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BONUS: Kaiju Weekly 024 – Night of the Lepus (re-release)

To tide you over while I finish production on episode 74, I’m re-sharing this Kaiju Weekly classic! You’ll get to hear me and Travis Alexander discuss a deathly serious horror movie that features DeForrest Kelly fighting giant killer rabbits! This was originally published in spring 2020. The audio quality is a bit inconsistent because we recorded on Discord.

Original show notes: “This week Travis is joined by fantastic podcast host Nathan from the Monster Island Film Vault podcast. He traveled all the way from Monster Island to discuss giant killer rabbits… that is not a joke. Meanwhile Michael visits Monster Island for what seems to be a challenging vacation.”

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander; Michael Hamilton; Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, The Cel Cast, TofuFury, Eric Anderson of Nerd Chapel, Ted Williams, Wynja the Ninja, Brad “Batman” Eddleman, Christopher Riner, and The Indiscrite One! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! (https://www.patreon.com/monsterislandfilmvault)

Buy official MIFV merch on TeePublic! (https://www.teepublic.com/user/the-monster-island-gift-shop)

Sound effects sourced from Freesound.org, including those by InspectorJ.

Check out Nathan’s spinoff podcasts, The Henshin Men and The Power Trip.

Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.

This episode is approved by Cameron Winter and the Monster Island Board of Directors.

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© 2023 Moonlighting Ninjas Media

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Jimmy’s Notes on ‘Episode 31: Space Amoeba (feat. Giant Monster BS)’

Well, that was one hell of an adventure! With shipping being delayed by the pandemic and the holidays (and shady Chinese mech part sellers on eBay…), it took forever for me to get everything I needed to complete Mechani-Kong Mk. 2. But I am not one to waste anything—especially expensive alien and future tech—which is why I used the leftovers to make Uber-Moguera. It was challenging enough making the parts I salvaged from the Mysterian and G-Force models compatible my rebuilt mechanical monkey. I studied Dr. Who’s original blueprints (no thanks to Michael Hamilton for stealing my annotated Godzilla Compendium…) and consulted with some of the Jaeger builders at the Shatterdome. I was surprised to learn that Jet Jaguar, in addition to his size-changing and other abilities, did have some robotics knowledge in his massive cerebral hard drive. He was the best assistant I could’ve asked for.

Sadly, as Nathan, er, Nate and the Giant Monster BS boys learned, Uber-Moguera has some…issues that need ironed out. As in he needs to be finished. Combining Mysterian and pseudo-Futurian tech has proven to be more difficult than I expected. I’ll get it done, though. Having a pair of mechas on the Island for work and defense will come in handy. I’m sure the Board is planning…something to do with them.

Anyway, concerning episode 31:

Here are my notes on the discussion of Space Amoeba:

  • They forgot to mention that the English-language title for this movie was Yog, Monster from Space. I’m guessing “Yog” is the name for the collective of non-corporeal aliens and not the kaiju. I’m not sure which one would have that name.
  • Why didn’t I remind you, Nate, about the hotel aspect of the plot? Sometimes you have to let people fail to learn the best lesson.
  • “Jimothy”? I’ve been called worse. Not “Jimbo,” though. I’m okay with that. Sorta.
  • I have a pile of tires from maser cannons. I was able to get one to fit the Weedmobile.
  • The lobster fighting game is not “Battle Crab.” It’s Fight Crab.
  • As Rev. Mifune would say, “When I was a child, I reasoned like a child, and when I became an adult, I put away childish things.” I now think space is even more preferable to Earth. I mean, have you been on Twitter lately? 😛

These are Nate’s leftover notes on the film:

Space Amoeba Notes:

  • Released in 1970, the year…Kurosawa attempted suicide.
  • This is not to be confused with “The Immunity Syndrome.” (Yes, the Star Trek episode that has a literal giant amoeba in space. –Jimmy)
  • The rocket is clearly a model.
  • Helois 7 is going to Jupiter because we got to the moon. (Jupiter has the famous Great Red Spot, but I can tell you from experience Venus is more fun and safe to visit. –Jimmy)
  • Tsuburaya would’ve been happy because he’d make another octopus-style monster. (Except this one he can’t eat. –Jimmy)
  • Straw hats and cigarettes. There’s a band name for you. (I’ll add it to the list of bands performing at the Island’s next music festival. –Jimmy)
  • He thought the matamata turtle was a monster. Take that, Gamera! (Do not insult the king! –Jimmy)
  • The mark on Rico’s body looks like frostbite…or a hickey. (No kink-shaming. 😛 –Jimmy)
  • Here we go again: eye candy native girl. It’s a staple of these island films. (It’s a trope I can get behind. 😛 –Jimmy)
  • Seriously, what does this guy think he’s gonna do to Gezora with a knife? (I fought a giant squid with a knife once. –Jimmy)
  • Catch it and put it in a show. He sounds like Clark Nelson now.
  • The animated tentacle looks goofy.
  • Gamine and Kamoebas are better-looking suits, but they aren’t as “popular” as Gezora. Kamoebas appeared later as a dead body in Tokyo SOS.
  • Kudo shoots Ganime in more ways than one (gun and camera). (Haha. –Jimmy)
  • Obata is going around burning lots of bats.
  • A man of science says humans have souls. Hot dang! Obata’s soul is fighting the aliens.
  • The bats are circling Ganime and Kamoeba like vultures. Okay.
  • Did they just use the same panning shot of the characters again? (Probably. –Jimmy)

Honda Biography

  • It was originally written in 1966 as part of the deal between Toho and UPA. It was a global story on the scale of Gorath with monsters invading from space and submerging entire continents. When it was revived three years later, it was scaled back to the South Seas. The filmmakers hoped to recapture the old magic, so the film became like a “best of reel.” Tanaka, who was too busy to produce it, thought it was too much of a retread.
  • There was constant pressure to stay on budget. Honda wanted to film on Guam, but that was canceled and he filmed on Hachijo Island, the “Hawaii of Japan,” 170 miles south of Tokyo.
  • The experience on this film was unmemorable for those involved. They spoke and wrote little of it. Regardless, it was the last Toho sci-fi film made on the old studio system.
  • “My nightmares are almost always about war—wandering the streets, searching for something that’s lost forever. But it’s possible for me to will myself to have pleasant dreams. For me, the most wonderful fragrance in the world is new film. You open the canister for the first time and breathe deeply. That night, the same wonderful fragrance fills your dreams. It’s grand.” –Honda, 1992

LeMay – Big Book

  • Originally, Yoshio Tsuchiya was to play Obata, but he let Sahara have the role.

Brothers

  • Possible theme of the destruction of natural beauty but not developed.

And so ends season one of MIFV (not counting the bonus episode, of course).

We just did the live broadcast of the season two premiere, and it was…interesting, to say the least. You’ll hear it next week when “The Year of Gamera” begins with a discussion of 1965’s Gamera the Giant Monster. Then for the first mini-sode of 2021, Nate is joined by podcaster/YouTuber/amateur filmmaker Adam Noyes of AN Productions to discuss the rare but excellent Submersion of Japan from 1973.

Despite everything that happened in 2020, I truly believe we shall overcome!

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

#JimmyFromNASALives

#WeShallOvercome

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Jimmy’s Notes on ‘Episode 30: Latitude Zero (Mini-Analysis)’

So…this episode. There’s much I want to say…but I’m not at liberty to do so. There were some…top secret items discussed off the air. Very top secret. That’s all I can say for the moment. Our meeting with Ms. Perkins was quite informative. Eye-opening, even. She made Nathan, er, Nate and me privy to some information that will change how we do the show, and we only announced a little bit of it. Let’s just say next season we’ll be helping you all find a better way forward.

As for my notes, I don’t have many bullet points of my own this time around. Mostly, I’m just going to comment on some things that were said.

I was wrong about the Godzilla vs. Kong premiere. That’s not easy to admit. As the “intrepid” producer of MIFV, it’s my responsibility to fact check Nate, but I should’ve fact checked myself. I got caught up in the excitement of a world premiere on the Island six months before its scheduled release (which would’ve been even better given Warner Bros.’s controversial decision to send it to theaters and HBO Max on the same day). Nate had every right to say, “I don’t you so.”

I am happy to report that there will still be a premiere here on Monster Island in May, barring any other unforeseen shenanigans. (Latitude Zero’s COVID-19 vaccine can’t get distributed fast enough).

By the way, if you’re interested in learning more about the Latitude Zero Resort in Indonesia (not that I’d endorse anyone who might be competition for the Island), here’s their website.

And now for Nate’s leftover notes from the film…which is most of them since he focused on utopias.

