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Episode 23: ‘Atragon’ (Mini-Analysis)

Hello, kaiju lovers!

This month’s mini-sode is yet another excerpt from the paper Nathan wrote for his Ishiro Honda independent study in grad school, and it’s on one of his favorite tokusatsu films: Atragon. This Jules Verne-ian sci-fi adventure story has deep connections to the Japanese national spirit as it was inspired by a militaristic 1899 novel and the ongoing newspaper stories about World War II stragglers being found on Pacific islands. The film also comments on resurgent Japanese nationalism in the early 1960s. All this plus listener feedback, and MIFV’s intrepid producer, Jimmy From NASA, tells a bit of his story about taking the Gotengo (the flying super-sub in the film) for a joyride in the ’80s. (If you want to hear the entire story, listen to Kaiju Weekly episode 38). And much to Nathan’s annoyance, Jimmy relays an outrageous announcement from the Monster Island Board of Directors about Godzilla vs. Kong.

Episode thumbnail created by Michael Hamilton.

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio), and Bex from Redeemed Otaku! Thanks for your support!

You, too, can support us on Patreon!

This episode is approved by the Monster Island Board of Directors.

Read Jimmy’s Notes on this episode.

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Jimmy’s Notes on ‘Episode 22: The Metters vs. Daimajin’

Episode 22 was beset by many-a-peril during its production, both in front of the mics and behind the scenes. It was late for our Patreon Patrons, but we did manage to get it published on time. We’re a stubborn and determined lot.

That being said, I have more notes on this than I usually do—mostly because Marchand was copy-and-pasting stuff from his research as opposed to writing paraphrases. I’ve spoken with him about this and convinced him it would be better for everyone involved—especially the Tourists on the show—to do that less from now on. He agreed.

So, after some copious editing, here are my notes.

  • Nathan, goofball that you are, you didn’t set up your new microphone correctly, which is why the episode doesn’t sound as good as it normally does. Live and learn. And research your mic next time!
  • There has actually been more kaiju films where the suit actor’s eyes could be seen than you think. I’m surprised Nathan forgot to mention these. Besides Daimajin and War of the Gargantuas, there was King Kong (1976) (how could he forget that?), Yeti: Giant of the 2oth Century (unfortunately for everyone besides Travis from Kaiju Weekly), and if you want to count him, the Snowman from Half Human. The Babylonian Demon from Yokai Monsters: Spook Warfare has a suit actor whose eyes can be seen. I was also told if you pause Ebirah, Horror of the Deep at the right spot when Godzilla rips off the crustacean’s claw, you can seen Haruo Nakajima’s eyes, although that’s a filmmaking mistake.
  • Haniwa weren’t so much guardians as they were grave markers and boundary markers, and later were believed to house the spirit of the deceased. Read more here.
  • Moses pleads for Israel in Exodus 32:11-14.
  • It’s pronounced, “Samanosuke,” Nathan. And Joe. Man, this name is a tongue twister for us Americans.
  • You don’t believe I have a lightsaber, huh? Just wait. Also, Disney can have it—when the Mouse pulls from my cold, dead fingers!
  • The line from Firefly Nathan was trying to remember was said by Captain Mal: “If I ever kill you, you’ll be awake, you’ll be facing me, and you’ll be armed.”
  • Joe and Joy are going to start saying, “You wants to take Teddy to see Gamera?” as a euphemism for a walk.
  • Nathan says, “Fascinating,” a lot in this episode. Is he Spock?
  • He also says, “Interesting,” a lot. Expand your vocabulary!
  • It wasn’t the Onin War you referenced in episode 13, Nathan, it was the Genpei War.
  • Joe didn’t say it was Portuguese missionaries, Nathan. He said it was Catholic missionaries.
  • Dainichi is the central deity worshipped in esoteric Buddhism. You can read more about him here.

Here’s Nathan’s overabundance of leftover notes.

The Film

  • Eyeball at beginning is meant to symbolize Daimjain contentedly watching events.
  • I didn’t remember the scene of the kid being chased by the forest spirits. The hand was just a tree branch. What’s with the quick cuts of animals? Was this real?
  • The princess is pale, unlike the others. (Old timey view of feminine beauty. I preferred tanned girls, myself. –Jimmy)
  • The bullets don’t hurt Daimajin. Chains cannot hold Daimajin. Daimajin controls the elements, like fire.

