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Jimmy’s Notes on ‘Episode 11: Varan the Unbelievable’ (Mini-Analysis)

Hello again! It is time once again for another installment of “Jimmy riffs Nathan and publishes his unused notes.” Better known as Jimmy’s Notes.

Last week Nathan covered the nearly forgotten kaiju film Varan the Unbelievable.(He also talked about it on Geek Devotions, using it to discuss how faith and science are not incompatible, which I enjoyed filming). I will just be sharing his unused notes from when he re-watched the film as part of his grad school independent study on Ishiro Honda. He did highlight portions of his sources for that paper, but since he included them in the shownotes, I will not post them. (Besides, my previous Jimmy’s Notes blog was huge, and I already know my next one on Peter Jackson’s King Kong will be as long as that film).

So, without further ado….

Nathan’s Notes on the Film:

  • One of the highlights of this lackluster film is [Akira] Ifukube’s score. It’s quite good and would be recycled later. Music after credits reminds me of destroying the controller in Destroy All Monster. (That control device is on display in a small museum here on the Island, by the way. –Jimmy)
  • Talks about spaceflight but says there are still mysteries on earth; “most mysterious story ever told.” Hyperbole. (I have been to Venus. The mysteries there are far more interesting—like how it is somehow still there despite, you know, exploding during the War in Space. –Jimmy)
  • Villagers think the outsiders are monsters. Ignore them.
  • “It’s too early for monsters.” Did you forget you’re in a Toho movie? (To paraphrase a once-popular meme about video games: “Kaiju are common and frequently fight in public.” –Jimmy)
  • Varan’s intro is actually pretty good. Jaws-like.
  • Yuriko is surprisingly calm considering her brother died. Bold girl reporter. Sekizawa trademark.
  • Bus driver says no one goes to the village. (Probably because Varan kills people over butterflies. You should see how he reacts to other kaiju pestering Mothra. It is not pretty, but the tourists get a kick out of the occasional fights. –Jimmy)
  • Similar to Ainu; Ifukube infuses Ainu music in this score.
  • Dog is named Chibee. Japanese word for small. (Except it is actually spelled “chibi” and is Japanese slang. –Jimmy)
  • These first three characters are entertaining and funny and actually have some vim. Then they disappear halfway in.
  • Varan appears 21 minutes in. (Nathan has clocked the monster’s first appearance in all of these movies since fans complained about Godzilla not showing up for 45 minutes in the 2014 film. He argues this was done in the Japanese films, he seems to be right. Wow. I said something nice. I am losing my touch. –Jimmy)
  • This film has lots of issues, but suit/creature design isn’t one of them. Varan is quite impressive. Too bad he never came back. (Except in Destroy All Monsters, or did you forget that? And he almost came back, along with Anguirus, in GMK. –Jimmy)
  • When they return to the village, the priest is waving branch and chanting by fence as if that will stop Varan. Varan kills him while he chants “Forgive them! Forgive them!”
  • Varan’s rampage through the village is a highlight. Great suit, great destruction. [Haruo] Nakajima being awesome.
  • Another all-knowing dinosaur scientist.
  • “It’s big. You better get yourself a wide-angle lens.” Sekizawa humor.
  • After the village destruction, it starts to feel more padded as it goes. It gets really bad after they leave the village. A little too much detail with military.
  • The gas bomb mortars going into the water do look good. Classic Tsuburaya effects.
  • 34:00: “That’s a lot of fish.” (And all of our readers/listeners groan. –Jimmy)
  • The three best characters get steadily less screen time as film progresses.
  • Professor wastes no time saying to kill monster. The Anti-Yamane.
  • These soldiers have the aim of Stormtroopers. (The Messiah 13 Aliens were not much better from what my War in Space buddies tell me. –Jimmy)
  • Varan coming out of water at 35:00 or so looks quite good.
  • Wind accompanies Varan. Supernatural? Godzilla 2014 with tsunami?
  • The first half of this movie feels unique. Godzilla meets Half Human or Rodan. Second half is run-of-the-mill monster stuff.
  • Varan’s roar is just a remixed Godzilla roar.
  • “Varan is indestructible!” No, you just have bad aim!
  • I see where Son of Godzilla got it with Kumonga getting in cave. Effective scene.
  • Professor just knows that Varan will respond to light. It’s what animals do, apparently. (The scientists here on the Island use some weird stuff—like bird calls—to maneuver the monsters around. –Jimmy)
  • Varan can fly! Cut from US version. Well, he glides. How does he sound like a jet?
  • 47 minutes in, and it gets a heck of a lot less interesting.
  • [Akihiko] Hirata is in this! Barely.
  • This professor just exists to spout exposition and say you can’t kill Varan.
  • 51:00: Varan approaching fishermen is very Jaws-like. The music especially.
  • 55:00: Why would you fly that low and that close?! (A common problem when fighting kaiju. It seems soldiers forget basic tactics when fighting monsters. My military buddies cannot figure it out, either. –Jimmy)
  • Second half is largely action. Feels like a completely different movie. The music is still good.
  • 63:00: Are they playing a miniatures game with a Varan figure? (You would buy that game in heartbeat, Nathan. You already have a few stuffed in your closet. –Jimmy)
  • 65:00: Expertly edited home movies.
  • Super-bomb is weird. How does it explode better inside something? Makes no sense. (I was on a ship that inexplicably had a planet-busting bomb on it. All that to say, I do not get it, either. –Jimmy)
  • Climax is at Haneda Airport. Sky background is lacking. Can see strings pulling tanks. Not meant to be scrutinized. (Or seen in high-def, as you mentioned. –Jimmy)
  • Interesting how soldiers chicken out saying it’s beyond the call of duty, so Kenji the reporter has to drive the bomb to Varan. Sekizawa commentary?
  • Wow, that wasn’t suspenseful. He jogs away unharmed. (This is more common than many people realize. –Jimmy)
  • Rare time Nakajima got hurt on set when bomb explodes under Varan. (#firecrotch –Jimmy)
  • Sometimes Varan stands and sometimes he’s on all fours. Poor editing.
  • Now the military has good aim. 😛 (Varan lost his plot-armor. That is more durable than adamantium! –Jimmy)
  • Varan: “Stop attacking me with stock footage!” (Stock footage is the worst. The Messiah 13 Aliens’ attack on New York looked like The Last War and…my…family…died…).
  • This movie has such truncated time. Bomb explodes in 30 minutes but 15 have already passed.
  • 84:00: Varan becomes Godzilla for a second! (To quote MST3K, “Space is warped and time is bendable!” –Jimmy)
  • What a horrible way to die: exploded from the inside after swallowing bombs. Varan retreats to water. Ambiguous? (Well, he was brought to Monster Island in 1999, so he survived…somehow. I just work here, people! –Jimmy)
  • Announcer declares that mankind has won. (For now…. 😛 –Jimmy)

