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Jimmy’s Notes on Episode 88: ‘Attack of the Crab Monsters’ & ‘Island Claws’ (Ft. Damon Noyes)

I’m writing this the week of the release of Godzilla x Kong: The New Empire. Nate is focused on prepping for that and not following up on episode 88, even though it’s an episode of firsts. But I guess two old-school giant crab movies (Attack of the Crab Monsters and Island Claws) just can’t compete with the reunion of cinema’s most iconic kaiju. As I wrote that, I realized why he’s fixated on it. Regardless, he, Kaguya, and I will see the movie together in Seoul. In a rare show of kindness, the Board is even paying for it. They said it’d be “good for business.” I just hope Nate isn’t a cranky “third wheel.” Anyway, here are my crabby notes (ba-dum-tsh!).

  • We have gotten good at wrangling kaiju, Nate. We might want to consider either getting new jobs on the Island or doing it as a side hustle. With my tech and your…uh…your…gaming skills, we’d be unstoppable! Or we can leave it to H.E.A.T. and the EDF Mutants. Yeah, let’s do that.
  • Yes, technically the version of Little Shop of Horrors we covered isn’t a Corman flick. It’s based on his work, but he wasn’t involved in it. But it might be the best thing he ever “did.” 😛
  • Now you like my new mic?
  • B-movie inception?! The world isn’t ready for that! (Even though Nate, Jessica, and I have done that several times for movie night).
  • I don’t know what Nate is smoking, but I looked at Charles Griffith’s credits, and there’s nothing in it that we’re planning later this season—or at all. Unless he confused Forbidden Island with Mysterious Island.
  • I always liked scientists in swimsuits. It was favorite calendar. Miss, er, Doctor July was…well, I can’t say because we have to keep it PG around here.
  • Only Nate would overthink talking crabs.
  • “Crab in a bag” was my favorite childhood prank. When the school bully stole your lunch, he’d get quite the pinch trying to eat my crab meat.
  • Sociopathic Crabs was a great ‘90s metal band. I think their second album was called Carcinisation.
  • “Human eyes.” Wow…that one hurt.
  • I facepalmed at “genderfluid crabs.” We’re going to get letters.
  • I fought ninja crabs once. I don’t want to talk about it.
  • I added the battleship sound in post. You’re welcome, Michael. 😛
  • Radiation is a plot device, not a macguffin, Damon.
  • Groggier than me? There are reasons I packed plenty of coffee for this trip. Have you tried to keep up with Nate? He needs decaf—and he doesn’t even drink coffee!
  • I assure you, Crazy Bernice didn’t save me during the War in Space, as good of a story as that’d be.
  • Yes, sometimes science and I don’t get along. We constantly smack each other around. I violate its laws of physics, and then it kicks me in the butt with them. It’s a love-hate relationship.
  • Ebirah isn’t a crab, Nate! Damon said that, so why do I have to remind you?

Join MIFV MAX on Patreon to see Nate’s research notes.

Next week (again, good grief!), Daniel DiManna joins us for a bonus episode on another SRS Cinema release: Space Monster Wangmagwi. I still refuse to bow to Spider. Then “Kong Quest” (ba-dum-tsh!) crosses over with Godzilla Redux with the latest MonsterVerse entry, Godzilla x Kong: The New Empire. Our next regular episodes, as Nate mentioned, will be Reptilian (The Monster Island World Tour) and All Monsters Attack (aka Godzilla’s Revenge) for Godzilla Redux.

Until next time, remember…we shall overcome!

Social media:

•           Follow me on Twitter: @NasaJimmy

•           Follow (the now defeated) MIBOD on Twitter: @MonsterIslaBOD

•           Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam

•           Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

•           Follow Dr. Dourif on Twitter: @DrDorif

#JimmyFromNASALives      #WeShallOvercome                #MonsterIslandFilmVault

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Jimmy’s Notes on Episode 85 – Godzilla: The Series | ‘Monster Wars’ | Ft. The Cel Cast | Godzilla Redux

In case anyone is wondering: Kaguya and I are fine. I know there are rumors going around that we broke up or were on the rocks. We’ve talked things over. It took a while to help her understand some things about how human “cultural frameworks,” as she calls them, work, but she seems to get it now…sorta. Am I still in the doghouse? Yeah. I’m giving her a bit of space. But I have to say, to paraphrase Jack Driscoll, “I think I…” Ahem! Anyway, let’s get into my notes on Episode 85 (Godzilla: The Series – “Monster Wars”), which featured the return of the “cartoon guys,” Drew Dodgen and Jacob Heron, from The Cel Cast.

  • The air conditioning will get fixed…eventually. This walking cobbled-together junk pile has far more pressing issues to fix…like the CD player.
  • As cute as D33-D117 (Deedlit?) is for an AI…Kaguya would kill me! She almost did after we recaptured Utam Goliathon!
  • MIFV’s previous Godzilla: The Series coverage was Episode 45 (“New Family” and “Deadloch”) and Bonus Episode 11 (“The Cameron Winter Trilogy”).
  • I think Drew was referring to Winter’s episodes of the show being before “Monster Wars.” He’s correct…about one. Winter’s first episode was episode five while “Monster Wars” was episodes 15-17.
  • The Martians didn’t know Earth’s bacteria was fatal to them…or was it a bio-weapon? That’s what Alan Moore would want you to believe. I know how much you love that, Nate. 😛
  • These aliens never win beauty pageants and hate being compared to the Harkonnens. Trust me, I’ve run into a few of them.
  • I asked the scientists if Zilla Jr. purrs. They looked at me like I was a weirdo. I am, but still, that was rude.
  • Wingnut?! #DeepCut
  • “Draczilla” That’s a terrifying concept. I’ll tell the Board to ban anyone from Transylvania from visiting the Island.
  • I fought Frussians once. I don’t want to talk about it.
  • Lies! You’ve kink-shamed me!
  • “Play it again, Sam,” is a misquoted line, as Nate explained. While it’s associated with Humphrey Bogart, something like it, “Play it, Sam,” was actually said by Ingrid Bergman.
  • Inspirational temporal displacement? That’s an oxymoron if I ever heard one. And yet another reason I hate time travel.
  • Paris has been attacked by kaiju, but only in Godzilla stories. Specifically, Destroy All Monsters, this three-parter, Godzilla: Final Wars, Godzilla Unleashed: Final Smash, and Godzilla: Rulers of Earth. (Fun fact: there’s a Kaiju No. 8 mural in Paris).
  • Admittedly, I didn’t have much time to search for kaiju attacks on Washington, D.C. (and my internet searches kept bringing up very different sorts of attacks), but much to Nate’s chagrin, the one I did find is an Asylum movie:
  • I might have something to do with the shield D33-D117 found around D.C.…I don’t want to talk about it.
  • You’d be surprised how many trailer park aliens there are in the galaxy. Poverty is universal.
  • We don’t talk about mushrooms on MIFV. For very good reasons.
  • Popcorn ball, Nate, not cornball.
  • Occam’s razor > technobabble. So, I’m with Monique in this case.
  • It’s always too soon for Firefly.
  • I think I met Queen Bleep once. I don’t want to talk about it.
  • “Nilla”? As funny as that is, Dr. Tatopoulos won’t approve that name.
  • The years for crab movies are correct, Nate.
  • It’s not often I’m left speechless about crabs. (Although, I’m thinking of a different type of crabs…).