Toku Topics

Sengoku Period

  • “The beginning of the Sengoku period witnessed the Onin War (1467-1477 CE) which destroyed Heiankyo. The fighting that followed over the next century would eventually reduce the warlords to only a few hundred in number as the country was effectively carved up into princedoms.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Ashikaga Shogunate (1338-1573 CE) held control of the central part of Japan, and the bureaucracy at the capital was relatively efficient, but the outer provinces were left semi-independent as local warlords or daimyo ruled their own lands how they saw fit. Local officials and estate managers such as the jito found it much more difficult to secure the taxes the state was due from landlords who now had no fear of any government reprisals.” (https://www.ancient.eu/Sengoku_Period/)
  • “In the absence of a strong central government…the rule of law was very often replaced by the rule of force. The more powerful lords absorbed the lands of their weaker rivals and became known as sengoku daimyo. The warlords then passed on their position of strength to their male heir and so the position of daimyo became hereditary unless challenged by ambitious subordinate commanders. The wealth of the daimyo came from commerce, trade, and taxes imposed on those peasants who farmed on their estates. Daimyo may have been a law unto themselves but many of them did formulate law codes to better regulate the sometimes thousands of people under their command.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Warring States period kicked off with the Onin War (Onin No Ran, 1467-1477 CE). This civil war – its name derives from the year period – broke out because of the bitter rivalry between the Hosokawa and Yamana family groups. By the end of the decade, though, the fighting had sucked in most of the influential clans of Japan. The conflict revolved around each side backing a different candidate for the position of shogun – a particularly pointless debate since shoguns, like the emperors, no longer had any real power. Rather, the war is seen by historians as merely a result of the overly aggressive warlords of Japan being rather too keen to put their samurai to some use – good or bad. Even when the war ended in 1477 CE there was no victor and no resolution to the inherent militarism that fractured Japan for the next century as warlords fought each other with no one in particular ever achieving any dominance.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Onin War had sorted out who were the weak and the strong daimyo, who thus became much fewer in number (by 1600 CE there would be only about 250 of them in all of Japan).” (https://www.ancient.eu/Sengoku_Period/)
  • “The upheaval resulted in the further weakening of central authority, and throughout Japan, regional lords, called daimyōs, rose to fill the vacuum. In the course of this power shift, well-established clans such as the Takeda and the Imagawa, who had ruled under the authority of both the Kamakura and Muromachi bakufu, were able to expand their spheres of influence. There were many, however, whose positions eroded and were eventually usurped by more capable underlings.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “As a result of the constant threat of war and pillage in this period, castles were built with much greater frequency than previously in towns, at mountain passes, along vital roads, and on larger estates. The latter type, which could take the form of fortified mansions, was known as yashiki; Ichijodani (base of the Asakura family) and the moated Tsutsujigasaki (of the Takeda family) were excellent examples of this building trend. Some castles, such as Omi-Hachiman near Lake Biwa, caused an entire town to later spring up around them, the jokomachi. … Constructed on large stone bases, the wooden superstructures included walls, towers, and gates, which had narrow windows for archers and from which hung boulders on ropes, ready to be dropped on any attackers.” (https://www.ancient.eu/Sengoku_Period/)
  • “As trade with Ming China grew, the economy developed, and the use of money became widespread as markets and commercial cities appeared. Combined with developments in agriculture and small-scale trading, this led to the desire for greater local autonomy throughout all levels of the social hierarchy. As early as the beginning of the 15th century, the suffering caused by earthquakes and famines often served to trigger armed uprisings by farmers weary of debt and taxes.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “Towns and cities became larger, with many having a population of over 30,000, thanks to a boom in international trade (daimyo wanted foreign luxury goods like Ming porcelain to demonstrate their status), weekly markets, and the development of trade guilds. Measures, weights, and currencies were standardized in many domains to facilitate trade. Meanwhile, the fortunes of the many Buddhist temples scattered across Japan plummeted as no longer backed by the state they could not so easily extract contributions from local communities.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Ashikaga Shogunate would be terminated by the warlord Oda Nobunaga (l. 1534-1582 CE) who finally brought some stability to central Japan. Oda Nobunaga had expanded his territory gradually through the 1550/60s CE from his base at Nagoya Castle as he defeated all comers thanks to his martial skills and innovative use of firearms. The Warring States period comes to an end with the seizure of Heiankyo by Nobunaga in 1568 CE. The warlord then exiled the last Ashikaga shogun, Ashikaga Yoshiaki, in 1573 CE. The unification of the country would continue under Nobunaga’s immediate successors, Toyotomi Hideyoshi (1537-1598 CE) and Tokugawa Ieyasu (1543-1616 CE).” (https://www.ancient.eu/Sengoku_Period/)
  • “The Sengoku period ended when Toyotomi loyalists were defeated at the Siege of Osaka in 1615.” (https://en.wikipedia.org/wiki/Sengoku_period)

