Skip to content

The Monster Island Film Vault Posts

Jimmy’s Notes on ‘Episode 19: Gorath (feat. Jack GMan Hudgens)

I still can’t believe that I don’t remember meeting GMan at the Monsterland Tavern when he visited. I’m starting to think the barkeep mixed some Faro Island red berry juice into my Jack Daniels. I especially would’ve remembered the emergency evacuation switch only launching the walls and ceiling and not the whole building. That was a fun recovery mission. The damn thing flew all the way back to the Japanese mainland and landed on a beach. Thankfully, it was closed due to COVID-19, so no one got hurt.

Regardless, I have my notes to get into for episode 19 on Gorath:

  • Yes, Ryo Ikedbe died in 2010.
  • It’s “Kimura” not “Kimaira,” Jack.
  • Near as I can tell, it was Honda who decided to change Moguera into a robot in The Mysterians.
  • You said “Kimura” when you meant “Shimura,” Nathan. But considering how similar their names are—Takashi Shimura vs. Takeshi Kimura—that’s understandable.
  • Confirm with Danny that “Maguma” wasn’t in Ultra Q originally.
  • Yes. I like Godzilla vs. SpaceGodzilla. Fight me!

Now for Nathan’s leftover notes, which I must include to fulfill my contractual obligations:

  • Starts with two women stripping to go swimming before being interrupted by rocket launch. I don’t remember if we see them again.
  • Gorath is a rogue star with 6,000 Earth’s mass but is ¾ the size. Very dense. For perspective, the Sun has 330,000 times Earth’s mass and is 109 times the diameter. (You’ve made this NASA engineer happy. –Jimmy)
  • Explore Gorath like Columbus, huh? (Before or after his statue is torn down? –Jimmy)
  • Does gravity increase exactly in relation to mass? (Indeed, it does. Read about it here. –Jimmy)
  • Jun Tazaki is the captain of the JX-1. He says he’d tell his men if they were going to die to reassure them—then tells them they can’t escape a few minutes later. (Reminds me of my first training mission. It was a lot like the Kobayashi Maru. –Jimmy)
  • Would it be in poor taste for them to yell, “Banzai!” just before dying? (Not in Japan. But that might be why it was cut in the U.S. release. –Jimmy)
  • The zero G scene is pretty good.
  • A light, even comical scene in a Kimura script?! What?! For some reason, I feel like it belongs in M*A*S*H*. No subtitles for the song for some reason. It’s a singing joyride. Yet more evidence that Honda secretly wanted to direct a musical. Composed by Kan Ishi.
  • Over 11.8 billion yen invested in JX-1. (Chump change compared to the Gohten! –Jimmy)
  • Other ships are being built in other countries, but they say Japan’s ship is putting them to shame. Nationalistic? (Nope. Patriotic. –Jimmy)
  • Hey, it’s Dr. Who in the bar! (Let’s hope not. I’m not giving him his “Robot Kong” back! –Jimmy)
  • The wide shot of the ship fleet looks like models on a board.
  • The music during the construction scene almost sounds like Ifukube. The models look cool, though.
  • They have a 13th floor! (Good thing I’m not superstitious. –Jimmy)
  • The power core looks like the TNG warp core! (I know, right! –Jimmy)
  • The evacuation scene actually reminded me of G2014.
  • UN Gorath Countermeasures Center. They have a lot of countermeasures centers in the Heisei era.
  • They send Shimura to South Pole but won’t tell him why. Probably because Maguma looks stupid.
  • The composite shot with Maguma looks good.
  • I thought Tsuburaya didn’t want blood in his film? Maguma’s death is gory.
  • And staring at Gorath on a TV screen cures amnesia. Huh? (Yeah, I got nothing on this. –Jimmy)
  • They celebrate saving Earth at the end despite the fact it only cost the Moon and billions in damages. (Still better than being dead. –Jimmy)
  • Science and scientists are credited with saving the world. Another thematic statement.
  • They do at least talk about putting the Earth back in its orbit. (Which is good, because, well, I haven’t the time to list all the dire consequences of moving it. –Jimmy)

LeMay

  • Maguma was to come back for DAM but didn’t.
  • Kenji Sahara had a broken leg during production, but Honda insisted he be in the film.
  • Had more time and money given to it than other tokusatsu films.

Galbraith IV

  • Former military pilot turned sci-fi author Jojiro Okami’s story was the inspiration for this. As was Battle in Outer Space, The Mysterians, and Dogora.

Honda Biography

  • Released just six months after the USSR launched the first man in space, Yuri Gagarin. Embodies Honda’s twin ideals of international cooperation and science above politics.
  • It was made at the height of the space race. It borrows the plot of When Worlds Collide by Gorge Pal. Honda shows science being pursued ethically and positively, unlike in his previous sci-fi films.
  • Endo possibly takes a shot at Pal’s film: “Mankind [used to be] separated into white, black, and yellow races before the United Nations. Trust, honor, and cooperation were qualities that brought us together.”
  • “The common folk cannot be at the forefront of big problems, but there are so many of them…so, those scenes create depth for the story. These are the types of people that I want in my films. This is the very foundation of my films.” –Honda
  • There’s no panic because Honda thought that wouldn’t seem real.
  • Honda regretted letting the walrus Magma be added to the film. “That was definitely the human weakness of Ishiro Honda. That idea came from above. They make more profit with monsters [in the movie]. I think that left a scar on the film.” It was originally scripted as a “dinosaur-like creature,” but Honda didn’t want to remind audiences of Godzilla.
  • Ryfle and Godizewski argue that the controversial US-Japan alliance casts a shadow on the film. The “futuristic” 1980s Japan looks like post-Occupation Japan of 1961. Japan and America are above reproach, while fictional nations like Crenion and the USSO offer mild dissent before acquiescing. Japanese scientists are more advanced.

