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Jimmy’s Notes on Episode 39: The Drifters vs. ‘Gamera vs. Viras’

I wrote down the most notes I’ve had in a long time for episode 39, so buckle up, space cadets, you’re about to get schooled by Jimmy!

  • Nate, the “uncut 90-minute version” was how the first Japanese laserdisc was marketed, not when it was on U.S. TV. Did you forget that from my Entertaining Info Dump? Apparently.
  • There was debate over whether the actress in the film had the same hair color as my mother, but it’s a moot point now because she … died in New York. Yeah, the woman J.R. was probably the actress who played her in this film. Or someone who looked like her. Or he’s crazy.
  • Goji-kun and Bro Kong caused a lot of issues with the broadcast that were edited out of the podcast version. It was a mess. Ultra-Mite was sleeping on the job or something.
  • In Nate’s defense, I’ve gone back and forth on how to say Viras’s name, and I grew up in Japan. I guess I’m still a dirty, dirty American. I also fought the space squid. Well, I helped Gamera fight him. It’s more than most of my fellow Gamera kids did.
  • It was cut to a third, Jack, not by a third.
  • So, while Carl Craig has the spray-painted Nerf gun with a beer can on it, I have a real Virasian blaster rifle. It’s not my favorite gun, but it did burn through my target in my private little shooting range here on the Island.
  • Yes, I’m not happy about not getting invited to the Gamera Gala. And Masao is upset I wasn’t, too. But given what happened to Nate, maybe it was for the best.
  • Yeah, and here’s my Gamera badge:
  • “Relegate,” not, “regulate,” Jack.
  • Yeah, Masao won’t shut up about giving Gamera the “Friend to All Children” title. It drives our fellow Gamera kids crazy. And given that Kenny is already psychotic, that’s saying something!
  • I should also note that my father doesn’t look like the actor in this movie, either. He was a proud member of the U.S. Air Force who was stationed in Japan for a while. It was partly because of him that I enlisted.
  • Carl Craig’s father was American and his mother Japanese.
  • I have a judo merit badge and a blackbelt. Don’t cross me, J.R.! (They don’t work well when I’m drunk, though ….)
  • Masao and I didn’t get our Golden Pheasant awards for a month because we got grounded for our shenanigans. You’d think helping to save the world would nullify that, but no, my parents didn’t want me sub-jacking later in life.
  • Soichi Noguchi and I go way back. He helped me test fly the Gohten once.
  • There was a lot of crack in that MIBOD memo.
  • Death trumps cancer. And I will find out what “J.R.” stands for! Maybe it’s just “Junior.”
  • I’m looking forward to Sayonara Jupiter.
  • Marveller? I’ve yet to examine that machine. Japanese Spider-Man needs to let me keep it in my garage for a day next time.

Now for Nate’s leftover notes:

The Movie

  • Gamera can breathe fire in the vacuum of space. Sure. (Even physics bow to the new MIBOD-appointed “king of the monsters.” –Jimmy)
  • Of course the kids can operate a sub better than the adults. This is a Gamera movie! (No, it’s because Masao and I were brilliant children. –Jimmy)
  • On Twitter, Gamera offered to race Jimmy and Masao in a sub again. (And one of these days, we’ll take him up on that offer. –Jimmy)
  • “Super Catch ray.” Do they use that on Pokemon, too?
  • Gamera can somehow hear the kids in the sub and understand them. Because. (This still baffles the scientists. –Jimmy)
  • Videotron. Isn’t that a sequel to Videodrome?
  • “Making up stories”? Did you forget Gamera is real? (Just wait until the next movie ….)
  • That flying Gamera prop looks goofy. It’s the eyes.
  • Transformer mass shifting. The mind control device goes from the size of a grapefruit to the size of a VW Beetle. (I want some of this tech. It’d make it easier to hide more vehicles in my garage. –Jimmy)
  • Their computer’s “Processing” screen is a kaleidoscope.
  • Well, that guy was disarmed.
  • Getting pinned to the wall like that doesn’t look comfortable. How do they stay up when they’re off the floor and not pinned to the wall? It’s terrible because they can slip their hands out easily. And they escape easily. (Or I’d been reading a lot of books on Houdini. –Jimmy)
  • This stock footage is passed off as a different dam (Okumusashi Dam). Sadly, it still has the B&W problem.
  • Because an alien spaceship somehow works the same as an earth submarine?
  • I see Jimmy was a tech genius even back then. He figured out the Virases ship in no time. (Did you forget it’s me you’re talking about? –Jimmy)
  • Why can’t the aliens control Gamera anymore? (Because. –Jimmy)
  • Virases can combine into a giant. Because.
  • I do like how big Viras weaponizes what’s left of the ship.
  • Gamera says, “Go home and get stoned!”
  • Seriously, Gamera? Defeated by getting flipped on your back?