Christianity Comes to Japan

  • “The Portuguese land on Tanegashima, becoming the first Europeans to arrive in Japan, and introduce the harquebus into Japanese warfare.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “In 1543 the first Europeans arrived in Japan. Two (maybe three) Portuguese merchants aboard a Chinese ship were blown off course and forced to land on the island of Tanegashima, just south of Kyushu. Only six years later, the first Christian missionary came to Japan. What followed was, what some historians call, Japan’s ‘Christian century.’ Despite 100 years of Christian dominance, today only about 1% of the Japanese population is Christian. … Those first Portuguese men to arrive at Tanegashima also brought the first guns to Japan. Today’s article will focus on the sixteenth century, during which time guns and Christianity were often entwined. Both had a heavy impact on Kyushu and Japan at large during this period, known as the Warring States period (sengoku jidai), a century where central authority in Japan had lost its sway and samurai clans vied for dominance.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Shimazu family who ruled Satsuma also controlled Tanegashima, the island where the first Europeans had landed. The Shimazu had been impressed by European firearms and were quick to reproduce them. So, when Xavier arrived they respectfully welcomed him, curious to see what he might have brought along. They gave him permission to speak to their subjects and, through translators, they began to preach. Xavier and his Spanish colleagues began studying Japanese, and soon were attempting the occasional sermon in Japanese, transliterated into the Roman alphabet for them. For the most part, Xavier and European missionaries who followed were quite impressed with the Japanese people.” (https://www.tofugu.com/japan/history-of-christianity/)
  • Ten months after Xavier’s arrival, the Shimazu changed their stance towards the Christians, prohibiting proselytizing and further conversions. This was probably prompted by the landing of a Portuguese ship at Hirado, in northern Kyushu and outside of Shimazu territory, which dashed Shimazu hopes of securing European trade through the missionaries. … (he went several journeys and preached, winning some converts).” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Nobunaga never converted, and it doesn’t seem that he ever believed in the Christian message, but he certainly had no love for Buddhist institutions either. A number had been thorns in his side. He burned the great temple complex on Mt. Hiei, killing roughly 25,000, and spent eleven years fighting the ikko-ikki, a type of militant Buddhist group. … Unfortunately…in 1582 Nobunaga was betrayed by one of his generals, and chose to kill himself rather than be captured. … Nobunaga had been a source of hope for the Jesuits, and with his death there were even harder times ahead for the Christian mission in Japan.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Just before leaving Japan in 1551, Francis Xavier met with Otomo Sorin (1530-1587), lord of Bungo (in eastern Kyushu). … In 1578, he converted to Christianity, taking the name Francisco in honor of Xavier. Actually, a marital problem led to his conversion. Sorin had married a woman in 1550, who was staunch in her traditional religious beliefs and shared a contentious relationship with the Jesuits. She is known only as Jezebel, the name the Jesuits used to refer to her. In 1578, Sorin became ill, which the priest Luis Frois claimed was Jezebel’s fault. He was nursed by one of her ladies-in-waiting, with whom he fell in love. Sorin had his new paramour spirited away to a seaside villa where they were free to hear Christian instruction. First, she converted, taking the name Julia. Later Sorin also converted. They soon married, and Jezebel, as a pagan, was no object. To many observers Sorin’s behavior was scandalous, but to the Jesuits he was a hero. Sorin’s happiness did not last long.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “…in 1582, (Sorin) and two other Christian lords sponsored the first official Japanese embassy to Europe. The embassy was the brainchild of Italian Jesuit, Allesandro Valignano (1539-1606), who had been preaching in Japan for three years. The Tensho Embassy (named after the reign-name of the time) consisted of four Japanese converts. … The embassy arrived in Lisbon in 1584, and from there went on to Rome. During their European tour, they met several kings and two successive popes. In Rome, one of the converts was made an honorary citizen. They returned to Japan in 1590, after which Valignano ordained them as the first Japanese Jesuit fathers.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Crucifixion was introduced into Japan during the Sengoku period (1467–1573), after a 350-year period with no capital punishment.[116] It is believed to have been suggested to the Japanese by the introduction of Christianity into the region,[116] although similar types of punishment had been used as early as the Kamakura period. Known in Japanese as haritsuke (磔), crucifixion was used in Japan before and during the Tokugawa Shogunate. Several related crucifixion techniques were used. Petra Schmidt, in “Capital Punishment in Japan”, writes:[117] ‘Execution by crucifixion included, first of all, hikimawashi (i.e, being paraded about town on horseback); then the unfortunate was tied to a cross made from one vertical and two horizontal poles. The cross was raised, the convict speared several times from two sides, and eventually killed with a final thrust through the throat. The corpse was left on the cross for three days. If one condemned to crucifixion died in prison, his body was pickled and the punishment executed on the dead body. Under Toyotomi Hideyoshi, one of the great 16th-century unifiers, crucifixion upside down (i.e, sakasaharitsuke) was frequently used. Water crucifixion (mizuharitsuke) awaited mostly Christians: a cross was raised at low tide; when the high tide came, the convict was submerged under water up to the head, prolonging death for many days.’ Crucifixion was used as a punishment for prisoners of war during World War II. Ringer Edwards, an Australian prisoner of war, was crucified for killing cattle, along with two others. He survived 63 hours before being let down.” (https://en.wikipedia.org/wiki/Crucifixion#Japan)
  • “Added to the fear of foreign conquest, one of the biggest concerns that Toyotomi Hideyoshi and Tokugawa Ieyasu had always had with Christianity was the matter of loyalty. For a Christian samurai, did allegiance to the shogun or the pope take precedence? In 1612 there was a bribery scandal, involving a daimyo and a member of Ieyasu’s council, both Christians. This showed that ties between the faithful might be stronger than those to the central authority. In addition, at the execution of a Christian, a priest told the crowd that obedience to the Church should trump obedience to their daimyo. …Then in 1614 he issued the ‘Statement on the Expulsion of the Bataren,’ in which accusations against the priests were leveled. They were commanded to leave the country at once, and Japanese converts were ordered to renounce their faith. Most missionaries left the country, but some continued to operate in secret. Those who were caught were executed. Anti-Christian measures became even harsher under the third Tokugawa shogun, Iemitsu, who took power in 1623. It’s estimated that in 1612 there were approximately 300,000 Christians in Japan, but by 1625 there were half that or fewer.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Tokugawa shogunate had begun to persecute Christians, largely out of a fear that Christianity would subvert the order and hierarchy that they had struggled for so long to create and maintain. In 1614, Tokugawa Ieyasu issued a proclamation expelling Catholic missionaries from Japan. Japanese Christians were forced to go underground, becoming known as Hidden Christians (kakure kirishitan). Under successive shoguns, persecution intensified. The final straw was to come in 1637, when a revolt broke out in Kyushu.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Shimabara Peninsula lies on the western part of Kyushu, somewhat out of the way. … The life of a Japanese peasant was generally filled with a good deal of suffering. It wasn’t unusual for a lord to treat them poorly. Yet, Matsukura Shigemasa (the new lord as of 1610) was exceptionally cruel. He taxed everything, even births and deaths, and didn’t take kindly to those who couldn’t pay. Being thrown into a water-filled prison was perhaps the best one could hope for. His most notorious punishment was called the raincoat dance (mino odori), so named because the victim, wearing a straw raincoat, was doused in oil and set on fire, causing them to dance about. Sometimes the family members of those who failed to pay were taken hostage or punished as well. In 1637, when one of Shigemasa’s men assaulted a farmer’s pregnant wife the people finally snapped.”
  • “This led to a rebellion that holed up in Hara Castle, which was defensible despite the peasants only using farming tools since weapons were illegal for them.” 
  • “This young man was Amakusa Shiro (c. 1621-1638). Born on one of the Amakusa Islands, he was the son of a former Konishi clan retainer (the family’s Christian head, Konishi Yukinaga was killed for picking the wrong side at Sekigahara). He studied with Jesuits in Nagasaki, and according to local lore, made a name for himself preaching equality and dignity for the poor on the island of Oyano. Little else is known about him, but during the rebellion his followers began to think he was the one foretold years earlier by Father Marco Ferraro, a priest who worked in the area before being expelled. He said that, ‘After 25 years a child of God will appear and save the people.’” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The rebels were able to hold out for a surprisingly long time. However, as the winter months wore on, hunger took its toll and the defenses were breached. The victors spent three days slaughtering the rebels. An estimated total of 37,000 were killed, including Amakusa Shiro, and as John Dougill points out, ‘It’s invidious to play the numbers game when it concerns the dead, but the number killed at Shimabara is almost identical to the 39,000 who died in the Nagasaki atomic bomb.’ 10,000 heads were staked up around the castle, and 3,300 were sent to Nagasaki for the same treatment: a clear warning to the people.” (https://www.tofugu.com/japan/history-of-christianity/)
  • Following the Shimabara Rebellion, the Tokugawa took the final step in guarding the country against foreign subversion by expelling all Europeans from Japan and banning their reentry on pain of death. The one exception to this was the tiny island of Dejima, just off Nagasaki’s coast, where an extremely limited number of Dutch ships were allowed to dock and trade. (https://www.tofugu.com/japan/history-of-christianity/)