“Intergalactic star” (Wikipedia) (These are excerpts from that article. –Jimmy)

  • “Another hypothesis, that is not mutually exclusive to the galactic collisions hypothesis, is that intergalactic stars were ejected from their galaxy of origin by a close encounter with the supermassive black hole in the galaxy center, should there be one. In such a scenario, it is likely that the intergalactic star(s) was originally part of a multiple star system where the other stars were pulled into the supermassive black hole and the soon-to-be intergalactic star was accelerated and ejected away at very high speeds. Such an event could theoretically accelerate a star to such high speeds that it becomes a hypervelocity star, thereby escaping the gravitational well of the entire galaxy.[6] In this respect, model calculations (from 1988) predicts the supermassive black hole in the center of our Milky Way galaxy to expel one star every 100,000 years on average.[7]”

 “Star unlike any found in the Milky Way appears to be an intergalactic intruder” by Michael Irving (Again, these are excerpts from the article. –Jimmy)

  • “Astronomers have discovered a star in the Milky Way that doesn’t belong. Officially known as J1124+4535, the star has a chemical composition unlike any others ever observed in our home galaxy, suggesting it’s an intergalactic interloper that may have come from a dwarf galaxy that was swallowed up by the Milky Way.”
  • “Through LAMOST observations and a follow-up using the Subaru Telescope in Japan, J1124 was found to have a relatively low amount of magnesium and high levels of europium. This particular chemical composition so far seems to be unique to this star, compared to the rest of the Milky Way.”
  • “This kind of galactic merger happens all the time. The aftermaths of collisions between the Milky Way and smaller galaxies are visible all around us, and many more are predicted in the future – culminating in a spectacular merger between the Milky Way and Andromeda in about four billion years’ time.”
  • “J1124+4535 isn’t the first intergalactic star to be discovered in our neck of the woods. Stars traveling at hypervelocity speeds have been found to be hurtling towards the Milky Way from other galaxies, with the Large Magellanic Cloud, a dwarf galaxy that orbits our own, the most likely point of origin.”

“Lost in Space: Half of All Stars Are Rogues Between Galaxies” by Charles Q. Choi (Once again, these are excerpts from the article. –Jimmy)

  • “As many as half of all stars in the universe lie in the vast gulfs of space between galaxies, an unexpected discovery made in a new study using NASA rockets. These stars could help solve mysteries regarding missing light and particles that theory had suggested should exist, scientists say.”
  • “In the study, astronomers investigated the extragalactic background light, the sum of all light emitted by stars in the universe throughout history. Prior research had detected fluctuations in this light that did not appear to come from any known galaxies. Scientists had suggested these fluctuations might come from primordial galaxies, the very earliest galaxies, whose light has yet to be detected.”
  • “Instead, this finding of bright, blue light unexpectedly reveals these fluctuations may come from something called ‘intrahalo light,’ which is created by stars flung into intergalactic space during titanic collisions and mergers of galaxies. The researchers found that there was as much light from these intergalactic stars as there was from stars located in galaxies.”

“HUBBLE FINDS INTERGALACTIC STARS” (For the last time, these are excerpts from the article. –Jimmy)

  • “NASA’s Hubble Space Telescope has found a long sought population of ‘stellar outcasts’ – stars tossed out of their home galaxy into the dark emptiness of intergalactic space. This is the first time stars have been found more than 300,000 light-years (three Milky Way diameters) from the nearest big galaxy.”
  • “The isolated stars dwell in the Virgo cluster of galaxies, about 60 million light-years away. The results suggest this population of ‘lone stars’ (Haha! –Jimmy) accounts for 10 percent of the Virgo cluster’s mass, or 1 trillion Sun-like stars adrift among the 2,500 galaxies in Virgo.”
  • “Intergalactic stars have been predicted to exist as a result of galaxy interactions and mergers early in a galaxy cluster’s history. These close encounters should have ripped stars out of their home galaxies and tossed them into intergalactic space, where they drift free of the gravitational influence of any single galaxy.”
  • “The stars are bright red giants – stars late in their lives. Presumably there are many fainter stars – perhaps as many as 10 million – in the same field but are below Hubble’s sensitivity.”

I wish they’d spent more time discussing rogue stars, but we were pressed for time thanks to our contracts. Jack understood that. Perhaps in the future MIFV could do “redux” episodes as Nathan as suggested once or twice. Then I could go nuts researching rogue stars (again)!

In the meantime, our resident “Mothrian” Bex from Redeemed Otaku returned to finish up the “Summer of Mothra,” which you’ll hear next week. Let’s just say things got…Star Trek-ian. Then Nathan does a mini-analysis of Matango as the second episode in July.

Be there or be square!

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

Comments closed

Episode 19: ‘Gorath’ (feat. Jack “GMan” Hudgens)

Hello, kaiju lovers!

Before Armageddon, before Star Trek: The Motion Picture, there was Gorath. Nathan is joined by the most loved and hated film critic in the kaiju community, Jack “GMan” Hudgens, to discuss this Toho classic that has been described as the lovechild of Mothra (1961) and The Last War. While it isn’t the most exciting film, Nathan and GMan explore how its theme of unity is a timeless message, and one that people need to hear now more than ever. Along the way, they compare this to Star Trek and H.P. Lovecraft stories and discuss how Maguma the giant walrus has done nothing but get shoehorned into stories he didn’t need to be in. Also, GMan gets into a bar fight with Jimmy From NASA. Yep.

This is meant to supplement this episode of Kaijuvision Radio: Episode 44: Gorath (1962) (Near Earth Objects/Science of Gorath).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13 and Joejira! Thanks for your support! (Forgive me for forgetting to say this on the air! I’ll make it up to you next time!)

You, too, can support us on Patreon!

