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Tag: Dr. Malik

Jimmy’s Notes on ‘Episode 30: Latitude Zero (Mini-Analysis)’

So…this episode. There’s much I want to say…but I’m not at liberty to do so. There were some…top secret items discussed off the air. Very top secret. That’s all I can say for the moment. Our meeting with Ms. Perkins was quite informative. Eye-opening, even. She made Nathan, er, Nate and me privy to some information that will change how we do the show, and we only announced a little bit of it. Let’s just say next season we’ll be helping you all find a better way forward.

As for my notes, I don’t have many bullet points of my own this time around. Mostly, I’m just going to comment on some things that were said.

I was wrong about the Godzilla vs. Kong premiere. That’s not easy to admit. As the “intrepid” producer of MIFV, it’s my responsibility to fact check Nate, but I should’ve fact checked myself. I got caught up in the excitement of a world premiere on the Island six months before its scheduled release (which would’ve been even better given Warner Bros.’s controversial decision to send it to theaters and HBO Max on the same day). Nate had every right to say, “I don’t you so.”

I am happy to report that there will still be a premiere here on Monster Island in May, barring any other unforeseen shenanigans. (Latitude Zero’s COVID-19 vaccine can’t get distributed fast enough).

By the way, if you’re interested in learning more about the Latitude Zero Resort in Indonesia (not that I’d endorse anyone who might be competition for the Island), here’s their website.

And now for Nate’s leftover notes from the film…which is most of them since he focused on utopias.

Latitude Zero notes:

  • I watched the “original Japanese version” for this episode. Dubious because this was made for the US market and filmed in English. I watched the US version before. (Good thing I picked up some Japanese when my family lived in Japan for a few years. I’ll tell you more about that when we get to a certain Gamera film. –Jimmy)
  • Of course the largest ocean liner is named Fuji. (If it was an American ship, it’d be the Denali. Hmm. Not as cool-sounding, I guess. –Jimmy)
  • Nick Hayden joked (in episode 28) that Dr. Elson would smoke in sub, and Masson tries to here!
  • “20 fathoms”? Try 20,000! (It’s like Scotty on Star Trek: always multiplying his estimates by a thousand. –Jimmy)
  • Did Takarada dub himself back into Japanese? It’d be weird if he didn’t. (That seems likely since Wikizilla only lists dub actors for the American cast members. –Jimmy)
  • This explosion at the beginning looks amazing! Probably done using classic technique or pouring colored liquids into water and flipping the film and superimposing it.
  • This is much like The Green Slime in that it feels more like an American production that just happened to be made by Japanese people.
  • Dr. Ann Barton looks like she came straight off the set of Star Trek. Only there could a lady scientist have a backless top, miniskirt, and go-go boots. One guy even says she doesn’t “look” like a doctor. “What’s a doctor supposed to look like?” (I’m not complaining. –Jimmy)
  • The plaque says, “The Alpha. Launched June 21, 1805. Stornaway Harbour, Hebrides.” Scotland.
  • “Frank speed?” Sounds like a comic book character.
  • Ah, Dr. Malik. Played the unconquerable Caesar Romero. He’s one of the few true supervillains in Toho’s Showa films. Could he be a Sentai villain? Home base. Minions. A general. Makes monsters. Super vehicles. Blood Rock on an island. “Malik” means murderer (probably derived from “malice.”) (I wonder if he invested in the Island? –Jimmy)
  • This submarine chase looks pretty good. I wish could say the same for all the effects that follow. This feels like a Star Trek battle, complete with shaking camera. McKenzie eludes the Black Shark using superior and clever tactics.
  • You know, I could almost see this being an episode of Star Trek with some tweaks. (Me too. –Jimmy)
  • 11,000 fathoms? 9,000 more and you’ll find THE BEAST! (THE BEAST! THE BEAST!FROM 20,000 FATHOM! I couldn’t resist.  –Jimmy)
  • Great matte paintings. Reminds me of an episode of TNG set on idyllic planet where the only penalty is death. (I remember that for other reasons. –Jimmy)
  • Gold is harvested from seawater (okay…) and used for clothing because it’s cheap and plentiful. Diamonds are only used as cutting tools.
  • Lawton says there’s no moon or stars there, so you can’t have everything. He says everyone Mackenzie mentioned was there supposedly died. Tashiro even jokes that it might be Heaven (Paradise). Lawton theorizes McKenzie kidnapped those people and brainwashed them. Or drugs that induced hallucinations.
  • Those models on the map are props in the special effects department (Leave the riffing to me, Nate. –Jimmy)
  • Dr. Odaka has made a serum that immunizes against radiation and naturally everyone wants it. (Yeah, that’s one they should’ve shared with the world. –Jimmy)
  • Oh, the “Bat Men.” Do they fight Kamen Rider later? Nakajima is one of them. They don’t look great.
  • All the Asian people are subservient to the foreigners. Cleat mark of American story.
  • Caesar Romero’s scenes veer closer to Batman ’66.
  • They’re bathing in Ecto-Cooler (in the Bath of Immunity).
  • What if the bath didn’t work and you shot them? (Sounds like a debate question. –Jimmy)
  • That lion looks horribly fake. (You look horribly fake! 😛 –Jimmy)
  • Malic is a fiend! He didn’t anesthetize the lion. He just stabbed it in the head. (He must’ve been a dentist before he was a mad scientist. –Jimmy)
  • Does he have explosives planted everywhere on the island just in case of intruders? (I think the Board did the same thing on Monster Island because Malik did it first. Be careful on your next nature walk. –Jimmy)
  • The ROUS! You can see the zipper on them.
  • What’s attacking them? Tiny seagulls?
  • “FINGER LASERS!” (No one else gets that reference, Nate. –Jimmy)
  • The disintegration effects are really good. And kinda freaky.
  • Jimmy loves the Alpha. It’s Atragon II. Or the forerunner to the Gohten. (All true. –Jimmy)
  • Apparently, the Black Shark can’t fly. Malik must be jealous.
  • In the end, none of Lawton’s photos turn out and the bag of diamonds is dirt. The Capt. McKenzie on the boat says he comes from a long line. There’s also an officer who looks like Dr. Tashiro. There’s also a Lt., Hastings who looks like Malik. However, the New York bank did get the diamonds to hold for safekeeping until McKenzie arrived. (Talk about confusing! No wonder Nate doesn’t think LZ exists! –Jimmy)

