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Tag: The Monster Island Film Vault

BONUS Jimmy’s Notes on Quantum Mechanics (for KW Episode 80/MIFV Bonus Episode 8)

The special crossover broadcast between MIFV and Kaiju Weekly on Godzilla: Singular Point went long. So long, in fact, Nate wasn’t able to share his research on quantum mechanics. Their “Amalgam Universe” fusion wasn’t quite absolute. Well, I should say he wasn’t able to share our research. I did 97% of it since, you know, I worked at NASA. But as Nate said during the broadcast, he’s “the best three-percenter” we know. (I kid, by the way. Nate spent several hours researching, and he consulted with me and the other scientists on Monster Island).

So, as a supplement to this special episode (which will be out Wednesday on both the Kaiju Weekly and Monster Island Film Vault feeds), I’m presenting that research. I think it explains quantum mechanics pretty well for a layman and sheds a little light on Singular Point. It’ll hopefully make the series a bit easier to understand and increase your appreciation for it. Toh Enjoe, the screenwriter, is a former physicist, and that background is definitely apparent in this wonderful series.

Anyway, like I said, the episode drops Wednesday. Enjoy!

NOTE: All bullets in quotes are lifted directly from the listed sources. All others are paraphrases.

NOTE 2: Read Nate’s leftover notes on the series itself in another Jimmy’s Notes.