Intro to the film by Ragone

  • Carl Craig was born in South Carolina to Japanese mother and American military man. He spoke fluent Japanese. He served in the military himself and for U.S. security after 9-11.
  • Viras looks like a squid, but in the original script, he was called “Geso,” the Japanese word for cuttlefish. His name was chosen in a name contest held by Shonen Jump and Bokura, which had prizes, but Yuasa said these were staged.

The Commentary by Carl Craig and Jim Cirronella

  • Carl Craig got the role because his aunt lived next door to one of the producers. They wanted an American kid who spoke Japanese, and he was blonde-haired and blue-eyed and could do that. Yuasa wanted it to have an international flair.
  • It was filmed in 2.5 months. Craig’s days started at 4am. He was picked up from a base and had a tutor for school over the two-hour drive.
  • There are some scenes where Craig has a bandage on his finger because he cut his finger throwing a bottle and went to the ER. He also lost his U.S. handkerchief and was given a Japanese one.
  • This was the first Gamera movie to have stock footage. About 20 minutes. Craig hadn’t seen this footage until he and his fifth-grade class went to see it at the premiere.

LeMay

  • Masakazu Nagata, the president of Daiei, was involved with the Boy Scouts, which is why they were involved.
  • One of the aliens is Riki Hashimoto, who played Daimajin.

Galbraith

  • He says Carl Craig’s last name is “Clay.” (Seriously, why can’t anyone get his name right? I know how he feels. –Jimmy)

He got through all his Toku Topic notes, which is good.

Next week is the second of the “Year of Gamera” double-header when poor Nate has to suffer through Gamera vs. Guiron (which has the best of the MST3K episodes). He’ll be joined by Luke Jaconetti of the Earth Destruction Directive podcast and Greg Meyer, who formerly hosted the Out of the Speedforce podcast. After that Nate’s series of mini-sodes on Toho classics comes to an end with another of my favorite Toho films, Sayonara Jupiter. We’re still working out issues with guests, but it looks like to be a solo episode.  

Until then, remember: #WeShallOvercome

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Episode 39: The Drifters vs. ‘Gamera vs. Viras’ (feat. Jack ‘GMan’ Hudgens and J.R. Villers)

Hello, kaiju lovers!

In the first of a double-whammy of “Year of Gamera” episodes that continue to chip away at Nate’s sanity, today’s movie is 1968’s Gamera vs. Viras. Nate is joined by returning guest (and Jimmy From NASA nemesis) Jack “GMan” Hudgens and Jack’s friend J.R. Villers from The Drift Space podcast to discuss this outlandish but imaginative kaiju flick. It’s near and dear (haha!) to Jimmy’s heart because, believe it or not, it dramatizes an exciting chapter of his childhood. Yes, MIFV’s intrepid producer is one of the precocious “Kennys”! In order to survive, Nate makes many Star Trek references/comparisons and several puns. The discussion also includes talk about hentai (don’t ask) and how the Rocky films stole the Gamera series’ formula—and it includes Sly Stallone impersonations. The Toku Topic is the Scout Association of Japan since the Gamera kids in this—again, including Jimmy—are both Boy Scouts.

Sound effects sourced from Freesound.org.

The Drift Space on Podchaser.
The “Deferential Wrath of a Rusting Markalite Cannon” Substack.