There you have it!

And now for the moment you have all been waiting for! The winner of the Batman Meets Godzilla T-shirt is Celeste Mora!

Congratulations!

The “Kong Quest” continues in the next episode when Nathan is joined by the creator/author of The Godzilla Novelization Project, Daniel DiManna to discuss the epic 2005 remake of King Kong.

Our next mini-sode will cover another epic: 1959’s The Three Treasures.

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Jimmy’s Notes on ‘Episode 9: The Mysterians (Mini-Analysis)’

I’m just as excited to write this blog on last week’s episode on The Mysterians as I was recording it. As Nathan said on the podcast, it’s one of my favorite tokusatsu films. He was able to use most of his research in the episode, although most of his notes on the film itself did not make it in. His script was originally part of a 42-page paper he wrote on six Ishiro Honda films as part of an independent study in grad school.

Anyway, let’s get to this. Like with my blog on the previous mini-sode, I didn’t hear anything that needed fact-checked, so I’ll just be sharing Nathan’s leftover notes, although with a handful of comments.

Afterward, I’ll announce the winner of the Batman Meets Godzilla T-shirt.

The Film:

  • This was the first Toho tokusatsu film in TohoScope.
  • The satellite dish (and tsunami) get recycled as stock footage in the US version of King Kong vs. Godzilla. Some military footage recycled later in 1970s G-films.
  • The festival at the beginning is Bon Festival (also called an Obon), which is a Japanese Buddhist-Confucian custom to honor the spirits of ancestors. Due to the use of several different calendars, there are usually three time periods these festivals will be celebrated between July and September. The dance seen at the festival in the film is a traditional dance called the Bon Odori. You can learn about it here. (Nathan wants to go to one. Maybe we can have one on the Island? –Jimmy)
  • Starts with a bang—or rather a forest fire. Exciting. Spectacular effects. Burning from the roots. Foreshadowing.
  • Takashi Shimura plays another scientist.
  • Lots of science enters. Mysteroid. Astronomy. (Which is one reason I love this film! –Jimmy)
  • That looks more like a sinkhole than a landslide. May have been deliberate. Because radioactive. Or not.
  • The JSDF vehicles and personnel are actual military. Made in cooperation.
  • Dead fish in river. More foreshadowing.
  • Hot radioactive ground. Burns tires. Melts mountain.
  • Moguera appears 14 minutes in.
  • Honda’s naturalism with disasters: Etsuko in bath as Moguera attacks.
  • The flamethrower is real—but I don’t know how it could reach that far or get that big against Moguera.
  • Scientists are presented as foremost authorities and absolutely trustworthy. Mysterians want to meet with them and not politicians.
  • The character plot at beginning is dropped as invasion plots takes over.
  • Not Toho’s first tokusatsu film in color (that was Rodan), but the colors are more spectacular.
  • Takashi Shimura dresses like Colonel Sanders.
  • 29:30: We’re off to see the wizard.
  • “Please put on your cape.” Not to keep warm, but because it looks cool.
  • Yoshio Tsuchiya insisted on playing Mysterian Leader. Liked playing weirdos.
  • “There are no boundaries in science.” Says “these people” (military) will cause war.
  •  “Selling land on Mars” line ab-libbed by Tsuchiya.
  • The humans waste no time kowtowing.
  • Almost 38:00: U.N. scientists mentioned as coming to discuss the matter.
  • Japan behind America in science. Mysterians even more advanced. Shiriashi.
  • Mysterians originally want 2 miles of land. It keeps increasing. Goes to 75. All intruders would be evicted by force. Inspired by America?