Follow GMan on Twitter. Check out The Drift Space.

Read Jimmy’s Notes on this episode.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

1 Comment

Jimmy’s Notes on ‘Episode 18: Bex vs. Rebirth of Mothra II’

I have to be honest, listeners—I didn’t see Bex’s conversion to Mothrianity coming. (Did she make that up, or is that a real religion? Do the Shobijin know?) I’m not a religious guy myself, but it still took me aback. I hope Bex is happy. It’s still weird, though.

What was I doing? Oh, yeah. Writing about…Rebirth of Mothra II. The deep valley between two short mountains, as Nathan said. Oh, man….

Let’s get my notes done first.

  • I sleep…sometimes. I mean, I was dead once (maybe? 😛 ), so I got plenty then.
  • The character from The Tick Nathan brought up was a hero, not a villain. He was the Living Doll, who was part of a team called the Decency Squad.
  • You can’t terminate me, Marchand—you haven’t the “fire” power! 😛
  • What? I flung a bug at my teacher because she was annoying. You know what that’s like, Nathan. We’ve had talks about your terrible kindergarten teacher.
  • Bex is right. Hikari Mitsushima (who played Shiori) is pretty.
  • The thorax is the midsection of an insect, Marchand. To quote Sherlock, “Do your research!”
  • Ghogo predates Furby by a year!
  • “Buzzkill”? Well, you just guaranteed that I won’t tell you.
  • NOAA stands for the National Oceanic and Atmospheric Administration.
  • You meant to say “first,” not “second,” Nathan.
  • You meant to say, “Rebirth of Mothra II,” at the end, Nathan.
  • Gorath is a rogue star, not a planetoid, Nathan. I should’ve said that live, but I was in shock from Bex’s revelation.

And now, because I’m contractually obligated, here are Nathan’s leftover notes (plus my comments).

The Movie:

  • You killed Furby, you punk! And took his bling!
  • What?! What happened with the cat and cigarette?
  • Shiori uprooted a Furby.
  • Gorgo? Gorgo is a giant British lizard who’s looking for her son.
  • Dagahra appears about 24 minutes in.
  • “Eat at McDonald’s every day.” I bet that’s a product of the dubtitles. (Well, as you pointed out on Kaijuvision Radio, Nathan, McDonald’s broke into the Japanese market in the early ‘70s, so it’s possible. I saw it happen.  –Jimmy)
  • 27 minutes in, and we’ve already found the temple. Sheesh.
  • Wait, what?! How’d the kids get into the giant waterslide?
  • Okay, the temple rising out the water looks pretty cool. The water actually scales really well when that and fire usually have trouble with that.
  • Why is the fat kid so dumb he really walks off the ledge? (He’d never get picked as a Gamera kid. Not precocious enough. –Jimmy)
  • The two morons are on the temple? When did that happen?
  • I’m confused. Did Belvera want the treasure to conquer the world or just Dagahra? (Yes. –Jimmy)
  • The temple has lightning and lasers as a security system.
  • Dagahra can fly and swim? Because shut up.
  • Wait, now Dagahra can damage the temple? What happened to the security system?
  • Mothra Leo just won a game of chicken with Dagahra. (I played chicken with Dagahra once with the Gohten. Koji wasn’t happy with me. –Jimmy)
  • Mothra Leo got his belly beam back.
  • Are the morons even under Belvera’s control anymore? Yes, they are.
  • Gorgo has a mouth? Where? He just bit a guy. (You don’t want to know. Trust me. –Jimmy)
  • The singing sequences are a littles less impressive this time.
  • Suddenly Mothra Leo is reenacting his mother’s death…and it has the impact of a thrown sponge.
  • This underwater sequence is hokey. No bubbles.
  • Barem cannon!
  • This movie overuses superimposition.
  • Really, kids? See! They lied! Also, why couldn’t we see Fairy zap them?
  • You know, at least these are mostly real sets. Not CGI. (No Star Wars Prequel-it is here. –Jimmy)
  • Isn’t that the opal egg for Barugon? 😛 Wait? There are two? Or three? (I can confirm it isn’t. Did you forget Barugon is on the Island, Nathan? You should know these things. –Jimmy)
  • “Help me, kids, you’re my only hope,” says Tall Leia while growling like a monster.
  • So…is Tall Leia the new Mu Empress? Again, someone call Jinguji! Is she an AI? A ghost? (It just raises too many questions).
  • “I have some Turkish Delight for you!” (So, I guess Jadis the White Witch is also her cousin? –Jimmy)
  • How did they magically gain the ability to super jump? And to super throw? (You’re asking questions of this movie again. Haven’t you learned? –Jimmy)
  • The Elias do speak in unison sometimes.
  • Did the falling bridge breach the temple’s warp core? (Now I want to examine this temple. –Jimmy)
  • So…why does a civilization that has nothing to do with Mothra have a creature that reinvigorates Mothra? (Again, you ask questions. It’s futile. –Jimmy)
  • Great. Now Mothra Leo has shields like a starship. (I can get behind this. For scientific purposes, of course. –Jimmy)
  • The morphing effects look all right.
  • The ancient civilization’s temple was just offshore.
  • The fat kid wears an Oakland A’s shirt the whole time.
  • It’s a pearl—also, “She’s got the whole world in her hands!”
  • What is with this end theme? Is it trying to be rap? It almost sounds like the first theme for Rurouni Kenshin.
  • Also, the soundtrack keeps almost being Ifukube Godzilla music.

Japan’s Green Monsters by Sean Rhodes and Brooke McCorkle

  • Eschews family concerns for streamlined message on water pollution.
  • Mothra Leo soars over ocean with school of dolphins following. Makes message clear.
  • Like Godzilla vs. Biollante, this film says humanity can’t anticipate what will happen when they tamper with nature through genetic engineering.

