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Tag: Jimmy From NASA

Episode 47: ‘Godzilla, King of the Monsters’ (1956) (feat. Elijah Thomas)

Hello, kaiju lovers! “Godzilla Redux” continues with Godzilla, King of the Monsters! (the original and not the 2019 film covered on MIFV a few months ago). Elijah Thomas (aka “The Littlest Gatekeeper”) from the Kaiju Conversation podcast joins Nate to discuss this Americanized version of the original 1954 kaiju classic. While it’s often been derided by both fans and critics alike, Nate and Elijah argue that it’s not only an important time capsule commenting on American-Japanese relations in the mid-1950s, but it just might be more culturally significant than Ishiro Honda’s original film! You read that right! If it wasn’t for Raymond Burr playing reporter (not comedian) Steve Martin in this version, the Godzilla franchise may have stalled and faded into the arthouse ether. That’s just a taste of these boys’ defense of the film!

Before the broadcast, Nate gets a call from Legal Action Team paralegal Gary, who says he’s meeting with a private investigator concerning their case against the Board—just when William H. George III, the Board’s special envoy, pays Nate a visit to make some veiled threats. After the broadcast, which includes several reports about an escaped Gyaos, Raymund Martin comes demanding to know if Nate has seen Gary that day—and tells Nate and Jimmy about a tragedy on the Island.

Listen to Nate and Travis’s spinoff podcast, The Henshin Men Podcast, on Redcircle.

This episode’s prologue and epilogue, “Gary and the Gyaos,” was written by Nathan Marchand with Michael Hamilton and Damon Noyes. 

Guest stars:

  • Michael Hamilton as William H. George III
  • Damon Noyes as Gary & Raymund Martin

Additional music:

Sound effects sourced from Freesound.org.

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, The Cel Cast, TofuFury, and today’s guest host, Elijah Thomas! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Check out MIFV MAX #4 to learn how you can help make Episode 50—MIFV’s second anniversary special—possible!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:

  • Prologue: 0:00-4:37
  • Intro: 4:37-16:30
  • Main Discussion: 16:30-1:28:59
  • Listener Feedback, Housekeeping & Outro: 1:28:59-1:39:13
  • Epilogue: 1:39:13-end

Podcast Social Media:

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #Godzilla        #GodzillaKingoftheMonsters

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Jimmy’s Notes on Episode 46: Daniel DiManna vs. ‘Gamera Super Monster’

Looks like Episode 46 should’ve been called, “Jimmy From NASA: Silent but Deadly.” Except the “deadly” part was before the broadcast and the “silent” part was during it.

I spent many hours filling out paperwork with Raymund Martin at the office of the Monster Island Legal Action Team because of this. Thankfully, with the help of Mr. Martin’s paralegal, Gary Steward, I’m happy to say that a court case won’t happen. Danny was too happy with his new toy to press charges or file lawsuits, anyway.

So…Gamera: Super Monster. I think Nate needed my banter to keep him from losing more of his mind, but Danny deprived him (and you, listeners) of it. That was easily the most unhinged he’s ever gotten on the air. I should’ve brought him some Jack Daniels.

Now for the part you came to read: my notes on the episode. I had plenty of time to jot them down since I was under Danny’s vow of silence.

  • In my defense, I figured Danny would love riding the pteronadon-bot again, and he’s surprisingly resilient given he survived the fall into the ocean. Maybe Nate was unintentionally right about him being Superman with a Beta Capsule?
  • Should my job feel threatened that Nate handled himself remarkably well without my help? No, because he needs someone to push his figurative and literal buttons. Plus, our viewership would drop because sometimes I get more love than him. 😛
  • I can’t find what karate level Mach Fumiake achieved (story has it she got a blackbelt, but that was after she made this movie), but she did become a champion pro-wrestler in AJW. I even found one of her matches on YouTube!
https://www.youtube.com/watch?v=Zp59WwS1IbA
  • That RX7 was beautiful. Mazdas are gorgeous. I had a 1980 Mazda RX7 back in the day. That’s why I was pissed when Zanon destroyed the one in the movie.
  • What can I say? I’m a sucker for women who know martial arts and can kick my @$$.
  • If you were any other man, Danny, I would’ve killed you for mocking Nick Adams! My laser pistol is kept in a secret drawer in my producer booth.
  • Exploiting my past trauma…how very Sun Tzu of you, Marchand.
  • It’s “Gamera: Super Monster,” Marchand, not “Super Monster Gamera.” (But I doubt anyone cares).
  • I let Danny win. I knew he was faking. I just enjoyed taking a mini-vacation. 😉 Besides, like I said, I have giant robots I built myself in my garage.

Here are Nate’s leftover notes:

