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Jimmy’s Notes on ‘Episode 19: Gorath (feat. Jack GMan Hudgens)

I still can’t believe that I don’t remember meeting GMan at the Monsterland Tavern when he visited. I’m starting to think the barkeep mixed some Faro Island red berry juice into my Jack Daniels. I especially would’ve remembered the emergency evacuation switch only launching the walls and ceiling and not the whole building. That was a fun recovery mission. The damn thing flew all the way back to the Japanese mainland and landed on a beach. Thankfully, it was closed due to COVID-19, so no one got hurt.

Regardless, I have my notes to get into for episode 19 on Gorath:

  • Yes, Ryo Ikedbe died in 2010.
  • It’s “Kimura” not “Kimaira,” Jack.
  • Near as I can tell, it was Honda who decided to change Moguera into a robot in The Mysterians.
  • You said “Kimura” when you meant “Shimura,” Nathan. But considering how similar their names are—Takashi Shimura vs. Takeshi Kimura—that’s understandable.
  • Confirm with Danny that “Maguma” wasn’t in Ultra Q originally.
  • Yes. I like Godzilla vs. SpaceGodzilla. Fight me!

Now for Nathan’s leftover notes, which I must include to fulfill my contractual obligations:

  • Starts with two women stripping to go swimming before being interrupted by rocket launch. I don’t remember if we see them again.
  • Gorath is a rogue star with 6,000 Earth’s mass but is ¾ the size. Very dense. For perspective, the Sun has 330,000 times Earth’s mass and is 109 times the diameter. (You’ve made this NASA engineer happy. –Jimmy)
  • Explore Gorath like Columbus, huh? (Before or after his statue is torn down? –Jimmy)
  • Does gravity increase exactly in relation to mass? (Indeed, it does. Read about it here. –Jimmy)
  • Jun Tazaki is the captain of the JX-1. He says he’d tell his men if they were going to die to reassure them—then tells them they can’t escape a few minutes later. (Reminds me of my first training mission. It was a lot like the Kobayashi Maru. –Jimmy)
  • Would it be in poor taste for them to yell, “Banzai!” just before dying? (Not in Japan. But that might be why it was cut in the U.S. release. –Jimmy)
  • The zero G scene is pretty good.
  • A light, even comical scene in a Kimura script?! What?! For some reason, I feel like it belongs in M*A*S*H*. No subtitles for the song for some reason. It’s a singing joyride. Yet more evidence that Honda secretly wanted to direct a musical. Composed by Kan Ishi.
  • Over 11.8 billion yen invested in JX-1. (Chump change compared to the Gohten! –Jimmy)
  • Other ships are being built in other countries, but they say Japan’s ship is putting them to shame. Nationalistic? (Nope. Patriotic. –Jimmy)
  • Hey, it’s Dr. Who in the bar! (Let’s hope not. I’m not giving him his “Robot Kong” back! –Jimmy)
  • The wide shot of the ship fleet looks like models on a board.
  • The music during the construction scene almost sounds like Ifukube. The models look cool, though.
  • They have a 13th floor! (Good thing I’m not superstitious. –Jimmy)
  • The power core looks like the TNG warp core! (I know, right! –Jimmy)
  • The evacuation scene actually reminded me of G2014.
  • UN Gorath Countermeasures Center. They have a lot of countermeasures centers in the Heisei era.
  • They send Shimura to South Pole but won’t tell him why. Probably because Maguma looks stupid.
  • The composite shot with Maguma looks good.
  • I thought Tsuburaya didn’t want blood in his film? Maguma’s death is gory.
  • And staring at Gorath on a TV screen cures amnesia. Huh? (Yeah, I got nothing on this. –Jimmy)
  • They celebrate saving Earth at the end despite the fact it only cost the Moon and billions in damages. (Still better than being dead. –Jimmy)
  • Science and scientists are credited with saving the world. Another thematic statement.
  • They do at least talk about putting the Earth back in its orbit. (Which is good, because, well, I haven’t the time to list all the dire consequences of moving it. –Jimmy)

LeMay

  • Maguma was to come back for DAM but didn’t.
  • Kenji Sahara had a broken leg during production, but Honda insisted he be in the film.
  • Had more time and money given to it than other tokusatsu films.

