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Tag: Nathan Marchand

Jimmy’s Notes on ‘Episode 22: The Metters vs. Daimajin’

Episode 22 was beset by many-a-peril during its production, both in front of the mics and behind the scenes. It was late for our Patreon Patrons, but we did manage to get it published on time. We’re a stubborn and determined lot.

That being said, I have more notes on this than I usually do—mostly because Marchand was copy-and-pasting stuff from his research as opposed to writing paraphrases. I’ve spoken with him about this and convinced him it would be better for everyone involved—especially the Tourists on the show—to do that less from now on. He agreed.

So, after some copious editing, here are my notes.

  • Nathan, goofball that you are, you didn’t set up your new microphone correctly, which is why the episode doesn’t sound as good as it normally does. Live and learn. And research your mic next time!
  • There has actually been more kaiju films where the suit actor’s eyes could be seen than you think. I’m surprised Nathan forgot to mention these. Besides Daimajin and War of the Gargantuas, there was King Kong (1976) (how could he forget that?), Yeti: Giant of the 2oth Century (unfortunately for everyone besides Travis from Kaiju Weekly), and if you want to count him, the Snowman from Half Human. The Babylonian Demon from Yokai Monsters: Spook Warfare has a suit actor whose eyes can be seen. I was also told if you pause Ebirah, Horror of the Deep at the right spot when Godzilla rips off the crustacean’s claw, you can seen Haruo Nakajima’s eyes, although that’s a filmmaking mistake.
  • Haniwa weren’t so much guardians as they were grave markers and boundary markers, and later were believed to house the spirit of the deceased. Read more here.
  • Moses pleads for Israel in Exodus 32:11-14.
  • It’s pronounced, “Samanosuke,” Nathan. And Joe. Man, this name is a tongue twister for us Americans.
  • You don’t believe I have a lightsaber, huh? Just wait. Also, Disney can have it—when the Mouse pulls from my cold, dead fingers!
  • The line from Firefly Nathan was trying to remember was said by Captain Mal: “If I ever kill you, you’ll be awake, you’ll be facing me, and you’ll be armed.”
  • Joe and Joy are going to start saying, “You wants to take Teddy to see Gamera?” as a euphemism for a walk.
  • Nathan says, “Fascinating,” a lot in this episode. Is he Spock?
  • He also says, “Interesting,” a lot. Expand your vocabulary!
  • It wasn’t the Onin War you referenced in episode 13, Nathan, it was the Genpei War.
  • Joe didn’t say it was Portuguese missionaries, Nathan. He said it was Catholic missionaries.
  • Dainichi is the central deity worshipped in esoteric Buddhism. You can read more about him here.

Here’s Nathan’s overabundance of leftover notes.

The Film

  • Eyeball at beginning is meant to symbolize Daimjain contentedly watching events.
  • I didn’t remember the scene of the kid being chased by the forest spirits. The hand was just a tree branch. What’s with the quick cuts of animals? Was this real?
  • The princess is pale, unlike the others. (Old timey view of feminine beauty. I preferred tanned girls, myself. –Jimmy)
  • The bullets don’t hurt Daimajin. Chains cannot hold Daimajin. Daimajin controls the elements, like fire.

