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Nathan’s Notes on ‘Episode 13: The Three Treasures (Mini-Analysis)’

I thought the number 13 being unlucky was just a superstition.

Until now.

Much like Yamato Takeru from The Three Treasures, I’ve been beset by misfortune after posting episode 13 of the podcast. During my livestream of Override: Mech City Brawl, Jimmy From NASA started a betting pool with the Island’s Board of Directors, the science team, and pretty much everyone else who worked here. It was based on my performance in the game—and he bet against me. And I played the game on hard mode. Jimmy made out like a bandit. He even cleaned out the Board. So much so, he used that money to buy Metageckon (the mech I used in the game) on eBay. That’s not the unfortunate part. He used his newfound leverage with the Board to make himself the host of MIFV! Now I’m his producer. This means I have to do the follow-up blog to last week’s episode on The Three Treasures and every episode after this.Jimmy was kind enough to give me his notes from the episode, which wasn’t much, so this blog will be relatively short. That’s probably good since the blog on episode 12 was as long as Peter Jackson’s King Kong!

Here’s all that Jimmy had on the episode:

  • There is some debate over whether Toshiro Mifune was a Christian. This Wikipedia discussion board questions it because he has a traditional Buddhist gravestone. He was the son of Japanese Christian missionaries who worked in China, and he had a traditional Methodist wedding, though. This Reddit thread (so take it with a grain of salt) says there was a rumor that he was part of something called the “Ikeda cult,” but that just seems to be the cult trying to claim a celebrity as a member to find legitimacy. (The post references the potentially inaccurate Wikipedia article, mind you).
  • What? I was tired from working in my garage all day! Of course I’d fall asleep watching a three-hour movie! I’m a busy man.
  • Nathan mispronounced the name of the eight-headed dragoon. It’s “Yamata no Orochi” not “Yamato.” I don’t think the dragon is part of the royal family. (But I could be speaking in ignorance. Weirder things have happened. I should know. I lived them).

My Leftover Notes from Watching the Film:

  • Credits over an eclipsed sun? “Land of the rising sun”?
  • “In the beginning…” Opening narration sounds biblical and mythical. Old woman.
  • These village scenes are reminding me of The Ten Commandments with the enslaved Israelites.
  • “Old stories are full of beautiful life.” -Old woman storyteller
  • The set design is incredible. Very DeMille.
  • A lot of court drama and intrigue.
  • Are the prince and Otomachibana meant to parallel the god and goddess from the beginning?
  • Day for night scene at river!
  • Torii gate is entrance to temple grounds. Like Hebrew temple or tabernacle.
  • This is a response to another numbered religious epic: The Ten Commandments ~ The Three Treasures.
  • Is that Hirata? I almost don’t recognize him.
  • Those fire effects were a little awkward.
  • A woman be stoned for loving a man from a different clan. Very ancient.
  • These people look Mongolian?
  • Kumaso (Takashi Shimura) is undone by his lust. Even checked for a man before this.
  • Kumaso tells the prince to kill him. He hesitates, then takes the prince’s sword and slits his own throat. Seppouku?
  • There are flashbacks to the gods as told by an old woman storyteller. Oral tradition.
  • What do they mean by “nag”?
  • I thought the prince and the gods would interact.
  • Criterion should release this.
  • “Laugh festival”? “Festival of laughter”?
  • While this festival seems like revelry, it is meant to bring the sun goddess (and light) back to the world.
  • The rooster’s crow when light and the goddess return.
  • Is there an intermission? Was it removed?
  • Yes. These myths are meant to parallel the prince. Susan-o = the prince. Susan-o’s tears drained all the world’s water. The prince’s mother says he must not be like him.
  • The flashbacks/stories increase as the film progresses.
  • “Orochi” just gets translated as “dragon.”
  • Last daughter transformed by Susan-o into hair braid for safety.
  • Orochi’s approach blows out torch. Nice!
  • Proto-Ghidorah! The heads do kinda flop around. They just appear to be heads. No body. In water. The glowing eyes are cool. Looks better fighting Susan-o. Nevermind. It has a body. He must have a magic sword or its heart or brain in in its tail. He pulls a sword from the dragon, which is now used to defend Japan. The prince now has it.
  • Just as Susan-o became a hero, so does the prince.
  • Mt. Fuji is active in this. Village elder says it protects them. The prince says the smoke reminds him of the evil in men’s hearts.
  • The location scenes are gorgeous.
  • Spectacular fire scene where the prince uses the flint from the bag given him as a gift to change the wind.
  • The smoke from Mt. Fuji turns red. Passion? Rage?
  • Like Susan-o, the prince is unloved by his father.
  • Yamato is a region.
  • A storm happens when the prince decides to return as a plebian to marry Otomochibani against his father’s orders. Wrath of the gods? Otomochibani says it is her fault for breaking her vow and angering the sea god. She throws herself overboard to placate him. Reminds me of Jonah and the big fish. A green light appears in the sea after she jumps. Her kimono floats up. The storm clears. Taken by the gods? “The princess has become my sacrifice.” Most supernatural thing that’s happened in the “present.”
  • This ambush is the film’s big climax. It’s spectacular. Nobody makes movies like this anymore. It isn’t quite Ten Commandments huge, but it’s still great. Cuts between on location shooting and sets.
  • The prince is killed and his soul rises in the form of a white crane. Mt. Fuji erupts. Even in death he is victorious. His wrath is poured out on his enemies. Symbolizes Japan. This was foreshadowed earlier. The effects for this are great. The compositing and everything. This is also like The Ten Commandments when the unrighteous Israelites are swallowed by the earth. And now he uses water from a lake to cause a flood and drown other enemies.
  • Oh, man…death by lava. Horrible.
  • I’m pretty sure lava is more viscous than that, but we’ll go with it.
  • The crane flies toward a rainbow, symbolizing how the prince enters the realm of the gods. The people follow the bird.