Galbraith IV

  • Former military pilot turned sci-fi author Jojiro Okami’s story was the inspiration for this. As was Battle in Outer Space, The Mysterians, and Dogora.

Honda Biography

  • Released just six months after the USSR launched the first man in space, Yuri Gagarin. Embodies Honda’s twin ideals of international cooperation and science above politics.
  • It was made at the height of the space race. It borrows the plot of When Worlds Collide by Gorge Pal. Honda shows science being pursued ethically and positively, unlike in his previous sci-fi films.
  • Endo possibly takes a shot at Pal’s film: “Mankind [used to be] separated into white, black, and yellow races before the United Nations. Trust, honor, and cooperation were qualities that brought us together.”
  • “The common folk cannot be at the forefront of big problems, but there are so many of them…so, those scenes create depth for the story. These are the types of people that I want in my films. This is the very foundation of my films.” –Honda
  • There’s no panic because Honda thought that wouldn’t seem real.
  • Honda regretted letting the walrus Magma be added to the film. “That was definitely the human weakness of Ishiro Honda. That idea came from above. They make more profit with monsters [in the movie]. I think that left a scar on the film.” It was originally scripted as a “dinosaur-like creature,” but Honda didn’t want to remind audiences of Godzilla.
  • Ryfle and Godizewski argue that the controversial US-Japan alliance casts a shadow on the film. The “futuristic” 1980s Japan looks like post-Occupation Japan of 1961. Japan and America are above reproach, while fictional nations like Crenion and the USSO offer mild dissent before acquiescing. Japanese scientists are more advanced.

“Intergalactic star” (Wikipedia) (These are excerpts from that article. –Jimmy)

  • “Another hypothesis, that is not mutually exclusive to the galactic collisions hypothesis, is that intergalactic stars were ejected from their galaxy of origin by a close encounter with the supermassive black hole in the galaxy center, should there be one. In such a scenario, it is likely that the intergalactic star(s) was originally part of a multiple star system where the other stars were pulled into the supermassive black hole and the soon-to-be intergalactic star was accelerated and ejected away at very high speeds. Such an event could theoretically accelerate a star to such high speeds that it becomes a hypervelocity star, thereby escaping the gravitational well of the entire galaxy.[6] In this respect, model calculations (from 1988) predicts the supermassive black hole in the center of our Milky Way galaxy to expel one star every 100,000 years on average.[7]”

 “Star unlike any found in the Milky Way appears to be an intergalactic intruder” by Michael Irving (Again, these are excerpts from the article. –Jimmy)

  • “Astronomers have discovered a star in the Milky Way that doesn’t belong. Officially known as J1124+4535, the star has a chemical composition unlike any others ever observed in our home galaxy, suggesting it’s an intergalactic interloper that may have come from a dwarf galaxy that was swallowed up by the Milky Way.”
  • “Through LAMOST observations and a follow-up using the Subaru Telescope in Japan, J1124 was found to have a relatively low amount of magnesium and high levels of europium. This particular chemical composition so far seems to be unique to this star, compared to the rest of the Milky Way.”
  • “This kind of galactic merger happens all the time. The aftermaths of collisions between the Milky Way and smaller galaxies are visible all around us, and many more are predicted in the future – culminating in a spectacular merger between the Milky Way and Andromeda in about four billion years’ time.”
  • “J1124+4535 isn’t the first intergalactic star to be discovered in our neck of the woods. Stars traveling at hypervelocity speeds have been found to be hurtling towards the Milky Way from other galaxies, with the Large Magellanic Cloud, a dwarf galaxy that orbits our own, the most likely point of origin.”