  • Sources:
  • Richard Feynmann, who won the Nobel Peace Prize for his work on quantum electrodynamics, said, “If you think you understand quantum physics, you don’t understand quantum physics.”
  • However, has helped us develop technologies like computers, digital cameras, LED screens, lasers, and nuclear power plants.
  • Basically, everything works with quantum physics.
  • “It’s right there in the name– the word “quantum” comes from the Latin for “how much” and reflects the fact that quantum models always involve something coming in discrete amounts.”
  • “Quantum mechanics is a fundamental theory in physics that provides a description of the physical properties of nature at the scale of atoms and subatomic particles.[2]:1.1 It is the foundation of all quantum physics including quantum chemistry, quantum field theory, quantum technology, and quantum information science.”
  • “Classical physics, the description of physics that existed before the theory of relativity and quantum mechanics, describes many aspects of nature at an ordinary (macroscopic) scale, while quantum mechanics explains the aspects of nature at small (atomic and subatomic) scales, for which classical mechanics is insufficient. Most theories in classical physics can be derived from quantum mechanics as an approximation valid at large (macroscopic) scale.[3]”
  • “In classical mechanics, objects exist in a specific place at a specific time. However, in quantum mechanics, objects instead exist in a haze of probability; they have a certain chance of being at point A, another chance of being at point B and so on.”
  • “Quantum mechanics (QM) developed over many decades, beginning as a set of controversial mathematical explanations of experiments that the math of classical mechanics could not explain. It began at the turn of the 20th century, around the same time that Albert Einstein published his theory of relativity, a separate mathematical revolution in physics that describes the motion of things at high speeds. Unlike relativity, however, the origins of QM cannot be attributed to any one scientist.”
  • The three principles of quantum mechanics, which gained acceptance between 1900 and 1930:
    • “Quantized properties: Certain properties, such as position, speed and color, can sometimes only occur in specific, set amounts, much like a dial that “clicks” from number to number. This challenged a fundamental assumption of classical mechanics, which said that such properties should exist on a smooth, continuous spectrum. To describe the idea that some properties “clicked” like a dial with specific settings, scientists coined the word ‘quantized.’”
      • “In 1900, German physicist Max Planck sought to explain the distribution of colors emitted over the spectrum in the glow of red-hot and white-hot objects, such as light-bulb filaments. When making physical sense of the equation he had derived to describe this distribution, Planck realized it implied that combinations of only certain colors (albeit a great number of them) were emitted, specifically those that were whole-number multiples of some base value. Somehow, colors were quantized! This was unexpected because light was understood to act as a wave, meaning that values of color should be a continuous spectrum. What could be forbidding atoms from producing the colors between these whole-number multiples? This seemed so strange that Planck regarded quantization as nothing more than a mathematical trick.”
      • “Planck’s equation also contained a number that would later become very important to future development of QM; today, it’s known as ‘Planck’s Constant.’”
    • “Particles of light: Light can sometimes behave as a particle. This was initially met with harsh criticism, as it ran contrary to 200 years of experiments showing that light behaved as a wave; much like ripples on the surface of a calm lake. Light behaves similarly in that it bounces off walls and bends around corners, and that the crests and troughs of the wave can add up or cancel out. Added wave crests result in brighter light, while waves that cancel out produce darkness. A light source can be thought of as a ball on a stick being rhythmically dipped in the center of a lake. The color emitted corresponds to the distance between the crests, which is determined by the speed of the ball’s rhythm.”
      • “In 1905, Einstein published a paper, “Concerning an Heuristic Point of View Toward the Emission and Transformation of Light,” in which he envisioned light traveling not as a wave, but as some manner of “energy quanta.” This packet of energy, Einstein suggested, could “be absorbed or generated only as a whole,” specifically when an atom “jumps” between quantized vibration rates. This would also apply, as would be shown a few years later, when an electron “jumps” between quantized orbits. Under this model, Einstein’s “energy quanta” contained the energy difference of the jump; when divided by Planck’s constant, that energy difference determined the color of light carried by those quanta.”
      • “Roughly two decades after Einstein’s paper, the term “photon” was popularized for describing energy quanta, thanks to the 1923 work of Arthur Compton, who showed that light scattered by an electron beam changed in color. This showed that particles of light (photons) were indeed colliding with particles of matter (electrons), thus confirming Einstein’s hypothesis. By now, it was clear that light could behave both as a wave and a particle, placing light’s “wave-particle duality” into the foundation of QM.”
    • “Waves of matter: Matter can also behave as a wave. This ran counter to the roughly 30 years of experiments showing that matter (such as electrons) exists as particles.”
    • These aren’t physical waves, though. It’s an abstract mathematical description. In other words, no one knows if it’s real because no one has seen a quantum wave. All we see is an electron particle. This barrier in knowledge between the quantum realm and our world is called a measurement barrier.
