Hello, kaiju lovers! Our subseries “Godzilla Redux” continues with what some call Toho screenwriter Shinichi Sekizawa’s masterpiece: Mothra (1961). Becky “Bex” Smith of the RedeemedOtaku podcast joins Nate to discuss this film—because apparently Nate can’t talk about a Mothra film without her. While Bex seems weirdly obsesses over the genus names of insects, Nate regales her with kaiju-sized info bombs related to the making of the film, the historical backdrop against which it was made (controversial treaty renewals with the U.S.), and the often crazy interpretations academics and critics have of the film (blackface, anyone?). That’s just some of what you’ll learn about this kaiju classic!
Beforehand, Nate meets with his pseudo-sister, the semi-secret magical girl Jessica, who’s just been promoted to director of tourism on the Island. They discuss her new job and awkwardly talk about her seeming crush on Legal Action Team paralegal, Gary. After the broadcast, though, Nate and company discover “Bex” isn’t who she appears to be—and Crystal Lady has to get involved.
This episode’s prologue and epilogue, “Bexy a Traitor?! The Church of Mothrianity Attacks!”, was written by Nathan Marchand with Becky Smith and Daniel DiManna.
Guest stars:
Sarah Marchand as Jessica Shaw/Crystal Lady
Becky Smith as Peppermoth
Daniel DiManna as “Old Janitor”
Damon Noyes as Motte-Priester Herzog Jerry Nachtfalter
Barr, Jason. The Kaiju Film: A Critical Study of Cinema’s Biggest Monsters.
Commentary on Mothra by Steve Ryfle and Ed Godziszewski (Mill Creek blu-ray).
Galbraith, Stuart IV. Japanese Science Fiction, Fantasy and Horror Films: A Critical Analysis and Filmography of 103 Features Released in the United States 1950-1992.
Episode 59 on Mothra (1961) isn’t quite finished, so to make up for its delay, I’m sharing this abridged version of a Patreon-exclusive livestream. I was joined by Michael Hamilton and Daniel DiManna to celebrate the birthday of the late great Sean Connery by discussing the 1996 fantasy film Dragonheart that starred Connery as Draco and Dennis Quaid as the knight who hunts and befriends him. I say “abridged” because we went on a long, unrelated rabbit trail after a while. If you want to see/hear the entire stream, join MIFV MAX on Patreon. In the meantime, I’ll finish Episode 59. Enjoy!
This is a re-upload of a crossover episode Nate did with Drew and Jacob from The Cel Cast, a podcast about animated films and TV series. They discussed the recently-released kaiju “rasslin’” movie on Paramount+, Rumble. While it’s a bit more wrestling than kaiju, that didn’t stop Nate from making all kinds of pro-wrestling references.
The original description:
Jacob and Drew welcome their guests Nathan Marchand and Jimmy from NASA into Studio B to review the 2021 Straight to Paramount+ film Rumble!
Hello, kaiju lovers! “Ameri-kaiju” continues with three of the original MIFV Tourists—Nick Hayden, Joe Metter, and Joy Metter—returning to the Island to the “spiritual sequel” to King Kong (1933): Mighty Joe Young (1949). This classic features the special effects masters of the generations: Willis O’Brien and Ray Harryhausen. As usual, Nate did way too much research, but its almost overshadowed by the BURNING OPRHANS(!). Nate’s guests were blindsided by this film’s climax; so much so, they start the discussion with that and move backwards through the movie, Memento-style. The Toku Topic is gorillas in captivity since Mighty Joe himself was a captive gorilla.
Before the broadcast, Nate speaks with Jessica about her new job as director of tourism on his way to meet with the Island’s new PR director, Darius R. Gold, a big game hunter from Texas. Amidst a metric ton of bravado, Mr. Gold tells Nate to contact Teri Young, the current caretaker for Mighty Joe Young. After the broadcast, Nate finally gets a reply from her—and a suspicious revelation about Cameron Winter.
This episode’s prologue, “Gold and Gorillas,” was written by Nathan Marchand with Michael Hamilton and Daniel DiManna.
Hello, kaiju lovers! YouTuber and aspiring filmmaker Kaiju Kim returns to Monster Island to discuss a nostalgic monster movie for her: Toho’s first kaiju movie in color, Rodan (1956). It may not have Big G in it, but Rodan debuted in this film and later became a staple of Toho’s flagship franchise. Amidst funny accents, cancelations (sorry not sorry, Jimmy), and talk of Meganula breakfast cereal, Kim and Nate discuss the film’s Japanese communist screenwriter, Takeshi Kimura, the infamous Mantell UFO incident that inspired the film, and the symbolism of the monsters. If ever there was an episode that exemplified our mantra, “Entertainment and enlightenment through tokusatsu,” it’s this one.