Toku Topics

Sengoku Period

  • “The beginning of the Sengoku period witnessed the Onin War (1467-1477 CE) which destroyed Heiankyo. The fighting that followed over the next century would eventually reduce the warlords to only a few hundred in number as the country was effectively carved up into princedoms.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Ashikaga Shogunate (1338-1573 CE) held control of the central part of Japan, and the bureaucracy at the capital was relatively efficient, but the outer provinces were left semi-independent as local warlords or daimyo ruled their own lands how they saw fit. Local officials and estate managers such as the jito found it much more difficult to secure the taxes the state was due from landlords who now had no fear of any government reprisals.” (https://www.ancient.eu/Sengoku_Period/)
  • “In the absence of a strong central government…the rule of law was very often replaced by the rule of force. The more powerful lords absorbed the lands of their weaker rivals and became known as sengoku daimyo. The warlords then passed on their position of strength to their male heir and so the position of daimyo became hereditary unless challenged by ambitious subordinate commanders. The wealth of the daimyo came from commerce, trade, and taxes imposed on those peasants who farmed on their estates. Daimyo may have been a law unto themselves but many of them did formulate law codes to better regulate the sometimes thousands of people under their command.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Warring States period kicked off with the Onin War (Onin No Ran, 1467-1477 CE). This civil war – its name derives from the year period – broke out because of the bitter rivalry between the Hosokawa and Yamana family groups. By the end of the decade, though, the fighting had sucked in most of the influential clans of Japan. The conflict revolved around each side backing a different candidate for the position of shogun – a particularly pointless debate since shoguns, like the emperors, no longer had any real power. Rather, the war is seen by historians as merely a result of the overly aggressive warlords of Japan being rather too keen to put their samurai to some use – good or bad. Even when the war ended in 1477 CE there was no victor and no resolution to the inherent militarism that fractured Japan for the next century as warlords fought each other with no one in particular ever achieving any dominance.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Onin War had sorted out who were the weak and the strong daimyo, who thus became much fewer in number (by 1600 CE there would be only about 250 of them in all of Japan).” (https://www.ancient.eu/Sengoku_Period/)
  • “The upheaval resulted in the further weakening of central authority, and throughout Japan, regional lords, called daimyōs, rose to fill the vacuum. In the course of this power shift, well-established clans such as the Takeda and the Imagawa, who had ruled under the authority of both the Kamakura and Muromachi bakufu, were able to expand their spheres of influence. There were many, however, whose positions eroded and were eventually usurped by more capable underlings.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “As a result of the constant threat of war and pillage in this period, castles were built with much greater frequency than previously in towns, at mountain passes, along vital roads, and on larger estates. The latter type, which could take the form of fortified mansions, was known as yashiki; Ichijodani (base of the Asakura family) and the moated Tsutsujigasaki (of the Takeda family) were excellent examples of this building trend. Some castles, such as Omi-Hachiman near Lake Biwa, caused an entire town to later spring up around them, the jokomachi. … Constructed on large stone bases, the wooden superstructures included walls, towers, and gates, which had narrow windows for archers and from which hung boulders on ropes, ready to be dropped on any attackers.” (https://www.ancient.eu/Sengoku_Period/)
  • “As trade with Ming China grew, the economy developed, and the use of money became widespread as markets and commercial cities appeared. Combined with developments in agriculture and small-scale trading, this led to the desire for greater local autonomy throughout all levels of the social hierarchy. As early as the beginning of the 15th century, the suffering caused by earthquakes and famines often served to trigger armed uprisings by farmers weary of debt and taxes.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “Towns and cities became larger, with many having a population of over 30,000, thanks to a boom in international trade (daimyo wanted foreign luxury goods like Ming porcelain to demonstrate their status), weekly markets, and the development of trade guilds. Measures, weights, and currencies were standardized in many domains to facilitate trade. Meanwhile, the fortunes of the many Buddhist temples scattered across Japan plummeted as no longer backed by the state they could not so easily extract contributions from local communities.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Ashikaga Shogunate would be terminated by the warlord Oda Nobunaga (l. 1534-1582 CE) who finally brought some stability to central Japan. Oda Nobunaga had expanded his territory gradually through the 1550/60s CE from his base at Nagoya Castle as he defeated all comers thanks to his martial skills and innovative use of firearms. The Warring States period comes to an end with the seizure of Heiankyo by Nobunaga in 1568 CE. The warlord then exiled the last Ashikaga shogun, Ashikaga Yoshiaki, in 1573 CE. The unification of the country would continue under Nobunaga’s immediate successors, Toyotomi Hideyoshi (1537-1598 CE) and Tokugawa Ieyasu (1543-1616 CE).” (https://www.ancient.eu/Sengoku_Period/)
  • “The Sengoku period ended when Toyotomi loyalists were defeated at the Siege of Osaka in 1615.” (https://en.wikipedia.org/wiki/Sengoku_period)