The Movie

  • Nine planets: eight now, apparently. (There are NINE planets. You can’t convince me otherwise. –Jimmy)
  • “Resistance is futile.” Good grief, I hope TNG didn’t get that from this! (At least the Borg did it better than Zanon. Small comfort? –Jimmy)
  • I thought about splicing in clips of all the previous episodes I’d done for the Year of Gamera, but I decided not to because it was easier—maybe?—to just broadcast about it. (I could’ve done it if I wasn’t so busy in my garage off the clock. –Jimmy)
  • Oh my gosh, Kenny! You play better than you sing!
  • How is it that only one guy saw the Spacewoman transform and teleport? (I got nothing. –Jimmy)
  • This “Gamera March” gets old quick. (That’s because it’s not from my movie. 😛 –Jimmy)
  • The time of day transforms with the Spacewomen. (Beautiful women can do that, especially when they’re henshin heroines. –Jimmy)
  • Don’t you hate it when your henshin attack gets interrupted by villains too smart to let you do it? (All the time. 😛 –Jimmy)
  • I don’t feel any stakes in this stock footage. I barely feel any stakes in the new footage!
  • When your ringtone sounds like an oily spring. (It might’ve been recorded in my garage…. –Jimmy)
  • Keiichi is stupidly trusting of strangers.
  • Giruge, high heels on a beach doesn’t sound like a good idea. (For once, I have to agree with you, Nate. –Jimmy)
  • If this is actually in the same universe as the previous movies, Gamera is having a lot of déjà vu. “History repeating.” And Zanon can resurrect and control kaiju. How is he having this much trouble conquering Earth?! (You’re complaining, why? –Jimmy)
  • Kilara conveniently opens a portal to Keiichi.
  • “One more chance” is never “one more chance” with Zanon—because he doesn’t understand the concept of numbers. (He went to the “gooder” schools. –Jimmy)
  • This movie is basically several episodes of a henshin hero show spliced together with spit and glue into a compilation movie with Gamera stock footage. (You might want to have it on Henshin Men, Nate. 😛 –Jimmy)
  • This movie just does whatever it wants without explanation. (Like me. 😛 –Jimmy)
  • So. Much. Padding!
  • Gamera jazz hands.

Commentary by Richard Pusateri

  • Says he likes Gamera more because of studying this movie?! (Some universities offer degrees in it. –Jimmy)
  • Likens tokusatsu to bonsai gardening: they know it isn’t real but appreciate the artistry of it and don’t see it as deceptive or trickery.
  • Argues that a movie doesn’t have to be good as long as it’s entertaining. (paraphrase)
  • “Space Macarana.” 😛
  • Toho = MGM, Toei = Warner Bros. Daiei = Universal
  • Could see this as a coda in a symphony or as a greatest hits album.
  • The wormhole recalls Godzilla’s Revenge.
  • The music in the “Dodzilla” scene might be emulating the theme from Son of Godzilla.
  • Jokes that Jackie Chan was Giruge’s stunt double.
  • Gamera vs. Barugon to the Shaft theme.
  • Jokes that Keiichi begging Gamera not to go to Shane.

Intro by August Ragone

  • “Previously on Gamera…”
  • A musical?

Galbraith

  • Claims the Dozilla clip was cut from the US version.

LeMay

  • Yuasa went on to direct episodes of Ultraman 80 after this.
  • This was sort of the inspiration for the 1995 Playdia video game Gamera: The Time Adventure.

Toku Topic: The Rise and Fall of Daiei Film (aka the Japanese Film Crash of 1970)

  • The Japanese Film Crash of 1970:
    • Films had to be leaner and more commercial, appealing to broader audiences. Genres like yakuza and “youth pictures” died. By 1970-1971, franchises like The Crazy Cats, Young Guy, Station Front, and the Boss were gone.
    • Genre films were being screened more at drive-ins and lowbrow theaters. Toho went from dealing with studios like Columbia and AIP to struggling “fly-by-night” companies.
    • There were several other trends that contributed to this:
      • People moved from the cities to the suburbs. This brought theater attendance down. Industrialization. Many theaters were closed because of this.
      • Foreign films started eating up ticket sales, and by 1975, they outsold domestic releases. It was hard to compete with big-budget Hollywood productions.

We did it! It’s uphill from here!

Since Nate survived (barely), Godzilla Redux continues next week with 1956’s Godzilla, King of the Monsters!, We’ll be joined by “the littlest gatekeeper,” Elijah Thomas of the Kaiju Conversation podcast. He’ll tell you who the “tru phans” are. Then, much to Nate’s excitement, he’s having the original Tourists return to start their journey through the Heisei Gamera trilogy with 1995’s Gamera: Guardian of the Universe.

Huzzah!

Social media:

#JimmyFromNASALives       #WeShallOvercome

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Episode 46: Daniel DiManna vs. ‘Gamera: Super Monster’

Hello…kaiju…lovers…. The only reason this episode is long as it is because Nate’s guest, Daniel DiManna (creator/author of the Godzilla Novelization Project) is the most talkative introvert ever of all time. But even if “Danny Boy” was Superman with a Beta Capsule, he couldn’t save this week’s Year of Gamera movie, the infamous Gamera: Super Monster. This 1980 cash-grab from a barely-alive Daiei Film is easily the Guardian of the Universe’s lowest point. On paper, Nate should love this movie because it has three of his favorite things—spaceships, superheroes, and kaiju—but he doesn’t. From public access channel special effects to a nonsensical plot with everything but the kitchen sink to the truckloads of stock footage—this must’ve been a plot by the Board of Directors to break Nate. Meanwhile, Danny keeps MIFV’s intrepid producer, Jimmy From NASA, quiet by getting him to bet his Pteranodon-bot that he can’t interrupt them during the broadcast. The Toku Topic, fittingly, is the rise and fall of Daiei Film, the studio that introduced the world to Akira Kurosawa and Gamera but dug itself into a financial hole it couldn’t escape. It’s a crazy story, to say the least.

Before the broadcast, Nate and Jimmy are visited by the Board’s executive assistant, Ms. Perkins. She tells Nate that she made arrangements for him to interview Spacewoman Kilara from Gamera: Super Monster on MIFV, much to his chagrin, and then fangirls over her. But the more Nate asks Ms. Perkins questions about her past, the stranger she acts.

Listen to Nate and Travis’s spinoff podcast, The Henshin Men Podcast, on Redcircle.

This episode’s epilogue, “Interviewing a Superheroine,” was written by Nathan Marchand. 

Guest stars:

Additional music:

Sound effects, including some by InspectorJ and klankbeeld, sourced from Freesound.org.