Join MIFV MAX on Patreon to read Nate’s full research notes!

We’re going to be busy in March at MIFV. We have another impromptu episode (hopefully), which will go over the just-released The Whale God, a semi-obscure Daiei film, with Daniel DiManna and Elijah Thomas. Then we get back to the World Tour with our first South Korean film, Yongary, Monster from the Deep (1967) with special guest Neil Riebe. We punctuate the month with season four’s first Patreon-sponsored episode courtesy of executive producer Damon Noyes, which will be our first double feature: Attack of the Crab Monsters and Island Claws. From our first Roger Corman flick to an almost-unknown pseudo-remake.

Until next time, remember…we shall overcome!

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#JimmyFromNASALives      #WeShallOvercome                #MonsterIslandFilmVault

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Jimmy’s Notes on Episode 83: ‘Son of Godzilla’ | Ft. Neil Riebe

Two episodes in, and I’m already annoyed with my new mic. I spent too much money to replace it, and unfortunately, the eBay seller I bought it from doesn’t do returns beyond 30 days. Plus, I purchased it just before I was wrongfully imprisoned. Oh well. Kaguya doesn’t think I sound as “sexy” on it (she’s still learning what that means). Given that we’re on the road in Hong Kong and I’m the only one with the technical knowledge and skills to maintain my “patchwork mecha,” as Nate calls it, I’m too busy to do anything about it.

But I do have time to share my notes on episode 83, the “Godzilla Redux” on Son of Godzilla with Neil Riebe.

  • I just can’t win with my mics (as I explained above).
  • I’ve avoided a colonoscopy for years. I keep telling doctors they won’t find anything up there. I doubt I brought anything back with me from Venus…I think.
  • “This Island Indiana”? Wasn’t that a mockbuster made by the Asylum about 65 years too late?
  • I love the A-Team! It was my favorite show back when I was moonlighting as a substitute Blue Bioman! I may have even modeled my gunplay after the show…which explains why my marksmanship was terrible.
  • King Kong Escapes was episode six.
  • Plural of Kamacuras is…Kamacuri, according to Dr. Hermann Gottlieb.
  • I’ll submit Neil’s theory about the glacier and Solgel and Skull Islands to the Monster Island scientists. He might get a Nobel Prize in Kaijuology.
  • I’ll also submit Nate’s “Rip Van Minya” theory to them. He probably won’t get a Nobel Prize…because Minya.
  • Nate is basic. Who knew?
  • “Momzilla”? “Dad bod”? I’m confused. But so are the people who think Godzilla is female.
  • And the Japanese think Americans made Godzilla fat…have you seen the suit in this?!
  • Jar Jar?! WHY DID YOU SAY THAT NAME?!
  • This is the episode of crazy fan theories! I should’ve offered one. Hmm…Oh! Minya is the Antichrist. (Well, that’s what some fans think…).
  • I’d have preferred Kumi Mizuno in this, obviously. I mean, have you seen my girlfriend? Hubba-hubba!
  • “Height” not “heighth,” Neil!
  • Psycho released in 1960, seven years before this, Nate! Do your research!
  • Come on, Marchand, have you seen Brooke Shields in The Blue Lagoon? (Just don’t tell Kaguya I said that).
  • Kazue Kiba gets second billing as a screenwriter in the credits.
  • Danny already made the Tofu Fury Jaeger joke last episode. I still like Neil’s idea that it should be ¾ the size and two-times the firepower, though. I’ll get on that once we return to the Island.

Check MIFV MAX on Patreon to read Nate’s leftover research notes!

Our next episode is actually an impromptu bonus episode sponsored by Matt Walsh (no, not that Matt Walsh). Since he’s a madman who jumped to the $100 joke Patreon tier called “Jimmy’s Intern,” I have the day off for that recording. Nate should be able to manage…maybe. Kaguya and I will go sightseeing in Hong Kong. Then we get back to the World Tour in episode 84 with Shaw Bros.’s infamous Kongsploitation movie, Mighty Peking Man (aka Goliathon). There’s a huge ape-man in it? I only remember a hot blonde. (Again, don’t tell Kaguya I said that). My former nemesis John LeMay joins us for that. Then we get back to “Godzilla Redux” in episode 85…but not with Destroy All Monsters (because reasons). No, it’s Godzilla: The Series – “Monster Wars” with The Cel Cast.

Until next time, remember…we shall overcome!

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Jimmy’s Notes on Episode 57: ‘Rodan’ | Godzilla Redux | Feat. Kaiju Kim

There I was sitting in my producer booth like it was any other broadcast (Episode 57). Nate and Kaiju Kim were having a great conversation about Rodan (1956). The ratings for the listeners here on the Island were the highest I’ve seen since episode 37. I don’t know if that was because of Rodan or Kim. Then this crazy fangirl has the audacity to cancel me! Too bad for her I’ve survived worse—i.e. death in the War in Space. Now, in response, here are my notes on their broadcast:

  • No, Nate, insect nymphs are on land while the young in water are called naiads.
  • Near as I can tell, Kim is right: there is no explanation for second Rodan in the dub.
  • After doing some digging, it looks like it wasn’t “Radon” but “Radion” soap in Britain—or rather, laundry powder. Apparently the brand died in 2000 and resurrected about a decade ago.
  • Rodan Puffs sound delicious.
  • Nate going into a research rabbit hole gives me some much-needed peace and quiet in my garage. That’s where I decompress.
  • We actually got a letter from Kyoei Toshi about the “mistranslations” of the names, so I’ll let that be shared on listener feedback.
  • “Bystanders,” Nate, not “bystandards.”
  • This was the best explanation for “creeping floor” that I could find.
  • That is really what Meganulon taste like, and it’s usually best with Frank’s Hot Sauce (but so is everything).
  • I don’t have a face for YouTube? You barely have a face for radio, Nate! Kim, you’re missing out!

Now as per contractual obligations, er, tradition, here are Nate’s leftover notes with my annotations:

THE FILM

  • There’s talk of global warming, and this is a 1956 film. This was a relatively new concept at the time, so it’s interesting to see it discussed by characters in a Japanese film. There’s even a denier in the film. (As someone who’s been to Venus, Earth isn’t nearly as warm as we think it is. –Jimmy)
  • Some won’t see this a “feminist” film. I wouldn’t call it misogynistic, either, though. The female characters are all homemakers who are constantly concerned about their boyfriends/husbands and often crying, both of which may be seen as weaknesses.
  • It almost seems like, at first, the major threat will be the Meganulon. Could they have carried the film on their own? Maybe, maybe not. (That movie would be over in five minutes if I was in it. –Jimmy)
  • There’s a lot going on in this film! Meganulon, Rodan, second Rodan, amnesia, the “murders,” an earthquake, etc.
  • Rodan is confused for a flying saucer and a foreign plane. The former is an interesting foreshadowing of the alien invasion Godzilla films to come, although Rodan most certainly isn’t a disc. Did they mean UFO? It was probably them using a then-common trope in science fiction films or a sign of the increasing interest in such things. The foreign plane is interesting. I wonder they meant Chinese or Russian or the like. The presence of a foreign plane—particularly from an unfriendly country—was and is a big concern. (The stories I could tell you about Chinese and Russian UFOs. The intrigue! The horror! … I don’t want to talk about it. –Jimmy)
  • Rodan can fly at the absurd speed of mach 1.5. Kaiju film fantasy (or pseudo-science). He sounds like a jet plane in flight.
  • Lucky for them, the partial photo of Rodan fits the children’s pteranodon picture perfectly. 😛 (The scientists have copies of all of those books in their lab here on the Island. –Jimmy)
  • The birds are bit symbolic of the couple: youthful and on the verge of procreating.
  • There are so many characters, it’s often difficult to keep track of everything. Shigeru and Kiyo, I assume, are intended to be the main characters because they get the most screen time, but that’s not by much. Even then, their scenes are sporadic enough that I couldn’t quite latch onto them (or anyone else, for that matter). UPDATE: This is an ensemble piece. Very Japanese that way.
  • The amnesia seems like a plot device. It kinda comes out of left field and only serves to the characters in the dark about Rodan. In other words, it didn’t feel quite natural, almost like it was an addition to the story. Given that this script had three screenwriters, I wouldn’t be surprised. (Nate tells me he’s softened on this idea since making these notes. –Jimmy)
  • Rodan is theorized to have a nuclear origin like Godzilla, although it’s simply a fact as opposed to being thematic and/or allegorical. This makes the film more western, in some ways.
  • Did the egg shell magically get bigger? (Happens all the time when I have breakfast. –Jimmy)
  • Rodan, being a flying monster, has a dogfight with the JASDF, naturally.
    • Those planes flew low enough to go under a bridge?! (A classic problem. The JASDF is working on changing their pilots’ anti-kaiju training. I even wrote them a new handbook on the subject. –Jimmy)
  • The destruction scenes in this film are far more about wind damage than fire, making it quite different from Gojira. It creates visuals that also demark from the other film. This was a smart move so as to avoid repeating what was done before. Plus, with Rodan being a flying monster, it presented a unique set of challenges for Tsuburaya to overcome. Rodan is a hurricane as opposed to a tsunami or a nuclear attack.
  • Interestingly, Hirata plays the Dr. Yamane-type scientist in this film. He isn’t as interesting a character here as either Serizawa or Yamane, though. He serves mostly to exposit about Rodan and has no character arc or dilemma. He’s much more like Dr. Elson in Beast from 20,000 Fathoms.
  • The burning Yokohama harkens back to Godzilla (1954).
  • Some really nice location filmmaking.

OTHER SOURCES

Honda Biography

  • Partially filmed in Shikamachi, a mining town.
  • Honda: “My intention was to give [Rodan] a sense of authenticity and credibility, and not to make it a mere fairy tale…I wanted to create something that has ample scientific factual background and support, something that is not false.”
  • The sounds effects saved the ending.
  • Honda: “I think it was Rodan that put me on my path.”

LeMay – Big Book Vol. 1

  • Supposedly inspired by a dream had by Tanaka.
  • Some elements from the infamous unmade film The Bride of Godzilla?
  • Tsuburaya won a Japanese Film Technique Award for this.
  • It made $500,000 alone in New York, and some publications claimed it was the highest-grossing sci-fi film up to that point.
  • Two dubs have called Rodan by his Japanese name: Monster Zero (but only by Nick Adams) and vs. Mechagodzilla II. (You forgot to mention that first one, Nate.HOW DARE YOU FORGET MY MAN, NICK ADAMS! –Jimmy)
  • Tourism to Mt. Aso increased after this.

Galbraith – Japanese Horror…

  • He says Kimura wrote some of the best and worst kaiju/toku films for Toho. Called him “more consistent and ambitious” than Sekizawa.

Kalat

  • The dubbed version was produced by Frank and Maurice King, who would later make Gorgo.

Brothers

  • The Rodan suit weighed 100 pounds. He studied the movements of birds for this.
  • People seem to either love or hate this film.

Well, that was surprisingly short. Then again, Nate recycled most of these notes from his “previous podcast life.” He didn’t add much, and he burned through most of what he had. Nice work!

Next week you’ll hear the chaotic but hilarious broadcast on Mighty Joe Young (1949) that featured the original Tourists, Nick Hayden, Joe Metter, and Joy Metter. I’ve rarely laughed as hard as I did during that broadcast. Then in the next “Godzilla Redux,” Becky “Bex” Smith of Redeemed Otaku returns to discuss Mothra (1961). To say Jessica is ecstatic would be an understatement.

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Jimmy’s Notes on Episode 51: Dallas Mora vs. ‘Gamera 2: Attack of Legion’

Is it Saturday? Damn, what was in that beer I had last night at the Monster Island Tavern? That’s the last time I go drinking with Dr. Dourif. No wonder I didn’t finish my promised “Jimmy’s Notes” blog on episode 51 (Gamera 2: Attack of Legion). Nate isn’t the only one trying to get back on schedule. Thankfully, with this, I’ll be caught up after all of the Board’s shenanigans. Surprisingly, I didn’t take many notes during that broadcast. They were:

  • Yes, the beginning of this film was nostalgic for me. I miss NASA. I thought about getting a job there again during Nate’s time in orbit. I may still need to if business dries up for the Island. Good thing I still have connections there.
  • I did some digging, as Dallas requested, and I couldn’t find any staff members who worked on both Gamera 2 and Parasite Eve. However, the 1997 movie adaptation of the original Japanese novel was distributed by Kadokawa Shoten, which is owned by the same parent company that bought Daiei (and Gamera) in 2002.
  • It was a girl who was crying over Gamera, not a boy, Nate! Use the right pronoun!
  • The Maccabean Revolt was in the second century B.C. and was against the Seleucid Empire, which was Greek
  • Dallas is bothered by my tight T-shirts? It’s not my fault I need to change my wardrobe after hitting the Kaiju Gym as hard as I have. 😛

Now for the overabundance of leftover notes Marchand has on this movie. I don’t think I’m contractually obligated to share these anymore (it’s all in flux after recent events), but being that he’s my friend, here you go.

  • The detective is back! But now he’s a security beer warehouse. And he still can’t get away from kaiju! His interview by the cops on video made me think of The Terminator. I wonder if Kirin Beer sponsored the movie? (Maybe. I should have some Kirin beer delivered to the Island. So we can ask them to sponsor us, of course! -Jimmy)
  • This movie likes horizontal wipes. (Kinda like one of my favorite space movies…. –Jimmy)
  • Interesting that the evacuees run through a torii gate (see Daimajin episode of MIFV). It marked the entrance to a sacred place. Shelter?
  • I love the effects when Gamera inhales to shoot a plasma ball. You see gas go in his mouth and his throat light up.
  • Again, there are real consequences. Legion corpses on the beach after Gamera swims away.
  • Netscape and the old internet. Quaint.
  • Asagi shows up 40 or so minutes in.
  • A second flower as a set piece does seem a bit repetitive.
  • All those hats on that long rack!
  • Asagi’s hat says, “Invisible,” in English. It describes her because she goes unheeded by most people. (You freaking English major. 😛  –Jimmy)
  • Breaking Legion’s horn actually makes things worse. Pacing and escalation. Legion goes red-eyed and angry.
  • SHINKU…HADOKEN! This is crazy, anime-esque, and doesn’t get explained until the next film. Otherwise, it’s totally left field. “If his chest had been a cannon, he’d have shot his heart upon it.” (Again, FREAKING ENGLISH MAJOR! –Jimmy)

COMMENTARY BY KYLE YOUNT

  • Opened between Godzilla vs. Destoroyah and Rebirth of Mothra, so the kaiju scene was a bit stale.
  • First act is set in Hokkaido, which is a bit unique for a kaiju film. Northernmost island.
  • The scientists and military actually get along.
  • The crew had to pull the beer bottles by hand because their rig didn’t work. Had to paint their fingers black so they wouldn’t show up on camera.
  • The doctor who dissects the Legion soldier was an actual professor.