“Lost in Space: Half of All Stars Are Rogues Between Galaxies” by Charles Q. Choi (Once again, these are excerpts from the article. –Jimmy)

  • “As many as half of all stars in the universe lie in the vast gulfs of space between galaxies, an unexpected discovery made in a new study using NASA rockets. These stars could help solve mysteries regarding missing light and particles that theory had suggested should exist, scientists say.”
  • “In the study, astronomers investigated the extragalactic background light, the sum of all light emitted by stars in the universe throughout history. Prior research had detected fluctuations in this light that did not appear to come from any known galaxies. Scientists had suggested these fluctuations might come from primordial galaxies, the very earliest galaxies, whose light has yet to be detected.”
  • “Instead, this finding of bright, blue light unexpectedly reveals these fluctuations may come from something called ‘intrahalo light,’ which is created by stars flung into intergalactic space during titanic collisions and mergers of galaxies. The researchers found that there was as much light from these intergalactic stars as there was from stars located in galaxies.”

“HUBBLE FINDS INTERGALACTIC STARS” (For the last time, these are excerpts from the article. –Jimmy)

  • “NASA’s Hubble Space Telescope has found a long sought population of ‘stellar outcasts’ – stars tossed out of their home galaxy into the dark emptiness of intergalactic space. This is the first time stars have been found more than 300,000 light-years (three Milky Way diameters) from the nearest big galaxy.”
  • “The isolated stars dwell in the Virgo cluster of galaxies, about 60 million light-years away. The results suggest this population of ‘lone stars’ (Haha! –Jimmy) accounts for 10 percent of the Virgo cluster’s mass, or 1 trillion Sun-like stars adrift among the 2,500 galaxies in Virgo.”
  • “Intergalactic stars have been predicted to exist as a result of galaxy interactions and mergers early in a galaxy cluster’s history. These close encounters should have ripped stars out of their home galaxies and tossed them into intergalactic space, where they drift free of the gravitational influence of any single galaxy.”
  • “The stars are bright red giants – stars late in their lives. Presumably there are many fainter stars – perhaps as many as 10 million – in the same field but are below Hubble’s sensitivity.”

I wish they’d spent more time discussing rogue stars, but we were pressed for time thanks to our contracts. Jack understood that. Perhaps in the future MIFV could do “redux” episodes as Nathan as suggested once or twice. Then I could go nuts researching rogue stars (again)!

In the meantime, our resident “Mothrian” Bex from Redeemed Otaku returned to finish up the “Summer of Mothra,” which you’ll hear next week. Let’s just say things got…Star Trek-ian. Then Nathan does a mini-analysis of Matango as the second episode in July.

Be there or be square!

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Episode 19: ‘Gorath’ (feat. Jack “GMan” Hudgens)

Hello, kaiju lovers!

Before Armageddon, before Star Trek: The Motion Picture, there was Gorath. Nathan is joined by the most loved and hated film critic in the kaiju community, Jack “GMan” Hudgens, to discuss this Toho classic that has been described as the lovechild of Mothra (1961) and The Last War. While it isn’t the most exciting film, Nathan and GMan explore how its theme of unity is a timeless message, and one that people need to hear now more than ever. Along the way, they compare this to Star Trek and H.P. Lovecraft stories and discuss how Maguma the giant walrus has done nothing but get shoehorned into stories he didn’t need to be in. Also, GMan gets into a bar fight with Jimmy From NASA. Yep.

This is meant to supplement this episode of Kaijuvision Radio: Episode 44: Gorath (1962) (Near Earth Objects/Science of Gorath).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13 and Joejira! Thanks for your support! (Forgive me for forgetting to say this on the air! I’ll make it up to you next time!)

You, too, can support us on Patreon!

Follow GMan on Twitter. Check out The Drift Space.

Read Jimmy’s Notes on this episode.

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Episode 18: Bex vs. ‘Rebirth of Mothra II’

Hello, kaiju lovers!

The “Summer of Mothra” continues with Rebirth of Mothra II—the valley between two short mountains in the ‘90s Mothra trilogy. Once again Nathan is joined by Bex from the Redeemed Otaku podcast, and they try their hardest to do a deep dive on a shallow movie. While the first movie had an obvious environmental theme, this one barely gives 20 seconds of screen time to anything substantial. Even Belvera and Elias aren’t as exciting this time around. Then there’s Ghogo/Gogo/Go-Go (aka “Japanese Furby”), the “token cute thing” whose plushy Bex has no interest in buying because, well, magic urine. Yeah….