Yamato Takeru

  • In the original legends, Otomachibana was his wife and not a fiancé, but she did sacrifice herself to placate the sea god. Her comb washed ashore seven days later, and her tomb was built around it. He did later marry Miyazu.

I didn’t take notes from all my sources, so I recommend referencing my bibliography for the episode if you want to learn more. (I’m gonna miss writing those).

Time to settle into my new job on Monster Island, I guess.

Follow me on Twitter: @NathanMarchand7

My author website: www.NathanJSMarchand.com.

#MonsterIslandFilmVault

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Episode 13: ‘The Three Treasures’ (Mini-Analysis)

Hello, kaiju lovers!

The unintentional “epic films month” continues with 1959’s The Three Treasures (aka The Birth of Japan), but thankfully this episode doesn’t cross the “Kurosawa threshold.” This is a religious epic in the vein of Cecil B. DeMille’s The Ten Commandments except it’s about Shinto. It tells the tale of Prince Yamato Takeru (played by the always awesome Toshiro Mifune), the legendary 13th emperor of Japan (who’s being covered in our 13th episode…oh boy…). Interspersed throughout the film are vignettes depicting stories from Japanese mythology that parallel the prince’s life. Nathan zeroes in on several of the film’s story elements, including the Japanese creation myth, the Imperial Regalia of Japan, and Yamata no Orochi the eight-headed dragon. There’s so much that could be said about this film, Nathan may have to do a follow-up with Rev. Mifune (no relation to Toshiro Mifune) or the guys at The Kaiju Apostle.

Nathan then reads yet more feedback clarifying the Batman Meets Godzilla story treatment—or rather, the Twitter war that almost broke out over it.

Speaking of which, Batman Meets Godzilla, one of the craziest yet most intriguing lost projects made famous by John LeMay’s book, The Big Book of Japanese Giant Monster Movies: The Lost Films (which now has a new “mutated” edition), is being adapted into a fan-made comic book miniseries!