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, The Cel Cast, and TofuFury! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:

  • Prologue: 0:00-7:47
  • Intro: 7:47-19:26
  • Entertaining Info Dump: 19:26-26:43
  • Toku Talk: 26:43-1:37:52
  • Henshin Men Promo: 1:37:52-1:41:08
  • Toku Topic: 1:41:08-2:13:12
  • Listener Feedback, Housekeeping & Outro: 2:13:12-end

Podcast Social Media:

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #GameravsZigra          #YearofGamera

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Jimmy’s Notes on Episode 45 | ‘Godzilla: The Series’ – ‘New Family’ and ‘DeadLoch’ (feat. Eli Harris)

I can neither confirm nor deny that I spent a sizable portion of my latest paycheck on aloe vera cream after getting burned in episode 45 by Eli Harris. He’s lucky he’s a paying Patron, or I would’ve tongue-lashed him right back. (Nate’s editorial: Whatever helps you sleep at night, Jimmy).

Now for what you actually came here to read: my notes on the episode. In between enduring some zingers, I managed to take a few. They were mostly responses to what Nate and Eli said as opposed to corrections. Kudos there, guys. But you won’t always be able to escape that. So, here’s what I jotted down:

  • That’s your best recommendation for a drink, Marchand? These are better: The Happy Moment, the Megalon Bomb, and the Plasma Spark. Although, my personal favorite is the Nick Adams Apple Cider.
  • Digimon is clearly superior to Pokémon—yes, because technology. I might even still have one (or three) of those virtual pet toys in my quarters. (Don’t judge me!)
  • I want an ejection button and seat for the guests’ chairs. I might even install one in the host chair, Marchand. I know George 3 has suggested I do that. After the episode 45 broadcast, it got more tempting. 😛
  • Don’t make me pull that EES lever, Marchand! I’ll shoot you into space myself! 😛
  • Or the show inspired the unmade Godzilla (1998) sequel? I’m sure they were in development relatively close together. This video from the Kaiju Masterclass online convention sheds some great light on it. It’s an interview with screenwriter Tab Murphy.
  • I could take Monique. Can she claim to have survived the (in)famous War in Space? I don’t think so! Next time I see her at the gym, I’ll challenge her to a sparring match. I’ll let you know how it goes. (Nate’s editorial: Badly).
  • I offered to have the H.E.A.T.-Seeker treated for rust, but Tatapoulos won’t do it. He says the boat would lose its charm if it was treated. Maybe this is my inner “car guy” talking here, but I have to disagree. Especially since you don’t want rust weakening your hull when you’re being attacked by a kaiju.
  • Randy Hernandez isn’t ready for my quips. You know firsthand, Nate.
  • Nate, that was the Titan Truth Podcast logo! How did you miss that?!

As required by my contact, here are Nate’s leftover notes from the episode:

“New Family, Part 1”

  • The Twin Towers are in the theme and some establishing shots. Awkward? (No. –Jimmy)
  • Pays very close attention continuity despite minor changes. Jamaica being Zilla’s first stop.
  • Nick’s attitude shifts even in this episode: from killing Zilla Jr. to studying it. More Toho-esque.
  • Zilla Jr. holds Nick like Kong does Anne. Almost eats him. Not because of fish smell? Acts like a dog—scratches door and walks in circle before lying down.
  • Animal didn’t know Nick was Audrey’s boyfriend?! (Can you blame him for forgetting? Remember the movie, man! –Jimmy)

 “New Family, Part 2”

  • There are some scaling issues. Sometimes Zilla Jr. is HUGE. (They went for drama and not realism, obviously. –Jimmy)
  • Zilla Jr. throws rocks like Showa Godzilla. He’s also clever and strategic. Thankfully, Zilla Jr. breathes atomic fire and is more durable. Survives landslide.
  • Establishes tension between HEAT and military.

“Deadloch”

  • Hugh Trevor. Pisces.
  • Funny how Monique yells, “Randy!” and Elsie yells, “Nick!” when they dive in to save them. (Two words: sexual tension. –Jimmy)

Notes on the Series

  • Godzilla is animalistic but smart enough to solve problems. He’s loyal to HEAT, but he has his own agency.
  • They had access to other Toho monsters outside of the “big three,” but they kept coming up with ideas for cool new monsters, so there was no room for them.

Nate shared all his Loch Ness Monster research. Hot damn!

Sadly, I don’t know if Nate will survive the next episode, even with guest Daniel DiManna in the guest chair. He calls it “the nadir of the Year of Gamera.” That would be Gamera Super Monster. Even with a pseudo-Star Destroyer and hot women in spandex, it’s a hard sell for me. Assuming Nate survives, we get back to Godzilla Redux with 1956’s Godzilla, King of the Monsters!, which will feature “the littlest gatekeeper,” Elijah Thomas of the Kaiju Conversation podcast. That’ll be interesting.

See you next week!

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives       #WeShallOvercome

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Jimmy’s Notes on Episode 44: The MSTies vs. ‘Gamera vs. Zigra’

Zigra. Proof positive that Sharknado needs to go into space. Need I say more?

Actually, yes. It’s part of my contractual obligations. But I wouldn’t mind being shot into space. I could easily pilot my way back to Earth, unlike Nate.

As for my notes on episode 44, I took a surprising amount for a movie about a giant flying turtle battling a huge space shark. Let’s get into them:

  • Neil mispronounces “bathysphere” as “bathosphere.”
  • And you’re complaining about this, why, Nate?

  • The name of the actress playing Woman X/Chikako is Eiko Yanami.
  • Nate, did you forget the lady scientist in Final Wars?