    • The Double Slit experiment: Think of firing a paintball gun at a wall with two slits. You expect to see two lines on the back wall thanks to the slits. Quantum wavelengths enter those slits and then split off into new waves, creating multiple lines.
  • “Also in 1927, Heisenberg made another major contribution to quantum physics. He reasoned that since matter acts as waves, some properties, such as an electron’s position and speed, are “complementary,” meaning there’s a limit (related to Planck’s constant) to how well the precision of each property can be known. Under what would come to be called “Heisenberg’s uncertainty principle,” it was reasoned that the more precisely an electron’s position is known, the less precisely its speed can be known, and vice versa. This uncertainty principle applies to everyday-size objects as well, but is not noticeable because the lack of precision is extraordinarily tiny. According to Dave Slaven of Morningside College (Sioux City, IA), if a baseball’s speed is known to within a precision of 0.1 mph, the maximum precision to which it is possible to know the ball’s position is 0.000000000000000000000000000008 millimeters.”
  • “In 1927, Paul Dirac applied a quantum understanding of electric and magnetic fields to give rise to the study of “quantum field theory” (QFT), which treated particles (such as photons and electrons) as excited states of an underlying physical field.”
  • “Since the breakthrough of renormalization, QFT has served as the foundation for developing quantum theories about the four fundamental forces of nature: 1) electromagnetism, 2) the weak nuclear force, 3) the strong nuclear force and 4) gravity. The first insight provided by QFT was a quantum description of electromagnetism through “quantum electrodynamics” (QED), which made strides in the late 1940s and early 1950s. Next was a quantum description of the weak nuclear force, which was unified with electromagnetism to build “electroweak theory” (EWT) throughout the 1960s. Finally came a quantum treatment of the strong nuclear force using “quantum chromodynamics” (QCD) in the 1960s and 1970s. The theories of QED, EWT and QCD together form the basis of the Standard Model of particle physics. Unfortunately, QFT has yet to produce a quantum theory of gravity. That quest continues today in the studies of string theory and loop quantum gravity.”
  • “There’s lots of places to start this sort of discussion, and this is as good as any: everything in the universe has both particle and wave nature, at the same time. There’s a line in Greg Bear’s fantasy duology (The Infinity Concerto and The Serpent Mage), where a character describing the basics of magic says “All is waves, with nothing waving, over no distance at all.”
  • “One of the most surprising and (historically, at least) controversial aspects of quantum physics is that it’s impossible to predict with certainty the outcome of a single experiment on a quantum system. When physicists predict the outcome of some experiment, the prediction always takes the form of a probability for finding each of the particular possible outcomes, and comparisons between theory and experiment always involve inferring probability distributions from many repeated experiments.”
  • “The mathematical description of a quantum system typically takes the form of a “wavefunction,” generally represented in equations by the Greek letter psi: Ψ.”
  • “In either class of foundational model, the probability of finding an outcome is not given directly by the wavefunction, but by the square of the wavefunction … This is known as the “Born Rule” after German physicist Max Born who first suggested this (in a footnote to a paper in 1926), and strikes some people as an ugly ad hoc addition.”
  • Einstein’s EPR paper and “entanglement”:
    • “The EPR paper argued that quantum physics allowed the existence of systems where measurements made at widely separated locations could be correlated in ways that suggested the outcome of one was determined by the other. They argued that this meant the measurement outcomes must be determined in advance, by some common factor, because the alternative would require transmitting the result of one measurement to the location of the other at speeds faster than the speed of light. Thus, quantum mechanics must be incomplete, a mere approximation to some deeper theory (a “local hidden variable” theory, one where the results of a particular measurement do not depend on anything farther away from the measurement location than a signal could travel at the speed of light (“local”), but are determined by some factor common to both systems in an entangled pair (the “hidden variable”)).”
  • “This was regarded as an odd footnote for about thirty years, as there seemed to be no way to test it, but in the mid-1960’s the Irish physicist John Bell worked out the consequences of the EPR paper in greater detail. Bell showed that you can find circumstances in which quantum mechanics predicts correlations between distant measurements that are stronger than any possible theory of the type preferred by E, P, and R. This was tested experimentally in the mid-1970’s by John Clauser, and a series of experiments by Alain Aspect in the early 1980’s is widely considered to have definitively shown that these entangled systems cannot possibly be explained by any local hidden variable theory.”
  • Quantum tunneling: when a wavelength passes through a barrier, is degrades. If the barrier is narrow enough, it may still exist on the other side. Protons have a chance of existing on the other side. We’re alive because of it. This is what makes the sun shine. Protons normally repel each other, but they have a small chance of tunneling, which turns hydrogen into helium and releases fusion energy.