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; and Damon Noyes! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

This episode is approved by the Monster Island Board of Directors.

Timestamps:
Intro: 0:00-7:54
Entertaining Info Dump: 7:54-16:06
Toku Talk: 16:06-59:21
Ad: 59:21-59:59
Toku Topic: 59:59-1:22:52
Listener Feedback, Housekeeping, & Outro: 1:22:52-end

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© 2021 Moonlighting Ninjas Media

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Jimmy’s Notes on ‘Episode 19: Gorath (feat. Jack GMan Hudgens)

I still can’t believe that I don’t remember meeting GMan at the Monsterland Tavern when he visited. I’m starting to think the barkeep mixed some Faro Island red berry juice into my Jack Daniels. I especially would’ve remembered the emergency evacuation switch only launching the walls and ceiling and not the whole building. That was a fun recovery mission. The damn thing flew all the way back to the Japanese mainland and landed on a beach. Thankfully, it was closed due to COVID-19, so no one got hurt.

Regardless, I have my notes to get into for episode 19 on Gorath:

  • Yes, Ryo Ikedbe died in 2010.
  • It’s “Kimura” not “Kimaira,” Jack.
  • Near as I can tell, it was Honda who decided to change Moguera into a robot in The Mysterians.
  • You said “Kimura” when you meant “Shimura,” Nathan. But considering how similar their names are—Takashi Shimura vs. Takeshi Kimura—that’s understandable.
  • Confirm with Danny that “Maguma” wasn’t in Ultra Q originally.
  • Yes. I like Godzilla vs. SpaceGodzilla. Fight me!

Now for Nathan’s leftover notes, which I must include to fulfill my contractual obligations:

  • Starts with two women stripping to go swimming before being interrupted by rocket launch. I don’t remember if we see them again.
  • Gorath is a rogue star with 6,000 Earth’s mass but is ¾ the size. Very dense. For perspective, the Sun has 330,000 times Earth’s mass and is 109 times the diameter. (You’ve made this NASA engineer happy. –Jimmy)
  • Explore Gorath like Columbus, huh? (Before or after his statue is torn down? –Jimmy)
  • Does gravity increase exactly in relation to mass? (Indeed, it does. Read about it here. –Jimmy)
  • Jun Tazaki is the captain of the JX-1. He says he’d tell his men if they were going to die to reassure them—then tells them they can’t escape a few minutes later. (Reminds me of my first training mission. It was a lot like the Kobayashi Maru. –Jimmy)
  • Would it be in poor taste for them to yell, “Banzai!” just before dying? (Not in Japan. But that might be why it was cut in the U.S. release. –Jimmy)
  • The zero G scene is pretty good.
  • A light, even comical scene in a Kimura script?! What?! For some reason, I feel like it belongs in M*A*S*H*. No subtitles for the song for some reason. It’s a singing joyride. Yet more evidence that Honda secretly wanted to direct a musical. Composed by Kan Ishi.
  • Over 11.8 billion yen invested in JX-1. (Chump change compared to the Gohten! –Jimmy)
  • Other ships are being built in other countries, but they say Japan’s ship is putting them to shame. Nationalistic? (Nope. Patriotic. –Jimmy)
  • Hey, it’s Dr. Who in the bar! (Let’s hope not. I’m not giving him his “Robot Kong” back! –Jimmy)
  • The wide shot of the ship fleet looks like models on a board.
  • The music during the construction scene almost sounds like Ifukube. The models look cool, though.
  • They have a 13th floor! (Good thing I’m not superstitious. –Jimmy)
  • The power core looks like the TNG warp core! (I know, right! –Jimmy)
  • The evacuation scene actually reminded me of G2014.
  • UN Gorath Countermeasures Center. They have a lot of countermeasures centers in the Heisei era.
  • They send Shimura to South Pole but won’t tell him why. Probably because Maguma looks stupid.
  • The composite shot with Maguma looks good.
  • I thought Tsuburaya didn’t want blood in his film? Maguma’s death is gory.
  • And staring at Gorath on a TV screen cures amnesia. Huh? (Yeah, I got nothing on this. –Jimmy)
  • They celebrate saving Earth at the end despite the fact it only cost the Moon and billions in damages. (Still better than being dead. –Jimmy)
  • Science and scientists are credited with saving the world. Another thematic statement.
  • They do at least talk about putting the Earth back in its orbit. (Which is good, because, well, I haven’t the time to list all the dire consequences of moving it. –Jimmy)