  • Tom Servo does say, “We all die in a yellow bathysphere,” during the MST3K episode, Nate. But sadly, the Board mandated you not watch those. I’m genuinely sorry.
  • Appropriately, Nezura and the Baby Gameras have a xylophone player.
  • There are several theories related to the effect of sonic waves on the brain, but testing these theories has yielded inconclusive results.
  • It’s “Rhodes and McCorkle,” Nate, not “Brooke and McCorkle.” Brooke is one of their first names, so it’s understandable you’d get them mixed up.
  • The name of the baseball team with the “curse of the colonel” is the Honshin Tigers.
  • From what I can tell, the “FRP” from your Kamogawa Sea World research was fiber-reinforced plastic.
  • Doc Brown’s theories on time travel…don’t get me started! It creates way too many paradoxes and begs too many questions. I’ll spare you all the rant.
  • Travis and I had a great discussion about time travel in Star Wars after the broadcast. Or rather, he listened to me rant.
  • The Skull Island episode was 14, Nate.

Here are Nate’s leftover notes from his episode 44 research, included as per my contractual obligations:

  • Japan does have a space agency. Episode 15.
  • The audio quality on the theme song is subpar. What happened? (Budget cuts. Duh. –Jimmy)
  • The first scenes have parallelism: Ken starts his day and we see the animals at SeaWorld.
  • A seal named Nick?! (He’s not your friend, Mr. Hayden. –Jimmy)
  • Was Gamera just there or was his Turtle Sense tingling? (Turtle Sense. How else does he know where there are children in trouble? –Jimmy)
  • There’s an insignia is Star Trek that looks like the iris on the Zigra ship. (It’s the Vulcan insignia, I think. –Jimmy)
  • Wow. Woman X actually says kids are smarter.
  • Planet Zigra. Zigrans. Monster is named Zigra. (Confusing, I know. It’d be like a human naming his child “Earth” or “Human” or “Terran.” Although, there is a Tera Strong. –Jimmy)
  • She references both the Kanto and Sanriku earthquakes (episode 33).
  • Lots of scientific info for the kids. Educational.
  • She (Woman X) runs like molasses. And conveniently freezes. The heck?!
  • And the kids somehow know how to use the spaceship controls. Ken even says he can use a motorboat easily. (I taught him now. 😛 –Jimmy)
  • Gamera always has bloodshot eyes. Is he on drugs? Not sleeping? Both? (Perhaps he should be drug tested. –Jimmy)
  • Man, the dads missed a ride with Gamera because they got hypnotized.
  • Helen says at tech end of the scene, “Boys are no use at all.” The littlest feminist.
  • “Earth Defense Army,” huh? (They didn’t last long, unfortunately, in large part because of their weakness during the Zigra Invasion of 1971. –Jimmy)
  • Of course the fisherman stops for Woman X. (What guy wouldn’t? 😛  –Jimmy)
  • And Tokyo Tower will be destroyed again later in a better Gamera film.
  • Oh, now Gamera’s underbelly can take shots. And yet he still needs a rock.
  • And his fire breath is so hot, it still works underwater. Sure. (It defies science, so I don’t get it, either. –Jimmy)
  • Inexplicable bipedal-ness!
  • These Showa Gamera movies liked not have normal bipedal monsters aside from Gamera.
  • So, the different water pressure made him bigger. And he’s going to wipe everyone out because of this. Also, he should rule the oceans because he’s “beautiful.” (He’s quite the narcissist. –Jimmy)
  • Good grief, these kids can sneak into anything, including bathyspheres. Why? (Ninjas. Duh! 😛 –Jimmy)
  • Gamera foes love to sleep. Zigra, Jiger, Barugon. Others?
  • Gamera threw a rock at Zigra and then snuck up to grab the bathysphere. What the heck?!
  • Chikako the geologist knows a lot about biology. (All scientists know everything about science. Trist me, I know. 😛 –Jimmy)
  • What happens if cell activity stops? (Is this a trick question? –Jimmy)
  • They’re dead but not dead? They say to use electroshock—and we don’t see it.

The Commentary by Sean Rhoads and Brooke McCorkle

  • Opens with a moon exploration scene, which was a product of the time. Apollo program going on in 1971. Moon landing in 1969.
  • Yellow caps and blue shirts were the uniforms for preschoolers.
  • The actress who plays the older sister was Flobella two years earlier.
  • Interestingly, the EPA was established this year.
  • Japan relies on the sea more than any other country, and twice as much as second-place Scandinavia.
  • There’s disagreement over the “Gamera Song” lyrics because the words can be used, in one form or another, for elements (gold, wood, fire, etc.), the days of the week, or the names of planets.
  • (Rhoades says “Gamera vs. Gigan”). (I’d have interrupted and corrected them, but I wasn’t there. –Jimmy)
  • Tokyo Tower is a national symbol, particularly of technological advancement because it’s a radio tower.
  • McCorkle sees Zigra as the embodiment of planetary wrath because he has the same blame as his planet. Similar to Battra.
  • The environmental moral is about personal and not corporate pollution.

Arrow Booklet

  • Daiei was removed from the Tokyo Stock Exchange Dec. 28, 1971.
  • Yuasa blamed the studio’s failure on Masaichi’s son, Hidemasa, being “too much of an artist to run a movie studio.”

Ragone Intro

  • He says this was the first Gamera movie to tackle environmentalism. Others have argued against this.
  • The old man is bad attempt at a joke referring to a Japanese folk tale about a woman travels into the ocean and returns as an old man.

Big Book by John LeMay

  • Yuasa says Zigra was inspired by a shark attack in Japan that made national news.
  • Gamera gets off easy—hypnotized into a coma—compared to previous movies.

Galbraith

  • Describes Zigra as “part shark, part bird, with a touch of the Nautilus.” (He’s not wrong. –Jimmy)
  • Calls this “a cheap, depressing little film.” (Okay, even I think this is a bit mean. –Jimmy)

Unsurprisingly, Nate got through all his notes on Kamogawa Sea World. But then again, it’s not like it was a particularly scholarly topic.