INTRO BY RAGONE (ARROW VIDEO)

  • Mahiro Miyeda, who helped design Legion, also did concepts for Mad Max: Fury Road.

A TESTIMONY OF 15 YEARS (DOCUMENTARY)

  • One of the producers on the trilogy, Morio Akawa, didn’t even like monster movies and preferred movies for older audiences as a kid. He credits the trilogy with stretching him.
  • (Ito wouldn’t show his face in his interview. Instead, we saw his dog. Why?) (Because you writers are weird? 😛 –Jimmy)
  • Ito calls the trilogy his “coming-of-age” as a screenwriter. He says there’s a clear difference between his writing before and after the trilogy. He used to be associated Mamori Oshii, and now he’s associated with this trilogy.
  • Otani says Masaru Sato saw the first film and said, “There’s no one in Japan who writes like this, at full throttle!” Otani says that’s how he works.

MACIAS (ARROW BOOKLET)

  • Guiron and Barugon were discussed to return, but the filmmakers decided to go with a new monster—Gamera’s first original foe since 1971—Legion. (I think Barugon wants to know…why was he replaced? –Jimmy)
  • Gamera was redesigned slightly by Tomo Haraguchi, an effects wizard and film director).
  • This time, the JSDF supports Gamera.

 “BRINGING UP GAMERA” BY ENGLAND (ARROW BOOKLET)

  • As a teen, he (Higuchi) got a part-time job with Toho and worked with Koichi Kawakita on Sayonara Jupiter (see MIFV episode 41) and Return of Godzilla.
  • He storyboarded for many productions, including anime like Neon Genesis Evangelion (Anno named the series’ main character after him).
  • He wanted a project at the time that fit into what he envisioned—that is until screenwriter Ito got him the job on Guardian of the Universe. He’d never done it before, so Daiei was taking a risk.
  • He wasn’t able to redesign Gamera as much as he wanted, which brought him into conflict with the studio. He wished he could’ve gotten away with what the filmmakers did on Godzilla (1998). However, in Gamera 2, he got to do it by making Gamera more like a sea turtle with flippers.
  • With designing Legion, he said he wanted to make something memorable like old school kaiju, because he felt modern kaiju had “muddled characteristics.”  He started with an idea of having the skeleton on the outside, which led to having two men in the suit since human joints are fixed and he wanted to avoid the human shape.
  • The suit was heavy, and it took the actors ten minutes just to get in it, and they could only wear it for ten minutes at a time. The principle actor, Mizuho Yoshida, went on to play Godzilla in GMK (and previously played Zeiram in those films). He’s biased, but Higuchi thinks Legion is one of the five best kaiju designs ever.

FLOWER – ENGLISH LANGUAGE GAMERA

  • It was released on DVD by ADV in 2003 with a dub written and directed by Kyle Jones. The also produced the infamous “Lake Texarkana” dub where the actors read their lines as southern hillbillies.

LEMAY (BIG BOOK)

  • Also considered having Viras (Jimmy wanted to be in that one). (YES! And I’d still kick his @$$! –Jimmy)
  • Legion’s head was supposedly inspired by Guiron.
  • In an homage to the Showa series, Gamera bleeds more and is initially taken out by the Legion seed pod.
  • It grossed about the same amount of money as the first and won Best Special Effects from the Japanese Academy.
  • There’s a manga sequel that may or may not be canon, which is a Heisei retelling of Barugon.
  • There was a short-lived rumor that Disney might distribute the film.

TOKU TOPIC: THE EXORCISM OF THE GERASENE DEMONIAC

  • The demon’s name refers to a Roman legion, which could comprise up to over 5,000 soldiers. Some also connect it to Isaiah 65:4, which has God referring to obstinate Israel defying Him: “who sit in tombs, / and spend the night in secret places; / who eat pig’s flesh, / and broth of tainted meat is in their vessels;”

And there you have it.

As of this writing, our next two episodes will feature my former nemesis Michael Hamilton as the guest for the next “Godzilla Redux” episode, which covers the first sequel to Godzilla (1954), Godzilla Raids Again. Then the “Year of Gamera” comes to an end with Gamera the Brave, which will have Bex from the Redeemed Otaku podcast as the co-host. I confess I might miss the big turtle.

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Jimmy’s Notes on Episode 42: Ben Avery vs. ‘Gamera vs. Jiger’

As good as episode 42 was (because “life, the universe, and everything”), I took plenty of notes on it. Nate has some explaining to do! 😛

Let’s get started:

  • Nate mispronounced “syndrome.” Shame, shame. 😛
  • I asked Mr. Martin for his thoughts on pen theft, and this is what he told me on Twitter:
    • “Per the Standards and Practices memorandum issued by the (Monster Island Board of Directors): Any and all items located on Monster Island, its wharf and docking bay, and all nearby archipelagos, whether explicitly or implicitly stated, belong to the Monster Island Entertainment Corporation, LLC, and its subsidiaries and stockholders. Any willful destruction and/or unauthorized removal of MIEC ‘meek’) property is a crime under Oceanic Law; dismissal, fines, and jail time are all possible dependent upon the severity of the crime. Judgement will be handled by the Monster Island Judicial System (‘midges’) and justice will be swift and fair. The Monster Island Legal Action Team will oversee all prosecutions, with the current Attorney General presiding as Lead Counsel against any defendants.”
    • I then said, “Thank you. I now fear for (Ben Avery’s) life.” To which Mr. Martin said, “I believe the Board has discontinued the use of genetically-engineered Hunter-Tracker Meganula larvae, but don’t quote me on that until I get Gary to do the archive research.”
  • How did Ben watch both versions of the movie? I suspect he watched it with his kids before leaving for the Island and then again when he arrived.
  • The Exorcist film was released December 26, 1973. The novel was published June 1971. In other words, Gamera vs. Jiger predates both.
  • Yes, Shunsuke Kikuchi worked on both Dragon Ball and Dragon Ball Z.
  • “You and Jimmy”? You mean me and Masao? Be specific, Marchand!
  • The name of the Keisuke actor is Sanshiro Honoo.
  • It’s Lemuria, Nate. That was the other “lost continent” you couldn’t think of.
  • It annoys me that I forgot what I was going to say toward the end of the Toku Talk.
  • Nate was right. The Irwin Allen-produced submarine TV series was Voyage to the Bottom of the Sea.
  • According to this inflation calculator, $500 million in 1970 would be $3,469,007,731.96 in 2021(!).
  • Here are the authors the International Symposium of Science Fiction that Nate didn’t mention (all of them hailed from the Soviet Union):
    • Vasilii Pavlovich Berezhnoi
    • Yulii Iosifovich Kagarlitskii (aka Julius Kagarlitsky)
    • Ieremei Iudovich Parnov
    • Vasilii Dmitrievich Zackharchenko
  • Personally, I loved Expo ’70! Seeing Gamera there was exciting. He even remembered me and gave me a wave. But sadly, all my photos from the event were destroyed when the Messiah 13 Aliens attacked New York. L
  • Your Dad guarded a moon rock, eh, Nate? That’s impressive, but I have Venus rocks. I’ll show them to you next time you come over to my quarters, Nate.
  • This is the human washing machine, and I do like this model. 😉
  • This was the best info I could find quickly on Tiger Child. And it’s not a nature documentary. It’s loftier than that, it seems.
  • Here’s an article on maglev technology. It’s mostly used for trains. If you’ve been to Disneyworld in Florida, you’ve ridden a train that uses it.
  • Nice catch at the end with Patreon, Ben. In order to donate $3 a day, someone would have to become my intern—which would be nice, actually.