LeMay

  • Maguma was to come back for DAM but didn’t.
  • Kenji Sahara had a broken leg during production, but Honda insisted he be in the film.
  • Had more time and money given to it than other tokusatsu films.

Galbraith IV

  • Former military pilot turned sci-fi author Jojiro Okami’s story was the inspiration for this. As was Battle in Outer Space, The Mysterians, and Dogora.

Honda Biography

  • Released just six months after the USSR launched the first man in space, Yuri Gagarin. Embodies Honda’s twin ideals of international cooperation and science above politics.
  • It was made at the height of the space race. It borrows the plot of When Worlds Collide by Gorge Pal. Honda shows science being pursued ethically and positively, unlike in his previous sci-fi films.
  • Endo possibly takes a shot at Pal’s film: “Mankind [used to be] separated into white, black, and yellow races before the United Nations. Trust, honor, and cooperation were qualities that brought us together.”
  • “The common folk cannot be at the forefront of big problems, but there are so many of them…so, those scenes create depth for the story. These are the types of people that I want in my films. This is the very foundation of my films.” –Honda
  • There’s no panic because Honda thought that wouldn’t seem real.
  • Honda regretted letting the walrus Magma be added to the film. “That was definitely the human weakness of Ishiro Honda. That idea came from above. They make more profit with monsters [in the movie]. I think that left a scar on the film.” It was originally scripted as a “dinosaur-like creature,” but Honda didn’t want to remind audiences of Godzilla.
  • Ryfle and Godizewski argue that the controversial US-Japan alliance casts a shadow on the film. The “futuristic” 1980s Japan looks like post-Occupation Japan of 1961. Japan and America are above reproach, while fictional nations like Crenion and the USSO offer mild dissent before acquiescing. Japanese scientists are more advanced.

“Intergalactic star” (Wikipedia) (These are excerpts from that article. –Jimmy)

  • “Another hypothesis, that is not mutually exclusive to the galactic collisions hypothesis, is that intergalactic stars were ejected from their galaxy of origin by a close encounter with the supermassive black hole in the galaxy center, should there be one. In such a scenario, it is likely that the intergalactic star(s) was originally part of a multiple star system where the other stars were pulled into the supermassive black hole and the soon-to-be intergalactic star was accelerated and ejected away at very high speeds. Such an event could theoretically accelerate a star to such high speeds that it becomes a hypervelocity star, thereby escaping the gravitational well of the entire galaxy.[6] In this respect, model calculations (from 1988) predicts the supermassive black hole in the center of our Milky Way galaxy to expel one star every 100,000 years on average.[7]”

 “Star unlike any found in the Milky Way appears to be an intergalactic intruder” by Michael Irving (Again, these are excerpts from the article. –Jimmy)

  • “Astronomers have discovered a star in the Milky Way that doesn’t belong. Officially known as J1124+4535, the star has a chemical composition unlike any others ever observed in our home galaxy, suggesting it’s an intergalactic interloper that may have come from a dwarf galaxy that was swallowed up by the Milky Way.”
  • “Through LAMOST observations and a follow-up using the Subaru Telescope in Japan, J1124 was found to have a relatively low amount of magnesium and high levels of europium. This particular chemical composition so far seems to be unique to this star, compared to the rest of the Milky Way.”
  • “This kind of galactic merger happens all the time. The aftermaths of collisions between the Milky Way and smaller galaxies are visible all around us, and many more are predicted in the future – culminating in a spectacular merger between the Milky Way and Andromeda in about four billion years’ time.”
  • “J1124+4535 isn’t the first intergalactic star to be discovered in our neck of the woods. Stars traveling at hypervelocity speeds have been found to be hurtling towards the Milky Way from other galaxies, with the Large Magellanic Cloud, a dwarf galaxy that orbits our own, the most likely point of origin.”