Christianity Comes to Japan

  • “The Portuguese land on Tanegashima, becoming the first Europeans to arrive in Japan, and introduce the harquebus into Japanese warfare.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “In 1543 the first Europeans arrived in Japan. Two (maybe three) Portuguese merchants aboard a Chinese ship were blown off course and forced to land on the island of Tanegashima, just south of Kyushu. Only six years later, the first Christian missionary came to Japan. What followed was, what some historians call, Japan’s ‘Christian century.’ Despite 100 years of Christian dominance, today only about 1% of the Japanese population is Christian. … Those first Portuguese men to arrive at Tanegashima also brought the first guns to Japan. Today’s article will focus on the sixteenth century, during which time guns and Christianity were often entwined. Both had a heavy impact on Kyushu and Japan at large during this period, known as the Warring States period (sengoku jidai), a century where central authority in Japan had lost its sway and samurai clans vied for dominance.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Shimazu family who ruled Satsuma also controlled Tanegashima, the island where the first Europeans had landed. The Shimazu had been impressed by European firearms and were quick to reproduce them. So, when Xavier arrived they respectfully welcomed him, curious to see what he might have brought along. They gave him permission to speak to their subjects and, through translators, they began to preach. Xavier and his Spanish colleagues began studying Japanese, and soon were attempting the occasional sermon in Japanese, transliterated into the Roman alphabet for them. For the most part, Xavier and European missionaries who followed were quite impressed with the Japanese people.” (https://www.tofugu.com/japan/history-of-christianity/)
  • Ten months after Xavier’s arrival, the Shimazu changed their stance towards the Christians, prohibiting proselytizing and further conversions. This was probably prompted by the landing of a Portuguese ship at Hirado, in northern Kyushu and outside of Shimazu territory, which dashed Shimazu hopes of securing European trade through the missionaries. … (he went several journeys and preached, winning some converts).” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Nobunaga never converted, and it doesn’t seem that he ever believed in the Christian message, but he certainly had no love for Buddhist institutions either. A number had been thorns in his side. He burned the great temple complex on Mt. Hiei, killing roughly 25,000, and spent eleven years fighting the ikko-ikki, a type of militant Buddhist group. … Unfortunately…in 1582 Nobunaga was betrayed by one of his generals, and chose to kill himself rather than be captured. … Nobunaga had been a source of hope for the Jesuits, and with his death there were even harder times ahead for the Christian mission in Japan.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Just before leaving Japan in 1551, Francis Xavier met with Otomo Sorin (1530-1587), lord of Bungo (in eastern Kyushu). … In 1578, he converted to Christianity, taking the name Francisco in honor of Xavier. Actually, a marital problem led to his conversion. Sorin had married a woman in 1550, who was staunch in her traditional religious beliefs and shared a contentious relationship with the Jesuits. She is known only as Jezebel, the name the Jesuits used to refer to her. In 1578, Sorin became ill, which the priest Luis Frois claimed was Jezebel’s fault. He was nursed by one of her ladies-in-waiting, with whom he fell in love. Sorin had his new paramour spirited away to a seaside villa where they were free to hear Christian instruction. First, she converted, taking the name Julia. Later Sorin also converted. They soon married, and Jezebel, as a pagan, was no object. To many observers Sorin’s behavior was scandalous, but to the Jesuits he was a hero. Sorin’s happiness did not last long.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “…in 1582, (Sorin) and two other Christian lords sponsored the first official Japanese embassy to Europe. The embassy was the brainchild of Italian Jesuit, Allesandro Valignano (1539-1606), who had been preaching in Japan for three years. The Tensho Embassy (named after the reign-name of the time) consisted of four Japanese converts. … The embassy arrived in Lisbon in 1584, and from there went on to Rome. During their European tour, they met several kings and two successive popes. In Rome, one of the converts was made an honorary citizen. They returned to Japan in 1590, after which Valignano ordained them as the first Japanese Jesuit fathers.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Crucifixion was introduced into Japan during the Sengoku period (1467–1573), after a 350-year period with no capital punishment.[116] It is believed to have been suggested to the Japanese by the introduction of Christianity into the region,[116] although similar types of punishment had been used as early as the Kamakura period. Known in Japanese as haritsuke (磔), crucifixion was used in Japan before and during the Tokugawa Shogunate. Several related crucifixion techniques were used. Petra Schmidt, in “Capital Punishment in Japan”, writes:[117] ‘Execution by crucifixion included, first of all, hikimawashi (i.e, being paraded about town on horseback); then the unfortunate was tied to a cross made from one vertical and two horizontal poles. The cross was raised, the convict speared several times from two sides, and eventually killed with a final thrust through the throat. The corpse was left on the cross for three days. If one condemned to crucifixion died in prison, his body was pickled and the punishment executed on the dead body. Under Toyotomi Hideyoshi, one of the great 16th-century unifiers, crucifixion upside down (i.e, sakasaharitsuke) was frequently used. Water crucifixion (mizuharitsuke) awaited mostly Christians: a cross was raised at low tide; when the high tide came, the convict was submerged under water up to the head, prolonging death for many days.’ Crucifixion was used as a punishment for prisoners of war during World War II. Ringer Edwards, an Australian prisoner of war, was crucified for killing cattle, along with two others. He survived 63 hours before being let down.” (https://en.wikipedia.org/wiki/Crucifixion#Japan)
  • “Added to the fear of foreign conquest, one of the biggest concerns that Toyotomi Hideyoshi and Tokugawa Ieyasu had always had with Christianity was the matter of loyalty. For a Christian samurai, did allegiance to the shogun or the pope take precedence? In 1612 there was a bribery scandal, involving a daimyo and a member of Ieyasu’s council, both Christians. This showed that ties between the faithful might be stronger than those to the central authority. In addition, at the execution of a Christian, a priest told the crowd that obedience to the Church should trump obedience to their daimyo. …Then in 1614 he issued the ‘Statement on the Expulsion of the Bataren,’ in which accusations against the priests were leveled. They were commanded to leave the country at once, and Japanese converts were ordered to renounce their faith. Most missionaries left the country, but some continued to operate in secret. Those who were caught were executed. Anti-Christian measures became even harsher under the third Tokugawa shogun, Iemitsu, who took power in 1623. It’s estimated that in 1612 there were approximately 300,000 Christians in Japan, but by 1625 there were half that or fewer.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Tokugawa shogunate had begun to persecute Christians, largely out of a fear that Christianity would subvert the order and hierarchy that they had struggled for so long to create and maintain. In 1614, Tokugawa Ieyasu issued a proclamation expelling Catholic missionaries from Japan. Japanese Christians were forced to go underground, becoming known as Hidden Christians (kakure kirishitan). Under successive shoguns, persecution intensified. The final straw was to come in 1637, when a revolt broke out in Kyushu.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Shimabara Peninsula lies on the western part of Kyushu, somewhat out of the way. … The life of a Japanese peasant was generally filled with a good deal of suffering. It wasn’t unusual for a lord to treat them poorly. Yet, Matsukura Shigemasa (the new lord as of 1610) was exceptionally cruel. He taxed everything, even births and deaths, and didn’t take kindly to those who couldn’t pay. Being thrown into a water-filled prison was perhaps the best one could hope for. His most notorious punishment was called the raincoat dance (mino odori), so named because the victim, wearing a straw raincoat, was doused in oil and set on fire, causing them to dance about. Sometimes the family members of those who failed to pay were taken hostage or punished as well. In 1637, when one of Shigemasa’s men assaulted a farmer’s pregnant wife the people finally snapped.”
  • “This led to a rebellion that holed up in Hara Castle, which was defensible despite the peasants only using farming tools since weapons were illegal for them.” 
  • “This young man was Amakusa Shiro (c. 1621-1638). Born on one of the Amakusa Islands, he was the son of a former Konishi clan retainer (the family’s Christian head, Konishi Yukinaga was killed for picking the wrong side at Sekigahara). He studied with Jesuits in Nagasaki, and according to local lore, made a name for himself preaching equality and dignity for the poor on the island of Oyano. Little else is known about him, but during the rebellion his followers began to think he was the one foretold years earlier by Father Marco Ferraro, a priest who worked in the area before being expelled. He said that, ‘After 25 years a child of God will appear and save the people.’” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The rebels were able to hold out for a surprisingly long time. However, as the winter months wore on, hunger took its toll and the defenses were breached. The victors spent three days slaughtering the rebels. An estimated total of 37,000 were killed, including Amakusa Shiro, and as John Dougill points out, ‘It’s invidious to play the numbers game when it concerns the dead, but the number killed at Shimabara is almost identical to the 39,000 who died in the Nagasaki atomic bomb.’ 10,000 heads were staked up around the castle, and 3,300 were sent to Nagasaki for the same treatment: a clear warning to the people.” (https://www.tofugu.com/japan/history-of-christianity/)
  • Following the Shimabara Rebellion, the Tokugawa took the final step in guarding the country against foreign subversion by expelling all Europeans from Japan and banning their reentry on pain of death. The one exception to this was the tiny island of Dejima, just off Nagasaki’s coast, where an extremely limited number of Dutch ships were allowed to dock and trade. (https://www.tofugu.com/japan/history-of-christianity/)