Next week for our season finale, the guys from “Giant Monster BS” are joining us to discuss Space Amoeba (aka Yog, Monster from Space). I know how they are, so I’m having Jet Jaguar in the producer booth with me to act as my dump button. Also, Nate recorded a two-part bonus episode with Chris Cooke from “One Cross Radio” on the finale of Power Rangers In Space. It was mandated by Ms. Perkins, for some reason. Part one will be on Chris’s show and part two will be in the MIFV feeds. Then in January we start “The Year of Gamera.” Exciting (and hopefully less “interesting”) times are ahead!

Follow me on Twitter: @NasaJimmy

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Episode 30: ‘Latitude Zero’ (Mini-Analysis)

Hello, kaiju lovers!

This week’s episode is a “traditional” mini-analysis of Latitude Zero, an almost obscure 1969 Toho science fiction film directed by Ishiro Honda, who probably had to take a dip in the “Bath of Immunity” to endure the stress of making it. To say it was harrowing would be an understatement. This strange American/Japanese co-production has a troubled history full of clashing sensibilities and creative differences (which you can hear more about in MIFV episode six). However, the main topic of the episode is the concept of utopia because Latitude Zero seems to be a rare example in fiction of a successful one. Spoiler warning: Nathan doesn’t buy it. 

Afterward, Nathan and Jimmy are visited by the Monster Island Board of Directors’ executive assistant, Ms. Perkins, who is the Island’s head of PR. She wanted to discuss recent “fake news” being spread by Jimmy From NASA and also announce the Board’s decision on Nathan’s proposals for season two of MIFV. All this plus listener feedback! 

This episode features Celeste Mora as Ms. Perkins (Twitter: @VOCelesteMora).

The song heard in the episode is “Opening the Way” by Pablo Coma, which is a remix from the video game Shadow of the Colossus. It is from the OCRemix album, BadAss Boss Themes: Volume III.

The episode thumbnail was created by Michael Hamilton.

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio), and Bex from Redeemed Otaku! Thanks for your support!

You, too, can support us on Patreon and get this and other perks starting at only $3 a month!

This episode is approved by the Monster Island Board of Directors.

Read Jimmy’s Notes on this episode.

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© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

  • “The Ambiguous Necessity of Utopia: Post-Colonial Literatures and the Persistence of Hope” by Bill Ashcroft (Social Alternatives, Vol. 28 No.3, 2009)
  • The Big Book of Japanese Giant Monster Movies Volume 1: 1954-1982 by John LeMay
  • The Big Book of Japanese Giant Monster Movies: The Lost Films (Mutated Edition) by John LeMay
  • “Dystopia: Who Needs It?” by Adrian Mourby (History Today; Dec 2003; 53, 12; ProQuest Research Library, pg. 16)
  • Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godzisewski
  • Japanese Science Fiction, Fantasy and Horror Films: A Critical Analysis and Filmography of 103 Features Released in the United States 1950-1992 by Stuart Galbraith IV
  • Kaijuvision Radio – Episode 52: Latitude Zero (1969) (The South China Sea Disputes)
  • Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda by Peter H. Brothers
  • “News from Somewhere: Enhanced Sociability and the Composite Definition of Utopia and Dystopia” by Gregory Claeys (The Journal of the Historical Association)
  • “Pragmatism, Utopia and Anti-Utopia” by Ruth Levitas (Critical Horizons: A Journal of Philosophy and Social Theory 9.1, May 2008, 42–59)
  • “The problem with utopia” by Michael Shermer (This Week and Aeon)
  • Utopia by Thomas More
  • “Utopia isn’t just idealistic fantasy – it inspires people to change the world” by Heather Alberro (The Conversation)
  • “Utopian Fiction as Moral Philosophy; Imagination and Critique” by Roger J. H. King (Utopian Studies, No. 3 (1991), pp. 72-78)
  • Writing Giant Monsters by John LeMay
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