Now for the contractually-obligated leftover notes from Nate’s episode prep:

The Film (Main Notes)

  • Hiroshi has the bushiest eyebrows. (He practically has to comb them. –Jimmy)
  • There’s a nice matting of a long distance live action shot with some toku footage of Gamera.
  • Jiger is female. Jiger has a giant head. Big head code? She drinks water after awakening. Rarely seen. Jiger doesn’t crawl, unlike other quadrupeds. (“Big head code”? That was a thing in ‘90s video games, right? I know, “Okay, boomer.” 😛 –Jimmy)
  • How did Gamera go from flying to swimming in one cut? (Bad editing. –Jimmy)
  • You know, Jiger, Mothra did that ship-destroying move first. Must be a female kaiju thing. (I’ll pass that observation along to the scientists. –Jimmy)
  • Jiger means “terrible as a demon,” apparently.
  • Now the “Gamera song” has gone from listing planet names to the days of the week. Because. (The original was better. Because it was in my movie, of course. –Jimmy)
  • Gamera has a cheerleading squad. (Lucky bastard! –Jimmy)
  • Gamera stole the “tail smash” move from Godzilla.
  • Those x-rays are on display on the Island and used for reference.
  • These kids just know how to operate the sub. (Well, Masao and I did, too. But, you know, we’re smart. –Jimmy)
  • Unsurprisingly, the English-speaking actors aren’t great.
  • What does people from Africa getting weak going north and Eskimos getting weak going south have to do with Jiger being weak to sound?
  • 80 metric tons? Gamera’s a lot lighter than basically every Toho kaiju. By a lot. Godzilla is at least a 1,000 times heavier. (Talk about completely different weight classes! –Jimmy)
  • The kids yell at Gamera as if he can hear them. Which it seems he can. (Because…psychic? –Jimmy)

Intro by Ragone

  • In Shoben Jump Magzaine, Jiger was called “Monster X.”

The Commentary by Edward L. Holland

  • Yuasa sought out the child actors in this film.
  • There was a second monster boom in Japan in 1971.
  • Jiger’s roar is a variation of Guiron’s.
  • Yuasa was fond of beer.
  • Says the film plays out a bit like an Ultraman episode.
  • Sithantaku, the “Eifel Tower of Osaka.”
  • Story has it that Tsuburyaya sent a letter to Yuasa telling him to tone down the gore in the Gamera films.
  • Gamera looks like a vinyl toy after being impregnated by Jiger.
  • They use an “opaque projector on steroids” to discuss Gamera’s anatomy.

Galbraith

  • People either think it’s outrageous or “routine.”

Toku Topic: Expo ‘70

  • Many science fiction writers and artists were involved with the Expo, including:
    • A farcical multi-screen science fiction film created by writer Abe Kõbõ and filmmaker Teshigahara Hiroshi for the Auto Pavilion.
  • “With its characteristic rhetoric of multi-polar humanism, the text goes on to assert that wisdom to avoid such a dire fate and unlock the ‘prosperity of mankind’ can be found not in one place but ‘wherever human beings can be found.’ ‘If the diverse wisdoms of mankind can be effectively exchanged and [allowed to] mutually stimulate each other,’ the text continues, ‘a higher level of knowledge can appear, and from the understanding and tolerance between different traditions, we can achieve the harmonious development of a better life for all of mankind.’”
  • The corporate pavilions, which were dominated by domestic Japanese pavilions, also featured various visions of the future. “The Mitsubishi Future Pavilion, which was divided into a display of the untamed elemental power of ‘Japan’s Nature’ followed by ‘Japan’s Sky,’ ‘Japan’s Sea,’ and ‘Japan’s Earth’ as they would be developed in the twenty-first century: space stations and a weather monitoring and control center in the sky; an underwater city, ‘marine pasture,’ and power plant in the sea; and a twenty-first century city on land.
  • The biggest reason Expo ’70 was seen as a “city of the future” (mirai no toshi) was the “juxtaposition of innovative architectural forms, including Tange’ s Grand Roof, the low inflated dome of the American Pavilion and aggressively pitched roof of the Soviet Pavilion, and most especially, the contributions of the young Japanese architects associated with the Metabolist movement, including Kikutake Kiyonori’s Expo Tower and Kurokawa Kishô’s Toshiba IHI Pavilion and Takara Beautilion, all interpenetrated by the futuristic transportation infrastructure of monorails and moving sidewalks.” (By the way, the Metabolist movement was a postwar architectural movement in Japan that sought to fuse architectural megastructures with organic growth).

Writing this made me nostalgic for Expo ’70. I was barely 11 and was very impressionable. I’ve little doubt attending it pushed me toward a career in space and NASA.

Anyway, next week’s episode marks the beginning of a new chapter for MIFV: “Godzilla Redux.” Nate will be covering the Godzilla films he discussed on…his previous podcast with…someone else. He starts with the beginning, naturally, with Godzilla (1954). He’s bringing back the original Tourist crew of Nick Hayden, Timothy Deal, Joe Metter, and Joy Metter. Then we have a special crossover episode with Kaiju Weekly for the soon-to-be-internationally-released anime Godzilla: Singular Point. We’re working out the details, but it should be BIG. Then the “Year of Gamera” continues with Gamera vs. Zigra, which will feature Kaiju Weekly co-host/MIFV MAX member Travis Alexander and Atomic Turtle host Matt Noponen. I know Nate dislikes it, but come on! A beautiful woman parades around in a bikini for 15-20 minutes! What’s not to like?

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

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Jimmy’s Notes on ‘Episode 33: Submersion of Japan (feat. Adam Noyes)’

It’s an easy week for Jimmy’s Notes today. These “extended mini-analyses” tend to be that way. I could’ve asked Adam Noyes for his leftover notes, but he was busy doing his health inspector work for MIBOD (Monster Island Board of Directors), so I figured I should social distance and not interrupt his work. I like my job.