If you read all of this, you’re my hero(es).

Join us next week when Nathan analyzes a film with one of the most beautiful ships ever constructed: Atragon. Maybe I’ll tell the story of how I took that ship for a joyride in my younger days. (Oh wait, I already did on Kaiju Weekly). Then the Metters return next month for part two of the “Daimajin Days” to discuss Return of Daimajin. I’ll be keeping my foil handy in case Joy tries starting anything with me. 😛

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#WeShallOvercome

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Bonus Episode #4: Interview with Ben Chaffins

Hello, kaiju lovers!

As a special Fifth Wednesday Bonus Episode (which will become a regular feature of the show), I interviewed SciFi Japan writer Ben Chaffins about his new book, Discovering Tokusatsu. In it he chronicles his many quests to get interviews with high-profile people working in tokusatsu filmmaking. You’ll hear about how Ben got his gig at SciFi Japan, why he wrote the book, and how much of a “stan” he is for Ultraman: The Next and Ultraman Nexus (whose special effects director he interviewed for an exclusive chapter in this book).

Oh, and by the way, Ben’s Twitter profile pic is Ultraman Nexus with sunglasses. Deal with it! 😛 Follow Ben on Twitter and Instagram.

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (Godzilla Novelization Project); elizilla13; and Chris Cooke (host of One Cross Radio)! Thanks for your support!

You, too, can support us on Patreon!

This bonus episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#MonsterIslandFilmVault

© 2020 Moonlighting Ninjas Media

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Episode 21: ‘Matango’ (Mini-Analysis)

Hello, kaiju lovers!

An artsy Japanese horror film about mushrooms based on a British short story?

That’s sounds insane enough to work!

Despite getting slapped with the schlocky English title, “Attack of the Mushroom People,” Matango ranks as one of director Ishiro Honda’s greatest achievements in tokustasu filmmaking. Screenwriter Takeshi Kimura considered it to be his magnum opus. It’s a story replete with subtlety and symbolism, an indictment of Japan’s newfound opulence and decadence in the early 1960s, and it’s as relevant now for any audience as it was back then. It’s such an important film, Nathan and his intrepid producer, Jimmy From NASA, interview the only scientist on Monster Island’s who’s brave and/or crazy enough to study the Matango—with frightening results! 

Featuring Daniel DiManna as the voice of Dr. Dante Dourif.

Episode image created by Michael Hamilton. Check out his podcast, The Kaiju Groupie.

This is meant to supplement this episode of Kaijuvision Radio: Episode 45: Matango (Attack of the Mushroom People) (1963) (Westernization and Globalization)

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (Godzilla Novelization Project); elizilla13; and Chris Cooke (host of One Cross Radio)! Thanks for your support!

You, too, can support us on Patreon!

This episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

  • “Attack of the Mushroom People: Ishiro Honda’s Matango William Hope Hodgson’s ‘The Voice in the Night’” by Anthony Camara (Monsters and Monstrosity from the Fin de Siécle to the Millennium, edited by Sharla Hutchinson and Rebecca A. Brown)
  • “The history and current state of drug abuse in Japan” by Kiyoshi Wada (Annals of the New York Academy of Sciences, Jan 2011, vol. 1216, no. 1, p 62-72)
  • Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godzisewski
  • “Ishiro Honda-thon Ep. 5: Matango (1963) Review” by Adam Noyes (AN Productions) (YouTube)
  • Kaijuvision Radio, “Episode 8: King Kong vs. Godzilla (1962)”
  • “Methamphetamine Solution: Drugs and the Reconstruction of Nation in Postwar Japan” by Miriam Kingsburg (The Journal of Asian Studies, Feb. 2013, vol. 72, no. 1, p. 141-162)
  • Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda by Peter H. Brothers
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Episode 20: Bex vs. ‘Rebirth of Mothra III’

Hello, kaiju lovers!

Twelve-centimeter girls, tiny robot dragons, and redemption—and we’re not talking about the movie!

After some shenanigans with Jimmy From NASA’s teleporter, Nathan and resident “Mothrian” Bex (Redeemed Otaku podcast) finish the “Summer of Mothra” with the surprisingly good Rebirth of Mothra III. Although, maybe they’re just riding high on Bex’s hyperbolic enthusiasm over this movie. But it isn’t hard to improve on the empty, fluffy whimsy of the second one. There’s a lot of meat (bubble) to chew on thematically. Not to mention it also features one of the best-looking King Ghidorahs ever, time travel, and dinosaur puppets. However, Bex gets so carried away with her newfound faith in Mothra, she gets a visit from Monster Island’s chaplain, Rev. Mifune! Uh-oh….

For the first time, we’re covering not one but two Toku Topics: the hikikimori and Aokigahara (Aoki Forest). The child hero, Shota, is likely a member of the former, and much of the movie is set in that infamous forest.

It’s an episode that spans the emotional gamut, that’s for sure!

BE SURE TO LISTEN UNTIL AFTER THE CREDITS!