Next week is our first ever Patreon-sponsored episode. In fact, MIFV MAX member Eli Harris pledged at the level where he could come on the show as a guest! He and Nate will discussed three episodes of Godzilla: The Series, specifically the two-part premiere “New Family” and Eli’s favorite episode, “DeadLoch.” Then, unfortunately for Nate, the “Year of Gamera” continues with the infamous Gamera: Super Monster. It has some of his favorite things—kaiju, superheroes, and spaceships—but I’m not sure he’ll survive. Hang in there, man! Remember what I always say:

#WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

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Episode 44: The MSTies vs. ‘Gamera vs. Zigra’ (feat. Travis Alexander and Neil Riebe)

Hello, kaiju lovers! After calling in a favor at the last second to get a replacement guest, Nate sits down with Kaiju Weekly’s Travis Alexander and kaiju author Neil Riebe to discuss one of Gamera’s lowest points: Gamera vs. Zigra. Yes, before Jaws, the Friend to All Children battled a giant alien shark who couldn’t decide if he wanted to enslave humanity or eat them. Ziggy also has a bad habit of recruiting beautiful ladies as hench-people (your new PC term of the day), but they forget everything they knew before being mind-controlled—like that parading around in nothing but a bikini might not be the most inconspicuous disguise unless you’re in an exploitation film for kids. Let’s just say, Nate almost loses his mind in this episode. The Toku Topic is Kamogawa Sea World, because this movie is a terrible, overgrown commercial for the resort.

Afterward, Nate has to pull some Board-mandated overtime and is contacted in secret by Gary, Raymund Martin’s paralegal. Nate thinks he’s found a new friend in Gary in his quest to out the Board.

Listen to Nate and Travis’s spinoff podcast, The Henshin Men Podcast, on Redcircle.

Check out Neil’s books, I Shall Not Mate and Vistakill.

This episode’s epilogue, “A Secret Ally,” was written by Nathan Marchand with Michael Hamilton. 

Guest stars:

  • Damon Noyes as Gary

Additional music:

Sound effects sourced from Freesound.org.

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, and The Cel Cast! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:

  • Intro: 0:00-12:40
  • Entertaining Info Dump: 12:40-19:22
  • Toku Talk: 19:22-57:45
  • Advertisement: 57:45-58:24
  • Toku Topic: 58:24-1:15:05
  • Listener Feedback, Housekeeping & Outro: 1:15:05-1:32:26
  • Epilogue: 1:32:26-end

Podcast Social Media:

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #GameravsZigra          #YearofGamera

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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BONUS Jimmy’s Notes on ‘Bonus Episode 8 – Godzilla: Singular Point (feat. Kaiju Weekly)’

You may recall that I shared Nate’s research on quantum mechanics in a bonus Jimmy’s Notes since he wasn’t able to share it on the air for the Godzilla: Singular Point episode. You may also recall I’ve been late posting my blogs this week. So, to make up for that, I’m now sharing Nate’s leftover notes on Singular Point itself. Drink it in, folks.

  • The intro in the first episode begins like a fairy tale. It even has “once upon a time…”
  • Jet Jaguar is a company mascot for Otaki Factory. Ha! (Now he’s my garage’s mascot. –Jimmy)
  •  This first episode throws A LOT at you.
  • I already love Pero 2. (I’m hoping to work on a project with Mei and Pero 2 at some point—making Nate green as a Messiah 13 Alien with jealousy. 😛 –Jimmy)
  • They say “Ja-gwar.” 😛 (As any good English speaker would. –Jimmy)
  • How dare those kids mock JJ! (Indeed! Be glad he likes kids, or else he’d be the first robot arrested for murder. –Jimmy)
  • Ep1 ends with Godzilla march and Godzilla skeleton. Lots of intrigue. (The scientists on the Island want to study that skeleton quite badly, but it’s been a chore to get it moved here. Raymund Martin is waist-deep in litigation over it. –Jimmy)
  • We don’t get the proper theme song until ep2.
  • The old man’s speech when he launches JJ is very Darkwing Duck. JJ’s stubby legs are so funny! In this, he starts out as a small mech with a pilot. Then he has a mind of his own after a reboot. (Piloting Jet sounds kinda fun. Hmm…. –Jimmy)
  • JJ vs. Rodan!
  • Rodan crawls! (Like a certain Ghidorah…. –Jimmy)
  • I love this crazy, cranky old man.
  • I love Mei’s kawai kaiju phone cover.
  • What the–?! Who the heck is Hot Topic lady here? (Your new girlfriend, Nate? 😛 –Jimmy)
  • Oh my gosh! They’re merchandizing Rodan REALLY fast! (And those dolls are being sold at the Island’s gift shop. –Jimmy)
  • These early episodes feature a lot of researching. Reminds me of grad school and my job here on the Island.
  • Ep3 starts with narration again.
  • Mei never has the same outfit from one episode to the next.
  • Otaki Factory’s company car is a Cadillac?! (I approve.  –Jimmy)
  • Mei has clothes on a clothesline? People still do that? (Apparently. –Jimmy)
  • “I’m afraid your laundry is no longer with us.” Ha!
  • Why are Rodans dropping dead?
  • Mei’s major is biologica fantastica. Interesting. (But does she go for English majors, Nate? 😛 –Jimmy)
  • Mei and Yun would’ve been natural fits at my alma mater. (We get it, Nate. You’re in love. 😛 –Jimmy)
  • “Godzilla” appears at the end of ep3. You know because of the music.
  • EE: Godzooki sticker?!
  • How can Mei afford to fly to Dubai? (Student loans. Lots of them. –Jimmy)
  • Yun just guessed there were bones in the basement?
  • Anguirus! He has the ability to defelct bullets. Named by a child who couldn’t say “ankylosaurs.” And is a fortune teller?
  • This show likes to end episodes with kaiju appearances.
  • Ep5 has Not-Gabara (Salunga).
  • The 3D and 2D animation actually integrate pretty well.
  • There are a lot of news reports.
  • Manda appears. (Mammoth snake).
  • JJ’s lower body was built in a hurry.
  • So, we have not-Titanosaurus replicating a scene from Reigo by jumping over the ship.
  • Godzilla’s arrival in ep7 reminds me of Shin Godzilla. (Varan?)
  • Asks the obvious question of whether future means anything if the future is set.
  • We have title drop in ep7!
  • The gelatin illustration is very Star Trek.
  • Does Revelation say 1/3 of the waters turn red? (It is one of the Ten Plagues, though).
  • “That puts the “oo” in “Cool.’”
  • Gojira or Godzilla?
  • Jet Jaguar can talk now—and he sounds like a kid. (I removed that feature from him. It was a bit creepy. –Jimmy)
  • Godzilla’s breath attack and “death” in ep8 is very Shin Godzilla.
  • Now the kids think JJ is cool. (#Irony. –Jimmy)
  • The story in this very much like Shin Godzilla: characters are trying to unravel and decipher a puzzle left by a scientist.
  • Not-Gabara isn’t dead?!
  • Lena must be adopted. She looks nothing like her dad.
  • Godzilla Ultima appears in ep10.
  • The Red Dust around Godzilla is basically radiation. He’s a walking disaster.
  • JJ rode a Rodan. I’ve seen everything. (It’s the most metal thing I’ve seen in a while. –Jimmy)
  • Shiva fits with the Stoic story about the gods covering up the inadequacies of man and starting over. (God and the Flood?)
  • I love that most of the creatures in this series are the more obscure kaiju in the Toho pantheon.
  • The Octagonal Diagonalizer is the Oxygen Destroyer.
  • INN News? Did Fox and CNN merge? (That’d be a confusing disaster. –Jimmy)
  • I get it. Jet’s AI reverted because everything is working backward.
  • The old man quotes Jurassic Park in the dub: “Hold on to your butts!” (I’m sure our competition loved it. –Jimmy)
  • Where’s the JJ with propellers toy?
  • Godzilla has fleas?! (He did in 1984. –Jimmy)
  • Jet Jaguar vs. Godzilla?! (Madness, I tell you! –Jimmy)