The Toku Topic:

“Marine pollution” (Wikipedia) (https://en.wikipedia.org/wiki/Marine_pollution)

  • “In the late 1950s and early 1960s, there were several controversies about dumping radioactive waste off the coasts of the United States by companies licensed by the Atomic Energy Commission, into the Irish Sea from the British reprocessing facility at Windscale, and into the Mediterranean Sea by the French Commissariat à l’Energie Atomique. After the Mediterranean Sea controversy, for example, Jacques Cousteau became a worldwide figure in the campaign to stop marine pollution. Marine pollution made further international headlines after the 1967 crash of the oil tanker Torrey Canyon, and after the 1969 Santa Barbara oil spill off the coast of California.”
  • “Marine pollution was a major area of discussion during the 1972 United Nations Conference on the Human Environment, held in Stockholm. That year also saw the signing of the Convention on the Prevention of Marine Pollution by Dumping of Wastes and Other Matter, sometimes called the London Convention. … The London Convention applied only to waste dumped from ships, and thus did nothing to regulate waste discharged as liquids from pipelines.”
  • “Dust from the Sahara moving around the southern periphery of the subtropical ridge moves into the Caribbean and Florida during the warm season as the ridge builds and moves northward through the subtropical Atlantic. Dust can also be attributed to a global transport from the Gobi and Taklamakan deserts across Korea, Japan, and the Northern Pacific to the Hawaiian Islands.”
  • “In a study published by Environmental Science & Technology, Schmidt et al. (2017) calculated that the Yangtze, Indus, Yellow River, Hai River, Nile, Ganges, Pearl River, Amur, Niger, and the Mekong ‘transport 88–95% of the global [plastics] load into the sea.’”
  • “The remains of an albatross containing ingested flotsam. Many animals that live on or in the sea consume flotsam by mistake, as it often looks similar to their natural prey. Plastic debris, when bulky or tangled, is difficult to pass, and may become permanently lodged in the digestive tracts of these animals. Especially when evolutionary adaptions make it impossible for the likes of turtles to reject plastic bags, which resemble jellyfish when immersed in water, as they have a system in their throat to stop slippery foods from otherwise escaping. Thereby blocking the passage of food and causing death through starvation or infection.”
  • “Many animals that live on or in the sea consume flotsam by mistake, as it often looks similar to their natural prey. Plastic debris, when bulky or tangled, is difficult to pass, and may become permanently lodged in the digestive tracts of these animals. Especially when evolutionary adaptions make it impossible for the likes of turtles to reject plastic bags, which resemble jellyfish when immersed in water, as they have a system in their throat to stop slippery foods from otherwise escaping. Thereby blocking the passage of food and causing death through starvation or infection.”
  • “Many of these long-lasting pieces end up in the stomachs of marine birds and animals, including sea turtles, and black-footed albatross. In a 2008 Pacific Gyre voyage, Algalita Marine Research Foundation researchers began finding that fish are ingesting plastic fragments and debris. Of the 672 fish caught during that voyage, 35% had ingested plastic pieces.”
  • “Noise also makes species communicate louder, which is called the Lombard vocal response. Whale songs are longer when submarine-detectors are on.[101] If creatures don’t “speak” loud enough, their voice can be masked by anthropogenic sounds. These unheard voices might be warnings, finding of prey, or preparations of net-bubbling. When one species begins speaking louder, it will mask other species voices, causing the whole ecosystem to eventually speak louder.[102]”
  • “The amount of awareness on marine pollution is vital to the support of keeping the prevention of trash from entering waterways and ending up in our oceans. The EPA reports that in 2014 Americans generated about 258 million tons of waste, and only a third was recycled or composted. In 2015, there was over 8 million tons of plastic that made it into the ocean. The Ocean Conservancy reported that China, Indonesia, Philippines, Thailand, and Vietnam dump more plastic in the sea than all other countries combined. Through more sustainable packing this could lead to; eliminating toxic constituents, using fewer materials, making more readily available recyclable plastic. However, awareness can only take these initiatives so far. The most abundant plastic is PET (Polyethylene terephthalate) and is the most resistant to biodegradables. Researchers have been making great strides in combating this problem. In one way has been by adding a special polymer called a tetrablock copolymer. The tetrablock copolymer acts as a laminate between the PE and iPP which enables for an easier breakdown but still be tough. Through more awareness, individuals will become more cognizant of their carbon footprints. Also, from research and technology, more strides can be made to aid in the plastic pollution problem.”

“Ocean Pollution” (NOAA) (https://www.noaa.gov/education/resource-collections/ocean-coasts/ocean-pollution)

  • “Some debris sinks, some is eaten by marine animals that mistake it for food, and some accumulates in ocean gyres.” (A gyre is a large system of rotating ocean currents.)
  • “The majority of pollutants that make their way into the ocean come from human activities along the coastlines and far inland. One of the biggest sources of pollution is nonpoint source pollution, which occurs as a result of runoff. Nonpoint source pollution can come from many sources, like septic tanks, vehicles, farms, livestock ranches, and timber harvest areas. Pollution that comes from a single source, like an oil or chemical spill, is known as point source pollution. Point source pollution events often have large impacts, but fortunately, they occur less often. Discharge from faulty or damaged factories or water treatment systems is also considered point source pollution.”
  • “However, if they are too abundant in a body of water, they can stimulate an overgrowth of algae, triggering an event called an algal bloom. Harmful algal blooms (HABs), also known as “red tides,” grow rapidly and produce toxic effects that can affect marine life and sometimes even humans. Excess nutrients entering a body of water, either through natural or human activities, can also result in hypoxia or dead zones. When large amounts of algae sink and decompose in the water, the decomposition process consumes oxygen and depletes the supply available to healthy marine life. Many of the marine species that live in these areas either die or, if they are mobile (such as fish), leave the area.”
  • “Local, national, and international efforts are needed to address this environmental problem. The Save our Seas Act of 2018 amends and reauthorizes the Marine Debris Act to promote international action, authorize cleanup and response actions, and increase coordination among federal agencies on this topic.”
  • “Garbage patches are large areas of the ocean where trash, fishing gear, and other marine debris collects. The term ‘garbage patch’ is a misleading nickname, making many believe that garbage patches are “islands of trash” that are visible from afar. These areas are actually made up of debris ranging in size, from microplastics to large bundles of derelict fishing gear.”