That being said, I do have a few of my own notes from the Submersion of Japan episode. They are:

  • Toho was adapting Komatsu’s books into movies, Mr. Noyes, and not the other way around.
  • “Mie” is pronounced, “Mee-ay,” Mr. Noyes.
  • The film had two cinematographers, Hiroshi Murai and Daisaku Kimura, the latter winning the award for best director at the 33rd Japan Academy Prize for Mt. Tsurugidake.
  • It’s not the first time you brought on someone you’ve referenced as a source, Nate. How could you forget John LeMay—especially when he’s going to be on the show later this month!
  • For the hell of it, I did do a YouTube search for “Submersion of Japan 1973,” and Mr. Noyes’s video was the fourth video down.
  • I’m shocked you guys mentioned the 1970s TV show but not the new anime, Japan Sinks 2020. Your “sister” would be disappointed, Nate. 😛

Now for Nate’s leftover notes:

Submersion of Japan

  • This was definitely following in the trend of disaster movies in the 1970s. There were plenty of them. Like those disaster movies, it spends much time with the characters.
  • The film begins with a slow progression of the continental drift. Then it zooms in on Japan and shows its formation. Starts 200 million years ago.
  • The music was composed by Masuaru Sato. His score is remarkably subdued compared to his Godzilla scores. (He was a composer with great range. –Jimmy)
  • The opening scene is a montage of many activities in Japan. A street fest, hose races, baseball, office work, car show, traffic jam, the beach, the harbor, the subway, water park. (The apocalypse is always a surprise. The destruction and later reformation of Venus were surprises. But that’s a story for another day. Perhaps in the pages of Kaiju Ramen. 😉 –Jimmy)
  • They dive north of Ogawasara. (This reminds me that we should go scuba diving sometime, Nate. –Jimmy)
  • What’s interesting is the scene where the scientists are watching video from the sub of the sea floor and discussing what caused the island to sink could easily be in the beginning of a kaiju film. It shows that kaiju embody natural disasters, which makes sense coming from japan. There’s even a line from Tadakoro about a “monstrous slug.”
  • Interesting that the ship’s name is Hercules.
  • Here’s the From Here to Eternity scene—but it gets interrupted by a lightning strikes and a volcano. It comes after Onodera tells Reiko he’d get married to have a baby and she says, “Hold me,” and they start to make love.
  • There’s a scene that goes into extensive scientific exposition. It almost feels like a college lecture.
  • Like Godzilla 1954, it shows the aftermath of the casualties (if only briefly).
  • Numbers are frequently quoted to indicate the gravity of the situation. The casualties act as something of a reverse: it makes the personal stories and situations bigger.3.6 million missing or dead. (I appreciated this as an engineer. I “math” well. –Jimmy)
  • Tadokora loses his cool on national TV talking about the impending disaster because the host doesn’t believe him.
  • The government decides to practice occupation-era tactics and censor the media to avoid a panic.
  • Reiko tells a story about slipping into the dark ocean while diving. She describes it as lonely yet calming. Foreshadowing. Microcosm. Onodera tells her to get transfer her money to foreign accounts. They will get married and run away together.
  • There is a scene at the UN where they deliberate on what to do about Japan sinking, and they find the situation impossible to resolve for 110 million people. It’s a stark contrast to a Honda film like Gorath where they find a solution by coming together. This is steeped in realism and shows how difficult the situation would be.
  • The PM decides he will bypass the UN and go to countries himself to ask if they’ll take refugees. 10 million to 1 million to 100,000 to 10,000, etc. Reminds me of Abraham asking God to spare Sodom and Gomorrah for decreasing numbers of righteous men.
  • It’s interesting reading subtitles as English is interpreted into Japanese. Differences.
  • China agrees to help. Japan’s old wartime foe.
  • Watari doesn’t look 100 years old to me.
  • The evacuees are called “Kamikaze.” That’s a loaded name. (It means “divine wind,” but the cultural associations are…complicated. –Jimmy)
  • Watari tells his niece to find a Japanese man in another country but then corrects himself to say any man to marry and have children. It’s a small concession to reality.
  • The final scene has the card “somewhere on earth” with a train going by transporting Japanese refugees. We see a one-eyed Onodera.

Tidal Wave:

  • It gives credit for the “special effects sequences” to the Japanese crew. And the director.
    • The characters’ names were changed. Tadokoro became Tanaka.
    • Adds dialogue where there wasn’t any.
    • The weird thing is the dubbed dialogue for what footage was left is actually pretty close to the original.
    • It takes nearly 46 minutes before the new footage with “star” Lorne Green starts. Clearly filmed fast in one room. Green disregards the issue, calling it a “small problem(?!). The Japanese cast member has to make this a sign of a danger to other places other than Japan. There’s talk of “astrologers and mystics” predicting the destruction. 15 minutes later, he’s injected into the UN scene. He gives a speech about the US accepting Japanese refugees. It’s a decent speech. He touches on refugee issues that were debated a few years. Ten minutes later he announces to the UN that 34 million people were saved (much higher the original). 4 minutes later: he’s reading the Newsweek article and commenting on Onodera.  
    • Onodera and Reiko are presented, at least implicitly, as being in an established relationship.

“Has the Empire Sunk Yet?” by Thomas Schnellbacher

  • Japan itself is everywhere identified with the ephemeral, a recurring theme in interpretations of Japan both by Japanese and others.’ Tadokoro compares the convection currents in the earth’s mantle to meteorological phenomena, leading the listeners to conclude that “[t]he Archipelago on which they lived was like a line of clouds that had taken form along the leading edge of a moving mass of warm air.” It’s strangely mythological.
    • “…the computer scientist Nakata ironically quotes an old song from the Sino-Japanese War of 1895: “Hasn’t the Dingyuan sunk yet?” The Dingyuan was an enemy ship at that time; the joke is that, though incapacitating it at anchor was a key success for Japan in witining this war, the ship never did sink.'” The old songs may still survive even in the memory of those who do not share the militarist sentiment, it is implied, but they can take on a new meaning if that old sentiment is defused.”
    • The sunk Japan is mythologized as a new Atlantis or Mu.
    •  “…he began writing the book in 1964, his response to validations of Japanese imperialism beginning to be voiced, which he saw as symptoms of a society grown too wealthy. He is not critical of the achievements of the postwar Japanese economy, but of complacency about those achievements, especially if it goes hand in hand with a revival of imperialist thought.”

Okay, that was more than I was expecting. It was harder to make snide remarks because this is a serious film with heavy themes. That won’t be a problem next time. Trust me.

Speaking of next time, Nate’s friends Joe and Joy Metter, themselves a pair of MSTies, will return to watch the Mystery Science Theater 3000 episode featuring Gamera vs. Barugon while Nate watches the original Japanese cut (as per MIBOD’s mandates). This will be part two of 12 (or 13?) of “The Year of Gamera.” Then Nate is joined by John LeMay, as I noted, to discuss a very different disaster movie: Prophecies of Nostradamus. It’ll be the second banned film featured on the podcast. (Is it just me, or are this month’s guests all former nemeses of mine?)

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The MIFV Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

#WeShallOvercome

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Jimmy’s Notes on ‘Episode 18: Bex vs. Rebirth of Mothra II’

I have to be honest, listeners—I didn’t see Bex’s conversion to Mothrianity coming. (Did she make that up, or is that a real religion? Do the Shobijin know?) I’m not a religious guy myself, but it still took me aback. I hope Bex is happy. It’s still weird, though.