Until next time, remember: #WeShallOvercome

#JimmyFromNASALives

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Episode 43: ‘Godzilla’ (1954) (feat. The Tourists) | Godzilla Redux

Hello, kaiju lovers!

By popular (and Godzilla’s) demand, MIFV is starting a new series on episodes on the Godzilla franchise called “Godzilla Redux”! It starts with the one that started it all, the 1954 classic Godzilla (aka Gojira) starring Akira Takarada, Akihiko Hirata, and Takeshi Shimura, among others, and directed by Ishiro Honda. Of course, such a momentous film and occasion required all four of the original Tourists, Nick Hayden, Timothy Deal, and Joe & Joy Metter. Unfortunately for Nate, there is way, way, WAY too much scholarship on this film, so it was overwhelming to research and difficult to condense it all down. Regardless, the roundtable discusses the U.S. Occupation of Japan, the Lucky Dragon No. 5 incident, and how Dr. Serizawa should’ve been a cool anime character, among other subjects related to this film. 

Check out Nick and Tim’s podcast, Derailed Trains of Thought!

Additional music:

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, and The Cel Cast! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:
Prologue: 0:00-1:11
Intro: 1:11-3:55
Main Discussion: 3:55-1:17:36
Housekeeping & Outro: 1:17:36-end

Podcast Links:
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Facebook
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YouTube
TikTok

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #Godzilla

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Kaiju Weekly 074 – Pacific Rim: The Black (with Nathan Marchand) (Re-Upload)

Hey there, kaiju lovers! Like I did with the Monster Hunter review I did on the Forever Classic Podcast, I’m re-uploading this episode of Kaiju Weekly for any of you who missed it. While I experimented with a “Special Report” episode on season one of Netflix’s Pacific Rim: The Black, I couldn’t find time in MIFV’s schedule to make to make a proper episode on it. Then I had the chance to sub for Travis Alexander, one of the co-hosts of Kaiju Weekly, on their review of it. So, with their permission, I’m re-sharing it here. I highly recommend listening to Kaiju Weekly because it’s a fun and entertaining podcast, and the one in the kaiju community with whom I have the closest ties.

The original show notes:

We continue “Mecha May” with a look at the 2021Netflix anime series, Pacific Rim: The Black featuring returning guest and friend of the podcast, Nathan Marchand of The Monster Island Film Vault.

——————————————–

Set after Pacific Rim: Uprising, Kaiju have ravaged Australia, two siblings pilot a Jaeger to search for their parents, encountering new creatures, characters, and allies.

——————————————–

CHECK OUT MIFV!

https://podcasts.apple.com/us/podcast/the-monster-island-film-vault/id1472692780

———————————————–

KAIJU RAMEN MAGAZINE:

https://www.kaijuramenmagazine.com/

———————————————–

CONTACT KAIJU WEEKLY:

kaijuweekly@gmail.com

———————————————–

FOLLOW ALL THINGS KAIJU WEEKLY:

Follow us on Twitter

Follow us on Instagram

Subscribe to our YouTube Channel

Become a Patreon

Kaiju Weekly Merch

FOLLOW MICHAEL, THE KAIJU GROUPIE:

https://linktr.ee/admin

Music for the Podcast provided by Kweer Kaiju

**All film, audio clips, and graphics belong to their respective copyright holders with no infringement being intended or implied.**

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Episode 40: The MSTies vs. ‘Gamera vs. Guiron’

Hello, kaiju lovers!

We’ve reached the point where the “Year of Gamera” gets even goofier—and where Nate begins to miss seeing the Mystery Science Theater 3000 episodes even more. He’s joined by returning guest, Earth Destruction Directive host Luke Jaconetti, and newcomer/MSTie Greg Meyer to discuss Gamera vs. Guiron. The “Kennys” get more precocious and useless (Tom is dead inside). The monsters get more outlandish (Guiron is Knifehead, anyone?). And the villains get … shapely jumpsuits? Listen as Nate, Luke, and Greg connect this movie to Chronicles of Narnia and Barbarella, among other things, and muse about their favorite riffs from the MST3K episode. Nate’s descent into madness continues.

The Toku Topic is the First Traffic War in Japan. It may sound like a forgotten Transformers storyline, but it’s actually a time period when car accidents increased dramatically in the Land of the Rising Sun. Hence why Akio is obsessed with making a world “without wars or traffic accidents” in this movie.

Beforehand, Nate is visited by Jessica Shaw, his pseudo-sister clone, and she tells him she’s bringing Luke and Greg with her first tour group, who will then watch their live broadcast. Then afterward, the infamous Terran spacewomen, Flobella and Barbella, come to Earth to kidnap Gamera—but not if Monster Island’s own magical girl superheroine, Crystal Lady (aka Jessica), has anything to say about it!