Before the broadcast, Nate visits the Monster Island Legal Action Team office to collect his new contract, and after getting an update from Gary, Raymund Martin bursts in and claims he was a Goranger back in the day. Let’s just say there isn’t enough salt in the ocean for Nate to take with Raymund’s story.
This episode’s prologue, “Go, Go, Goranger!” was written by Nathan Marchand with Damon Noyes.
Brothers, Peter H. Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda.
Galbraith, Stuart IV. Japanese Science Fiction, Fantasy and Horror Films: A Critical Analysis and Filmography of 103 Features Released in the United States 1950-1992.
Did I ever tell you about the time I visited the fabled dinosaur plateau Sir Arthur Conan Doyle wrote about in his novel The Lost World? And how there was a “hot girl” involved? No? Good, because I’m saving that for my autobiography. Regardless, despite some sidekick shenanigans from that wannabe Muppet, Snazzy Chapeau, when Omni Viewer visited for MIFV’s season three premiere (episode 56), I managed to take a few good notes for my first Jimmy’s Notes blog of 2022. I may not be contractually obligated to do follow-ups for Nate, but someone has to fact-check this goofball. So, here you go:
William Rutherford wasn’t the inspiration for Sherlock Holmes; only Prof. Challenger. According to Wikipedia,
Conan Doyle repeatedly said that Holmes was inspired by the real-life figure of Joseph Bell, a surgeon at the Royal Infirmary of Edinburgh, whom Conan Doyle met in 1877 and had worked for as a clerk. Like Holmes, Bell was noted for drawing broad conclusions from minute observations. However, he later wrote to Conan Doyle: “You are yourself Sherlock Holmes and well you know it”.[14] Sir Henry Littlejohn, Chair of Medical Jurisprudence at the University of Edinburgh Medical School, is also cited as an inspiration for Holmes. Littlejohn, who was also Police Surgeon and Medical Officer of Health in Edinburgh, provided Conan Doyle with a link between medical investigation and the detection of crime.
The Lost City of Z was a 2009 nonfiction book by David Gran. It was made into a movie starring Charlie Hunnam in 2016. As for whether it was found or not, Wikipedia says,
Researchers believe that Fawcett may have been influenced in his thinking by information obtained from indigenous people about the archaeological site of Kuhikugu, near the headwaters of the Xingu River. After Fawcett’s presumed death in the jungle, Kuhikugu was discovered by Westerners in 1925. The site contains the ruins of an estimated twenty towns and villages in which as many as 50,000 people might once have lived. The discovery of other large geometrical earthworks in interfluvial settings of southern Amazonia has since been recognised as supporting Fawcett’s theory.
I’m not sure this was the only time Willis O’Brien used a football bladder to simulate breathing in his creatures. Wikipedia claims this was also done in King Kong (1933), but a citation is needed.
I found the opening theme of the Lost World TV series mentioned by Omni, and Nate said he remembered seeing a bit of it when I show it to him.
All this prequel talk…I’m having flashbacks to sand…I can’t go to the beach now…and I live on an Island!
Mammoths and mastodons are, in fact, not the same. Similar, but not the same. Read more here.
I checked the film during the city rampage, and there wasn’t a full-sized head. However, there were some excellent close-ups of the stopmotion puppet.
I always do internet searches with safe mode turned off. It’s more…exciting that way.
“Jimmygon” has a nice ring to it. I’ll get the Island’s geneticists on that right now!
Actually, there are studies that show people with bigger brains are smarter. No wonder Nate is a genius: he has a big head. 😛
I am 110% behind a boxing Cope and Marsh skeletons sculpture. I’ll petition Winter and the Board immediately!
Now for the ever-important—and increasingly large—leftover notes from Nate’s research with my riffs commentary.
THE FILM
“Jocko” played by himself.
The plot moves briskly compared to novel. Characters introduced very quickly. Skips to lecture to introduce Challenger.
Gotta love the “overacting” and funny jump cuts mid-scene. (Reminds me of the show’s host. 😛 –Jimmy)
“Cock-and-bull story.” Ha! (Is this the “rule 34” version? –Jimmy)
In the Amazon. Just South America in novel?