Creator Interview

  • Source: https://www.animenewsnetwork.com/interview/2021-06-23/the-science-of-kaiju-with-the-director-and-writer-of-godzilla-singular-point/.173773
  • Atsushi Takahashi (director), Toh Enjoe (sci-fi writer and ex-physicist)
  • ENJOE: The first thing we were aiming for was to formulate a Godzilla story that is shown in animation through 13 weekly episodes. I originally joined not as the screenwriter but as a consultant for the science fiction aspects, so I mainly thought about how Godzilla could be actualized as a living creature. People are right when they say that Godzilla is symbolic of something, but I wanted to try reexamining what could be reexamined through the perspective of modern biology.
  • ENJOE: I suppose it might be the attitude of attempting an internally consistent work of fiction based on a hypothesis. In physics, you first start with a hypothesis, and if the results you end up with don’t match reality, the hypothesis is discarded. In fiction, you start with a concept, and if the story you end up with doesn’t match it, the concept is discarded.
  • ENJOE: I suppose it might be the attitude of attempting an internally consistent work of fiction based on a hypothesis. In physics, you first start with a hypothesis, and if the results you end up with don’t match reality, the hypothesis is discarded. In fiction, you start with a concept, and if the story you end up with doesn’t match it, the concept is discarded.
  • TAKAHASHI: I think there are many people who are aware of Godzilla, but there are surprisingly few who have sat down and watched a Japanese Godzilla film, much less all of them. I do wonder how many people have seen them all. If you’re one of the people who says you have, you’re a nerd in the minority. I hope that watching Godzilla SP gives you the motivation to sit down and watch the older Godzilla films. (In other words, you’re all a bunch of uber-nerds. –Jimmy)
  • ENJOE: I’m sure that there will be many people who say they can’t understand the sci-fi elements, but we’ve made it so that even if you don’t understand, you’ll be fine. Actually, the characters are smarter than me, so there are plenty of times when the logic they espouse is lost on me.

As I wrote in my previous blog:

The “Year of Gamera” continues next week with Gamera vs. Zigra, which will feature Kaiju Weekly co-host/MIFV MAX member Travis Alexander and now (because our previous guest vanished off the internet), kaiju author Neil Riebe. Nate isn’t a fan of this movie, but again I remind you a beautiful woman parades around in a bikini for a while! How can you complain? Then we have another first on the show: a Patreon-sponsored episode. Not only that, but that generous MIFV MAX member is joining us on the air: Eli Harris. The topic will be three episodes of Godzilla: The Series, specifically “New Family” parts one and two and his favorite episode, “Deadloch.”

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

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Bonus Episode 8 – ‘Godzilla: Singular Point’ (feat. Kaiju Weekly)

By our powers combined!

In true Amalgam Comics fashion, The Monster Island Film Vault and Kaiju Weekly have fused to form a super-show (“Kaiju Film Vault Weekly”?) to discuss 2021’s next big tent-pole kaiju release, the Netflix anime Godzilla: Singular Point. Nate, Travis, Michael, and even Jimmy From NASA get into just about everything about this 13-episode series released worldwide June 24, from the characters to the monsters to quantum physics. This series proved to be somewhat divisive in the Godzilla fanbase as it aired weekly in Japan starting in March, and your intrepid hosts were just as divided. Who liked it and who loved it? Listen to learn the answer!