What was I doing? Oh, yeah. Writing about…Rebirth of Mothra II. The deep valley between two short mountains, as Nathan said. Oh, man….

Let’s get my notes done first.

  • I sleep…sometimes. I mean, I was dead once (maybe? 😛 ), so I got plenty then.
  • The character from The Tick Nathan brought up was a hero, not a villain. He was the Living Doll, who was part of a team called the Decency Squad.
  • You can’t terminate me, Marchand—you haven’t the “fire” power! 😛
  • What? I flung a bug at my teacher because she was annoying. You know what that’s like, Nathan. We’ve had talks about your terrible kindergarten teacher.
  • Bex is right. Hikari Mitsushima (who played Shiori) is pretty.
  • The thorax is the midsection of an insect, Marchand. To quote Sherlock, “Do your research!”
  • Ghogo predates Furby by a year!
  • “Buzzkill”? Well, you just guaranteed that I won’t tell you.
  • NOAA stands for the National Oceanic and Atmospheric Administration.
  • You meant to say “first,” not “second,” Nathan.
  • You meant to say, “Rebirth of Mothra II,” at the end, Nathan.
  • Gorath is a rogue star, not a planetoid, Nathan. I should’ve said that live, but I was in shock from Bex’s revelation.

And now, because I’m contractually obligated, here are Nathan’s leftover notes (plus my comments).

The Movie:

  • You killed Furby, you punk! And took his bling!
  • What?! What happened with the cat and cigarette?
  • Shiori uprooted a Furby.
  • Gorgo? Gorgo is a giant British lizard who’s looking for her son.
  • Dagahra appears about 24 minutes in.
  • “Eat at McDonald’s every day.” I bet that’s a product of the dubtitles. (Well, as you pointed out on Kaijuvision Radio, Nathan, McDonald’s broke into the Japanese market in the early ‘70s, so it’s possible. I saw it happen.  –Jimmy)
  • 27 minutes in, and we’ve already found the temple. Sheesh.
  • Wait, what?! How’d the kids get into the giant waterslide?
  • Okay, the temple rising out the water looks pretty cool. The water actually scales really well when that and fire usually have trouble with that.
  • Why is the fat kid so dumb he really walks off the ledge? (He’d never get picked as a Gamera kid. Not precocious enough. –Jimmy)
  • The two morons are on the temple? When did that happen?
  • I’m confused. Did Belvera want the treasure to conquer the world or just Dagahra? (Yes. –Jimmy)
  • The temple has lightning and lasers as a security system.
  • Dagahra can fly and swim? Because shut up.
  • Wait, now Dagahra can damage the temple? What happened to the security system?
  • Mothra Leo just won a game of chicken with Dagahra. (I played chicken with Dagahra once with the Gohten. Koji wasn’t happy with me. –Jimmy)
  • Mothra Leo got his belly beam back.
  • Are the morons even under Belvera’s control anymore? Yes, they are.
  • Gorgo has a mouth? Where? He just bit a guy. (You don’t want to know. Trust me. –Jimmy)
  • The singing sequences are a littles less impressive this time.
  • Suddenly Mothra Leo is reenacting his mother’s death…and it has the impact of a thrown sponge.
  • This underwater sequence is hokey. No bubbles.
  • Barem cannon!
  • This movie overuses superimposition.
  • Really, kids? See! They lied! Also, why couldn’t we see Fairy zap them?
  • You know, at least these are mostly real sets. Not CGI. (No Star Wars Prequel-it is here. –Jimmy)
  • Isn’t that the opal egg for Barugon? 😛 Wait? There are two? Or three? (I can confirm it isn’t. Did you forget Barugon is on the Island, Nathan? You should know these things. –Jimmy)
  • “Help me, kids, you’re my only hope,” says Tall Leia while growling like a monster.
  • So…is Tall Leia the new Mu Empress? Again, someone call Jinguji! Is she an AI? A ghost? (It just raises too many questions).
  • “I have some Turkish Delight for you!” (So, I guess Jadis the White Witch is also her cousin? –Jimmy)
  • How did they magically gain the ability to super jump? And to super throw? (You’re asking questions of this movie again. Haven’t you learned? –Jimmy)
  • The Elias do speak in unison sometimes.
  • Did the falling bridge breach the temple’s warp core? (Now I want to examine this temple. –Jimmy)
  • So…why does a civilization that has nothing to do with Mothra have a creature that reinvigorates Mothra? (Again, you ask questions. It’s futile. –Jimmy)
  • Great. Now Mothra Leo has shields like a starship. (I can get behind this. For scientific purposes, of course. –Jimmy)
  • The morphing effects look all right.
  • The ancient civilization’s temple was just offshore.
  • The fat kid wears an Oakland A’s shirt the whole time.
  • It’s a pearl—also, “She’s got the whole world in her hands!”
  • What is with this end theme? Is it trying to be rap? It almost sounds like the first theme for Rurouni Kenshin.
  • Also, the soundtrack keeps almost being Ifukube Godzilla music.

Japan’s Green Monsters by Sean Rhodes and Brooke McCorkle

  • Eschews family concerns for streamlined message on water pollution.
  • Mothra Leo soars over ocean with school of dolphins following. Makes message clear.
  • Like Godzilla vs. Biollante, this film says humanity can’t anticipate what will happen when they tamper with nature through genetic engineering.

The Toku Topic:

“Marine pollution” (Wikipedia) (https://en.wikipedia.org/wiki/Marine_pollution)