“Lost in Space: Half of All Stars Are Rogues Between Galaxies” by Charles Q. Choi (Once again, these are excerpts from the article. –Jimmy)

  • “As many as half of all stars in the universe lie in the vast gulfs of space between galaxies, an unexpected discovery made in a new study using NASA rockets. These stars could help solve mysteries regarding missing light and particles that theory had suggested should exist, scientists say.”
  • “In the study, astronomers investigated the extragalactic background light, the sum of all light emitted by stars in the universe throughout history. Prior research had detected fluctuations in this light that did not appear to come from any known galaxies. Scientists had suggested these fluctuations might come from primordial galaxies, the very earliest galaxies, whose light has yet to be detected.”
  • “Instead, this finding of bright, blue light unexpectedly reveals these fluctuations may come from something called ‘intrahalo light,’ which is created by stars flung into intergalactic space during titanic collisions and mergers of galaxies. The researchers found that there was as much light from these intergalactic stars as there was from stars located in galaxies.”

“HUBBLE FINDS INTERGALACTIC STARS” (For the last time, these are excerpts from the article. –Jimmy)

  • “NASA’s Hubble Space Telescope has found a long sought population of ‘stellar outcasts’ – stars tossed out of their home galaxy into the dark emptiness of intergalactic space. This is the first time stars have been found more than 300,000 light-years (three Milky Way diameters) from the nearest big galaxy.”
  • “The isolated stars dwell in the Virgo cluster of galaxies, about 60 million light-years away. The results suggest this population of ‘lone stars’ (Haha! –Jimmy) accounts for 10 percent of the Virgo cluster’s mass, or 1 trillion Sun-like stars adrift among the 2,500 galaxies in Virgo.”
  • “Intergalactic stars have been predicted to exist as a result of galaxy interactions and mergers early in a galaxy cluster’s history. These close encounters should have ripped stars out of their home galaxies and tossed them into intergalactic space, where they drift free of the gravitational influence of any single galaxy.”
  • “The stars are bright red giants – stars late in their lives. Presumably there are many fainter stars – perhaps as many as 10 million – in the same field but are below Hubble’s sensitivity.”

I wish they’d spent more time discussing rogue stars, but we were pressed for time thanks to our contracts. Jack understood that. Perhaps in the future MIFV could do “redux” episodes as Nathan as suggested once or twice. Then I could go nuts researching rogue stars (again)!

In the meantime, our resident “Mothrian” Bex from Redeemed Otaku returned to finish up the “Summer of Mothra,” which you’ll hear next week. Let’s just say things got…Star Trek-ian. Then Nathan does a mini-analysis of Matango as the second episode in July.

Be there or be square!

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#WeShallOvercome

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Episode 19: ‘Gorath’ (feat. Jack “GMan” Hudgens)

Hello, kaiju lovers!

Before Armageddon, before Star Trek: The Motion Picture, there was Gorath. Nathan is joined by the most loved and hated film critic in the kaiju community, Jack “GMan” Hudgens, to discuss this Toho classic that has been described as the lovechild of Mothra (1961) and The Last War. While it isn’t the most exciting film, Nathan and GMan explore how its theme of unity is a timeless message, and one that people need to hear now more than ever. Along the way, they compare this to Star Trek and H.P. Lovecraft stories and discuss how Maguma the giant walrus has done nothing but get shoehorned into stories he didn’t need to be in. Also, GMan gets into a bar fight with Jimmy From NASA. Yep.

This is meant to supplement this episode of Kaijuvision Radio: Episode 44: Gorath (1962) (Near Earth Objects/Science of Gorath).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13 and Joejira! Thanks for your support! (Forgive me for forgetting to say this on the air! I’ll make it up to you next time!)

You, too, can support us on Patreon!

Follow GMan on Twitter. Check out The Drift Space.

Read Jimmy’s Notes on this episode.

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