Dead for 10 million years. More than that!
There wasn’t a Miss White in the novel, either. Not gonna lie: she’s pretty. Maple White’s daughter. Of course she’s the beautiful assistant. (No complaining here. –Jimmy)
Wait…is that Sherlock!? Or someone cosplaying him? (The first in-film Easter egg? –Jimmy)
Jocko the monkey wasn’t in the novel, either. Added for comic relief. (At least he isn’t a Gungan. –Jimmy)
I think Malone’s letters are text from the novel.
They’re introducing the ape-men already?! Proto-Chewbacca. (Does he rip arms out of socket? –Jimmy)
Pterodactyl was first in novel.
Okay, don’t tell us that Malone saved the bug.
The tree bridge. Another forerunner to Kong.
Really? Stop to catch the insect in middle of bridge? (I did that once…but I don’t want to talk about it. –Jimmy)
Brontosaurus takes out bridge—and squishes some spiders. (Ah. A spider pit joke. Hilarious. –Jimmy)
PSYCHO MONKEY?! WTF?!
The allosaurus vs. other dino fight is impressive if inferior to Kong. He picks his teeth? Arms too long.
Yes, he wiped out the last of a wood-tick species.
The trees have eyes.
Is that a torch or a giant cigarette? And it’s in color?! (That’s what wiped out the dinosaurs: smoking. –Jimmy)
The allosaurus vs. triceratops fight is one of the more famous scenes—and it’s gory! Trike wins. But then another allosaurus gets revenge for its mate. (“Dino Vengeance” is a B-movie waiting to happen. –Jimmy)
No one is paying attention to the dinosaur fights! The proto-kaiju fights!
The ape-man is very drooly.
Challenger is taking up pole dancing, and he sucks at it. 😛 (This is the “rule 34” version. –Jimmy)
They never call this place “Maple White Land.”
They play drums when he shoots the gun. Clever. “Mickey Mouse-ing.”
“Dam liar”? A liar about dams?
The colors fit the moods of the scenes very well. Red for eruption.
Does the allosaurus want to eat the bronto or hitch a ride during the eruption?!(“Rule 34” version…again? –Jimmy)
“Rock climbing monkey, Joel.” You just better hope he doesn’t fill and hang himself.
Jocko carried a rope ladder?!
I was waiting for the ape-man with the Joker smile to kidnap Paula. Because Kong.
Oh my gosh! Paula looks like Ann Darrow at the end! It’s very Kong.
Ten feet long? That’s WAY bigger!
Other Sources
Byrd (in LeMay)
As a teenage drifter, O’Brien was a guide for a fossil excavation for the University of Southern California.
The origins of the film are a complex feud between O’Brien and a fellow animator named Herbert Dawley. They were constantly fighting over the credit to O’Brien’s work in short films, particularly The Ghost of Slumber Mountain, and the legal shenanigans led to O’Brien working with producer Watterson Rothacker on this film. Dawley sued O’Brien over the animation process, citing patent violation, but this was settled out of court. There’s still debate over how much of Slumber Mountain was animated by either of them.
Over 50 dinosaurs were made for the film, and they included bladders to simulate breathing, saliva made with shellac and rubber cement, chocolate syrup to simulate blood.
Commentary by Nicolas Ciccone
The credits in this restoration was made for it.
There’s a missing scene that explains why the paper sends Malone to cover the story despite his clumsiness: basically, to get lawsuit money.
Wallace Beery (who played Challenger) was just like his character.
Many scholars theorize that Malone’s coming-of-age story arc was inspired by Doyle himself.
Bessie Love, who plays Paula, hated all the close-ups of her. (I didn’t. –Jimmy)
The attack by the cannibals explains why Zambo’s arm is broken later. Only stills remain of these scenes.
A 15-foot pterodactyl fossil was found in Brazil in the 1990s and named after Doyle.
Gomez, a “half-breed” character cut from the film, caused the tree bridge disaster. He’s a traitor.
The film doesn’t say how Maple White died, but the script has Roxton find a rifle bent in half. The implication was it was the ape-man.
The plateau is a bit too easy to find in the film.
The cast didn’t like working with Jocko. He bit and peed on everyone.
The romance is trite, but it could serve as a metaphor for the plateau: it’s a place of adventure and wonder we all wish we could visit.
A scene unfilmed from the script has Challenger and company on a ship with a caged bronto.