Luke’s links:
Earth Destruction Directive on Two True Freaks
Twitter

Greg’s links:
Into the Speed Force
Children of the Wells (book series)

Guest Stars:
-Sarah Marchand as Jessica Shaw/Crystal Lady
-Sparkles Schreck as Flobella
-Hoshiko as Barbella

Prologue and epilogue, “Shine! Crystal Lady! Parts 1-2,” written by Nathan Marchand.

Music:
“A weird thing” by Chiro
“Transformation (Sailor Moon Remix)” by Vincent Lee
-“The Aliens’ Plan” by Shunsuke Kikuchi

Sound effects sourced from Freesound.org, including some by InspectorJ, and the Toho Foley library.

Special Crystal Lady sound effects created by J.P. Gant. Contact him for commissions on Twitter: @JPGant_UWSD.

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; and Damon Noyes! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

This episode is approved by the Monster Island Board of Directors.

Timestamps:
Prologue: 0:00-2:32
Intro: 2:32-12:13
Entertaining Info Dump: 12:13-20:04
Toku Talk: 20:04-1:13:13
Advertisement: 1:13:01-1:14:51
Toku Topic: 1:14:51-1:35:14
Listener Feedback, Housekeeping, & Outro: 1:35:42-1:53:32
Epilogue: 1:53:32-end

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Jimmy’s Notes on Episode 38: Eric Anderson vs. ‘Godzilla vs. Kong’

Well, this is annoying.

Nate and I were transferring files between our respective laptops, and in the shuffle an older version of “Jimmy’s Notes” overwrote the newer version.

In other words, my notes on episode 38 (Godzilla vs. Kong) were lost.

Damnit, Marchand!

I can tell you that my notes included bullet points about:

  • Eric mispronouncing something.
  • H.E.A.T. being sent to the Hollow Earth to get Titanus Doug succeeded in finding him, and he was released on Monster Island today.
  • The fact that a kaiju version of Alcoholics Anonymous should probably be started in light of Kong’s latest antics. Speaking as someone who’s been known to drink a bit too much Jack Daniels on occasion (and get into bar fights), I know how Kong feels.
  • Realizing I’m 0-2 against Kong with Mechani-Kong Mk. 2. In my defense, I was trying to incapacitate and not kill him both times. If I ever went all out with Mechani-Kong Mk. 2, the results would’ve been much different. Regardless, my pride has recovered since then.
  • Nate needing to get his own tux! He asked me to loan him mine, but it wouldn’t fit. He owes it to himself to get his own, just like Eric said.
  • How getting Jet Jaguar fitted for a tux was … weird. Especially now with his Singular Point mods. I had to call in a favor with a special tailor.
  • How it wasn’t “Kongtainment,” Nate. It was just “Kong Containment.”

Here’s Nate’s leftover notes … which is a lot.

The Film

  • Someone should merchandise Jia’s Kong doll. (I’m sure the Board will get on that. –Jimmy)
  • I like the MV credits sequences. There are lots of throwbacks to past MV films in here. Like Randa talking about the many ecosystems. Then we get a rundown of Godzilla and Kong’s past exploits.
  • I heard some people say that Bernie was Alex Jones. That’s not far off. I didn’t mind him, but that might be because I know a few people like him. (Even Alex Jones is right sometimes. –Jimmy)
  • Like in K33, they just put Kong on a huge raft with no explanation of how. I prefer that. Given the big jump in technology in this, you just learn to accept it.
  • Some things get repeated a bit too much at first. “Ancient rivalry” is one.
  • Call me crazy, but the finger touch reminds me of the Da Vinci painting of God touching Adam. (I thought Kong was the “king” not the “god.” –Jimmy)
  • I love the van scene because it makes me think of Stranger Things with the ‘80s-sounding techno.
  • I heard someone complain about the Tide pod reference. It would’ve been a long time after that, but it makes sense that he’d be leery of internet challenges and would still be dealing with lawsuits. Maybe it was an adlib?
  • The score doesn’t have nostalgic tunes like KOTM, but it does have shades of them. It’s somewhere between G14 and KOTM.
  • I love how Kong is puzzled by snow. (Sometimes it puzzles me, too, so he’s in good company. –Jimmy)
  • Josh naming MG seems a bit odd. It really should’ve been Ren Serizawa. (Or me. –Jimmy)
  • I really did feel a bit sorry for the Skullcrawler MG kills. It does show how much of a threat MG is because those things were terrifying in Kong: Skull Island.
  • The Heisei Gamera trilogy is all over the MV G-films. This has Gamera 3 in it. Godzilla is protecting the Earth/nature and not humanity, which means he causes lots of collateral damage without regard to humans.
  • When Jia signs about Kong’s heartbeat, she beats her chest a bit like Kong. I like that. (It’s cute. Is it her sign for Kong? –Jimmy)