Latitude Zero notes:

  • I watched the “original Japanese version” for this episode. Dubious because this was made for the US market and filmed in English. I watched the US version before. (Good thing I picked up some Japanese when my family lived in Japan for a few years. I’ll tell you more about that when we get to a certain Gamera film. –Jimmy)
  • Of course the largest ocean liner is named Fuji. (If it was an American ship, it’d be the Denali. Hmm. Not as cool-sounding, I guess. –Jimmy)
  • Nick Hayden joked (in episode 28) that Dr. Elson would smoke in sub, and Masson tries to here!
  • “20 fathoms”? Try 20,000! (It’s like Scotty on Star Trek: always multiplying his estimates by a thousand. –Jimmy)
  • Did Takarada dub himself back into Japanese? It’d be weird if he didn’t. (That seems likely since Wikizilla only lists dub actors for the American cast members. –Jimmy)
  • This explosion at the beginning looks amazing! Probably done using classic technique or pouring colored liquids into water and flipping the film and superimposing it.
  • This is much like The Green Slime in that it feels more like an American production that just happened to be made by Japanese people.
  • Dr. Ann Barton looks like she came straight off the set of Star Trek. Only there could a lady scientist have a backless top, miniskirt, and go-go boots. One guy even says she doesn’t “look” like a doctor. “What’s a doctor supposed to look like?” (I’m not complaining. –Jimmy)
  • The plaque says, “The Alpha. Launched June 21, 1805. Stornaway Harbour, Hebrides.” Scotland.
  • “Frank speed?” Sounds like a comic book character.
  • Ah, Dr. Malik. Played the unconquerable Caesar Romero. He’s one of the few true supervillains in Toho’s Showa films. Could he be a Sentai villain? Home base. Minions. A general. Makes monsters. Super vehicles. Blood Rock on an island. “Malik” means murderer (probably derived from “malice.”) (I wonder if he invested in the Island? –Jimmy)
  • This submarine chase looks pretty good. I wish could say the same for all the effects that follow. This feels like a Star Trek battle, complete with shaking camera. McKenzie eludes the Black Shark using superior and clever tactics.
  • You know, I could almost see this being an episode of Star Trek with some tweaks. (Me too. –Jimmy)
  • 11,000 fathoms? 9,000 more and you’ll find THE BEAST! (THE BEAST! THE BEAST!FROM 20,000 FATHOM! I couldn’t resist.  –Jimmy)
  • Great matte paintings. Reminds me of an episode of TNG set on idyllic planet where the only penalty is death. (I remember that for other reasons. –Jimmy)
  • Gold is harvested from seawater (okay…) and used for clothing because it’s cheap and plentiful. Diamonds are only used as cutting tools.
  • Lawton says there’s no moon or stars there, so you can’t have everything. He says everyone Mackenzie mentioned was there supposedly died. Tashiro even jokes that it might be Heaven (Paradise). Lawton theorizes McKenzie kidnapped those people and brainwashed them. Or drugs that induced hallucinations.
  • Those models on the map are props in the special effects department (Leave the riffing to me, Nate. –Jimmy)
  • Dr. Odaka has made a serum that immunizes against radiation and naturally everyone wants it. (Yeah, that’s one they should’ve shared with the world. –Jimmy)
  • Oh, the “Bat Men.” Do they fight Kamen Rider later? Nakajima is one of them. They don’t look great.
  • All the Asian people are subservient to the foreigners. Cleat mark of American story.
  • Caesar Romero’s scenes veer closer to Batman ’66.
  • They’re bathing in Ecto-Cooler (in the Bath of Immunity).
  • What if the bath didn’t work and you shot them? (Sounds like a debate question. –Jimmy)
  • That lion looks horribly fake. (You look horribly fake! 😛 –Jimmy)
  • Malic is a fiend! He didn’t anesthetize the lion. He just stabbed it in the head. (He must’ve been a dentist before he was a mad scientist. –Jimmy)
  • Does he have explosives planted everywhere on the island just in case of intruders? (I think the Board did the same thing on Monster Island because Malik did it first. Be careful on your next nature walk. –Jimmy)
  • The ROUS! You can see the zipper on them.
  • What’s attacking them? Tiny seagulls?
  • “FINGER LASERS!” (No one else gets that reference, Nate. –Jimmy)
  • The disintegration effects are really good. And kinda freaky.
  • Jimmy loves the Alpha. It’s Atragon II. Or the forerunner to the Gohten. (All true. –Jimmy)
  • Apparently, the Black Shark can’t fly. Malik must be jealous.
  • In the end, none of Lawton’s photos turn out and the bag of diamonds is dirt. The Capt. McKenzie on the boat says he comes from a long line. There’s also an officer who looks like Dr. Tashiro. There’s also a Lt., Hastings who looks like Malik. However, the New York bank did get the diamonds to hold for safekeeping until McKenzie arrived. (Talk about confusing! No wonder Nate doesn’t think LZ exists! –Jimmy)

