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Jimmy’s Notes on ‘Episode 20: Bex vs. Rebirth of Mothra III’

I’m not a religious man—which may sound strange given that I work on an Island with a giant moth goddess—but even I was concerned about Bex after her sudden conversion to “Mothrianity.” Honestly, I was happy to see the good Reverend Mifune bring her to senses and Christianity by breaking Belvera’s influence on her. It was not unlike what Shota did for Lora in Rebirth of Mothra III.

Now if only Marchand will let me live down the whole female clone and teleporter business. It wasn’t my fault!

The things I put up with.

I kid (for the most part…).

Let’s get into my notes from the episode:

  • Nathan and Bex never talked about Moll speaking in tongues to Mothra Leo. They discussed it briefly before the broadcast, so I’m surprised they didn’t bring it up given their religious backgrounds.
  • So, back when I was a kid and growing up in japan for a bit, my best friend, Masao, fell into a deep depression after our scout master wouldn’t give him a monster rustler badge after we helped a certain famous kaiju defeat a certain space squid. He said it was discipline for “stealing” a yellow submarine. I was a Beatles fan, what can I say?
  • I preferred Kilik myself in the Soul Caliber games. It drives Nathan crazy. Every time I poke his Siegfried to death, he keeps singing, “Kilik is cheap! Kilik is cheap!”
  • Dinosaurs were wiped out twice. Or is it the “Power of the Retcon” again? It may have—according to Nathan—saved my life in the War in Space, but it’s scarier than the Infinity Gauntlet at this point. 😛
  • As for my T-Rex and triceratops story, the long and short of it is it happened, I confess, while I was field testing the ORCA on Skull Island. That’s all.
  • Gravity manipulation explains how Ghidorah can fly with one wing, but then why would be need wings at all? #sciencequestions
  • It makes Mothra Leo 130,000,002 years old, Nathan! Duh!
  • I anticipated Bex going from NEET to hikikimori. Miki’s powers might be rubbing off on me.
  • Nathan didn’t make it clear that the Tower of Waves novel (which has several different title translations, as you’ll see in his notes) ended in Aokigahara.
  • Sometimes I wonder, as unscientific as this sounds, if we have yurei wandering the jungles on the Island….
  • Nathan’s description of Sea of Trees is almost right. Both the American and the Japanese man intend to commit suicide there. IMDB summaries it like this: “A suicidal American befriends a Japanese man lost in a forest near Mt. Fuji and the two search for a way out.”

And now, as per my contractual obligations, her are Nathan’s leftover notes but with my snarky commentary:

Rebirth of Mothra III Notes:

  • This random dude is a Yankees fan. That’d make my alma mater’s b-ball coach happy. (Nathan told me he called Yankee Stadium “Mecca.” –Jimmy)
  • “Old Tanaka”? A nod to the producer?
  • Huh? Who’s the bust? Why are there lots of pictures of westerners in a Japanese classroom? (The increased westernization of Japan? –Jimmy)
  • No one is panicking on the street as Ghidorah flies over at 18:35 or so. (This is Japan. Kaiju attacks are as common as thunderstorms. –Jimmy)
  • Oh man! The sisters get sparkles this time! (And now so does your new “sister,” Nathan. 😛 –Jimmy)
  • Mothra leo appears 20 minutes in.
  • Some of these CGI effects—like the soccer ball hitting the membrane—look hokey.
  • The classic wing problem: they don’t flap enough.
  • Fairy shoots at Ghiddorah—and it does nothing.
  • Of course Lora betrays Moll—she’s played by a new actress. 😛 (A great man once said, “And I thought my jokes were bad.” –Jimmy)
  • Those CGI tentacles looked terrible.
  • This is starting to remind me of Gamera 3, and this was a year before it! (I don’t know if that’s too nice to this movie or too mean to Gamera 3. –Jimmy)
  • Oh no! Tiny grape Koolaide volcanos! (Sounds like my delicious science fair project. –Jimmy)
  • The set design for the dome is cool.
  • Hilariously, I think all three sisters wear go-go boots this time. (Do you have a thing for go-go boots, Nathan? This is the third episode you’ve mentioned them. 😛  –Jimmy)
  • Now the dome walls don’t dissolve things?
  • We still have 25 minutes to go, and thus feels like the end!
  • Moll dies—and becomes a Tron animation. (I’m sad this wasn’t said on the air. –Jimmy)
  • There’s a prehistoric Mothra. Because shut up.
  • Oh whoa! Belvera rides Fairy!
  • “Different opinions.” Yeah, on genocide, child murder, mind control. You know, small stuff. (You know, little things. –Jimmy)
  • It would’ve been cooler if the sister had to stab Moll with the sword to resurrect her. (That sounds a bit sadistic. –Jimmy)
  • Whoa. Did they actually have a bunch of child extras at the end or was it CGI?
  • These might be my favorite kids in the trilogy, but they do disappear for a bit in the middle.