  • Shiraishi says scientists, not military, should stop attack.
  • The Mysterian dome looks amazing.
  • Nakajima played Moguera. Nearly killed him. Hot suit, hot studio lights. Over 100 degrees. Staff in underwear.
  • Sometimes editing of special effects shots is jumpy.
  • Cool POV shot of plane over dome.
  • Mysterian ships reused in Battle in Outer Space. Almost sequel. (The second entry in the “pseudo-trilogy.” It’ll be covered in a later episode. –Jimmy)
  • 46 mins: POV shot from tank on dome.
  • Figure ejects from model tank as it sinks. Cool.
  • Japanese earthquake of 1923 mentioned.
  • Mysterians say they don’t like war but will fight if attacked. They want peace on Earth. Weird way of doing it. America again? Want to end atomic wars. Mankind will perish in 20 years. Fearmongering? Mankind has ruled animals with science. Mysterians see humans as animals.
  • World comes together, but this is mostly a Japanese problem.
  • Japan calls for international meeting. “Japan’s trouble today will be theirs tomorrow.” Adachi somehow knows they won’t stop with the land.
  • 51:45: Shiriashi starts doubt if he chose the right side when they mention taking over eastern Japan.
  • America launches satellite from Arizona against Mysterians. (When was their first satellite?) (America’s first satellite was Explorer 1, which was launched January 31, 1958, just one month after this film was released in Japan. –Jimmy)
  • “Defense Force of the Earth.” Human unity. Many flags in background of conference scene. Japanese officer addresses UN council with plan. Translator present. Reps visible: USSR, USA, India, China, Vietnam, Thailand. Two resps from each. Three of 5 members of Security Council.
  • I love how the interpreter’s words aren’t exactly the same as the subtitles.
  • “A war has already begun. A quiet war…. There are no canons, aircraft, or tanks.” 57:15.
  • Alpha and Beta look awkward, but I don’t care. Part of the charm. VTOL tech, though.
  • Complaints about the female characters: useless damsels in distress. “Women often fainted back then” (Koichi Kawakita in his commentary).
  • Mysterians don’t use subterfuge, but they do increase their demands. Somewhat arrogant.
  • US Air Force planes seen landing. Speaks to alliance between America and Japan.
  • I love the satellite dish weapons in these movies.
  • Tsuchiya’s gestures as Mysterian Leader are great. Sharp and commanding.
  • Mysterians don’t like heat. Opposite of Kilaaks. (Let’s not talk about the disco space nuns. Okay, Marchand? –Jimmy)
  • Mysterian suits inspired Super Sentai/Power Rangers. (Maybe. –Jimmy)
  • 74:00: How did they not see him? (He means Shiraishi. –Jimmy)
  • Wanting women sounds incredibly sensationalistic, but it isn’t talked about much.
  • Mysterian science is advanced but can’t fix their genes.
  • The acting from the westerners is…underwhelming.
  • Mysterian dome does have what look like drill ends.
  • Mysterians try to negotiate saying they will retaliate is humans don’t stop (weren’t you already?). Humans tell them to leave Earth. Were the Mysterians bluffing? Afraid? They do retaliate with a massive flood.
  • I’m sure much of the stuff in these sets did anything, but they look cool.
  • Shiraishi says he was “tricked.” Was he? (Sadly, probably not. He seems quite complaisant with them. –Jimmy)
  • The tragedy of the Mysterians is a lesson to us. Don’t misuse science. Don’t repeat the tragedy! –Shiraishi
  • A second Moguera appears! For five seconds. (Still less useless than the Heisei incarnation. Extra spare parts for me to rebuild Mechani-Kong! –Jimmy)
  • Shiraishi has chance to shoot Mysterians but doesn’t. Mercy.
  • Like Godzilla, Shimura ends the film with an admonition.
  • Satellite is launched in the end to watch for Mysterians.