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna (Godzilla Novelization Project), elizilla13, and Joejira! Thanks for your support! (And also to Michael “The Kaiju Groupie” Hamilton, who joined just before this episode was posted).

Read Jimmy’s Notes on this episode.

Timestamps:
Prologue: 0:00-2:20
Intro: 2:20-6:25
Entertaining Info Dump: 6:25-12:57
Toku Talk: 12:57-1:24:26
Promo: 1:24:26-1:25:16
Toku Topic: 1:25:16-2:10:53
Outro: 2:10:53-2:19:46
Epilogue: 2:19:46-end

MIFV Social Media:
Twitter
Facebook
Instagram
Patreon

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media (and Becky “Bex” Smith)

Bibliography/Further Reading:

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KAIJU CON-LINE 2020 Promo

From the event’s official website:

MARK YOUR CALENDARS, MONSTER KIDS!
ON THE WEEKEND OF JULY 11 & 12, THE MONSTERS ARE IN REVOLT AS KAIJU CON-LINE TAKES OVER THE INTERNET!

WHAT IS KAIJU CON-LINE?
WITH THE CANCELATION OF THE ANNUAL GATHERING OF KAIJU FANS, A FEW MOTIVATED MONSTER MANIACS ARE REPLICATING A SMALL PORTION OF THE FUN WITH THEIR FELLOW FANS ON THAT SAME WEEKEND, LIKE A VIRTUAL CONVENTION.

OVER THE WEEKEND, A MYRIAD OF ONLINE ACTIVITIES ARE AVAILABLE FOR KAIJU FANS AROUND THE GLOBE TO ENJOY – ALL FOR FREE.

YES, KAIJU CON-LINE IS A FREE EVENT! WE ARE DOING WHAT WE CAN TO MAKE THIS SHOW AS AWESOME AS POSSIBLE AND REACHING OUT TO MEMBERS OF OUR KAIJU COMMUNITY TO HELP IN A NUMBER OF WAYS TO CONTRIBUTE. WE HOPE YOU HAVE A MONSTROUS TIME AT KAIJU CON-LINE FROM THE COMFORT OF YOUR OWN HOME!

(END)

Join Nathan Marchand and Danny DiManna (author and creator of the Godzilla Novelization Project) for their panel, “The Original MCU: Connecting Showa Era Continuity” Sunday at 2pm EST. They will connect the dots in the often loose continuity of Toho’s Showa era tokusatsu films.

This is all only some of the great programming being offered this weekend! Check it out!

Special thanks to Henry the Host of the “It Came from a Monster Movie!” podcast for this promo.

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Episode 18: Bex vs. ‘Rebirth of Mothra II’

Hello, kaiju lovers!

The “Summer of Mothra” continues with Rebirth of Mothra II—the valley between two short mountains in the ‘90s Mothra trilogy. Once again Nathan is joined by Bex from the Redeemed Otaku podcast, and they try their hardest to do a deep dive on a shallow movie. While the first movie had an obvious environmental theme, this one barely gives 20 seconds of screen time to anything substantial. Even Belvera and Elias aren’t as exciting this time around. Then there’s Ghogo/Gogo/Go-Go (aka “Japanese Furby”), the “token cute thing” whose plushy Bex has no interest in buying because, well, magic urine. Yeah….

But nothing can prepare you for the Shyamalan twist at the end of this episode. Nathan and his intrepid producer, Jimmy From NASA, never saw it coming.

Also, Jimmy introduces his new garage assistant, who’s either popular or infamous, depending on who you talk to.

Here’s the Kaijuvision Radio episode Nathan mentioned: Episode 19: Godzilla vs. Mechagodzilla (1974) (The Reversion of Okinawa: History and Culture).

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13, and Joejira! Thanks for your support! (Sorry we didn’t mention you on the air, Joejira. You signed up after the initial broadcast).

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-3:57
Entertaining Info Dump: 3:57-8:44
Toku Talk: 8:44-1:17:00
Toku Topic: 1:17:00-1:40:01
Outro: 1:40:01-end

MIFV Social Media:
Twitter
Facebook
Instagram
Patreon

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 17: ‘The Last War’ (Mini-Analysis)

Hello, kaiju lovers!