Big Book 2 by John LeMay

  • There’s a photo of Tanaka in the parents’ house.

“Inside Japan’s ‘suicide forest’”

  • “More than 100 people who were not from the area surrounding Aokigahara committed suicide there between 2013 and 2015, according to a local government report. Countrywide, suicides totaled roughly 24,000 people in 2015 alone, according to the country’s Ministry of Health, Labor and Welfare. These numbers do not include attempted suicides.”
  • “One study found suicide death rates to be on the decline in many peer nations from 1985 to 2010, except in Japan and South Korea, where rates increased by 20% and 280%, respectively.”
  • “Other studies and government materials have cited a number of risk factors, including academic pressures, depression, overwork, financial struggles and unemployment.”
  • “Beyond that, there’s stigma around receiving mental health care, especially for men, and a greater tendency in Japan to view suicide as ‘a rational decision.’ One of the terms for suicide is ‘jiketsu,’ which means to decide for yourself.”

“Aokigahara Forest” (http://www.aokigaharaforest.com/)

  • “Because the landscape is so similar, the brain is distorted and it is difficult to keep direction at any time.”
  • “According to some Japanese spiritualists, the trees themselves soaked in themselves a malevolent energy accumulated over centuries.”

“What is Aokigahara? All About The Most Haunted Forest in Japan”

  • “It all started with a mystery novel called “Kuroi Jukai” (translated as Black Sea of Trees) by Seicho Matsumoto in 1960. The novel ends romantically with the lovers committing suicide in the forest, which revitalized the Suicide Forest’s popularity among those who wanted to end their life.”

I have to give it to Nathan: he got through most of his notes. Mind you, it was our second-longest episode yet, but listeners seem to like it. He does have a terrible habit of over-preparing, though.

Next week Nathan is solo—well, unless you count me heckling him—next week when he does a mini-analysis of 1963’s Matango, which was directed by Ishiro Honda. Then next month we start the “Daimajin Days” when Joe and Joy Metter return to see 1966’s Daimajin.

Also, I have some juicy super-secret inside information about Godzilla vs. Kong. 😉

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Episode 20: Bex vs. ‘Rebirth of Mothra III’

Hello, kaiju lovers!

Twelve-centimeter girls, tiny robot dragons, and redemption—and we’re not talking about the movie!

After some shenanigans with Jimmy From NASA’s teleporter, Nathan and resident “Mothrian” Bex (Redeemed Otaku podcast) finish the “Summer of Mothra” with the surprisingly good Rebirth of Mothra III. Although, maybe they’re just riding high on Bex’s hyperbolic enthusiasm over this movie. But it isn’t hard to improve on the empty, fluffy whimsy of the second one. There’s a lot of meat (bubble) to chew on thematically. Not to mention it also features one of the best-looking King Ghidorahs ever, time travel, and dinosaur puppets. However, Bex gets so carried away with her newfound faith in Mothra, she gets a visit from Monster Island’s chaplain, Rev. Mifune! Uh-oh….

For the first time, we’re covering not one but two Toku Topics: the hikikimori and Aokigahara (Aoki Forest). The child hero, Shota, is likely a member of the former, and much of the movie is set in that infamous forest.

It’s an episode that spans the emotional gamut, that’s for sure!

BE SURE TO LISTEN UNTIL AFTER THE CREDITS!

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna (Godzilla Novelization Project), elizilla13, and Joejira! Thanks for your support! (And also to Michael “The Kaiju Groupie” Hamilton, who joined just before this episode was posted).

Read Jimmy’s Notes on this episode.