“Marine Pollution” (National Geographic) (https://www.nationalgeographic.org/encyclopedia/marine-pollution/#:~:text=Marine%20pollution%20is%20a%20combination,59)

  • “The Pacific Garbage Patch is one example of such a collection, with plastics and microplastics floating on and below the surface of swirling ocean currents between California and Hawaii in an area of about 1.6 million square kilometers (617,763 square miles), although its size is not fixed. These patches are less like islands of trash and, as the National Oceanic and Atmospheric Administration says, more like flecks of microplastic pepper swirling around an ocean soup. Even some promising solutions are inadequate for combating marine pollution. So-called ‘biodegradable’ plastics often break down only at temperatures higher than will ever be reached in the ocean.”
  • “Nonetheless, many countries are taking action. According to a 2018 report from the United Nations, more than sixty countries have enacted regulations to limit or ban the use of disposable plastic items.”

“OCEAN POLLUTION: 11 FACTS YOU NEED TO KNOW” (https://www.conservation.org/stories/ocean-pollution-11-facts-you-need-to-know)

  • “Eight million metric tons: That’s how much plastic we dump into the oceans each year. That’s about 17.6 billion pounds — or the equivalent of nearly 57,000 blue whales — every single year. By 2050, ocean plastic will outweigh all of the ocean’s fish.”
  • “More plastic in the ocean comes from China and Indonesia than anywhere else — together, they account for one-third of plastic pollution.”
  • “With each load of laundry, more than 700,000 synthetic microfibers are washed into our waterways. Unlike natural materials such as cotton or wool, these plasticized fibers do not break down. One study showed that synthetic microfibers make up as much as 85 percent of all beach trash.”
  • “One effect of greenhouse emissions is increased ocean acidification, which makes it more difficult for bivalves such as mussels, clams and oysters to form shells, decreasing their likelihood of survival, upsetting the food chain and impacting the multibillion-dollar shellfish industry.”
  • “Noise pollution generated by shipping and military activity can cause cellular damage to a class of invertebrates that includes jellyfish and anemones. These animals are a vital food source for tuna, sharks, sea turtles and other creatures.​​​​​​”

I’m glad I got this over with. Let me assure you that it’s only up from here. While our schedule was screwed up by the delay of Godzilla vs. Kong, the rest of the season will feature better films.

Next week we’re joined by the most loved and hated G-Fan on Twitter, Jack “GMan” Hudgens, to discuss the increasingly obscure Toho classic, Gorath.

After that is the final part of the “Summer of Mothra” when the now Mothra-worshipping Bex returns for Rebirth of Mothra III. (Oh, boy…).

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

Comments closed

Episode 18: Bex vs. ‘Rebirth of Mothra II’

Hello, kaiju lovers!

The “Summer of Mothra” continues with Rebirth of Mothra II—the valley between two short mountains in the ‘90s Mothra trilogy. Once again Nathan is joined by Bex from the Redeemed Otaku podcast, and they try their hardest to do a deep dive on a shallow movie. While the first movie had an obvious environmental theme, this one barely gives 20 seconds of screen time to anything substantial. Even Belvera and Elias aren’t as exciting this time around. Then there’s Ghogo/Gogo/Go-Go (aka “Japanese Furby”), the “token cute thing” whose plushy Bex has no interest in buying because, well, magic urine. Yeah….

But nothing can prepare you for the Shyamalan twist at the end of this episode. Nathan and his intrepid producer, Jimmy From NASA, never saw it coming.

Also, Jimmy introduces his new garage assistant, who’s either popular or infamous, depending on who you talk to.

Here’s the Kaijuvision Radio episode Nathan mentioned: Episode 19: Godzilla vs. Mechagodzilla (1974) (The Reversion of Okinawa: History and Culture).

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

We’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13, and Joejira! Thanks for your support! (Sorry we didn’t mention you on the air, Joejira. You signed up after the initial broadcast).

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-3:57
Entertaining Info Dump: 3:57-8:44
Toku Talk: 8:44-1:17:00
Toku Topic: 1:17:00-1:40:01
Outro: 1:40:01-end

MIFV Social Media:
Twitter
Facebook
Instagram
Patreon

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

Comments closed

Jimmy’s Notes on ‘Episode 17: The Last War (Mini-Analysis)’

I’m a day late but not a dollar short. I wasn’t able to get access to Marchand’s notes on The Last War because his laptop charger just had to die, followed by his laptop itself. And wouldn’t you know it, even with all the technology here, we didn’t have anything compatible with it. That’s what you get for having a computer verging on retirement age in technological years, Marchand!

On the bright side, even I know these blogs aren’t as important as the podcast. After almost nine months of doing this show, if the worst we’ve done is have a few of my blogs be a day late while the podcast stays on time, I’d call that an accomplishment.

As usual with Nathan’s scripted episodes, I don’t have anything to add to what he said since we take care of that before recording. However, he left out a surprising number of his notes on the film in his analysis. Let’s dive in (like I did when eluding the Messiah 13 Aliens during the War in Space).