T-SHIRT GIVEAWAY: Everyone who shares the Facebook and/or Twitter posts for this episode (or tags the show when they share it themselves) will be entered for a drawing for a Batman Meets Godzilla T-shirt. (One entry per person per social media). Entries will be taken from March 25 to March 31 at 11:59pm (EST). The winner must then send Nathan his/her shirt size, shirt color, and mailing address to be forwarded to the team at Batman Meets Godzilla. Here’s a link to the Tee Public site with this epic shirt.

Here’s the KVR episode: Episode 41: The Three Treasures a.k.a. Nippon tanjo (The Birth of Japan) (1959) (Shinto)

This episode featured the songs “‘BATMAN’ [OG Theme Song Remix!]” by Remix Maniacs & “ULTRAMAN” by Nobuko Toda and Kazuma Jinnouchi.

Join the Kaiju Quarantine Discord server!

Here are Jimmy’s, er, Nathan’s Notes on this episode.

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 11: ‘Varan the Unbelievable’ (Mini-Analysis)

Hello, kaiju lovers!

In Nathan’s continuing series of mini-sodes on films covered by Bran Scherschel on Kaijuvision Radio after Nathan left the show, he examines Ishiro Honda’s overlooked 1958 kaiju film Varan the Unbelievable (or Daikaiju Baran). While Honda didn’t think much of it (especially after its tumultuous production when the American TV network co-producing it pulled out), it was the first kaiju film written for Toho by the fabled Shinichi Sekizawa. The second half is a by-the-numbers monster movie, but the first half is intriguing because it touches on then contemporary issues with the burakumin, a discriminated social class in Japan. Their name means “village people” (no, not the disco band!), and they were essentially the “untouchables” of Japanese culture for centuries. When seen through that lens, this film offers more than a cool kaiju.

After that, Nathan reads some listener feedback, including a letter from someone who offers some clarification on the (in)famous Batman Meets Godzilla script.

Speaking of which, Batman Meets Godzilla, one of the craziest yet most intriguing lost projects made famous by John LeMay’s book, The Big Book of Japanese Giant Monster Movies: The Lost Films (which now has a new “mutated” edition), is being adapted into a fan-made comic book miniseries!

T-SHIRT GIVEAWAY: Everyone who shares the Facebook and Twitter posts for this episode (or tags the show when they share it themselves) will be entered for a drawing for a Batman Meets Godzilla T-shirt. (One entry per person per social media). Entries will be taken from February 26 to March 4 at 11:59pm (EST). The winner must then send Nathan his/her shirt size, shirt color, and mailing address to be forwarded to the team at Batman Meets Godzilla. Here’s a link to the Tee Public site with this epic shirt.

Here’s the KVR episode: Episode 40: Varan (1958) (Hisabetsu-Buraku) (Discriminated Communities)

This episode featured the song “‘BATMAN’ [OG Theme Song Remix!]” by Remix Maniacs.

Be sure to read Jimmy’s Notes on this episode.

(c) 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

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Jimmy’s Notes on ‘Episode 9: The Mysterians (Mini-Analysis)’

I’m just as excited to write this blog on last week’s episode on The Mysterians as I was recording it. As Nathan said on the podcast, it’s one of my favorite tokusatsu films. He was able to use most of his research in the episode, although most of his notes on the film itself did not make it in. His script was originally part of a 42-page paper he wrote on six Ishiro Honda films as part of an independent study in grad school.

Anyway, let’s get to this. Like with my blog on the previous mini-sode, I didn’t hear anything that needed fact-checked, so I’ll just be sharing Nathan’s leftover notes, although with a handful of comments.

Afterward, I’ll announce the winner of the Batman Meets Godzilla T-shirt.