The end of the drunk’s scene, while not in the script, was described in a review as returning with a bottle of milk for a cat that grew huge.
Missed opportunity: Make Paula more adventurous.
“The Lost World: Secrets of the Restoration” by Serge Bromberg (and other essays in the booklet)
Many film historians link the decision to destroy prints of this film with the production of King Kong a few months later.
The first restoration by George Eastman House, used surviving 35mm Kodak nitrate negatives and a 35mm print found in the National Film Archive of the Czech Republic in 1992. It was an export copy that didn’t use the best angles (it was filmed with a second camera). The restoration was made for $80,000 given by the National Endowment for the Arts—and classic film buff Hugh Heffner(!).
The animated map sequence was in the trailer, and no one knows if it was a concept for the film or only the trailer.
It’s 76 minutes long and was published as an unlisted bonus feature on the DVD of the 1960 version.
David Shepherd Restoration (2000)
This used the same materials plus a few more. This big difference was the use of digital technology to upgrade the picture quality to standard-definition TV.
The promotional footage found by Doyle was found at this time in the Robert Youngson collection.
The original footage of Doyle at his writing table was lost but was replaced with footage of him sitting on a bench addressing the audience from a 1927 Movietone film.
This was edited at the Lobster Films studio in Paris.
Two scores were commissioned for the film, including one by Robert Israel that harkened back to ‘20s-era films. The other was more modern.
93 minutes long.
2016 Restoration
Several months after the release of the previous restoration, David Adamitis contacted Lobster Films and gave them several cans of film, including some A negatives for The Lost World. These included color tints and missing scenes.
This was put together frame-by-frame by a three-man team over the course of six months using 2k technology and several other newly-discovered elements. Robert Israel composed another score for this one.
The music Israel composed included a Brazilian lullaby about a bogeyman called “Tutu Maramba,” which is sung by mothers to children to ward off evil so they may sleep. He adapted it to strings for the native girl playing guitar.
Season three of my always-essential blogs is off to a great start. This is going to be fun.
Next time YouTuber and up-and-coming filmmaker Kaiju Kim returns to continue the “Godzilla Redux” subseries by discussing Rodan (1956), which was the only non-Godzilla kaiju she watched a lot as a child. Then we get back to “Ameri-kaiju” with (hopefully) the original Tourist crew (Nick Hayden, Timothy Deal, Joe and Joy Metter) for King Kong (1933)’s spiritual sequel, Mighty Joe Young (1949). Exciting times for patriotic Kaiju Lovers ahead!
Hello, Kaiju Lovers! And welcome to season three of The Monster Island Film Vault! We begin 2022 with a brand new series focusing on giant monster films from the U.S.A., “Ameri-kaiju.” To launch this special occasion, Nate is joined by returning guest/YouTuber/author Ryan “The Omni Viewer” Collins (and his kaiju-muppet-thing sidekick, Snazzy, who butts heads with Nate’s sidekick, the intrepid producer Jimmy From NASA) to discuss the prototypical kaiju film, The Lost World (1925). You’re about to hear one of the most MIFV of MIFV episodes: literary analysis, film appreciation, witty banter, hilarious puns, and wild history. What more could you want?
Before the broadcast, Nate meets Dr. Nick Tatopoulos, the leader of H.E.A.T., in the KIJU breakroom (and pronounces the man’s name correctly) while fighting with the coffeemaker. Nick talks about his hostile history with the Island’s new boss, Cameron Winter—and then the crooked tycoon calls them on Nate’s phone!
Hello, kaiju lovers! New year, new season! In 2022, The Monster Island Film Vault will focus not on a franchise but on a country: ‘Merica! Join Nate, his intrepid producer Jimmy From NASA, and the colorful cast of characters (in more ways than one) at KIJU as they examine 12 of the best (and most infamous) giant monster films to come out of the U.S. of A with “Ameri-kaiju.” All the while trying to deal with their new boss, Cameron Winter. Oh boy….
Hello, kaiju lovers! In an MIFV exclusive, Nate interviews Solstice Technologies CEO (and the envy of Elon Musk), Cameron Winter, who recently purchased the majority shares of Monster Island. Winter discusses several changes that he will make to the day-to-day operations on the Island and how he plans to revitalize the struggling scientific facility and resort in light of the ousting of the Board. It’s the biggest interview Nate has ever scored!
This episode was written by Nathan Marchand with Michael Hamilton and Jack “GMan” Hudgens.