But nothing can prepare you for the Shyamalan twist at the end of this episode. Nathan and his intrepid producer, Jimmy From NASA, never saw it coming.

Also, Jimmy introduces his new garage assistant, who’s either popular or infamous, depending on who you talk to.

Here’s the Kaijuvision Radio episode Nathan mentioned: Episode 19: Godzilla vs. Mechagodzilla (1974) (The Reversion of Okinawa: History and Culture).

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13, and Joejira! Thanks for your support! (Sorry we didn’t mention you on the air, Joejira. You signed up after the initial broadcast).

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-3:57
Entertaining Info Dump: 3:57-8:44
Toku Talk: 8:44-1:17:00
Toku Topic: 1:17:00-1:40:01
Outro: 1:40:01-end

MIFV Social Media:
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© 2020 Moonlighting Ninjas Media

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Jimmy’s Notes on ‘Episode 17: The Last War (Mini-Analysis)’

I’m a day late but not a dollar short. I wasn’t able to get access to Marchand’s notes on The Last War because his laptop charger just had to die, followed by his laptop itself. And wouldn’t you know it, even with all the technology here, we didn’t have anything compatible with it. That’s what you get for having a computer verging on retirement age in technological years, Marchand!

On the bright side, even I know these blogs aren’t as important as the podcast. After almost nine months of doing this show, if the worst we’ve done is have a few of my blogs be a day late while the podcast stays on time, I’d call that an accomplishment.

As usual with Nathan’s scripted episodes, I don’t have anything to add to what he said since we take care of that before recording. However, he left out a surprising number of his notes on the film in his analysis. Let’s dive in (like I did when eluding the Messiah 13 Aliens during the War in Space).

Nathan’s Leftover Notes:

  • Starts with an overture. This wasn’t common anymore in 1961. It only lasts 80 seconds.
  • Opens with a montage of normal everyday things: steel mill, traffic, showgirls, ship launching. Life is proceeding as usual. (Showgirls are “normal”? Do you live in Vegas? –Jimmy)
  • Acknowledges World War II. Rebuilt city. Didn’t think it would burn down again.
  • Random American takes kids’ photo.
  • Alliance (USSR) and Federation (NATO). Stand-ins. Much like Rolisica and New Kirk City in Mothra, though more obvious. (Makes me wonder which one Rolisica would join. I could go either way. – Jimmy)
  • America is mentioned. Stocks.
  • Radio reports of tensions rising between Alliance and Federation. Meanwhile, the family goes about its business. They’re charming and happy.
  • If this was a different movie, the flash in the sky would be an alien ship. (If I had a dollar for every time I confused an ICBM for an alien spaceship, I could buy the Gohten! –Jimmy)
  • The husband says he worked hard and saved after the war to build his “castle” (i.e. middle class lifestyle). This was becoming more common at the time in Japan. Economic Miracle.
  • The daughter, Saeko, says she will find her own happiness. Counter. Fell in love before getting married. Takarada wants to make her happy despite not being rich. Parents more like older generation. Traditional. Oh, wait. Parents weren’t so traditional, actually.
  • The dad says the intelligent people of the world don’t mean much if they don’t care about the “little people.” He can’t believe the gods wouldn’t care.
  • In Japan, children throw balls at spherical piñatas? (Yep. I had one for my ninth birthday while living in Japan as a kid. –Jimmy)
  • There are a lot of families and children in this film.
  • Takarada says the world seems to be at “peace.” Polite way of saying it.
  • 38th line = 38th parallel? Yes. Korea.
  • The Japanese government urges both sides to have 2nd and third meetings after Africa summit dissolves to maintain peace and refrain from nukes. PM is said to have kidney problems.
  • Sakai’s friend says only people with money can relax at this time. He says only a moron would relax. Anyone who knows the alternative (nuclear war, I assume) must work hard for peace.
  • Hard work is venerated in this film. (As it should be. –Jimmy)
  • A black man in a Toho film! Rare sight!
  • The scene where the Federation officer muses about peaceful coexistence is interrupted by an almost comical sign that says, “The Outbreak of War.” He then says, “God, forgive me,” and presses the button. No order was given to fire. He panicked. It’s barely stopped. Short circuit. (Undermined a bit by the acting). (And people say David Perin’s crying was terrible. Just sayin’. –Jimmy)
  • Sometimes the English spoken by Japanese bit actors is hard to understand.
  • Soldiers’ bodies are shown burnt to ashes and blowing in the wind. Small nuke.
  • PM pushes through health issues (hard work).
  • The classroom has a banner with the flags of many nations hung up on doorway.
  • Alliance forces speak English, too. Hmm.
  • Alliance missile base nearly fires nuke because of damage from an avalanche. Alliance officers’ uniforms stained with sweat as they work on warhead. Shows fragility of situation. The soldiers in these bases at the very least don’t want war.
  • News of a ceasefire on 38th parallel comes in. Japanese officials mention a Federation officer confused a meteor for a missile and nearly launched. (If I had a dollar for every time this happened, too…. –Jimmy)
  • Both sides have nukes mounted on fighter planes?! Geez! (Did you forget about the scene in Independence Day where they fired nukes at the alien ship from a stealth bomber? That was in the ‘90s, but it shows it’s possible. It’s still a horrifying thought, though. –Jimmy)
  • Seako and Takarada speak often of how a war would ruin their lives together. The big decisions made by leaders trickle down to the common people and disrupt their lives.
  • PM still believes the world can be saved. Issues statement for peace that is broadcast constantly.
  • We get a traditional crowd fleeing scene like in a kaiju film, but this time they’re trying to flee a war.
  • Suzue’s mother promises nothing will happen to her. Is she lying to protect her daughter? Does she believe that?
  • There’s a shot that pans down from a painting of a crucified Christ to the famous “Scream” to a street filled with decimated cars and debris. Cuckoo clock rings. “Time’s up”? (“The Scream” is an 1893 painting by Edvard Munch. –Jimmy)
  • Teacher reads a story to children about two goats who meet on bridge wanting to cross but refusing to move. They butt heads and almost fall off bridge. One finally says he will duck down and let the other one jump over him. They reach a peaceful agreement. Parallels world politics except neither side is willing to compromise. (Is this a sequel to “The Three Billy Goats Gruff”? –Jimmy)
  • I love the kanji of what Saeko and Takarada talking to each other over Morse code. It’s beautiful.
  • Sakai’s family prepares a fancy meal like it’s New Year’s Day. They didn’t run. Last meal? Kids can eat all they want. They listen to radio reports about what’s happening. Sakai wonders if he was a bad father working a lot. His wife says no.
  • The tulips haven’t sprouted and Saeko says they will survive underground and bloom after they die. Sakai won’t accept that. Idealist to the end. He rails against powers he can’t control and decisions he can’t influence. Powerlessness.
  • The characters all sit around at the end waiting for death.
  • Interestingly, the Diet is the first thing we see be destroyed. (This seems to be a thing in Toho films. It happened in Godzilla 1954, too. –Jimmy)
  • In the end, Takarada’s captain decides they will return to the devastated Tokyo. The attendant muses that humans are a unique irony. They will die with their people.

This is a film whose message is still relevant, especially with everything that’s happening right now. I may not be in America currently, but I see what’s going on. We need more compassion and understanding than ever.

That’s all I have to say on the matter for now.

Anyway, join us next week for part two of “The Summer of Mothra” when Bex from Redeemed Otaku returns for Rebirth of Mothra II. Then Jack “GMan” Hudgens joins us to discuss Gorath later this month.

Follow me on Twitter: @NasaJimmy

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#WeShallOvercome

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Episode 17: ‘The Last War’ (Mini-Analysis)

Hello, kaiju lovers!