Timestamps:
Prologue: 0:00-2:20
Intro: 2:20-6:25
Entertaining Info Dump: 6:25-12:57
Toku Talk: 12:57-1:24:26
Promo: 1:24:26-1:25:16
Toku Topic: 1:25:16-2:10:53
Outro: 2:10:53-2:19:46
Epilogue: 2:19:46-end

MIFV Social Media:
Twitter
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Patreon

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media (and Becky “Bex” Smith)

Bibliography/Further Reading:

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KAIJU CON-LINE 2020 Promo

From the event’s official website:

MARK YOUR CALENDARS, MONSTER KIDS!
ON THE WEEKEND OF JULY 11 & 12, THE MONSTERS ARE IN REVOLT AS KAIJU CON-LINE TAKES OVER THE INTERNET!

WHAT IS KAIJU CON-LINE?
WITH THE CANCELATION OF THE ANNUAL GATHERING OF KAIJU FANS, A FEW MOTIVATED MONSTER MANIACS ARE REPLICATING A SMALL PORTION OF THE FUN WITH THEIR FELLOW FANS ON THAT SAME WEEKEND, LIKE A VIRTUAL CONVENTION.

OVER THE WEEKEND, A MYRIAD OF ONLINE ACTIVITIES ARE AVAILABLE FOR KAIJU FANS AROUND THE GLOBE TO ENJOY – ALL FOR FREE.

YES, KAIJU CON-LINE IS A FREE EVENT! WE ARE DOING WHAT WE CAN TO MAKE THIS SHOW AS AWESOME AS POSSIBLE AND REACHING OUT TO MEMBERS OF OUR KAIJU COMMUNITY TO HELP IN A NUMBER OF WAYS TO CONTRIBUTE. WE HOPE YOU HAVE A MONSTROUS TIME AT KAIJU CON-LINE FROM THE COMFORT OF YOUR OWN HOME!

(END)

Join Nathan Marchand and Danny DiManna (author and creator of the Godzilla Novelization Project) for their panel, “The Original MCU: Connecting Showa Era Continuity” Sunday at 2pm EST. They will connect the dots in the often loose continuity of Toho’s Showa era tokusatsu films.

This is all only some of the great programming being offered this weekend! Check it out!

Special thanks to Henry the Host of the “It Came from a Monster Movie!” podcast for this promo.

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Jimmy’s Notes on ‘Episode 19: Gorath (feat. Jack GMan Hudgens)

I still can’t believe that I don’t remember meeting GMan at the Monsterland Tavern when he visited. I’m starting to think the barkeep mixed some Faro Island red berry juice into my Jack Daniels. I especially would’ve remembered the emergency evacuation switch only launching the walls and ceiling and not the whole building. That was a fun recovery mission. The damn thing flew all the way back to the Japanese mainland and landed on a beach. Thankfully, it was closed due to COVID-19, so no one got hurt.

Regardless, I have my notes to get into for episode 19 on Gorath:

  • Yes, Ryo Ikedbe died in 2010.
  • It’s “Kimura” not “Kimaira,” Jack.
  • Near as I can tell, it was Honda who decided to change Moguera into a robot in The Mysterians.
  • You said “Kimura” when you meant “Shimura,” Nathan. But considering how similar their names are—Takashi Shimura vs. Takeshi Kimura—that’s understandable.
  • Confirm with Danny that “Maguma” wasn’t in Ultra Q originally.
  • Yes. I like Godzilla vs. SpaceGodzilla. Fight me!

Now for Nathan’s leftover notes, which I must include to fulfill my contractual obligations:

  • Starts with two women stripping to go swimming before being interrupted by rocket launch. I don’t remember if we see them again.
  • Gorath is a rogue star with 6,000 Earth’s mass but is ¾ the size. Very dense. For perspective, the Sun has 330,000 times Earth’s mass and is 109 times the diameter. (You’ve made this NASA engineer happy. –Jimmy)
  • Explore Gorath like Columbus, huh? (Before or after his statue is torn down? –Jimmy)
  • Does gravity increase exactly in relation to mass? (Indeed, it does. Read about it here. –Jimmy)
  • Jun Tazaki is the captain of the JX-1. He says he’d tell his men if they were going to die to reassure them—then tells them they can’t escape a few minutes later. (Reminds me of my first training mission. It was a lot like the Kobayashi Maru. –Jimmy)
  • Would it be in poor taste for them to yell, “Banzai!” just before dying? (Not in Japan. But that might be why it was cut in the U.S. release. –Jimmy)
  • The zero G scene is pretty good.
  • A light, even comical scene in a Kimura script?! What?! For some reason, I feel like it belongs in M*A*S*H*. No subtitles for the song for some reason. It’s a singing joyride. Yet more evidence that Honda secretly wanted to direct a musical. Composed by Kan Ishi.
  • Over 11.8 billion yen invested in JX-1. (Chump change compared to the Gohten! –Jimmy)
  • Other ships are being built in other countries, but they say Japan’s ship is putting them to shame. Nationalistic? (Nope. Patriotic. –Jimmy)
  • Hey, it’s Dr. Who in the bar! (Let’s hope not. I’m not giving him his “Robot Kong” back! –Jimmy)
  • The wide shot of the ship fleet looks like models on a board.
  • The music during the construction scene almost sounds like Ifukube. The models look cool, though.
  • They have a 13th floor! (Good thing I’m not superstitious. –Jimmy)
  • The power core looks like the TNG warp core! (I know, right! –Jimmy)
  • The evacuation scene actually reminded me of G2014.
  • UN Gorath Countermeasures Center. They have a lot of countermeasures centers in the Heisei era.
  • They send Shimura to South Pole but won’t tell him why. Probably because Maguma looks stupid.
  • The composite shot with Maguma looks good.
  • I thought Tsuburaya didn’t want blood in his film? Maguma’s death is gory.
  • And staring at Gorath on a TV screen cures amnesia. Huh? (Yeah, I got nothing on this. –Jimmy)
  • They celebrate saving Earth at the end despite the fact it only cost the Moon and billions in damages. (Still better than being dead. –Jimmy)
  • Science and scientists are credited with saving the world. Another thematic statement.
  • They do at least talk about putting the Earth back in its orbit. (Which is good, because, well, I haven’t the time to list all the dire consequences of moving it. –Jimmy)

LeMay

  • Maguma was to come back for DAM but didn’t.
  • Kenji Sahara had a broken leg during production, but Honda insisted he be in the film.
  • Had more time and money given to it than other tokusatsu films.

Galbraith IV

  • Former military pilot turned sci-fi author Jojiro Okami’s story was the inspiration for this. As was Battle in Outer Space, The Mysterians, and Dogora.

Honda Biography

  • Released just six months after the USSR launched the first man in space, Yuri Gagarin. Embodies Honda’s twin ideals of international cooperation and science above politics.
  • It was made at the height of the space race. It borrows the plot of When Worlds Collide by Gorge Pal. Honda shows science being pursued ethically and positively, unlike in his previous sci-fi films.
  • Endo possibly takes a shot at Pal’s film: “Mankind [used to be] separated into white, black, and yellow races before the United Nations. Trust, honor, and cooperation were qualities that brought us together.”
  • “The common folk cannot be at the forefront of big problems, but there are so many of them…so, those scenes create depth for the story. These are the types of people that I want in my films. This is the very foundation of my films.” –Honda
  • There’s no panic because Honda thought that wouldn’t seem real.
  • Honda regretted letting the walrus Magma be added to the film. “That was definitely the human weakness of Ishiro Honda. That idea came from above. They make more profit with monsters [in the movie]. I think that left a scar on the film.” It was originally scripted as a “dinosaur-like creature,” but Honda didn’t want to remind audiences of Godzilla.
  • Ryfle and Godizewski argue that the controversial US-Japan alliance casts a shadow on the film. The “futuristic” 1980s Japan looks like post-Occupation Japan of 1961. Japan and America are above reproach, while fictional nations like Crenion and the USSO offer mild dissent before acquiescing. Japanese scientists are more advanced.

“Intergalactic star” (Wikipedia) (These are excerpts from that article. –Jimmy)

  • “Another hypothesis, that is not mutually exclusive to the galactic collisions hypothesis, is that intergalactic stars were ejected from their galaxy of origin by a close encounter with the supermassive black hole in the galaxy center, should there be one. In such a scenario, it is likely that the intergalactic star(s) was originally part of a multiple star system where the other stars were pulled into the supermassive black hole and the soon-to-be intergalactic star was accelerated and ejected away at very high speeds. Such an event could theoretically accelerate a star to such high speeds that it becomes a hypervelocity star, thereby escaping the gravitational well of the entire galaxy.[6] In this respect, model calculations (from 1988) predicts the supermassive black hole in the center of our Milky Way galaxy to expel one star every 100,000 years on average.[7]”

 “Star unlike any found in the Milky Way appears to be an intergalactic intruder” by Michael Irving (Again, these are excerpts from the article. –Jimmy)

