietnam dump more plastic in the sea than all other countries combined. Through more sustainable packing this could lead to; eliminating toxic constituents, using fewer materials, making more readily available recyclable plastic. However, awareness can only take these initiatives so far. The most abundant plastic is PET (Polyethylene terephthalate) and is the most resistant to biodegradables. Researchers have been making great strides in combating this problem. In one way has been by adding a special polymer called a tetrablock copolymer. The tetrablock copolymer acts as a laminate between the PE and iPP which enables for an easier breakdown but still be tough. Through more awareness, individuals will become more cognizant of their carbon footprints. Also, from research and technology, more strides can be made to aid in the plastic pollution problem.”

“Ocean Pollution” (NOAA) (https://www.noaa.gov/education/resource-collections/ocean-coasts/ocean-pollution)

  • “Some debris sinks, some is eaten by marine animals that mistake it for food, and some accumulates in ocean gyres.” (A gyre is a large system of rotating ocean currents.)
  • “The majority of pollutants that make their way into the ocean come from human activities along the coastlines and far inland. One of the biggest sources of pollution is nonpoint source pollution, which occurs as a result of runoff. Nonpoint source pollution can come from many sources, like septic tanks, vehicles, farms, livestock ranches, and timber harvest areas. Pollution that comes from a single source, like an oil or chemical spill, is known as point source pollution. Point source pollution events often have large impacts, but fortunately, they occur less often. Discharge from faulty or damaged factories or water treatment systems is also considered point source pollution.”
  • “However, if they are too abundant in a body of water, they can stimulate an overgrowth of algae, triggering an event called an algal bloom. Harmful algal blooms (HABs), also known as “red tides,” grow rapidly and produce toxic effects that can affect marine life and sometimes even humans. Excess nutrients entering a body of water, either through natural or human activities, can also result in hypoxia or dead zones. When large amounts of algae sink and decompose in the water, the decomposition process consumes oxygen and depletes the supply available to healthy marine life. Many of the marine species that live in these areas either die or, if they are mobile (such as fish), leave the area.”
  • “Local, national, and international efforts are needed to address this environmental problem. The Save our Seas Act of 2018 amends and reauthorizes the Marine Debris Act to promote international action, authorize cleanup and response actions, and increase coordination among federal agencies on this topic.”
  • “Garbage patches are large areas of the ocean where trash, fishing gear, and other marine debris collects. The term ‘garbage patch’ is a misleading nickname, making many believe that garbage patches are “islands of trash” that are visible from afar. These areas are actually made up of debris ranging in size, from microplastics to large bundles of derelict fishing gear.”

“Marine Pollution” (National Geographic) (https://www.nationalgeographic.org/encyclopedia/marine-pollution/#:~:text=Marine%20pollution%20is%20a%20combination,59)

  • “The Pacific Garbage Patch is one example of such a collection, with plastics and microplastics floating on and below the surface of swirling ocean currents between California and Hawaii in an area of about 1.6 million square kilometers (617,763 square miles), although its size is not fixed. These patches are less like islands of trash and, as the National Oceanic and Atmospheric Administration says, more like flecks of microplastic pepper swirling around an ocean soup. Even some promising solutions are inadequate for combating marine pollution. So-called ‘biodegradable’ plastics often break down only at temperatures higher than will ever be reached in the ocean.”
  • “Nonetheless, many countries are taking action. According to a 2018 report from the United Nations, more than sixty countries have enacted regulations to limit or ban the use of disposable plastic items.”

“OCEAN POLLUTION: 11 FACTS YOU NEED TO KNOW” (https://www.conservation.org/stories/ocean-pollution-11-facts-you-need-to-know)

  • “Eight million metric tons: That’s how much plastic we dump into the oceans each year. That’s about 17.6 billion pounds — or the equivalent of nearly 57,000 blue whales — every single year. By 2050, ocean plastic will outweigh all of the ocean’s fish.”
  • “More plastic in the ocean comes from China and Indonesia than anywhere else — together, they account for one-third of plastic pollution.”
  • “With each load of laundry, more than 700,000 synthetic microfibers are washed into our waterways. Unlike natural materials such as cotton or wool, these plasticized fibers do not break down. One study showed that synthetic microfibers make up as much as 85 percent of all beach trash.”
  • “One effect of greenhouse emissions is increased ocean acidification, which makes it more difficult for bivalves such as mussels, clams and oysters to form shells, decreasing their likelihood of survival, upsetting the food chain and impacting the multibillion-dollar shellfish industry.”
  • “Noise pollution generated by shipping and military activity can cause cellular damage to a class of invertebrates that includes jellyfish and anemones. These animals are a vital food source for tuna, sharks, sea turtles and other creatures.​​​​​​”

I’m glad I got this over with. Let me assure you that it’s only up from here. While our schedule was screwed up by the delay of Godzilla vs. Kong, the rest of the season will feature better films.

Next week we’re joined by the most loved and hated G-Fan on Twitter, Jack “GMan” Hudgens, to discuss the increasingly obscure Toho classic, Gorath.

After that is the final part of the “Summer of Mothra” when the now Mothra-worshipping Bex returns for Rebirth of Mothra III. (Oh, boy…).

Follow me on Twitter: @NasaJimmy

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#WeShallOvercome

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Episode 18: Bex vs. ‘Rebirth of Mothra II’

Hello, kaiju lovers!

The “Summer of Mothra” continues with Rebirth of Mothra II—the valley between two short mountains in the ‘90s Mothra trilogy. Once again Nathan is joined by Bex from the Redeemed Otaku podcast, and they try their hardest to do a deep dive on a shallow movie. While the first movie had an obvious environmental theme, this one barely gives 20 seconds of screen time to anything substantial. Even Belvera and Elias aren’t as exciting this time around. Then there’s Ghogo/Gogo/Go-Go (aka “Japanese Furby”), the “token cute thing” whose plushy Bex has no interest in buying because, well, magic urine. Yeah….

But nothing can prepare you for the Shyamalan twist at the end of this episode. Nathan and his intrepid producer, Jimmy From NASA, never saw it coming.

Also, Jimmy introduces his new garage assistant, who’s either popular or infamous, depending on who you talk to.

Here’s the Kaijuvision Radio episode Nathan mentioned: Episode 19: Godzilla vs. Mechagodzilla (1974) (The Reversion of Okinawa: History and Culture).

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13, and Joejira! Thanks for your support! (Sorry we didn’t mention you on the air, Joejira. You signed up after the initial broadcast).

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-3:57
Entertaining Info Dump: 3:57-8:44
Toku Talk: 8:44-1:17:00
Toku Topic: 1:17:00-1:40:01
Outro: 1:40:01-end

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