This is a footnote from Nathan’s grad school paper that did not make it into the episode:

Yet despite all of this involvement, Japan has not been allowed to join as a permanent member of the UNSC. Most of the opposition has come from South Korea and China, who believe Japan must still atone for the war. On the other hand, three members of the UNSC—the U.S., the UK, and France—support Japan becoming a permanent member. The U.N. at large possibly thinks that since Japan’s military is unable to contribute significantly to the safety of the world, they do not deserve a seat at the UNSC table (“Episode 6: Rodan” 00:44:20-00:45:31). Even if that were to change, China continually exerts its veto power on the council to block Japan’s admission because “[f]ar beyond the unwanted symbolism of a fully rehabilitated and ‘normal’ Japan on the UN Security Council, the very real powers that permanent membership would afford Tokyo are simply anathema to Beijing’s interests.”

Ambassador Motohide Yoshikawa, who served as the Permanent Representative of Japan to the United Nations from 2013 to 2016, argues that “there is still a strong consensus among all members that the Security Council has to be reformed.” It reflected the political reality of 1945, but it is “no longer valid” and has “become obsolete.” New emerging powers, such as those countries who were defeated in the war, should be admitted. Not only is Japan advocating for reform, but so are the other G4 countries (which also include India, Germany, and Brazil). In 2005 they made a proposal that would change the criteria for who could become permanent and non-permanent members, but it was never put to a vote. The momentum has stalled since then.

Finally, these are unused excerpts from several articles Nathan cited in the episode, which are listed with links in its show notes.

“Japan and the United Nations” – Wikipedia

  • “After the late 1950s, Japan participated actively in the social and economic activities of the UN’s various specialized agencies and other international organizations concerned with social, cultural, and economic improvement. During the 1970s, as it attained the status of an economic powerhouse, Japan was called on to play an increasingly large role in the UN. As Japan’s role and its contributions increased so did sentiment, expressed as early as 1973, that Japan should be given a permanent seat on the United Nations Security Council (UNSC) with the United States, the Soviet Union, the United KingdomFrance, and China.”
  • “As of 2005, Japan is again a strong advocate of a UNSC reform, in a joint campaign with GermanyIndia, and Brazil. All four nations strive to gain a permanent seat in the chamber. While the United Kingdom and France,[1] and the United States back Japan’s candidacy, it faces strong opposition from its two closest neighbors, China and South Korea.”