  • “Astronomers have discovered a star in the Milky Way that doesn’t belong. Officially known as J1124+4535, the star has a chemical composition unlike any others ever observed in our home galaxy, suggesting it’s an intergalactic interloper that may have come from a dwarf galaxy that was swallowed up by the Milky Way.”
  • “Through LAMOST observations and a follow-up using the Subaru Telescope in Japan, J1124 was found to have a relatively low amount of magnesium and high levels of europium. This particular chemical composition so far seems to be unique to this star, compared to the rest of the Milky Way.”
  • “This kind of galactic merger happens all the time. The aftermaths of collisions between the Milky Way and smaller galaxies are visible all around us, and many more are predicted in the future – culminating in a spectacular merger between the Milky Way and Andromeda in about four billion years’ time.”
  • “J1124+4535 isn’t the first intergalactic star to be discovered in our neck of the woods. Stars traveling at hypervelocity speeds have been found to be hurtling towards the Milky Way from other galaxies, with the Large Magellanic Cloud, a dwarf galaxy that orbits our own, the most likely point of origin.”

“Lost in Space: Half of All Stars Are Rogues Between Galaxies” by Charles Q. Choi (Once again, these are excerpts from the article. –Jimmy)

  • “As many as half of all stars in the universe lie in the vast gulfs of space between galaxies, an unexpected discovery made in a new study using NASA rockets. These stars could help solve mysteries regarding missing light and particles that theory had suggested should exist, scientists say.”
  • “In the study, astronomers investigated the extragalactic background light, the sum of all light emitted by stars in the universe throughout history. Prior research had detected fluctuations in this light that did not appear to come from any known galaxies. Scientists had suggested these fluctuations might come from primordial galaxies, the very earliest galaxies, whose light has yet to be detected.”
  • “Instead, this finding of bright, blue light unexpectedly reveals these fluctuations may come from something called ‘intrahalo light,’ which is created by stars flung into intergalactic space during titanic collisions and mergers of galaxies. The researchers found that there was as much light from these intergalactic stars as there was from stars located in galaxies.”

“HUBBLE FINDS INTERGALACTIC STARS” (For the last time, these are excerpts from the article. –Jimmy)

  • “NASA’s Hubble Space Telescope has found a long sought population of ‘stellar outcasts’ – stars tossed out of their home galaxy into the dark emptiness of intergalactic space. This is the first time stars have been found more than 300,000 light-years (three Milky Way diameters) from the nearest big galaxy.”
  • “The isolated stars dwell in the Virgo cluster of galaxies, about 60 million light-years away. The results suggest this population of ‘lone stars’ (Haha! –Jimmy) accounts for 10 percent of the Virgo cluster’s mass, or 1 trillion Sun-like stars adrift among the 2,500 galaxies in Virgo.”
  • “Intergalactic stars have been predicted to exist as a result of galaxy interactions and mergers early in a galaxy cluster’s history. These close encounters should have ripped stars out of their home galaxies and tossed them into intergalactic space, where they drift free of the gravitational influence of any single galaxy.”
  • “The stars are bright red giants – stars late in their lives. Presumably there are many fainter stars – perhaps as many as 10 million – in the same field but are below Hubble’s sensitivity.”

I wish they’d spent more time discussing rogue stars, but we were pressed for time thanks to our contracts. Jack understood that. Perhaps in the future MIFV could do “redux” episodes as Nathan as suggested once or twice. Then I could go nuts researching rogue stars (again)!

In the meantime, our resident “Mothrian” Bex from Redeemed Otaku returned to finish up the “Summer of Mothra,” which you’ll hear next week. Let’s just say things got…Star Trek-ian. Then Nathan does a mini-analysis of Matango as the second episode in July.

Be there or be square!

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Episode 19: ‘Gorath’ (feat. Jack “GMan” Hudgens)

Hello, kaiju lovers!

Before Armageddon, before Star Trek: The Motion Picture, there was Gorath. Nathan is joined by the most loved and hated film critic in the kaiju community, Jack “GMan” Hudgens, to discuss this Toho classic that has been described as the lovechild of Mothra (1961) and The Last War. While it isn’t the most exciting film, Nathan and GMan explore how its theme of unity is a timeless message, and one that people need to hear now more than ever. Along the way, they compare this to Star Trek and H.P. Lovecraft stories and discuss how Maguma the giant walrus has done nothing but get shoehorned into stories he didn’t need to be in. Also, GMan gets into a bar fight with Jimmy From NASA. Yep.