Except today’s episode isn’t about giant monsters. Heck, it’s barely about tokusatsu. Nathan is analyzing the criminally underseen 1961 antiwar drama The Last War. While most of the creative team behind the camera aren’t the ones usually followed by kaiju/toku fans, there are several familiar faces in front of the camera: Frankie Sakai (Mothra), Yuriko Hoshi (Mothra vs. Godzilla, etc.), and Akira Takarada (too many to list). This film depicts a middle class Japanese family navigating everyday life interspersed with Japanese government officials and foreign soldiers trying to avoid World War III. It is a perfect snapshot of the Japanese national spirit at that moment in time and, Nathan argues, is the precursor to 1984’s The Return of Godzilla. As part of his analysis, Nathan reads the Bible passage quoted in the film (plus the following two verses that would’ve offered some hope) and a John Bradley poem that would’ve been perfect for the end of the film.

All this plus Nathan opens the mailbag to answer some listener feedback!

This is meant to supplement this episode of Kaijuvision Radio, which featured the fantastic Danny DiManna: Episode 43: The Last War (1961) (NATO) (The North Atlantic Treaty Organization).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, and elizilla13! Thanks for your support!

Read Jimmy’s Notes on this episode.

Please donate to David Marshall and his family on GoFundMe.

Podcast Social Media:
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© 2020 Nathan Marchand & Moonlighting Ninjas Media

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Episode 16: Bex vs. ‘Rebirth of Mothra’

Hello, kaiju lovers!

Today we’re giving you something you perhaps didn’t know you wanted—a deep dive into Rebirth of Mothra, the first of a trilogy produced by Toho after retiring Godzilla (again). Depending on how you feel about this movie, you may love or hate this episode. What you will love, though, is the Tourist joining Nathan this week is none other than Bex from Redeemed Otaku. Since Nathan appeared on her podcast to discuss the Godzilla Anime Trilogy, he’s having her on three episodes as part of the “Summer of Mothra” while we all await the release of Godzilla vs. Kong (yes, much to anime-loving Bex’s chagrin, she’s filler). Their spirited discussion references and compares this film to a multitude of unrelated media, including The Lion King, Power Rangers, The Neverending Story, Sentinels of the Multiverse (a card game), and Panzer Dragoon(a video game). It’s quite meme-tastic with catchphrases like, “lightning and lasers,” and Nathan’s favorite, “Deus ex Mothrica” (he has issues with the movie’s ending). The Toku Topic is deforestation in Japan. While that may not sound exciting, it has deep connections to the movie and the Japanese national spirit. All this plus some Jimmy From NASA antics and more in the latest episode of MIFV!

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

ANNOUNCEMENT: We now have a Patreon! If you’re able to support the show in these crazy times, please do. There are three levels, each with its own perks. Here’s a link. Shout out to our first Patron, Travis Alexander (co-host of Kaiju Weekly), who pledged at the Day Pass Tourist level! Thanks, man!

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-5:11
Entertaining Info Dump: 5:11-11:55
Toku Talk: 11:55-1:29:31
Toku Topic: 1:29:31-2:09:11
Outro: 2:09:11-end

MIFV Social Media:
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Follow Jimmy on Twitter: @NasaJimmy

www.MonsterIslandFilmVault.com

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© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 15: ‘Battle in Outer Space’ (with Luke Jaconetti)

Hello, kaiju lovers!

Today’s episode is a little different. Think of it as an extended “mini-analysis.” It’s also the first film MIFV has covered that features no kaiju. Luke Jaconetti, the host of the Earth Destruction Directive podcast (and owner of an impossible-to-spell surname), joins Nathan to discuss the film featuring everyone not working on The Three Treasures in 1959: Battle in Outer Space. The podcast’s producer, Jimmy From NASA, loves this film because it’s the second entry in what he calls a “pseudo-trilogy.” After Luke recounts his globetrotting adventure getting to Monster Island despite worldwide travel bans, he and Nathan discuss how what this film lacks in character it more than makes up for with showmanship and spectacle. It was a snapshot of the world at the beginning of the Space Race and the Cold War. They connect it to films like Invasion of the Body Snatchers, Earth vs. the Flying Saucers, Star Wars, and even Toy Story 2! They also discuss whether or not the invading aliens, the Natal, could be interpreted as an anti-American commentary.