The Film:

  • This was the first Toho tokusatsu film in TohoScope.
  • The satellite dish (and tsunami) get recycled as stock footage in the US version of King Kong vs. Godzilla. Some military footage recycled later in 1970s G-films.
  • The festival at the beginning is Bon Festival (also called an Obon), which is a Japanese Buddhist-Confucian custom to honor the spirits of ancestors. Due to the use of several different calendars, there are usually three time periods these festivals will be celebrated between July and September. The dance seen at the festival in the film is a traditional dance called the Bon Odori. You can learn about it here. (Nathan wants to go to one. Maybe we can have one on the Island? –Jimmy)
  • Starts with a bang—or rather a forest fire. Exciting. Spectacular effects. Burning from the roots. Foreshadowing.
  • Takashi Shimura plays another scientist.
  • Lots of science enters. Mysteroid. Astronomy. (Which is one reason I love this film! –Jimmy)
  • That looks more like a sinkhole than a landslide. May have been deliberate. Because radioactive. Or not.
  • The JSDF vehicles and personnel are actual military. Made in cooperation.
  • Dead fish in river. More foreshadowing.
  • Hot radioactive ground. Burns tires. Melts mountain.
  • Moguera appears 14 minutes in.
  • Honda’s naturalism with disasters: Etsuko in bath as Moguera attacks.
  • The flamethrower is real—but I don’t know how it could reach that far or get that big against Moguera.
  • Scientists are presented as foremost authorities and absolutely trustworthy. Mysterians want to meet with them and not politicians.
  • The character plot at beginning is dropped as invasion plots takes over.
  • Not Toho’s first tokusatsu film in color (that was Rodan), but the colors are more spectacular.
  • Takashi Shimura dresses like Colonel Sanders.
  • 29:30: We’re off to see the wizard.
  • “Please put on your cape.” Not to keep warm, but because it looks cool.
  • Yoshio Tsuchiya insisted on playing Mysterian Leader. Liked playing weirdos.
  • “There are no boundaries in science.” Says “these people” (military) will cause war.
  •  “Selling land on Mars” line ab-libbed by Tsuchiya.
  • The humans waste no time kowtowing.
  • Almost 38:00: U.N. scientists mentioned as coming to discuss the matter.
  • Japan behind America in science. Mysterians even more advanced. Shiriashi.
  • Mysterians originally want 2 miles of land. It keeps increasing. Goes to 75. All intruders would be evicted by force. Inspired by America?
  • Shiraishi says scientists, not military, should stop attack.
  • The Mysterian dome looks amazing.
  • Nakajima played Moguera. Nearly killed him. Hot suit, hot studio lights. Over 100 degrees. Staff in underwear.
  • Sometimes editing of special effects shots is jumpy.
  • Cool POV shot of plane over dome.
  • Mysterian ships reused in Battle in Outer Space. Almost sequel. (The second entry in the “pseudo-trilogy.” It’ll be covered in a later episode. –Jimmy)
  • 46 mins: POV shot from tank on dome.
  • Figure ejects from model tank as it sinks. Cool.
  • Japanese earthquake of 1923 mentioned.
  • Mysterians say they don’t like war but will fight if attacked. They want peace on Earth. Weird way of doing it. America again? Want to end atomic wars. Mankind will perish in 20 years. Fearmongering? Mankind has ruled animals with science. Mysterians see humans as animals.
  • World comes together, but this is mostly a Japanese problem.
  • Japan calls for international meeting. “Japan’s trouble today will be theirs tomorrow.” Adachi somehow knows they won’t stop with the land.
  • 51:45: Shiriashi starts doubt if he chose the right side when they mention taking over eastern Japan.
  • America launches satellite from Arizona against Mysterians. (When was their first satellite?) (America’s first satellite was Explorer 1, which was launched January 31, 1958, just one month after this film was released in Japan. –Jimmy)
  • “Defense Force of the Earth.” Human unity. Many flags in background of conference scene. Japanese officer addresses UN council with plan. Translator present. Reps visible: USSR, USA, India, China, Vietnam, Thailand. Two resps from each. Three of 5 members of Security Council.
  • I love how the interpreter’s words aren’t exactly the same as the subtitles.
  • “A war has already begun. A quiet war…. There are no canons, aircraft, or tanks.” 57:15.
  • Alpha and Beta look awkward, but I don’t care. Part of the charm. VTOL tech, though.
  • Complaints about the female characters: useless damsels in distress. “Women often fainted back then” (Koichi Kawakita in his commentary).
  • Mysterians don’t use subterfuge, but they do increase their demands. Somewhat arrogant.
  • US Air Force planes seen landing. Speaks to alliance between America and Japan.
  • I love the satellite dish weapons in these movies.
  • Tsuchiya’s gestures as Mysterian Leader are great. Sharp and commanding.
  • Mysterians don’t like heat. Opposite of Kilaaks. (Let’s not talk about the disco space nuns. Okay, Marchand? –Jimmy)
  • Mysterian suits inspired Super Sentai/Power Rangers. (Maybe. –Jimmy)
  • 74:00: How did they not see him? (He means Shiraishi. –Jimmy)
  • Wanting women sounds incredibly sensationalistic, but it isn’t talked about much.
  • Mysterian science is advanced but can’t fix their genes.
  • The acting from the westerners is…underwhelming.
  • Mysterian dome does have what look like drill ends.
  • Mysterians try to negotiate saying they will retaliate is humans don’t stop (weren’t you already?). Humans tell them to leave Earth. Were the Mysterians bluffing? Afraid? They do retaliate with a massive flood.
  • I’m sure much of the stuff in these sets did anything, but they look cool.
  • Shiraishi says he was “tricked.” Was he? (Sadly, probably not. He seems quite complaisant with them. –Jimmy)
  • The tragedy of the Mysterians is a lesson to us. Don’t misuse science. Don’t repeat the tragedy! –Shiraishi
  • A second Moguera appears! For five seconds. (Still less useless than the Heisei incarnation. Extra spare parts for me to rebuild Mechani-Kong! –Jimmy)
  • Shiraishi has chance to shoot Mysterians but doesn’t. Mercy.
  • Like Godzilla, Shimura ends the film with an admonition.
  • Satellite is launched in the end to watch for Mysterians.