This is meant to supplement this episode of Kaijuvision Radio: Episode 44: Gorath (1962) (Near Earth Objects/Science of Gorath).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13 and Joejira! Thanks for your support! (Forgive me for forgetting to say this on the air! I’ll make it up to you next time!)

You, too, can support us on Patreon!

Follow GMan on Twitter. Check out The Drift Space.

Read Jimmy’s Notes on this episode.

Podcast Social Media:
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Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 18: Bex vs. ‘Rebirth of Mothra II’

Hello, kaiju lovers!

The “Summer of Mothra” continues with Rebirth of Mothra II—the valley between two short mountains in the ‘90s Mothra trilogy. Once again Nathan is joined by Bex from the Redeemed Otaku podcast, and they try their hardest to do a deep dive on a shallow movie. While the first movie had an obvious environmental theme, this one barely gives 20 seconds of screen time to anything substantial. Even Belvera and Elias aren’t as exciting this time around. Then there’s Ghogo/Gogo/Go-Go (aka “Japanese Furby”), the “token cute thing” whose plushy Bex has no interest in buying because, well, magic urine. Yeah….

But nothing can prepare you for the Shyamalan twist at the end of this episode. Nathan and his intrepid producer, Jimmy From NASA, never saw it coming.

Also, Jimmy introduces his new garage assistant, who’s either popular or infamous, depending on who you talk to.

Here’s the Kaijuvision Radio episode Nathan mentioned: Episode 19: Godzilla vs. Mechagodzilla (1974) (The Reversion of Okinawa: History and Culture).

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13, and Joejira! Thanks for your support! (Sorry we didn’t mention you on the air, Joejira. You signed up after the initial broadcast).

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-3:57
Entertaining Info Dump: 3:57-8:44
Toku Talk: 8:44-1:17:00
Toku Topic: 1:17:00-1:40:01
Outro: 1:40:01-end

MIFV Social Media:
Twitter
Facebook
Instagram
Patreon

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

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KAIJU QUARANTINE 2: TRASH MOUNTAIN (Trailer)

Kaiju Quarantine is back, baby! Join your favorite giant monster podcasters as they climb Trash Mountain and riff ten of the most awesomely awful movies in the kaiju genre! But what mystery movie awaits us at the peak of Trash Mountain? Only Evil Rob knows! Spend an epic and hilarious Memorial Day weekend on the Kaiju Quarantine Discord server. Space is limited! Reserve now! Kaiju Quarantine: Come together right now over kaiju!

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Episode 16: Bex vs. ‘Rebirth of Mothra’

Hello, kaiju lovers!

Today we’re giving you something you perhaps didn’t know you wanted—a deep dive into Rebirth of Mothra, the first of a trilogy produced by Toho after retiring Godzilla (again). Depending on how you feel about this movie, you may love or hate this episode. What you will love, though, is the Tourist joining Nathan this week is none other than Bex from Redeemed Otaku. Since Nathan appeared on her podcast to discuss the Godzilla Anime Trilogy, he’s having her on three episodes as part of the “Summer of Mothra” while we all await the release of Godzilla vs. Kong (yes, much to anime-loving Bex’s chagrin, she’s filler). Their spirited discussion references and compares this film to a multitude of unrelated media, including The Lion King, Power Rangers, The Neverending Story, Sentinels of the Multiverse (a card game), and Panzer Dragoon(a video game). It’s quite meme-tastic with catchphrases like, “lightning and lasers,” and Nathan’s favorite, “Deus ex Mothrica” (he has issues with the movie’s ending). The Toku Topic is deforestation in Japan. While that may not sound exciting, it has deep connections to the movie and the Japanese national spirit. All this plus some Jimmy From NASA antics and more in the latest episode of MIFV!

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

ANNOUNCEMENT: We now have a Patreon! If you’re able to support the show in these crazy times, please do. There are three levels, each with its own perks. Here’s a link. Shout out to our first Patron, Travis Alexander (co-host of Kaiju Weekly), who pledged at the Day Pass Tourist level! Thanks, man!

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-5:11
Entertaining Info Dump: 5:11-11:55
Toku Talk: 11:55-1:29:31
Toku Topic: 1:29:31-2:09:11
Outro: 2:09:11-end

MIFV Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy

www.MonsterIslandFilmVault.com

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

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LIVE FROM PATREON!

You can now support us as a patron. We have three levels, each with cool bonuses. If you’re financially unable to do so, that’s fine. It’ll still be there when you’re ready. 🙂

Here’s our page.

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