  • “In the late 1950s and early 1960s, there were several controversies about dumping radioactive waste off the coasts of the United States by companies licensed by the Atomic Energy Commission, into the Irish Sea from the British reprocessing facility at Windscale, and into the Mediterranean Sea by the French Commissariat à l’Energie Atomique. After the Mediterranean Sea controversy, for example, Jacques Cousteau became a worldwide figure in the campaign to stop marine pollution. Marine pollution made further international headlines after the 1967 crash of the oil tanker Torrey Canyon, and after the 1969 Santa Barbara oil spill off the coast of California.”
  • “Marine pollution was a major area of discussion during the 1972 United Nations Conference on the Human Environment, held in Stockholm. That year also saw the signing of the Convention on the Prevention of Marine Pollution by Dumping of Wastes and Other Matter, sometimes called the London Convention. … The London Convention applied only to waste dumped from ships, and thus did nothing to regulate waste discharged as liquids from pipelines.”
  • “Dust from the Sahara moving around the southern periphery of the subtropical ridge moves into the Caribbean and Florida during the warm season as the ridge builds and moves northward through the subtropical Atlantic. Dust can also be attributed to a global transport from the Gobi and Taklamakan deserts across Korea, Japan, and the Northern Pacific to the Hawaiian Islands.”
  • “In a study published by Environmental Science & Technology, Schmidt et al. (2017) calculated that the Yangtze, Indus, Yellow River, Hai River, Nile, Ganges, Pearl River, Amur, Niger, and the Mekong ‘transport 88–95% of the global [plastics] load into the sea.’”
  • “The remains of an albatross containing ingested flotsam. Many animals that live on or in the sea consume flotsam by mistake, as it often looks similar to their natural prey. Plastic debris, when bulky or tangled, is difficult to pass, and may become permanently lodged in the digestive tracts of these animals. Especially when evolutionary adaptions make it impossible for the likes of turtles to reject plastic bags, which resemble jellyfish when immersed in water, as they have a system in their throat to stop slippery foods from otherwise escaping. Thereby blocking the passage of food and causing death through starvation or infection.”
  • “Many animals that live on or in the sea consume flotsam by mistake, as it often looks similar to their natural prey. Plastic debris, when bulky or tangled, is difficult to pass, and may become permanently lodged in the digestive tracts of these animals. Especially when evolutionary adaptions make it impossible for the likes of turtles to reject plastic bags, which resemble jellyfish when immersed in water, as they have a system in their throat to stop slippery foods from otherwise escaping. Thereby blocking the passage of food and causing death through starvation or infection.”
  • “Many of these long-lasting pieces end up in the stomachs of marine birds and animals, including sea turtles, and black-footed albatross. In a 2008 Pacific Gyre voyage, Algalita Marine Research Foundation researchers began finding that fish are ingesting plastic fragments and debris. Of the 672 fish caught during that voyage, 35% had ingested plastic pieces.”
  • “Noise also makes species communicate louder, which is called the Lombard vocal response. Whale songs are longer when submarine-detectors are on.[101] If creatures don’t “speak” loud enough, their voice can be masked by anthropogenic sounds. These unheard voices might be warnings, finding of prey, or preparations of net-bubbling. When one species begins speaking louder, it will mask other species voices, causing the whole ecosystem to eventually speak louder.[102]”
  • “The amount of awareness on marine pollution is vital to the support of keeping the prevention of trash from entering waterways and ending up in our oceans. The EPA reports that in 2014 Americans generated about 258 million tons of waste, and only a third was recycled or composted. In 2015, there was over 8 million tons of plastic that made it into the ocean. The Ocean Conservancy reported that China, Indonesia, Philippines, Thailand, and Vietnam dump more plastic in the sea than all other countries combined. Through more sustainable packing this could lead to; eliminating toxic constituents, using fewer materials, making more readily available recyclable plastic. However, awareness can only take these initiatives so far. The most abundant plastic is PET (Polyethylene terephthalate) and is the most resistant to biodegradables. Researchers have been making great strides in combating this problem. In one way has been by adding a special polymer called a tetrablock copolymer. The tetrablock copolymer acts as a laminate between the PE and iPP which enables for an easier breakdown but still be tough. Through more awareness, individuals will become more cognizant of their carbon footprints. Also, from research and technology, more strides can be made to aid in the plastic pollution problem.”

“Ocean Pollution” (NOAA) (https://www.noaa.gov/education/resource-collections/ocean-coasts/ocean-pollution)

  • “Some debris sinks, some is eaten by marine animals that mistake it for food, and some accumulates in ocean gyres.” (A gyre is a large system of rotating ocean currents.)
  • “The majority of pollutants that make their way into the ocean come from human activities along the coastlines and far inland. One of the biggest sources of pollution is nonpoint source pollution, which occurs as a result of runoff. Nonpoint source pollution can come from many sources, like septic tanks, vehicles, farms, livestock ranches, and timber harvest areas. Pollution that comes from a single source, like an oil or chemical spill, is known as point source pollution. Point source pollution events often have large impacts, but fortunately, they occur less often. Discharge from faulty or damaged factories or water treatment systems is also considered point source pollution.”
  • “However, if they are too abundant in a body of water, they can stimulate an overgrowth of algae, triggering an event called an algal bloom. Harmful algal blooms (HABs), also known as “red tides,” grow rapidly and produce toxic effects that can affect marine life and sometimes even humans. Excess nutrients entering a body of water, either through natural or human activities, can also result in hypoxia or dead zones. When large amounts of algae sink and decompose in the water, the decomposition process consumes oxygen and depletes the supply available to healthy marine life. Many of the marine species that live in these areas either die or, if they are mobile (such as fish), leave the area.”
  • “Local, national, and international efforts are needed to address this environmental problem. The Save our Seas Act of 2018 amends and reauthorizes the Marine Debris Act to promote international action, authorize cleanup and response actions, and increase coordination among federal agencies on this topic.”
  • “Garbage patches are large areas of the ocean where trash, fishing gear, and other marine debris collects. The term ‘garbage patch’ is a misleading nickname, making many believe that garbage patches are “islands of trash” that are visible from afar. These areas are actually made up of debris ranging in size, from microplastics to large bundles of derelict fishing gear.”

“Marine Pollution” (National Geographic) (https://www.nationalgeographic.org/encyclopedia/marine-pollution/#:~:text=Marine%20pollution%20is%20a%20combination,59)

  • “The Pacific Garbage Patch is one example of such a collection, with plastics and microplastics floating on and below the surface of swirling ocean currents between California and Hawaii in an area of about 1.6 million square kilometers (617,763 square miles), although its size is not fixed. These patches are less like islands of trash and, as the National Oceanic and Atmospheric Administration says, more like flecks of microplastic pepper swirling around an ocean soup. Even some promising solutions are inadequate for combating marine pollution. So-called ‘biodegradable’ plastics often break down only at temperatures higher than will ever be reached in the ocean.”
  • “Nonetheless, many countries are taking action. According to a 2018 report from the United Nations, more than sixty countries have enacted regulations to limit or ban the use of disposable plastic items.”

“OCEAN POLLUTION: 11 FACTS YOU NEED TO KNOW” (https://www.conservation.org/stories/ocean-pollution-11-facts-you-need-to-know)

  • “Eight million metric tons: That’s how much plastic we dump into the oceans each year. That’s about 17.6 billion pounds — or the equivalent of nearly 57,000 blue whales — every single year. By 2050, ocean plastic will outweigh all of the ocean’s fish.”
  • “More plastic in the ocean comes from China and Indonesia than anywhere else — together, they account for one-third of plastic pollution.”
  • “With each load of laundry, more than 700,000 synthetic microfibers are washed into our waterways. Unlike natural materials such as cotton or wool, these plasticized fibers do not break down. One study showed that synthetic microfibers make up as much as 85 percent of all beach trash.”
  • “One effect of greenhouse emissions is increased ocean acidification, which makes it more difficult for bivalves such as mussels, clams and oysters to form shells, decreasing their likelihood of survival, upsetting the food chain and impacting the multibillion-dollar shellfish industry.”
  • “Noise pollution generated by shipping and military activity can cause cellular damage to a class of invertebrates that includes jellyfish and anemones. These animals are a vital food source for tuna, sharks, sea turtles and other creatures.​​​​​​”

I’m glad I got this over with. Let me assure you that it’s only up from here. While our schedule was screwed up by the delay of Godzilla vs. Kong, the rest of the season will feature better films.

Next week we’re joined by the most loved and hated G-Fan on Twitter, Jack “GMan” Hudgens, to discuss the increasingly obscure Toho classic, Gorath.

After that is the final part of the “Summer of Mothra” when the now Mothra-worshipping Bex returns for Rebirth of Mothra III. (Oh, boy…).

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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