This is a footnote from Nathan’s grad school paper that did not make it into the episode:

Yet despite all of this involvement, Japan has not been allowed to join as a permanent member of the UNSC. Most of the opposition has come from South Korea and China, who believe Japan must still atone for the war. On the other hand, three members of the UNSC—the U.S., the UK, and France—support Japan becoming a permanent member. The U.N. at large possibly thinks that since Japan’s military is unable to contribute significantly to the safety of the world, they do not deserve a seat at the UNSC table (“Episode 6: Rodan” 00:44:20-00:45:31). Even if that were to change, China continually exerts its veto power on the council to block Japan’s admission because “[f]ar beyond the unwanted symbolism of a fully rehabilitated and ‘normal’ Japan on the UN Security Council, the very real powers that permanent membership would afford Tokyo are simply anathema to Beijing’s interests.”

Ambassador Motohide Yoshikawa, who served as the Permanent Representative of Japan to the United Nations from 2013 to 2016, argues that “there is still a strong consensus among all members that the Security Council has to be reformed.” It reflected the political reality of 1945, but it is “no longer valid” and has “become obsolete.” New emerging powers, such as those countries who were defeated in the war, should be admitted. Not only is Japan advocating for reform, but so are the other G4 countries (which also include India, Germany, and Brazil). In 2005 they made a proposal that would change the criteria for who could become permanent and non-permanent members, but it was never put to a vote. The momentum has stalled since then.

Finally, these are unused excerpts from several articles Nathan cited in the episode, which are listed with links in its show notes.

“Japan and the United Nations” – Wikipedia

  • “After the late 1950s, Japan participated actively in the social and economic activities of the UN’s various specialized agencies and other international organizations concerned with social, cultural, and economic improvement. During the 1970s, as it attained the status of an economic powerhouse, Japan was called on to play an increasingly large role in the UN. As Japan’s role and its contributions increased so did sentiment, expressed as early as 1973, that Japan should be given a permanent seat on the United Nations Security Council (UNSC) with the United States, the Soviet Union, the United KingdomFrance, and China.”
  • “As of 2005, Japan is again a strong advocate of a UNSC reform, in a joint campaign with GermanyIndia, and Brazil. All four nations strive to gain a permanent seat in the chamber. While the United Kingdom and France,[1] and the United States back Japan’s candidacy, it faces strong opposition from its two closest neighbors, China and South Korea.”