Nate was unable to share his research on quantum mechanics because this broadcast went long, so Jimmy posted it as a bonus Jimmy’s Notes on the MIFV website as a supplement to this episode. Hopefully, it enhances your appreciation of this experimental Godzilla anime.

Additional music:

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, and The Cel Cast! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:

  • Intro: 0:00-4:50
  • News: 4:50-28:16
  • Toku Talk/Main Topic: 28:16-2:16:13
  • Housekeeping & Outro: 2:16:13-end

Podcast Links:

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #GodzillaSingularPoint

© 2021 Moonlighting Ninjas Media and Kaiju Weekly

Bibliography/Further Reading:

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BONUS Jimmy’s Notes on Quantum Mechanics (for KW Episode 80/MIFV Bonus Episode 8)

The special crossover broadcast between MIFV and Kaiju Weekly on Godzilla: Singular Point went long. So long, in fact, Nate wasn’t able to share his research on quantum mechanics. Their “Amalgam Universe” fusion wasn’t quite absolute. Well, I should say he wasn’t able to share our research. I did 97% of it since, you know, I worked at NASA. But as Nate said during the broadcast, he’s “the best three-percenter” we know. (I kid, by the way. Nate spent several hours researching, and he consulted with me and the other scientists on Monster Island).

So, as a supplement to this special episode (which will be out Wednesday on both the Kaiju Weekly and Monster Island Film Vault feeds), I’m presenting that research. I think it explains quantum mechanics pretty well for a layman and sheds a little light on Singular Point. It’ll hopefully make the series a bit easier to understand and increase your appreciation for it. Toh Enjoe, the screenwriter, is a former physicist, and that background is definitely apparent in this wonderful series.

Anyway, like I said, the episode drops Wednesday. Enjoy!

NOTE: All bullets in quotes are lifted directly from the listed sources. All others are paraphrases.

NOTE 2: Read Nate’s leftover notes on the series itself in another Jimmy’s Notes.