If you read all of this, you’re my hero(es).

Join us next week when Nathan analyzes a film with one of the most beautiful ships ever constructed: Atragon. Maybe I’ll tell the story of how I took that ship for a joyride in my younger days. (Oh wait, I already did on Kaiju Weekly). Then the Metters return next month for part two of the “Daimajin Days” to discuss Return of Daimajin. I’ll be keeping my foil handy in case Joy tries starting anything with me. 😛

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Episode 22: The Metters vs. ‘Daimajin’

Hello, kaiju lovers!

Despite some recording/broadcasting issues with a new microphone (which will be remedied for future episodes), Nathan was joined once again by his friends Joe and Joy Metter, who were vacationing on Monster Island. They started the “Daimajin Days” by screening and discussing the first film in Daiei’s Daimajin trilogy from 1966. These films combine the kaiju and chanbara (“samurai”) genres to create some of the most unique examples of both. While Joe and Joy aren’t connoisseurs of kaiju, they are fans of samurai films. They, along with Nathan, connect this film to Rurouni Kenshin, Hitchhiker’s Guide to the Galaxy, and of course Star Wars. (You can fill that space on your MIFV bingo card this week). Also making a return is their dog Teddy Kong, and he brought his friend, Bitzilla. You’ll hear them several times during the episode. Teddy really wanted to see Gamera for some reason. (Because he was hungry for turtle meat?) The only buzzkill—besides the recording issues—was MIFV’s intrepid producer, Jimmy From NASA, butting heads with Joy over sword fighting. Geez.

Since this is a period piece, the Toku Topics are the Sengoku Period of Japanese history and the coming of Christianity to Japan.

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael “The Kaiju Groupie” Hamilton (co-hosts of Kaiju Weekly), Danny DiManna (Godzilla Novelization Project), Eli Harris, and Bex (host of the Redeemed Otaku) (who joined just before this episode was posted)! Thanks for your support!

You, too, can support us on Patreon!

This episode is approved by the Monster Island Board of Directors.

Read Jimmy’s Notes on this episode.

Timestamps:
Prologue: 0:00-2:34
Intro: 2:34-6:52
Entertaining Info Dump: 6:52-12:35
Toku Talk: 12:35-1:03:24
Toku Topic: 1:03:24-1:33:14
Outro: 1:33:14-end

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Jimmy’s Notes on ‘Episode 21: Matango (Mini-Analysis)’

It’s been a rough week on Monster Island, what with the Board of Directors mandating masks (again). I’m a big fan of them hiring Douglas Gordon as the Island’s security chief, though. Plus, the Board is sharing some…inside info with me you may hear on a future episode.

Anyway, I only have a few of my own notes plus Nathan’s notes from his independent study for this week’s blog. I think he only has a few more of the films from that study left. Atragon and Frankie v. Barry, I think. Regardless, I have some snark to deliver.

  • It’s “Ghost in the Shell,” Nathan, not “Ghost in a Shell.” Direct vs. indirect articles. Big difference, as you know.
  • Trust me when I say some things in Tokyo will follow you everywhere. At least for a while. And I don’t mean puppies.
  • Birds get sucked into jet engines a lot, man. We pilots do have our own superstitions. Canada geese are the worst offenders. (Sorry, Chris Cooke).
  • To learn more about Hahajima, which has the big mountain Dd G told us about, click here. Let me tell you, it is a beautiful place. Nathan, Jet Jaguar, and I will be taking a hike there soon.
  • If you’re curious about the DC Comics villain Matango, read this.