Toku Topic: Theaters vs. Streaming

These are mostly quotations from the following sources:

  • https://www.cnbc.com/2021/01/02/movie-theater-owners-are-frustrated-about-streaming-but-their-survival-depends-on-studios.html
  • “According to a study held in June 2020, just 14 percent of adults said that they strongly preferred seeing a movie for the first time in a theater, and 36 percent said that they would much rather stream the film at home than visit a cinema. Preferences for watching a new release in a cinema instead of via a streaming service in the United States changed significantly between 2018 and 2020, signaling a shift in consumer behavior and potentially a risk for movie theaters in the country. Also important to note is the effect of the coronavirus on consumer confidence. There was a drop in the share of movie fans willing to visit cinemas between March and June 2020, likely the result of consumers fearing the risk of infection and feeling more comfortable viewing movies in the safety of their own home.”
  • “Studios and exhibition have always had a lovely but contentious relationship,” one movie theater operator with locations in the southern part of the U.S. said on condition of anonymity. “Exhibition is basically a business that has blank screens and empty seats and we can’t do what we do without the studios.”
  • “These windows were created by studios decades ago in an effort ‘to get multiple bites out of the same apple,’ another movie theater operator said.”
  • “Netflix Inc has streamed original movies at the same time, or just a few weeks after, their debut in cinemas. Competitor Amazon Studios has said it would like some of its films to play for only two to eight weeks in theaters before hitting the Amazon Prime Video streaming service.”
  • “Director Steven Spielberg told Britain’s ITV News last year that movies seen primarily via streaming should compete for Emmys, not Oscars. A representative declined to comment on whether the director will urge the Academy to address the issue.”
  • Before the pandemic, there was talk of extending the theater duration times for big budget films and allowing smaller films to head to “direct-to-consumer” channels faster. But when cinemas were forced to close for six months (or more), cinemas were forced to adhere to much shorter releases. Many faced bankruptcy.
  • Theaters owners and other industry observers were quick to criticize Warner’s move. Chris Johnson, the CEO of Classic Cinemas, called Warner’s decision “ridiculous and short-sighted,” and Adam Aron, the CEO of AMC Theaters, argued that Warner would “sacrifice a considerable portion of the profitability” of movies that bypassed the traditional theatrical release. David Sims piled on in The Atlantic, saying of Warner’s decision, “Audiences will have little incentive to pay more to see these films in theaters.” His conclusion? “Theater chains are right to fear for their survival.”
  • You know who else hated it? Christopher Nolan. He spoke against it vehemently in defense of the theater-going experience (it might’ve been to promote Tenet, but who knows).
  • “PwC partner CJ Bangah told me her big consulting firm’s annual media and entertainment outlook is projecting a 65% drop in global revenues for the movie sector.”
  • “Worse, Bangah said, recovery for the film industry is a long ways away. As she delicately put it, it’s ‘within the realm of possibility’ that the industry will fight through an “uphill battle” to full recovery, but ‘we’re not forecasting a return to 2019 revenue levels in the five years of our forecast for cinema.’”
  • “Shorter windows would keep some customers at home, said Greg Marcus, chief executive of The Marcus Corporation, owner of the fourth-largest U.S. theater chain. ‘If you damage the business and take away 10 percent of our customers, we won’t be able to reinvest in the theatrical experience,” Marcus said. “That would ultimately hurt content providers.’”
  • “In the study, we analyzed what happened to theatrical revenue in Korea from 2015 through 2018 — a period during which Hollywood studios significantly shortened the exclusive theatrical windows for their releases, from three months to only one month. We found that, after controlling for differences between movies with early digital releases versus traditional release windows, early releases had a statistically and economically insignificant impact on theater sales, equivalent to around a 0.8% drop in total theatrical revenue during the first eight weeks of the movie’s theatrical run in Korea. Most theatergoers, it turned out, remained loyal to the theatrical experience even when they had the option of watching the movie at home while the movie was still showing in theaters.” Take this with caution.
  • “What we learned in our Korean study suggests that a similar effect may exist for movies, which in turn suggests that John Fithian, the president of the National Association of Theater Owners, was right when he argued that ‘theaters provide a beloved immersive, shared experience that cannot be replicated’ — but that Jason Kilar, the CEO of WarnerMedia, was also right when said that early digital releases provided an opportunity to give customers a choice ‘whether that choice is to enjoy a great new movie out at the cinema, to open up HBO Max, or to do both.’”
  • In 2019 (before the dark times—before the COVID), Christina Garnett wrote, “Maybe we’ve already chosen the user experience we want… instant, at our fingertips, and cheaper than the traditional alternative.”