Nathan’s Leftover Notes:

  • Starts with an overture. This wasn’t common anymore in 1961. It only lasts 80 seconds.
  • Opens with a montage of normal everyday things: steel mill, traffic, showgirls, ship launching. Life is proceeding as usual. (Showgirls are “normal”? Do you live in Vegas? –Jimmy)
  • Acknowledges World War II. Rebuilt city. Didn’t think it would burn down again.
  • Random American takes kids’ photo.
  • Alliance (USSR) and Federation (NATO). Stand-ins. Much like Rolisica and New Kirk City in Mothra, though more obvious. (Makes me wonder which one Rolisica would join. I could go either way. – Jimmy)
  • America is mentioned. Stocks.
  • Radio reports of tensions rising between Alliance and Federation. Meanwhile, the family goes about its business. They’re charming and happy.
  • If this was a different movie, the flash in the sky would be an alien ship. (If I had a dollar for every time I confused an ICBM for an alien spaceship, I could buy the Gohten! –Jimmy)
  • The husband says he worked hard and saved after the war to build his “castle” (i.e. middle class lifestyle). This was becoming more common at the time in Japan. Economic Miracle.
  • The daughter, Saeko, says she will find her own happiness. Counter. Fell in love before getting married. Takarada wants to make her happy despite not being rich. Parents more like older generation. Traditional. Oh, wait. Parents weren’t so traditional, actually.
  • The dad says the intelligent people of the world don’t mean much if they don’t care about the “little people.” He can’t believe the gods wouldn’t care.
  • In Japan, children throw balls at spherical piñatas? (Yep. I had one for my ninth birthday while living in Japan as a kid. –Jimmy)
  • There are a lot of families and children in this film.
  • Takarada says the world seems to be at “peace.” Polite way of saying it.
  • 38th line = 38th parallel? Yes. Korea.
  • The Japanese government urges both sides to have 2nd and third meetings after Africa summit dissolves to maintain peace and refrain from nukes. PM is said to have kidney problems.
  • Sakai’s friend says only people with money can relax at this time. He says only a moron would relax. Anyone who knows the alternative (nuclear war, I assume) must work hard for peace.
  • Hard work is venerated in this film. (As it should be. –Jimmy)
  • A black man in a Toho film! Rare sight!
  • The scene where the Federation officer muses about peaceful coexistence is interrupted by an almost comical sign that says, “The Outbreak of War.” He then says, “God, forgive me,” and presses the button. No order was given to fire. He panicked. It’s barely stopped. Short circuit. (Undermined a bit by the acting). (And people say David Perin’s crying was terrible. Just sayin’. –Jimmy)
  • Sometimes the English spoken by Japanese bit actors is hard to understand.
  • Soldiers’ bodies are shown burnt to ashes and blowing in the wind. Small nuke.
  • PM pushes through health issues (hard work).
  • The classroom has a banner with the flags of many nations hung up on doorway.
  • Alliance forces speak English, too. Hmm.
  • Alliance missile base nearly fires nuke because of damage from an avalanche. Alliance officers’ uniforms stained with sweat as they work on warhead. Shows fragility of situation. The soldiers in these bases at the very least don’t want war.
  • News of a ceasefire on 38th parallel comes in. Japanese officials mention a Federation officer confused a meteor for a missile and nearly launched. (If I had a dollar for every time this happened, too…. –Jimmy)
  • Both sides have nukes mounted on fighter planes?! Geez! (Did you forget about the scene in Independence Day where they fired nukes at the alien ship from a stealth bomber? That was in the ‘90s, but it shows it’s possible. It’s still a horrifying thought, though. –Jimmy)
  • Seako and Takarada speak often of how a war would ruin their lives together. The big decisions made by leaders trickle down to the common people and disrupt their lives.
  • PM still believes the world can be saved. Issues statement for peace that is broadcast constantly.
  • We get a traditional crowd fleeing scene like in a kaiju film, but this time they’re trying to flee a war.
  • Suzue’s mother promises nothing will happen to her. Is she lying to protect her daughter? Does she believe that?
  • There’s a shot that pans down from a painting of a crucified Christ to the famous “Scream” to a street filled with decimated cars and debris. Cuckoo clock rings. “Time’s up”? (“The Scream” is an 1893 painting by Edvard Munch. –Jimmy)
  • Teacher reads a story to children about two goats who meet on bridge wanting to cross but refusing to move. They butt heads and almost fall off bridge. One finally says he will duck down and let the other one jump over him. They reach a peaceful agreement. Parallels world politics except neither side is willing to compromise. (Is this a sequel to “The Three Billy Goats Gruff”? –Jimmy)
  • I love the kanji of what Saeko and Takarada talking to each other over Morse code. It’s beautiful.
  • Sakai’s family prepares a fancy meal like it’s New Year’s Day. They didn’t run. Last meal? Kids can eat all they want. They listen to radio reports about what’s happening. Sakai wonders if he was a bad father working a lot. His wife says no.
  • The tulips haven’t sprouted and Saeko says they will survive underground and bloom after they die. Sakai won’t accept that. Idealist to the end. He rails against powers he can’t control and decisions he can’t influence. Powerlessness.
  • The characters all sit around at the end waiting for death.
  • Interestingly, the Diet is the first thing we see be destroyed. (This seems to be a thing in Toho films. It happened in Godzilla 1954, too. –Jimmy)
  • In the end, Takarada’s captain decides they will return to the devastated Tokyo. The attendant muses that humans are a unique irony. They will die with their people.

This is a film whose message is still relevant, especially with everything that’s happening right now. I may not be in America currently, but I see what’s going on. We need more compassion and understanding than ever.

That’s all I have to say on the matter for now.

Anyway, join us next week for part two of “The Summer of Mothra” when Bex from Redeemed Otaku returns for Rebirth of Mothra II. Then Jack “GMan” Hudgens joins us to discuss Gorath later this month.