“An Argument for Japan’s Becoming Permanent Member” – MOFA

  • “Since Japan joined the United Nations in 1956, cooperation with the United Nations has been a cornerstone of its foreign policy. Japan has the world’s second largest economy, and based on this national strength, it has the capacity to assume ever greater global responsibilities through various contributions to the efforts of the United Nations and particularly the Security Council.”
  • “Japan is committed to promoting international disarmament and non-proliferation while firmly maintaining its Three Non-Nuclear Principles of not possessing, not producing and not permitting the introduction of nuclear weapons into its territory. Since 1994 Japan has submitted draft resolutions on nuclear disarmament at the UN General Assembly, which have been adopted with overwhelming support. Japan actively contributed to the success of the 2000 NPT Review Conference, and has been taking the initiative in facilitating the entry into force of the Comprehensive Nuclear Test Ban Treaty.”
  • “Moreover, Japan has been playing a leading role in disarmament of conventional arms, including small arms and landmines. It has provided substantial financial assistance for this purpose, and in 2000 established the Small Arms Fund within the United Nations.”

“Chapter 3: Japan’s Foreign Policy to Promote National and Worldwide Interests” – MOFA

  • “In addition, Japan also places great importance on strengthening its initiatives as a member of the G4 (Japan, India, Germany, and Brazil), a group that cooperates on promoting the reform of the UN Security Council. The Ministerial Meeting of the G4 Countries was held in September. During the Meeting, the countries agreed on building further momentum for the UN Security Council reform and continuing to work towards a comprehensive reform of the UN Security Council.”
  • “In addition, the Group of Friends on Security Council Reform was established in July. Comprising diverse groups such as the G4 as well as Africa, the Caribbean, the UK, France, and Northern Europe, all of which seek the reform of the UN Security Council. At the High-Level Meeting held in September, the Group members shared the recognition that the reform of the UN Security Council is an urgent issue, and affirmed their commitment to cooperate to realize a meaningful reform of the UN Security Council in an expeditious manner.”
  • “In response to the nuclear tests and the launch of ballistic missile by North Korea, as a member of the UN Security Council, Japan took a leading role in discussions at the UN Security Council, working closely with the relevant countries including the United States and the Republic of Korea. As a result, the UN Security Council Resolutions 2270 and 2321 were adopted, strengthening sanctions against North Korea, and putting greater emphasis on the importance of human rights and humanitarian issues including the abduction issue. The adoption of these resolutions demonstrated the attitude of the international community as a whole in taking decisive action against North Korea. In addition, Japan has been actively taking part in the work of the Security Council Committee pursuant to resolution 1718 and encouraging the relevant countries to fully and strictly implement the UN Security Council resolutions.”

 “Why Japan will Never Be a Permanent Meber of the UN Security Council” by Peter Harris

  • “Although the objective of permanent membership is longstanding, Abe’s diplomatic push ahead of October 2015 inevitably will be seen abroad in the same light as his other foreign policies, several of which have been criticized as hawkish by neighboring governments—not least of all the Chinese, which bitterly opposes the Japanese bid.  Far beyond the unwanted symbolism of a fully rehabilitated and “normal” Japan on the UN Security Council, the very real powers that permanent membership would afford Tokyo are simply anathema to Beijing’s interests.”

And now for the moment you have all been waiting for! The winner of the Batman Meets Godzilla T-shirt is Jim Hayes!

Congratulations!

The “Kong Quest” continues in the next episode with the infamous King Kong Lives. Nathan will be joined once again by kaiju author/scholar John LeMay (the only person we know of who genuinely likes that movie).

Our next mini-sode will cover the almost forgotten 1958 kaiju film Varan the Unbelievable.