Here are Nathan’s leftover notes:

  • Kubo’s face is seen. He’s unscarred. (Which makes the ending that much more interesting. –Jimmy)
  • Music during credits is weirdly upbeat.
  • “Tokyo and all her dust.” Men and money are left behind.
  • Writer loses his pages in water. I’d be upset. But he thinks writers steal everything. (You would know better than me, Nathan. –Jimmy)
  • “Top lady” = mistress (and double entendre?) (Yep. –Jimmy)
  • 40 million yen yacht. Best that money can buy. Destroyed by storm.
  • Scare girls and then treat them tender. “That’s not psychology—that’s a paperback novel!” (One of the best lines in the film! –Jimmy)
  • Professor is a psychologist. Appropriate and ironic.
  • The women are polar opposites. Mami (Mizuno) is a flirtatious harlot while Akiko is a chaste, shy girl who’s never been kissed.
  • 7 characters for the 7 deadly sins. (You can thank Danny DiManna for that idea. I still can’t figure out which character is which sin, though. Maybe Rev. Mifune could help explain?  –Jimmy)
  • Music is somewhat minimalistic for the most part. Not Ifukube or Sato. (It was Sadao Bekku. –Jimmy)
  • The hallucinations begin before they reach the island with the phantom ship. Perhaps an indication that Yoshida is already unhinged.
  • Fog is a common motif. It obscures. It clouds. Drug reference?
  • This film is Lost meets Gilligan’s Island with a Twilight Zone ending.
  • The set design for the ship is great. The mold everywhere. Unique. Like a haunted house. Reminiscent of classic Universal horror.
  • Is it possible this whole film is Akira Kubo’s fever dream? How much of it is true? There are things that don’t add up. (Given what we heard from Dr. Dourif, I’m pretty sure it was real. –Jimmy)
  • The mold is great foreshadowing for Matango.
  • Eyeless turtle: foreboding.
  • Matnago is said to be a radiation mutant. Anti-nuclear. Doesn’t explain everything.
  • Nationality of boat concealed. Communist and western. Even Japan. Humanity represented. No one is innocent.
  • Matango is the forbidden fruit. May eat everything else but that.
  • Plays on natural need—eating—and makes it scary. Do it and suffer. Much like Nightmare on Elm Street with sleeping. (“Never eat again…”. –Jimmy)
  • The location photography is amazing.
  • Is this island attracting boats to it and sinking them? Bermuda Triangle?
  • First Matango appears almost 43 minutes in.
  • Two characters fire at Matango but not sure they hit it or saw anything but audience sees mushroom goo on ground.
  • This film was almost banned because of the mushroom man make-up. Looked like bombing victims. (The Hibakusha, which we’ll be discussing in a future episode. –Jimmy)
  • Even the characters think they saw ghosts—but there are footprints.
  • Illustrates why William Golding had no girls in Lord of the Flies: aggravates things. Aggravates men. Unlike that story, they are just as corruptible. (To hear his full reasoning from the foreword to his book, watch this video. –Jimmy)
  • “Akiko…this is Mother.” (Clearly that was the mushrooms talking. Those lying Matango! –Jimmy)
  • Yoshida says frayed nerves make people see witches and devils. Tries to explain strange happenings away. (That just sounds like trick-or-treaters at Halloween. –Jimmy)
  • Yoshida and Mami have a full-on make-out session. Most sexual thing in a Honda film.
  • Koyama pulls rope as he falls. Lifeline. Symbolic. Body has bills strewn about him. Also symbolic. Died amassing useless wealth.
  • Mami’s wardrobe changes to reflect her allegiance. Green and plantlike.
  • One character eats Matango and has vision of dancing showgirls amid Tokyo neon. Drugs. Revelry. Opulence.
  • The Matango laugh was recycled later for Baltan on Ultraman. (And it’s just as disturbing coming from those big beetles! –Jimmy)
  • Sakuta runs, but he eventually jumps overboard. Then writes on wall that everyone else is dead. Betrayal.
  • The professor and Akiko decide to leave. Almost happy ending. Then mushroom people show up. Like a zombie movie. Night of the Living Dead? Hacks off an arm. (Maybe George Romero saw this movie? –Jimmy)
  • Seems a little convenient that he leaves on boat and gets found. Why take him to psychiatric ward?
  • Doctor says, “We are grateful that you were able to come back.” Are they speaking of him as a patient? (Another parallel to The Cabinet of Dr. Caligari. –Jimmy)
  • (In “The Voice in the Night,”) John and his fiancée are like the prof and student in the film: innocent but they succumb to temptation. And are corrupted spiritually and physically. (Read more about this story here. –Jimmy)

That does it for my notes this week.