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

Comments closed

Episode 17: ‘The Last War’ (Mini-Analysis)

Hello, kaiju lovers!

Except today’s episode isn’t about giant monsters. Heck, it’s barely about tokusatsu. Nathan is analyzing the criminally underseen 1961 antiwar drama The Last War. While most of the creative team behind the camera aren’t the ones usually followed by kaiju/toku fans, there are several familiar faces in front of the camera: Frankie Sakai (Mothra), Yuriko Hoshi (Mothra vs. Godzilla, etc.), and Akira Takarada (too many to list). This film depicts a middle class Japanese family navigating everyday life interspersed with Japanese government officials and foreign soldiers trying to avoid World War III. It is a perfect snapshot of the Japanese national spirit at that moment in time and, Nathan argues, is the precursor to 1984’s The Return of Godzilla. As part of his analysis, Nathan reads the Bible passage quoted in the film (plus the following two verses that would’ve offered some hope) and a John Bradley poem that would’ve been perfect for the end of the film.

All this plus Nathan opens the mailbag to answer some listener feedback!

This is meant to supplement this episode of Kaijuvision Radio, which featured the fantastic Danny DiManna: Episode 43: The Last War (1961) (NATO) (The North Atlantic Treaty Organization).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, and elizilla13! Thanks for your support!

Read Jimmy’s Notes on this episode.

Please donate to David Marshall and his family on GoFundMe.

Podcast Social Media:
Twitter
Facebook
Instagram
Patreon

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

Comments closed

Jimmy’s Notes on ‘Episode 16: Bex vs. Rebirth of Mothra’

Now that I’ve recovered from my embarrassment of flirting with a happily married woman, I’ve collected my notes and Nathan’s assigned research mini-projects for our latest episode. Let’s get into it.

  • Tomoyuki Tanaka started producing films for Toho in 1945. His first was Three Women of the North.
  • Yell at you, Nathan, for mispronouncing a tiny robot dragon’s name? Nah.
  • It’s “Enter the Fist,” not, “Legend of the Fist,” Bex. (Even writing that sentence makes my eye twitch!)
  • The name of this film’s director is Okihiro Yoneda.
  • I should’ve reminded you it was a bulldozer, Nathan. Oops.
  • You want me to rant on Twitter about you boring me with your many theories about everything on the Island? Nah. I have better things to do with my Twitter. Like retweet stuff for Space Force.
  • It’s Yakushima, not Yukushima, Bex.
  • What? If Mothra’s powder can be an artificial sweetener, why can’t her webbing be used to season popcorn? It only makes sense. That’s what Dr. Chujo told me.
  • There were two Mothra props built for this film: one for close-ups and one for action shots. There were two Mothra Leo larva props (one of which was repurposed for GMK) and two for his Imago form. There was one Desghidorah suit and a flying prop near as I can tell.
  • The Godzilla film with a silhouette against the sun is Godzilla vs. Hedorah. Nathan neglected to mention for some reason.
  • Both of you call the Elias “twins” when they aren’t. Heck, Nathan even points out they aren’t twins! Consistency, man!

Nathan’s Leftover Notes – The Film

  • Mothra…appears right off the bat. Glitter and sparkles!
  • Title actually appears in English with her glyph as the O.
  • Within four minutes we see the Elias (fairies). They say, “Goodbye!” together, too.
  • Sadly, these are dubtitles.
  • The seal looks like Mothra’s glyph.
  • Classic wing problem. They don’t flap enough.
  • The beam attacks (for Fairy and Garugaru) sound like gunshots sometimes.
  • How’d Belvera tie up the Mom? (Magic. –Jimmy)
  • How does Belvera stay on Garugaru with how much he crashes? (Glue? Velcro? Static cling? –Jimmy)
  • They try to use a kite to fly the Elias to Belvera. Definitely child logic.
  • Did they need the seal to cure Fairy? (The answer is apparently, “Yes.” –Jimmy)
  • I gotta say: Desghidorah looks great. His emergence from the mountain is particularly good. He sounds like an angry elephant, though.
  • There was a line that didn’t get subtitled. No dub? Belvera ordering Garugaru.
  • Mothra has a Canary Cry? (What superpower doesn’t she have at this point? –Jimmy)
  • Now Mothra is in full-tilt mama bear mode!
  • Why didn’t you whip out the laser cannon the first time?!
  • There’s an image you don’t see every day: Mothra carrying the larva in flight.
  • Check out the OG cell phones. (I think I still have mine…. –Jimmy)
  • As usual, Mothra’s cocoon looks like a peanut. Selecting a cedar tree is significant because it is connected with Shinto and used as backdrops for No theatre. National identity, traditional values, and conversation.
  • I’m not sure Taiki’s bee stings and snake bites analogy is applicable here.
  • Belvera, I don’t think “mutated” is the right word.
  • What?! Post-credit?! Oh. No. What a tease. (This isn’t a Marvel movie, Nathan. Or a Masaaki Tezuka Godzilla film. –Jimmy)
  • The child characters have insights into a kind of “magic of nature.” They show the world through their eyes, and it shows the audience what the “post-bubble family life” is like. (Rhodes and McCorkle)