  • Sources:
  • Richard Feynmann, who won the Nobel Peace Prize for his work on quantum electrodynamics, said, “If you think you understand quantum physics, you don’t understand quantum physics.”
  • However, has helped us develop technologies like computers, digital cameras, LED screens, lasers, and nuclear power plants.
  • Basically, everything works with quantum physics.
  • “It’s right there in the name– the word “quantum” comes from the Latin for “how much” and reflects the fact that quantum models always involve something coming in discrete amounts.”
  • “Quantum mechanics is a fundamental theory in physics that provides a description of the physical properties of nature at the scale of atoms and subatomic particles.[2]:1.1 It is the foundation of all quantum physics including quantum chemistry, quantum field theory, quantum technology, and quantum information science.”
  • “Classical physics, the description of physics that existed before the theory of relativity and quantum mechanics, describes many aspects of nature at an ordinary (macroscopic) scale, while quantum mechanics explains the aspects of nature at small (atomic and subatomic) scales, for which classical mechanics is insufficient. Most theories in classical physics can be derived from quantum mechanics as an approximation valid at large (macroscopic) scale.[3]”
  • “In classical mechanics, objects exist in a specific place at a specific time. However, in quantum mechanics, objects instead exist in a haze of probability; they have a certain chance of being at point A, another chance of being at point B and so on.”
  • “Quantum mechanics (QM) developed over many decades, beginning as a set of controversial mathematical explanations of experiments that the math of classical mechanics could not explain. It began at the turn of the 20th century, around the same time that Albert Einstein published his theory of relativity, a separate mathematical revolution in physics that describes the motion of things at high speeds. Unlike relativity, however, the origins of QM cannot be attributed to any one scientist.”
  • The three principles of quantum mechanics, which gained acceptance between 1900 and 1930:
    • “Quantized properties: Certain properties, such as position, speed and color, can sometimes only occur in specific, set amounts, much like a dial that “clicks” from number to number. This challenged a fundamental assumption of classical mechanics, which said that such properties should exist on a smooth, continuous spectrum. To describe the idea that some properties “clicked” like a dial with specific settings, scientists coined the word ‘quantized.’”
      • “In 1900, German physicist Max Planck sought to explain the distribution of colors emitted over the spectrum in the glow of red-hot and white-hot objects, such as light-bulb filaments. When making physical sense of the equation he had derived to describe this distribution, Planck realized it implied that combinations of only certain colors (albeit a great number of them) were emitted, specifically those that were whole-number multiples of some base value. Somehow, colors were quantized! This was unexpected because light was understood to act as a wave, meaning that values of color should be a continuous spectrum. What could be forbidding atoms from producing the colors between these whole-number multiples? This seemed so strange that Planck regarded quantization as nothing more than a mathematical trick.”
      • “Planck’s equation also contained a number that would later become very important to future development of QM; today, it’s known as ‘Planck’s Constant.’”
    • “Particles of light: Light can sometimes behave as a particle. This was initially met with harsh criticism, as it ran contrary to 200 years of experiments showing that light behaved as a wave; much like ripples on the surface of a calm lake. Light behaves similarly in that it bounces off walls and bends around corners, and that the crests and troughs of the wave can add up or cancel out. Added wave crests result in brighter light, while waves that cancel out produce darkness. A light source can be thought of as a ball on a stick being rhythmically dipped in the center of a lake. The color emitted corresponds to the distance between the crests, which is determined by the speed of the ball’s rhythm.”
      • “In 1905, Einstein published a paper, “Concerning an Heuristic Point of View Toward the Emission and Transformation of Light,” in which he envisioned light traveling not as a wave, but as some manner of “energy quanta.” This packet of energy, Einstein suggested, could “be absorbed or generated only as a whole,” specifically when an atom “jumps” between quantized vibration rates. This would also apply, as would be shown a few years later, when an electron “jumps” between quantized orbits. Under this model, Einstein’s “energy quanta” contained the energy difference of the jump; when divided by Planck’s constant, that energy difference determined the color of light carried by those quanta.”
      • “Roughly two decades after Einstein’s paper, the term “photon” was popularized for describing energy quanta, thanks to the 1923 work of Arthur Compton, who showed that light scattered by an electron beam changed in color. This showed that particles of light (photons) were indeed colliding with particles of matter (electrons), thus confirming Einstein’s hypothesis. By now, it was clear that light could behave both as a wave and a particle, placing light’s “wave-particle duality” into the foundation of QM.”
    • “Waves of matter: Matter can also behave as a wave. This ran counter to the roughly 30 years of experiments showing that matter (such as electrons) exists as particles.”
    • These aren’t physical waves, though. It’s an abstract mathematical description. In other words, no one knows if it’s real because no one has seen a quantum wave. All we see is an electron particle. This barrier in knowledge between the quantum realm and our world is called a measurement barrier.
    • The Double Slit experiment: Think of firing a paintball gun at a wall with two slits. You expect to see two lines on the back wall thanks to the slits. Quantum wavelengths enter those slits and then split off into new waves, creating multiple lines.
  • “Also in 1927, Heisenberg made another major contribution to quantum physics. He reasoned that since matter acts as waves, some properties, such as an electron’s position and speed, are “complementary,” meaning there’s a limit (related to Planck’s constant) to how well the precision of each property can be known. Under what would come to be called “Heisenberg’s uncertainty principle,” it was reasoned that the more precisely an electron’s position is known, the less precisely its speed can be known, and vice versa. This uncertainty principle applies to everyday-size objects as well, but is not noticeable because the lack of precision is extraordinarily tiny. According to Dave Slaven of Morningside College (Sioux City, IA), if a baseball’s speed is known to within a precision of 0.1 mph, the maximum precision to which it is possible to know the ball’s position is 0.000000000000000000000000000008 millimeters.”
  • “In 1927, Paul Dirac applied a quantum understanding of electric and magnetic fields to give rise to the study of “quantum field theory” (QFT), which treated particles (such as photons and electrons) as excited states of an underlying physical field.”
  • “Since the breakthrough of renormalization, QFT has served as the foundation for developing quantum theories about the four fundamental forces of nature: 1) electromagnetism, 2) the weak nuclear force, 3) the strong nuclear force and 4) gravity. The first insight provided by QFT was a quantum description of electromagnetism through “quantum electrodynamics” (QED), which made strides in the late 1940s and early 1950s. Next was a quantum description of the weak nuclear force, which was unified with electromagnetism to build “electroweak theory” (EWT) throughout the 1960s. Finally came a quantum treatment of the strong nuclear force using “quantum chromodynamics” (QCD) in the 1960s and 1970s. The theories of QED, EWT and QCD together form the basis of the Standard Model of particle physics. Unfortunately, QFT has yet to produce a quantum theory of gravity. That quest continues today in the studies of string theory and loop quantum gravity.”
  • “There’s lots of places to start this sort of discussion, and this is as good as any: everything in the universe has both particle and wave nature, at the same time. There’s a line in Greg Bear’s fantasy duology (The Infinity Concerto and The Serpent Mage), where a character describing the basics of magic says “All is waves, with nothing waving, over no distance at all.”
  • “One of the most surprising and (historically, at least) controversial aspects of quantum physics is that it’s impossible to predict with certainty the outcome of a single experiment on a quantum system. When physicists predict the outcome of some experiment, the prediction always takes the form of a probability for finding each of the particular possible outcomes, and comparisons between theory and experiment always involve inferring probability distributions from many repeated experiments.”
  • “The mathematical description of a quantum system typically takes the form of a “wavefunction,” generally represented in equations by the Greek letter psi: Ψ.”
  • “In either class of foundational model, the probability of finding an outcome is not given directly by the wavefunction, but by the square of the wavefunction … This is known as the “Born Rule” after German physicist Max Born who first suggested this (in a footnote to a paper in 1926), and strikes some people as an ugly ad hoc addition.”
  • Einstein’s EPR paper and “entanglement”:
    • “The EPR paper argued that quantum physics allowed the existence of systems where measurements made at widely separated locations could be correlated in ways that suggested the outcome of one was determined by the other. They argued that this meant the measurement outcomes must be determined in advance, by some common factor, because the alternative would require transmitting the result of one measurement to the location of the other at speeds faster than the speed of light. Thus, quantum mechanics must be incomplete, a mere approximation to some deeper theory (a “local hidden variable” theory, one where the results of a particular measurement do not depend on anything farther away from the measurement location than a signal could travel at the speed of light (“local”), but are determined by some factor common to both systems in an entangled pair (the “hidden variable”)).”
  • “This was regarded as an odd footnote for about thirty years, as there seemed to be no way to test it, but in the mid-1960’s the Irish physicist John Bell worked out the consequences of the EPR paper in greater detail. Bell showed that you can find circumstances in which quantum mechanics predicts correlations between distant measurements that are stronger than any possible theory of the type preferred by E, P, and R. This was tested experimentally in the mid-1970’s by John Clauser, and a series of experiments by Alain Aspect in the early 1980’s is widely considered to have definitively shown that these entangled systems cannot possibly be explained by any local hidden variable theory.”
  • Quantum tunneling: when a wavelength passes through a barrier, is degrades. If the barrier is narrow enough, it may still exist on the other side. Protons have a chance of existing on the other side. We’re alive because of it. This is what makes the sun shine. Protons normally repel each other, but they have a small chance of tunneling, which turns hydrogen into helium and releases fusion energy.

Until next time, remember: #WeShallOvercome

#JimmyFromNASALives

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