Okay, it wasn’t as much as I expected.

Next week you’ll hear the return of another member of my ever-growing rogues gallery, and this time he brought a friend: Jack “GMan” Hudgens and J.R. Villers from The Drift Space podcast. They came to continue the “Year of Gamera” with a movie that dramatizes an exciting chapter of my life: Gamera vs. Viras. Yes, I have lasso skills and helped Gamera fight aliens. How do you think I got a job at NASA? Then poor Nate has to suffer through a second Gamera movie in a row with Gamera vs. Guiron, and he’ll be joined by Luke Jaconetti of the Earth Destruction Directive podcast and Greg Meyer, who hosts several podcasts.

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The MIFV Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

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Episode 38: Eric Anderson vs. ‘Godzilla vs. Kong’

Hello, kaiju lovers!

Finally, the “Kong Quest” comes to an end! After months of delays due to avoiding competition and COVID-19, Godzilla vs. Kong has been released. It’s not a fever dream—it’s real! Nate is joined by his friend, Nerd Chapel founder Eric Anderson, to discuss the epic rematch nearly 60 years in the making. They host a special premiere for the Legendary film at the newly opened Denham Theater, an event that’s been delayed and rescheduled as often as the film’s release. A cavalcade of special guests attends, including the little Iwi deaf girl Jia. She is the youngest of “Kong’s Queens,” all the surviving ladies who have captivated the Eighth Wonder over the years. Nate and Eric dive deep into the deceptively simple movie, discussing Kong’s “hero’s journey,” the Jules Verne-ian/Edgar Rice Burroughs-ian world-building, and its theme of mankind trying to control forces greater than themselves. You’ll also hear them compare the movie to Conan the Barbarian, Die Hard, and The Lord of the Rings.

The Toku Topic isn’t about the content of the movie itself but a debate raging around it: movie theaters vs. streaming services. Which do you prefer to see a movie for the first time?

Afterward, Nate and company hear that Kong had too much to drink at the after-party and has gone on a drunken rampage. MIFV’s intrepid producer, Jimmy From NASA, volunteers to handle the situation the best way he knows how: Mechani-Kong Mk. 2. That goes about as well as you’d expect, so Nate and Eric recruit one of “Kong’s Queens” for help so beauty can save the beast for once.

Prologue and Epilogue written by Nathan Marchand with Eric Anderson.