Nathan’s Leftover Notes – Toku Topic: Deforestation in Japan

  • “The situation started to change around 1570. By then, Japan’s population had increased to ten million people, and villagers’ needs for subsistence forest products had increased correspondingly. Large-scale military conflict during the 1500s required large quantities of timber for the armies. With the advent of the Tokugawa shogunate and peace, followed by rapid growth of cities and monumental construction projects for castles, temples, and shrines, logging increased during 1600s to a scale never before experienced in Japan. Conflict between villagers and rulers over the use of forest lands – subsistence products for the villagers vs. timber for the rulers – became more intense. By 1670 the population had increased to nearly thirty million, and with the exception of Hokkaido, the old growth forests had been completely logged. The supply of timber and other forest products was running out. Soil erosion, floods, landslides, and barren lands (genya) were becoming ever more common. Japan was headed for ecological disaster.” (Marten)
  • A “positive tip” came in 1670: “the central role of catalytic actions and mutually reinforcing positive feedback loops, local community, outside stimulation and facilitation, letting nature and natural social processes do the work, demonstration effects, social/ecological coadaptation, and using social/ecological diversity and memory as resources. It is difficult to single out the initial tipping point with certainty, but it seems to have derived from the centuries-old tradition of cooperation among villagers for protection against bandits, allotting rice fields and irrigation water, and storing rice. Until then, village cooperation had not extended to forest management, but villages started responding to the forest crisis by refining the management of satoyama secondary forests for subsistence needs (McKean 1982, 1986), and for the first time, planting sugi and hinoki plantations to help satisfy timber demands of the rulers.” (Marten)
  • Something that helped was the development of silviculture technology, which better managed the tree populations. “Itinerant scholars wrote silviculture manuals, and silviculture “missionaries” traveled around the country, spreading the new technology from village to village. The creation of managed tree plantations stimulated new social institutions for the ruling elite and villagers to cooperate on timber production in a way that provided villagers incentives to produce timber: yamawari (dividing use rights of village forest land among families), nenkiyama (long term leases of forest land to villagers by the government), and buwakibayashi (villagers producing timber on government land and sharing the harvest with the government).” (Marten)
  • People in the lumber industry called this the “buna massacre.” Artificial forests that once accounted for only 27% of Japan’s total forest land grew to over 44% by 1985. An estimated 17 million buna trees were cut down.
  • “Japan’s switch to imported wood, fossil-fuel energy, and chemical fertilizers for agriculture, in full swing by the 1980s, eliminated the demand for forest products from satoyama secondary forest and greatly reduced the demand for sugi and hinoki.” (Marten)
  • Other countries have had the same problems planting one or two species of trees: China, Brazil, Pakistan.
  • “It is using LIDAR (light detection and ranging) to map forestland and determine where to harvest trees, where to preserve landscapes and where to build resilience against landslides and runoff.” (Coca)
  • “Most of the cultivated pasture land (in Hokkaido) was abandoned and returned to the Japanese government from 1966-1977, as climate conditions in the area were not conducive to good crop yield. The shift from old growth forest to pasture left large areas of reduced soil fertility that trees were unable to recolonize. Due to a lack of a seed bank and competition with dwarf bamboo, human involvement was necessary to reforest the area. From 1978-2005 native trees with high growth rates were planted in plantations. It was mostly conifers that were planted in the area, but it has aided in the recovery of a conifer-broadleaf mixed forest.” (Wikipedia)

Dangit, Nathan, I’m an engineer, not an ecologist! Even as a man of science this was a bit of a slog to get through. No offense to ecologists, though. We have a few here on the Island studying the local plant life, and they’re good people. Although, they do have a weird fascination with Biollante.

Join us next week when Nathan discusses a very different film: The Last War (1961). Until next time, stay safe and stay healthy!

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

1 Comment

KAIJU QUARANTINE 2: TRASH MOUNTAIN (Trailer)

Kaiju Quarantine is back, baby! Join your favorite giant monster podcasters as they climb Trash Mountain and riff ten of the most awesomely awful movies in the kaiju genre! But what mystery movie awaits us at the peak of Trash Mountain? Only Evil Rob knows! Spend an epic and hilarious Memorial Day weekend on the Kaiju Quarantine Discord server. Space is limited! Reserve now! Kaiju Quarantine: Come together right now over kaiju!

Comments closed

Episode 16: Bex vs. ‘Rebirth of Mothra’

Hello, kaiju lovers!

Today we’re giving you something you perhaps didn’t know you wanted—a deep dive into Rebirth of Mothra, the first of a trilogy produced by Toho after retiring Godzilla (again). Depending on how you feel about this movie, you may love or hate this episode. What you will love, though, is the Tourist joining Nathan this week is none other than Bex from Redeemed Otaku. Since Nathan appeared on her podcast to discuss the Godzilla Anime Trilogy, he’s having her on three episodes as part of the “Summer of Mothra” while we all await the release of Godzilla vs. Kong (yes, much to anime-loving Bex’s chagrin, she’s filler). Their spirited discussion references and compares this film to a multitude of unrelated media, including The Lion King, Power Rangers, The Neverending Story, Sentinels of the Multiverse (a card game), and Panzer Dragoon(a video game). It’s quite meme-tastic with catchphrases like, “lightning and lasers,” and Nathan’s favorite, “Deus ex Mothrica” (he has issues with the movie’s ending). The Toku Topic is deforestation in Japan. While that may not sound exciting, it has deep connections to the movie and the Japanese national spirit. All this plus some Jimmy From NASA antics and more in the latest episode of MIFV!

Here are the Redeemed Otaku episodes Nathan (and his friend Eric Anderson) appeared on to discuss the Godzilla Anime Trilogy:

Godzilla: Planet of the Monsters
Godzilla: City on the Edge of Battle
Godzilla: The Planet Eater

ANNOUNCEMENT: We now have a Patreon! If you’re able to support the show in these crazy times, please do. There are three levels, each with its own perks. Here’s a link. Shout out to our first Patron, Travis Alexander (co-host of Kaiju Weekly), who pledged at the Day Pass Tourist level! Thanks, man!

Read Jimmy’s Notes on this episode.

Timestamps:
Intro: 0:00-5:11
Entertaining Info Dump: 5:11-11:55
Toku Talk: 11:55-1:29:31
Toku Topic: 1:29:31-2:09:11
Outro: 2:09:11-end

MIFV Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy

www.MonsterIslandFilmVault.com

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

Comments closed