“An Argument for Japan’s Becoming Permanent Member” – MOFA

  • “Since Japan joined the United Nations in 1956, cooperation with the United Nations has been a cornerstone of its foreign policy. Japan has the world’s second largest economy, and based on this national strength, it has the capacity to assume ever greater global responsibilities through various contributions to the efforts of the United Nations and particularly the Security Council.”
  • “Japan is committed to promoting international disarmament and non-proliferation while firmly maintaining its Three Non-Nuclear Principles of not possessing, not producing and not permitting the introduction of nuclear weapons into its territory. Since 1994 Japan has submitted draft resolutions on nuclear disarmament at the UN General Assembly, which have been adopted with overwhelming support. Japan actively contributed to the success of the 2000 NPT Review Conference, and has been taking the initiative in facilitating the entry into force of the Comprehensive Nuclear Test Ban Treaty.”
  • “Moreover, Japan has been playing a leading role in disarmament of conventional arms, including small arms and landmines. It has provided substantial financial assistance for this purpose, and in 2000 established the Small Arms Fund within the United Nations.”

“Chapter 3: Japan’s Foreign Policy to Promote National and Worldwide Interests” – MOFA

  • “In addition, Japan also places great importance on strengthening its initiatives as a member of the G4 (Japan, India, Germany, and Brazil), a group that cooperates on promoting the reform of the UN Security Council. The Ministerial Meeting of the G4 Countries was held in September. During the Meeting, the countries agreed on building further momentum for the UN Security Council reform and continuing to work towards a comprehensive reform of the UN Security Council.”
  • “In addition, the Group of Friends on Security Council Reform was established in July. Comprising diverse groups such as the G4 as well as Africa, the Caribbean, the UK, France, and Northern Europe, all of which seek the reform of the UN Security Council. At the High-Level Meeting held in September, the Group members shared the recognition that the reform of the UN Security Council is an urgent issue, and affirmed their commitment to cooperate to realize a meaningful reform of the UN Security Council in an expeditious manner.”
  • “In response to the nuclear tests and the launch of ballistic missile by North Korea, as a member of the UN Security Council, Japan took a leading role in discussions at the UN Security Council, working closely with the relevant countries including the United States and the Republic of Korea. As a result, the UN Security Council Resolutions 2270 and 2321 were adopted, strengthening sanctions against North Korea, and putting greater emphasis on the importance of human rights and humanitarian issues including the abduction issue. The adoption of these resolutions demonstrated the attitude of the international community as a whole in taking decisive action against North Korea. In addition, Japan has been actively taking part in the work of the Security Council Committee pursuant to resolution 1718 and encouraging the relevant countries to fully and strictly implement the UN Security Council resolutions.”

 “Why Japan will Never Be a Permanent Meber of the UN Security Council” by Peter Harris

  • “Although the objective of permanent membership is longstanding, Abe’s diplomatic push ahead of October 2015 inevitably will be seen abroad in the same light as his other foreign policies, several of which have been criticized as hawkish by neighboring governments—not least of all the Chinese, which bitterly opposes the Japanese bid.  Far beyond the unwanted symbolism of a fully rehabilitated and “normal” Japan on the UN Security Council, the very real powers that permanent membership would afford Tokyo are simply anathema to Beijing’s interests.”

And now for the moment you have all been waiting for! The winner of the Batman Meets Godzilla T-shirt is Jim Hayes!

Congratulations!

The “Kong Quest” continues in the next episode with the infamous King Kong Lives. Nathan will be joined once again by kaiju author/scholar John LeMay (the only person we know of who genuinely likes that movie).

Our next mini-sode will cover the almost forgotten 1958 kaiju film Varan the Unbelievable.

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Jimmy’s Notes on ‘Episode 5’ (and the Podcast’s New 2020 Schedule)

There isn’t much to add to the latest episode (although I heard most of it after it was recorded), but here are a few points I noted.

  • Mary Shelley’s original Frankenstein novel is in the public domain, but as John said, other incarnations like the Universal film versions aren’t. There have actually been several lawsuits related to Frankenstein copyrights, including way that arguably saved the VCR.
  • John calls the island in Son of Kong, “Skull Island,” when that name isn’t stated—but I’m not arguing with him because he’s John LeMay. 😛

Now, as Nathan said on the podcast’s Twitter last week, here’s a revamped (though tentative) 2020 schedule for the show. We’ll be returning to the original format—one full episode and one mini-sode each month—with Godzilla vs. Kong being delayed to November.