Except today’s episode isn’t about giant monsters. Heck, it’s barely about tokusatsu. Nathan is analyzing the criminally underseen 1961 antiwar drama The Last War. While most of the creative team behind the camera aren’t the ones usually followed by kaiju/toku fans, there are several familiar faces in front of the camera: Frankie Sakai (Mothra), Yuriko Hoshi (Mothra vs. Godzilla, etc.), and Akira Takarada (too many to list). This film depicts a middle class Japanese family navigating everyday life interspersed with Japanese government officials and foreign soldiers trying to avoid World War III. It is a perfect snapshot of the Japanese national spirit at that moment in time and, Nathan argues, is the precursor to 1984’s The Return of Godzilla. As part of his analysis, Nathan reads the Bible passage quoted in the film (plus the following two verses that would’ve offered some hope) and a John Bradley poem that would’ve been perfect for the end of the film.

All this plus Nathan opens the mailbag to answer some listener feedback!

This is meant to supplement this episode of Kaijuvision Radio, which featured the fantastic Danny DiManna: Episode 43: The Last War (1961) (NATO) (The North Atlantic Treaty Organization).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, and elizilla13! Thanks for your support!

Read Jimmy’s Notes on this episode.

Please donate to David Marshall and his family on GoFundMe.

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Jimmy’s Notes on ‘Episode 16: Bex vs. Rebirth of Mothra’

Now that I’ve recovered from my embarrassment of flirting with a happily married woman, I’ve collected my notes and Nathan’s assigned research mini-projects for our latest episode. Let’s get into it.

  • Tomoyuki Tanaka started producing films for Toho in 1945. His first was Three Women of the North.
  • Yell at you, Nathan, for mispronouncing a tiny robot dragon’s name? Nah.
  • It’s “Enter the Fist,” not, “Legend of the Fist,” Bex. (Even writing that sentence makes my eye twitch!)
  • The name of this film’s director is Okihiro Yoneda.
  • I should’ve reminded you it was a bulldozer, Nathan. Oops.
  • You want me to rant on Twitter about you boring me with your many theories about everything on the Island? Nah. I have better things to do with my Twitter. Like retweet stuff for Space Force.
  • It’s Yakushima, not Yukushima, Bex.
  • What? If Mothra’s powder can be an artificial sweetener, why can’t her webbing be used to season popcorn? It only makes sense. That’s what Dr. Chujo told me.
  • There were two Mothra props built for this film: one for close-ups and one for action shots. There were two Mothra Leo larva props (one of which was repurposed for GMK) and two for his Imago form. There was one Desghidorah suit and a flying prop near as I can tell.
  • The Godzilla film with a silhouette against the sun is Godzilla vs. Hedorah. Nathan neglected to mention for some reason.
  • Both of you call the Elias “twins” when they aren’t. Heck, Nathan even points out they aren’t twins! Consistency, man!

Nathan’s Leftover Notes – The Film

  • Mothra…appears right off the bat. Glitter and sparkles!
  • Title actually appears in English with her glyph as the O.
  • Within four minutes we see the Elias (fairies). They say, “Goodbye!” together, too.
  • Sadly, these are dubtitles.
  • The seal looks like Mothra’s glyph.
  • Classic wing problem. They don’t flap enough.
  • The beam attacks (for Fairy and Garugaru) sound like gunshots sometimes.
  • How’d Belvera tie up the Mom? (Magic. –Jimmy)
  • How does Belvera stay on Garugaru with how much he crashes? (Glue? Velcro? Static cling? –Jimmy)
  • They try to use a kite to fly the Elias to Belvera. Definitely child logic.
  • Did they need the seal to cure Fairy? (The answer is apparently, “Yes.” –Jimmy)
  • I gotta say: Desghidorah looks great. His emergence from the mountain is particularly good. He sounds like an angry elephant, though.
  • There was a line that didn’t get subtitled. No dub? Belvera ordering Garugaru.
  • Mothra has a Canary Cry? (What superpower doesn’t she have at this point? –Jimmy)
  • Now Mothra is in full-tilt mama bear mode!
  • Why didn’t you whip out the laser cannon the first time?!
  • There’s an image you don’t see every day: Mothra carrying the larva in flight.
  • Check out the OG cell phones. (I think I still have mine…. –Jimmy)
  • As usual, Mothra’s cocoon looks like a peanut. Selecting a cedar tree is significant because it is connected with Shinto and used as backdrops for No theatre. National identity, traditional values, and conversation.
  • I’m not sure Taiki’s bee stings and snake bites analogy is applicable here.
  • Belvera, I don’t think “mutated” is the right word.
  • What?! Post-credit?! Oh. No. What a tease. (This isn’t a Marvel movie, Nathan. Or a Masaaki Tezuka Godzilla film. –Jimmy)
  • The child characters have insights into a kind of “magic of nature.” They show the world through their eyes, and it shows the audience what the “post-bubble family life” is like. (Rhodes and McCorkle)