Join us next Wednesday to hear the start of the “Daimajin Days” when Nathan’s friends Joe and Joy Metter returned to start their journey through the Daimajin trilogy. Then this month’s mini-analysis will be on Ishiro Honda’s other 1963 classic, Atragon.

As the Board says, “Together we can find a better way forward.”

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#WeShallOvercome

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FROM THE DESK OF WILLIAM H. GEORGE III – ‘Zilla Jr. Threat Level Update / New Head of Security

DATE: 07-31-2020

TO: ALL EMPLOYEES

FROM: THE MONSTER ISLAND BOARD OF DIRECTORS

SUBJECT: ‘ZILLA JR. THREAT LEVEL UPDATE / NEW HEAD OF SECURITY

Last week the Monster Island Board of Directors sent out an email stating that ‘Zilla Jr’s threat level was still under assessment. As of 8 am today the team has come back with its final evaluation on the creature. 

File image of ‘Zilla Junior.

The team has determined that ‘Zilla’s threat level stands at 8.5/10. A full readout of this assessment can be accessed through the employee portal. If you possess the proper clearances, you will be able to read that report, in full, as of 10 am tomorrow. We still strongly encourage any employee traveling to the NE quadrant of the island to use extreme caution. ‘Zilla will be released from his paddock later this week after some final blood testing and security tagging. An official public statement about the creature’s release will be made after Miss Perkins has a chance to review it. 

Captain Douglas Gordon

Also, given that security on the island has been of great concern to all of us, The Monster Island Board of Directors is pleased to announce that Capt. Douglas Gordon will be joining the team as our NEW Head of Security. His role goes into effect immediately. We are currently in the process of gathering all necessary resources he and his team may need to do their job effectively and efficiently. 

The Board has also instructed Capt. Gordon to do a full security assessment of any and all facilities here on the island. This includes but is not limited to: 

  • ANY AND ALL guest services areas
  • Kaiju paddocks 
  • The Monster Island Resort 
  • ANY AND ALL garage and storage areas on the island 
  • The recording studio and radio station 
  • ANY AND ALL research facilities

Be advised, that inspections will be carried out at random. When Capt. Gordon and his team do come to your facility please treat them with respect and answer any and all questions clearly and concisely. This will allow the Captain and his team to work as efficiently as Earthly possible. 

Once again, thank you all for helping us keep Monster Island one of the best places to work and thrive on Earth. It’s because of team members like you we can see a better way forward.

Sincerely, 
The Monsters Island Board of Directors 

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FROM THE DESK OF WILLIAM H. GEORGE III – New Uniforms/Jumpsuits

MEMORANDUM

DATE: July 21, 2020

TO: ALL EMPLOYEES

FROM: THE MONSTER ISLAND BOARD OF DIRECTORS

SUBJECT: CHANGES TO THE EMPLOYEE & VOLUNTEER DRESS CODE

In an effort to bring the best experience possible to both our guests and employees, the Monster Island Board of Directors has chosen to implement a new color-coded uniform system for all staff and volunteers working on or around the Island. 

Each department/facility will have its own, board-approved, uniform color-coding system. We believe this will be most beneficial to our guests. So that they know who to speak to when issues or general questions arise during their stay. The official uniform colors that coincide with their respected departments are listed as follows: 

  • Executive Staff – Black or Charcoal Gray (with some flexibility)
  • Maintenance Crew – Orange
  • Sekizawa Library Staff / Volunteers – Turquoise 
  • Garage Crew – Crimson
  • Monarch Outpost 83 – Neon Green
  • Monsterland Resort Staff – Gold
  • Halley’s Comics – Navy Blue
  • MI Chapel – White
  • Aviary – Desert Tan
  • Kaiju Handlers – Camo 
  • Kaiju Court Staff/Volunteers – Purple 
  • Denham Theater Staff – Silver
  • MI Screening Room Volunteers – Yellow
  • Beta Site – Hunter Green
  • Film Vault Crew/Volunteers – Olive Green
  • KIJU Radio Station – Bubblegum Pink 

More details about the specifics of these changes will be released in a separate email to all employees. If you have any questions please feel free to reach out to our Employee Advocates Office, and someone will get back to you at their earliest convenience.

Thank you all for helping us keep Monster Island, one of the best places to work and thrive on planet Earth. It’s because of team members like you that help us find a better way forward. 

Sincerely,  The Monster Island Board of Directors 

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Bonus Episode #4: Interview with Ben Chaffins

Hello, kaiju lovers!