Next week for our season finale, the guys from “Giant Monster BS” are joining us to discuss Space Amoeba (aka Yog, Monster from Space). I know how they are, so I’m having Jet Jaguar in the producer booth with me to act as my dump button. Also, Nate recorded a two-part bonus episode with Chris Cooke from “One Cross Radio” on the finale of Power Rangers In Space. It was mandated by Ms. Perkins, for some reason. Part one will be on Chris’s show and part two will be in the MIFV feeds. Then in January we start “The Year of Gamera.” Exciting (and hopefully less “interesting”) times are ahead!

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

#JimmyFromNASALives

#WeShallOvercome

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Episode 30: ‘Latitude Zero’ (Mini-Analysis)

Hello, kaiju lovers!

This week’s episode is a “traditional” mini-analysis of Latitude Zero, an almost obscure 1969 Toho science fiction film directed by Ishiro Honda, who probably had to take a dip in the “Bath of Immunity” to endure the stress of making it. To say it was harrowing would be an understatement. This strange American/Japanese co-production has a troubled history full of clashing sensibilities and creative differences (which you can hear more about in MIFV episode six). However, the main topic of the episode is the concept of utopia because Latitude Zero seems to be a rare example in fiction of a successful one. Spoiler warning: Nathan doesn’t buy it. 

Afterward, Nathan and Jimmy are visited by the Monster Island Board of Directors’ executive assistant, Ms. Perkins, who is the Island’s head of PR. She wanted to discuss recent “fake news” being spread by Jimmy From NASA and also announce the Board’s decision on Nathan’s proposals for season two of MIFV. All this plus listener feedback! 

This episode features Celeste Mora as Ms. Perkins (Twitter: @VOCelesteMora).

The song heard in the episode is “Opening the Way” by Pablo Coma, which is a remix from the video game Shadow of the Colossus. It is from the OCRemix album, BadAss Boss Themes: Volume III.

The episode thumbnail was created by Michael Hamilton.

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio), and Bex from Redeemed Otaku! Thanks for your support!

You, too, can support us on Patreon and get this and other perks starting at only $3 a month!

This episode is approved by the Monster Island Board of Directors.

Read Jimmy’s Notes on this episode.

Podcast Social Media:
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Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

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© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

  • “The Ambiguous Necessity of Utopia: Post-Colonial Literatures and the Persistence of Hope” by Bill Ashcroft (Social Alternatives, Vol. 28 No.3, 2009)
  • The Big Book of Japanese Giant Monster Movies Volume 1: 1954-1982 by John LeMay
  • The Big Book of Japanese Giant Monster Movies: The Lost Films (Mutated Edition) by John LeMay
  • “Dystopia: Who Needs It?” by Adrian Mourby (History Today; Dec 2003; 53, 12; ProQuest Research Library, pg. 16)
  • Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godzisewski
  • Japanese Science Fiction, Fantasy and Horror Films: A Critical Analysis and Filmography of 103 Features Released in the United States 1950-1992 by Stuart Galbraith IV
  • Kaijuvision Radio – Episode 52: Latitude Zero (1969) (The South China Sea Disputes)
  • Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda by Peter H. Brothers
  • “News from Somewhere: Enhanced Sociability and the Composite Definition of Utopia and Dystopia” by Gregory Claeys (The Journal of the Historical Association)
  • “Pragmatism, Utopia and Anti-Utopia” by Ruth Levitas (Critical Horizons: A Journal of Philosophy and Social Theory 9.1, May 2008, 42–59)
  • “The problem with utopia” by Michael Shermer (This Week and Aeon)
  • Utopia by Thomas More
  • “Utopia isn’t just idealistic fantasy – it inspires people to change the world” by Heather Alberro (The Conversation)
  • “Utopian Fiction as Moral Philosophy; Imagination and Critique” by Roger J. H. King (Utopian Studies, No. 3 (1991), pp. 72-78)
  • Writing Giant Monsters by John LeMay
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