Nathan’s Leftover Notes – Toku Topic: Deforestation in Japan

  • “The situation started to change around 1570. By then, Japan’s population had increased to ten million people, and villagers’ needs for subsistence forest products had increased correspondingly. Large-scale military conflict during the 1500s required large quantities of timber for the armies. With the advent of the Tokugawa shogunate and peace, followed by rapid growth of cities and monumental construction projects for castles, temples, and shrines, logging increased during 1600s to a scale never before experienced in Japan. Conflict between villagers and rulers over the use of forest lands – subsistence products for the villagers vs. timber for the rulers – became more intense. By 1670 the population had increased to nearly thirty million, and with the exception of Hokkaido, the old growth forests had been completely logged. The supply of timber and other forest products was running out. Soil erosion, floods, landslides, and barren lands (genya) were becoming ever more common. Japan was headed for ecological disaster.” (Marten)
  • A “positive tip” came in 1670: “the central role of catalytic actions and mutually reinforcing positive feedback loops, local community, outside stimulation and facilitation, letting nature and natural social processes do the work, demonstration effects, social/ecological coadaptation, and using social/ecological diversity and memory as resources. It is difficult to single out the initial tipping point with certainty, but it seems to have derived from the centuries-old tradition of cooperation among villagers for protection against bandits, allotting rice fields and irrigation water, and storing rice. Until then, village cooperation had not extended to forest management, but villages started responding to the forest crisis by refining the management of satoyama secondary forests for subsistence needs (McKean 1982, 1986), and for the first time, planting sugi and hinoki plantations to help satisfy timber demands of the rulers.” (Marten)
  • Something that helped was the development of silviculture technology, which better managed the tree populations. “Itinerant scholars wrote silviculture manuals, and silviculture “missionaries” traveled around the country, spreading the new technology from village to village. The creation of managed tree plantations stimulated new social institutions for the ruling elite and villagers to cooperate on timber production in a way that provided villagers incentives to produce timber: yamawari (dividing use rights of village forest land among families), nenkiyama (long term leases of forest land to villagers by the government), and buwakibayashi (villagers producing timber on government land and sharing the harvest with the government).” (Marten)
  • People in the lumber industry called this the “buna massacre.” Artificial forests that once accounted for only 27% of Japan’s total forest land grew to over 44% by 1985. An estimated 17 million buna trees were cut down.
  • “Japan’s switch to imported wood, fossil-fuel energy, and chemical fertilizers for agriculture, in full swing by the 1980s, eliminated the demand for forest products from satoyama secondary forest and greatly reduced the demand for sugi and hinoki.” (Marten)
  • Other countries have had the same problems planting one or two species of trees: China, Brazil, Pakistan.
  • “It is using LIDAR (light detection and ranging) to map forestland and determine where to harvest trees, where to preserve landscapes and where to build resilience against landslides and runoff.” (Coca)
  • “Most of the cultivated pasture land (in Hokkaido) was abandoned and returned to the Japanese government from 1966-1977, as climate conditions in the area were not conducive to good crop yield. The shift from old growth forest to pasture left large areas of reduced soil fertility that trees were unable to recolonize. Due to a lack of a seed bank and competition with dwarf bamboo, human involvement was necessary to reforest the area. From 1978-2005 native trees with high growth rates were planted in plantations. It was mostly conifers that were planted in the area, but it has aided in the recovery of a conifer-broadleaf mixed forest.” (Wikipedia)

Dangit, Nathan, I’m an engineer, not an ecologist! Even as a man of science this was a bit of a slog to get through. No offense to ecologists, though. We have a few here on the Island studying the local plant life, and they’re good people. Although, they do have a weird fascination with Biollante.

Join us next week when Nathan discusses a very different film: The Last War (1961). Until next time, stay safe and stay healthy!

Follow me on Twitter: @NasaJimmy

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KAIJU QUARANTINE 2: TRASH MOUNTAIN (Trailer)

Kaiju Quarantine is back, baby! Join your favorite giant monster podcasters as they climb Trash Mountain and riff ten of the most awesomely awful movies in the kaiju genre! But what mystery movie awaits us at the peak of Trash Mountain? Only Evil Rob knows! Spend an epic and hilarious Memorial Day weekend on the Kaiju Quarantine Discord server. Space is limited! Reserve now! Kaiju Quarantine: Come together right now over kaiju!

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