Are you stuck in quarantine? Enjoy some quality entertainment and enlightenment through this tokusatsu epic!

This was made as a supplement to this episode of Kaijuvision Radio, which featured Danny DiManna as Brian Scherschel’s guest host: Episode 42: Battle in Outer Space (1959) (The Space Race between the US and the USSR).

Podcast Social Media:
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Bonus Episode #2: Interview with Eric Elliott (Batman Meets Godzilla)

Hello, kaiju lovers!

HOLY INTERVIEW, BATMAN! You’ve heard it being promoted for several months on the show, and now you’ll get the full story. In another special bonus episode for all of you in quarantine because of coronavirus, Nathan and his intrepid producer, Jimmy From NASA, are joined by Eric Elliott, the mastermind behind the Batman Meets Godzilla fan comic. As in the Adam West Batman and the Showa Godzilla! Hear Eric talk about the secret origins of this project that’s based on as an unmade film from the mid-1960s with story treatments written by Batman ’66 producer William Dozier and possibly even Shinichi Sekizawa. Then the Dynamic Duo discuss the art of sequential storytelling in comics, the mystery of the Sekizawa treatment, adapting the treatment for a three-issue comic, and who would win a dance-off between Batman and Godzilla.

Tune in next week for a regular episode—same kaiju time, same kaiju channel!

Read the comic on its official website.

Follow the series on Twitter and Facebook.

Read about this unmade film in John LeMay’s book, The Big Book of Japanese Giant Monster Movies: The Lost Films (Mutated Edition).

MIFV Social Media:
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Follow Jimmy on Twitter: @NasaJimmy

www.MonsterIslandFilmVault.com

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© 2020 Moonlighting Ninjas Media

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Nathan’s Notes on ‘Episode 13: The Three Treasures (Mini-Analysis)’

I thought the number 13 being unlucky was just a superstition.

Until now.

Much like Yamato Takeru from The Three Treasures, I’ve been beset by misfortune after posting episode 13 of the podcast. During my livestream of Override: Mech City Brawl, Jimmy From NASA started a betting pool with the Island’s Board of Directors, the science team, and pretty much everyone else who worked here. It was based on my performance in the game—and he bet against me. And I played the game on hard mode. Jimmy made out like a bandit. He even cleaned out the Board. So much so, he used that money to buy Metageckon (the mech I used in the game) on eBay. That’s not the unfortunate part. He used his newfound leverage with the Board to make himself the host of MIFV! Now I’m his producer. This means I have to do the follow-up blog to last week’s episode on The Three Treasures and every episode after this.Jimmy was kind enough to give me his notes from the episode, which wasn’t much, so this blog will be relatively short. That’s probably good since the blog on episode 12 was as long as Peter Jackson’s King Kong!

Here’s all that Jimmy had on the episode:

  • There is some debate over whether Toshiro Mifune was a Christian. This Wikipedia discussion board questions it because he has a traditional Buddhist gravestone. He was the son of Japanese Christian missionaries who worked in China, and he had a traditional Methodist wedding, though. This Reddit thread (so take it with a grain of salt) says there was a rumor that he was part of something called the “Ikeda cult,” but that just seems to be the cult trying to claim a celebrity as a member to find legitimacy. (The post references the potentially inaccurate Wikipedia article, mind you).
  • What? I was tired from working in my garage all day! Of course I’d fall asleep watching a three-hour movie! I’m a busy man.
  • Nathan mispronounced the name of the eight-headed dragoon. It’s “Yamata no Orochi” not “Yamato.” I don’t think the dragon is part of the royal family. (But I could be speaking in ignorance. Weirder things have happened. I should know. I lived them).