January
King Kong (1976)
The Mysterians (Mini-Analysis)

February
King Kong Lives
Varan the Unbelievable
(Mini-Analysis)

March
King Kong (2005)
3 Treasures (Mini-Analysis)

April
Kong: Skull Island
Battle in Outer Space
(Mini-Analysis)

May
Rebirth of Mothra
The Last War
(Mini-Analysis)

June
Rebirth of Mothra II
Gorath
(Mini-Analysis)

July
Rebirth of Mothra III
Matango
(Mini-Analysis)

August
Daimagin
Atragon
(Mini-Analysis)

September
Return of Daimagin
Space Monster Dogora
(Mini-Analysis)

October
Daimagin Strikes Back
Frankenstein Conquers the World
(Mini-Analysis)

November
Godzilla: King of the Monster (2019) (Mini-Analysis)
Godzilla vs. Kong

December
The Beast from 20,000 Fathoms
War of the Gargantuas
(Mini-Analysis)

Hopefully, we won’t have to redo this again. (Got that, Legendary?)

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Jimmy’s Notes on ‘Episode 2: The Tourists vs. King Kong (1933)’

Welcome to the first entry of Jimmy’s Notes! My blog series will feature nitpicks supplements on each episode of The Monster Island Film Vault. Nathan does lots of research and works hard at editing every episode, but he and the Tourists don’t always get stuff right (unlike his intrepid producer) and can’t include everything. I will correct any errors and feature additional information not in the episode–and take the opportunity to riff everyone and get away with it. 😛

So, let’s get started.

Corrections
-Okay, this first one is on me since I write the Entertaining Info Dump. I wrote that King Kong paved the way for Godzilla and the kaiju genre “three decades later” when it was actually two decades later. Apparently, I forgot how to math there for a second. My friends at NASA would be disappointed.

-I also forgot to mention the IMDB score for the film in the Info Dump (oops). It’s 7.9.

-Nathan said “TMC” when he meant “TCM”—twice. Once I can understand, but twice? Was he thinking of the tabloid TMZ and not Turner Classic Movies? I feel insulted for TCM. On a related note, he said it was TCM who added the overture to King Kong in 2005 when it was actually Warner Bros.

-Both Nick and Tim mispronounced “Denham” as “Dunham.” I guess they buy a lot of sporting goods.

-Nathan said the name “Skull Island” is in the novelization of King Kong. It’s not. It was used in RKO’s promotional materials. In the film it’s called “Skull Mountain Island.” I don’t think the name was spoken in a film until either the 2005 remake or Kong: Skull Island. I’ll ask around. I’m sure one of the scientists studying the kaiju will know.

-Nathan calls Kong a monkey when he’s an ape. Even the Tourists corrected him on that during the recording by saying even VeggieTales knows the difference! I should’ve thrown a (Bob the) tomato at him for that.

-Everyone said there was a brontosaurus in this film, but some say the brontosaurus is actually an Apatosaurus. Since most sources say the former, I can’t hold that against them.

-Joe incorrectly said it was the “Monster Island Resort” when it’s the “Monsterland Resort.” An easy mistake, although the Island’s Board of Directors is very particular about keeping the branding straight (which makes me think they should’ve made the name a bit more different, but hey, I just work here).

-Nathan said Son of Kong was released six months after the original when it was actually nine months. He must’ve gotten that cash-grab sequel confused with the other cash-grab sequel starring another famous resident on the Island. ::cough-cough:: Godzilla. ::cough-cough::

Additional Notes: The Film
Now for some things from Nathan’s notebook that weren’t mentioned in the episode. This isn’t all of his notes, but they’re the ones I thought were the most important of what he omitted:

-“Are the natives depicted in a racist fashion? It is weird that a South Seas island has black people on it. I read an essay that went into great detail about this. The chief is played by Noble Johnson, who actually gets listed in the opening credits and is portrayed as a strong man. A black man getting listed like this was unheard of back then.”

-“How convenient for the native warriors that Ann was right there so they didn’t have to go on the ship. They must’ve read the script. :P”

-“Charlie the cook is considered ‘racist’ now, but he is played by Chinese actor and is treated well by everyone. He speaks broken English.”