Music:
-“Here We Go” by Chris Classic
-“Pensacola, Florida (Godzilla Theme” by Junkie XL
-“Skull Island (Kong Theme)” by Junkie XL
-“A New Language” by Junkie XL
-“Main Title” by Moscow Symphony Orchestra, composed by Max Steiner

Sound effects sourced from Freesound.org (including some by InspectorJ).

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; and Damon Noyes! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Check out Nerd Chapel and the 42 devotional books!

This episode is approved by the Monster Island Board of Directors.

Timestamps:
Intro/Prologue: 0:00-11:40
Entertaining Info Dump: 11:40-22:24
Toku Talk: 22:24-1:46:55
Ad: 1:46:55-1:47:47
Toku Topic: 1:47:47-2:14:12
Housekeeping & Outro: 2:14:12-2:23:16
Epilogue: 2:23:16-end

Podcast Social Media:
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Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Special Report #2: ‘Godzilla vs. Kong’ (SPOILERS!)

Poster by Kyle Gilmore.

Greetings, kaiju lovers!

It’s the day after the BIGGEST kaiju film of the year—if not the decade—Godzilla vs. Kong has premiered across the world in theaters and on HBO Max, and Nate is diving headlong into a spoiler discussion! You won’t believe what you hear: surprise appearances from a famous henshin hero and the new so-called “king of the monsters.” Heck, apparently even Nate and his intrepid producer, Jimmy From NASA made cameos in the movie! That’s what happens when you need a podcaster and an engineer. And then a famous “final warrior” calls in to explain how he gave Godzilla a nose ring.

Whether you’ve seen the film or not, you’d be a fool not to listen to this special bonus episode!

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #GodzillaVsKong

© 2021 Moonlighting Ninjas Media

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Bonus Episode 7: ‘Gammera the Invincible’ (Mini-Analysis)

Hello, kaiju lovers!

Due to contractual obligations, Nate covers a “13th” Gamera movie as part of the “Year of Gamera”: Gammera the Invincible (he’s a loony). This heavily-edited Americanized version of Gamera the Giant Monster was given the Godzilla, King of the Monsters! 1956 treatment—but it’s far less interesting as a movie and as a piece of kaiju film history. Nate details the key differences—one being the de-emphasis of Psycho Kenny, er, Toshio-san—and explains the rather mundane reasons for why the movie was drastically changed. Also, he gives the Board-appointed “king of the monsters” a new nickname: “Gamera-Double-M.”

Up next: Godzilla vs. Kong!

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; and Damon Noyes! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

This episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

  • Flower, James. “A Guide to English Language Gamera.” (Arrow Video Gamera: The Complete Collection)
  • Galbraith IV, Stuart. Japanese Science Fiction, Fantasy and Horror Films: A Critical Analysis and Filmography of 103 Features Released in the United States 1950-1992.
  • “Gamera (1965)” (Wikizilla)
  • “Gamera, the Giant Monster” (Wikipedia)
  • LeMay, John. The Big Book of Japanese Giant Monster Movies Volume 1: 1954-1982.
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A Compassionate Ultraman | One Monstrous Moment: Alpha Edition

As part of Ryan “The Omni Viewer” Collins’ “One Monstrous Moment: Alpha Edition” to celebrate our favorite moments in kaiju media in anticipation of Godzilla vs. Kong, I’m submitting an entry featuring an unlikely scene from an unlikely series. In this case, from episode eleven of Ultraman: The Ultimate Hero (aka Ultraman Powered). What happens when a henshin hero battles a truly innocent monster? What can we learn about co passion and empathy from this oft-derided Ultra series? Listen to find out!

Music:
Ultraman Powered/Ultraman: The Ultimate Hero BGM (by Suzuki Kisaburo?)

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; and Damon Noyes! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

This episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com       

#JimmyFromNASALives       #MonsterIslandFilmVault       #OneMonstrousMomentAlphaEdition            #Ultraman

© 2021 Moonlighting Ninjas Media

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