My Leftover Notes from Watching the Film:

  • Credits over an eclipsed sun? “Land of the rising sun”?
  • “In the beginning…” Opening narration sounds biblical and mythical. Old woman.
  • These village scenes are reminding me of The Ten Commandments with the enslaved Israelites.
  • “Old stories are full of beautiful life.” -Old woman storyteller
  • The set design is incredible. Very DeMille.
  • A lot of court drama and intrigue.
  • Are the prince and Otomachibana meant to parallel the god and goddess from the beginning?
  • Day for night scene at river!
  • Torii gate is entrance to temple grounds. Like Hebrew temple or tabernacle.
  • This is a response to another numbered religious epic: The Ten Commandments ~ The Three Treasures.
  • Is that Hirata? I almost don’t recognize him.
  • Those fire effects were a little awkward.
  • A woman be stoned for loving a man from a different clan. Very ancient.
  • These people look Mongolian?
  • Kumaso (Takashi Shimura) is undone by his lust. Even checked for a man before this.
  • Kumaso tells the prince to kill him. He hesitates, then takes the prince’s sword and slits his own throat. Seppouku?
  • There are flashbacks to the gods as told by an old woman storyteller. Oral tradition.
  • What do they mean by “nag”?
  • I thought the prince and the gods would interact.
  • Criterion should release this.
  • “Laugh festival”? “Festival of laughter”?
  • While this festival seems like revelry, it is meant to bring the sun goddess (and light) back to the world.
  • The rooster’s crow when light and the goddess return.
  • Is there an intermission? Was it removed?
  • Yes. These myths are meant to parallel the prince. Susan-o = the prince. Susan-o’s tears drained all the world’s water. The prince’s mother says he must not be like him.
  • The flashbacks/stories increase as the film progresses.
  • “Orochi” just gets translated as “dragon.”
  • Last daughter transformed by Susan-o into hair braid for safety.
  • Orochi’s approach blows out torch. Nice!
  • Proto-Ghidorah! The heads do kinda flop around. They just appear to be heads. No body. In water. The glowing eyes are cool. Looks better fighting Susan-o. Nevermind. It has a body. He must have a magic sword or its heart or brain in in its tail. He pulls a sword from the dragon, which is now used to defend Japan. The prince now has it.
  • Just as Susan-o became a hero, so does the prince.
  • Mt. Fuji is active in this. Village elder says it protects them. The prince says the smoke reminds him of the evil in men’s hearts.
  • The location scenes are gorgeous.
  • Spectacular fire scene where the prince uses the flint from the bag given him as a gift to change the wind.
  • The smoke from Mt. Fuji turns red. Passion? Rage?
  • Like Susan-o, the prince is unloved by his father.
  • Yamato is a region.
  • A storm happens when the prince decides to return as a plebian to marry Otomochibani against his father’s orders. Wrath of the gods? Otomochibani says it is her fault for breaking her vow and angering the sea god. She throws herself overboard to placate him. Reminds me of Jonah and the big fish. A green light appears in the sea after she jumps. Her kimono floats up. The storm clears. Taken by the gods? “The princess has become my sacrifice.” Most supernatural thing that’s happened in the “present.”
  • This ambush is the film’s big climax. It’s spectacular. Nobody makes movies like this anymore. It isn’t quite Ten Commandments huge, but it’s still great. Cuts between on location shooting and sets.
  • The prince is killed and his soul rises in the form of a white crane. Mt. Fuji erupts. Even in death he is victorious. His wrath is poured out on his enemies. Symbolizes Japan. This was foreshadowed earlier. The effects for this are great. The compositing and everything. This is also like The Ten Commandments when the unrighteous Israelites are swallowed by the earth. And now he uses water from a lake to cause a flood and drown other enemies.
  • Oh, man…death by lava. Horrible.
  • I’m pretty sure lava is more viscous than that, but we’ll go with it.
  • The crane flies toward a rainbow, symbolizing how the prince enters the realm of the gods. The people follow the bird.

Yamato Takeru

  • In the original legends, Otomachibana was his wife and not a fiancé, but she did sacrifice herself to placate the sea god. Her comb washed ashore seven days later, and her tomb was built around it. He did later marry Miyazu.

I didn’t take notes from all my sources, so I recommend referencing my bibliography for the episode if you want to learn more. (I’m gonna miss writing those).

Time to settle into my new job on Monster Island, I guess.

Follow me on Twitter: @NathanMarchand7

My author website: www.NathanJSMarchand.com.

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