-“The missing ‘spider pit’ sequence. In script but may or may not have been filmed. Some claim to have seen it. Cut by Cooper because it wrecked the pacing. Recreated by Jackson and WETA. Had a triceratops-like dino. That’s why one sailor looks back while running and why sailors don’t run back on log. I gotta say, if some of them survived, they’re tough hombres!”

-“Schoedsack and Cooper are piloting the plane that kills Kong.”

-“Kong’s origins are ambiguous; the line between science and myth blurred. Part of the appeal. Harry Harrison has a crazy ‘alternate universe’ origin story. Not surprising given he writes alternate history.” (Jimmy here: If I remember correctly, this involved a man being cursed to take the form of a gorilla by island gods).

-“Esther M. Friesner compared the King Kong story to that of Enkidu in The Epic of Gilgamesh and Samson in the Bible because they are strong men undone by beautiful women.”

-“In China, ‘kong’ means ‘strong.’”

Additional Notes: The Depression
-“Optimism persisted despite the crash. John D. Rockefeller said, ‘These are days when many are discouraged. In the 93 years of my life, depressions have come and gone. Prosperity has always returned and will again.’” (Wikipedia)

-“Birthrates for 14 major countries fell 12% from 19.3 births per thousand population in 1930, to 17.0 in 1935. Families wanted to avoid having children until they achieved more financial stability. In Canada, half of Catholic women defied Church teachings and used contraception.” (Wikipedia)

Conclusion
Now that I’ve gotten my first Note out of the way, I need to get back to writing the Entertaining Info Dump for Son of Kong if for no other reason than to remind Nathan of his contractual obligations. 😛

Follow me on Twitter.

#JimmyFromNASALives

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Episode 1: Welcome…to Monster Island!

Hello, kaiju lovers!

Listen as Nathan Marchand, co-creator and season one co-host of the Kaijuvision Radio, regales you with the origin story of his new podcast. It includes a vacation to a resort on the fabled Monster Island (formerly Monsterland), where he met his intrepid producer, Jimmy From NASA (who miraculously survived the infamous War in Space), and got a new job as the curator of the Island’s film vault. Between bantering sessions with his detail-obsessed, fact-checking interrupter of a producer, Nathan explains the podcast’s philosophy of film appreciation and lays the groundwork for the upcoming episodes.

And what will Nathan, Jimmy, and their many guests be discussing first? The filmography of Monster Island’s other most famous resident: KING KONG!

Hold onto your butts!

The Monster Island Film Vault: A podcast seeking entertainment and enlightenment through tokusatsu.

Check out the epic three-hour KVR episode on Shin Godzilla:
Episode 37: Shin Godzilla (2016) (Great East Japan Earthquake/Tsunami/Fukushima Meltdowns)

Check out Jimmy’s Notes, the companion blog series to each episode of The Monster Island Film vault!

#JimmyFromNASALives

© 2019 Nathan Marchand/Moonlighting Ninjas Media

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Introducing: Jimmy’s Notes

It’s me, Jimmy From NASA, the intrepid producer of The Monster Island Film Vault.

Hello, folks!

The podcast’s intrepid producer, Jimmy From NASA, here. With The Monster Island Film Vault launching next month and recordings underway, it dawned on me that Nate couldn’t share everything he researched about the films. I also learned in our first big recording session with the Tourists (i.e. Nate’s friends) that I couldn’t catch every incorrect fact they brought up. I’m a stickler for details. Like white on rice in a blizzard.

It turns out there’s a clause in the contract we signed that states I get to have a blog on the podcast website. So, after talking this over with Nate (for about 30 seconds), I decided that on the podcast’s off-weeks between episodes (they release the second and fourth Wednesdays of each month), I’ll write and post a blog with everything Nate and the Tourists left out and any corrections on what they said. And trust me, I’ve already got a long list on Nate. There’s a lot more snark coming his way. 😛

Plus, it gives me something to do when I’m not busy here on the Island. All work and no play makes Jimmy a dull boy. And I avoid having flashbacks to the War in Space—

Those horrible spinning egg ships….

My…family….

I’m not crying. No, not at all.

Anyway, my first blog will be October 16, the week after Nate and the Tourists cover the 1933 classic King Kong.

#JimmyFromNASALives

#WeShallOvercome

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