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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Episode 7: ‘Half Human’ (Mini-Analysis)

Merry Christmas, kaiju lovers!

As part of Nathan’s continuing series on films covered in his absence on Kaijuvision Radio, this mini-sode examines Ishiro Honda’s 1955 film Half Human, which is infamous for being banned by Toho. Heck, it was stashed so far back in the Island’s film vault, it took Goji-kun and Bro Kong (the podcast mascots and possibly Godzilla and Kong’s “little” brothers) a long time to find it for Nathan to watch. Strange as it may sound, it’s serendipitous that this episode was released on Christmas Day because the film takes place partly on New Year’s Day. It follows a group of scientists and students investigating the appearance of the Abominable Snowman in the Japanese Alps, where they encounter a savage tribe who worships the Snowman. Nathan’s analysis focuses on the natives, their parallels to the Ainu (Japan’s indigenous people), and how this portrayal got the film banned. He argues that, despite possible insensitivities, Half Human is unfairly censored and deserves to be viewed by a wider audience.

All this plus our first listener feedback letters and the Monster Island Christmas party—wherein Nathan learns that kaiju can sing Christmas carols (or so his intrepid producer, Jimmy From NASA, tells him even though he hasn’t fixed the ORCA yet).

Here’s the Kaijuvision Radio episode on the film: Episode 38: Half Human (1955) (Genetic Origin of the Ainu People).

Here’s the blog with the rules for the Destroyer novella giveaway.

This episode featured “We Three Kings” by Jay Man (OurMusicBox on YouTube).

See you in 2020, listeners!

#JimmyFromNASALives

© 2019 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading

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Episode 3: The Godzilla Anime Trilogy (Mini-Analysis)

Hello, kaiju lovers!

Welcome to our first minisode! (Well, our second, according to my intrepid producer, Jimmy From NASA). This is the first of a series of episodes where I’ll be analyzing films I was unable to cover on my previous podcast. In this one, I’m discussing the divisive Godzilla Anime Trilogy. Fans either love it or hate it. Me? I like it—a lot. I debunk some of the unfair criticisms of the trilogy, but the meat of my analysis is focused on how each of the four races in the trilogy—the Humans, the Bilusaludo, the Exif, and the Houtua—each exemplify different philosophies and how most of them take their worldviews to the extreme.

There’s a lot of material here—so much that Monster Island’s Board of Directors calls to say I violated my contract! Listen as Jimmy acts as my agent to keep me from being shot into space (he deserves a bonus for practically being my agent).

Here are the podcast episodes I mentioned in the episode. I recommend listening to them—especially the Redeemed Otaku episodes—if you want to hear a review of this trilogy from me.

Read Jimmy’s Notes for corrections, riffs, and more info on this episode!

#JimmyFromNASALives

(c) 2019 Moonlighting Ninjas Media

Kaijuvision Radio Episodes

Episode 47 (1/3): Godzilla Anime Trilogy (2017-18) – General Reflections
Episode 47 (2/3): Godzilla Anime Trilogy (2017-18) – Main Discussion
Episode 47 (3/3): Godzilla Anime Trilogy (2017-18) – Bigger Than Human Existence

Redeemed Otaku Episodes

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

Bibliography/Further Reading

American Humanist Association: “Definitions of Humanism”

“Godzilla back as anime has human drama, fewer monsters” by Associated Press

Humanity +: “Philosophy”
“Max More – Transhumanism and the Singularity” (YouTube)

Internet Encyclopedia of Philosophy: “Nihilism”

“There is no sharp distinction between cult and regular religion” by Tara Isabella Burton (Aeon Magazine)

“Transhumanist Values” by Nick Bostrom

“Updated Charts: Screen Time, First Appearance, Attendance” by Joker Cluster

“What is a Cult?” by James M. Rochford

“What is Transhumanism?”

Wikipedia Articles:
Aum Shinrikyo
Clarke’s three laws
Humanism
Jonestown
Mass suicide
Transhumanism

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