As a special Fifth Wednesday Bonus Episode (which will become a regular feature of the show), I interviewed SciFi Japan writer Ben Chaffins about his new book, Discovering Tokusatsu. In it he chronicles his many quests to get interviews with high-profile people working in tokusatsu filmmaking. You’ll hear about how Ben got his gig at SciFi Japan, why he wrote the book, and how much of a “stan” he is for Ultraman: The Next and Ultraman Nexus (whose special effects director he interviewed for an exclusive chapter in this book).

Oh, and by the way, Ben’s Twitter profile pic is Ultraman Nexus with sunglasses. Deal with it! 😛 Follow Ben on Twitter and Instagram.

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (Godzilla Novelization Project); elizilla13; and Chris Cooke (host of One Cross Radio)! Thanks for your support!

You, too, can support us on Patreon!

This bonus episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#MonsterIslandFilmVault

© 2020 Moonlighting Ninjas Media

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Episode 21: ‘Matango’ (Mini-Analysis)

Hello, kaiju lovers!

An artsy Japanese horror film about mushrooms based on a British short story?

That’s sounds insane enough to work!

Despite getting slapped with the schlocky English title, “Attack of the Mushroom People,” Matango ranks as one of director Ishiro Honda’s greatest achievements in tokustasu filmmaking. Screenwriter Takeshi Kimura considered it to be his magnum opus. It’s a story replete with subtlety and symbolism, an indictment of Japan’s newfound opulence and decadence in the early 1960s, and it’s as relevant now for any audience as it was back then. It’s such an important film, Nathan and his intrepid producer, Jimmy From NASA, interview the only scientist on Monster Island’s who’s brave and/or crazy enough to study the Matango—with frightening results! 

Featuring Daniel DiManna as the voice of Dr. Dante Dourif.

Episode image created by Michael Hamilton. Check out his podcast, The Kaiju Groupie.

This is meant to supplement this episode of Kaijuvision Radio: Episode 45: Matango (Attack of the Mushroom People) (1963) (Westernization and Globalization)

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (Godzilla Novelization Project); elizilla13; and Chris Cooke (host of One Cross Radio)! Thanks for your support!

You, too, can support us on Patreon!

This episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
Twitter
Facebook
Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

  • “Attack of the Mushroom People: Ishiro Honda’s Matango William Hope Hodgson’s ‘The Voice in the Night’” by Anthony Camara (Monsters and Monstrosity from the Fin de Siécle to the Millennium, edited by Sharla Hutchinson and Rebecca A. Brown)
  • “The history and current state of drug abuse in Japan” by Kiyoshi Wada (Annals of the New York Academy of Sciences, Jan 2011, vol. 1216, no. 1, p 62-72)
  • Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godzisewski
  • “Ishiro Honda-thon Ep. 5: Matango (1963) Review” by Adam Noyes (AN Productions) (YouTube)
  • Kaijuvision Radio, “Episode 8: King Kong vs. Godzilla (1962)”
  • “Methamphetamine Solution: Drugs and the Reconstruction of Nation in Postwar Japan” by Miriam Kingsburg (The Journal of Asian Studies, Feb. 2013, vol. 72, no. 1, p. 141-162)
  • Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda by Peter H. Brothers
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Jimmy’s Notes on ‘Episode 20: Bex vs. Rebirth of Mothra III’

I’m not a religious man—which may sound strange given that I work on an Island with a giant moth goddess—but even I was concerned about Bex after her sudden conversion to “Mothrianity.” Honestly, I was happy to see the good Reverend Mifune bring her to senses and Christianity by breaking Belvera’s influence on her. It was not unlike what Shota did for Lora in Rebirth of Mothra III.

Now if only Marchand will let me live down the whole female clone and teleporter business. It wasn’t my fault!

The things I put up with.

I kid (for the most part…).

Let’s get into my notes from the episode:

  • Nathan and Bex never talked about Moll speaking in tongues to Mothra Leo. They discussed it briefly before the broadcast, so I’m surprised they didn’t bring it up given their religious backgrounds.
  • So, back when I was a kid and growing up in japan for a bit, my best friend, Masao, fell into a deep depression after our scout master wouldn’t give him a monster rustler badge after we helped a certain famous kaiju defeat a certain space squid. He said it was discipline for “stealing” a yellow submarine. I was a Beatles fan, what can I say?
  • I preferred Kilik myself in the Soul Caliber games. It drives Nathan crazy. Every time I poke his Siegfried to death, he keeps singing, “Kilik is cheap! Kilik is cheap!”
  • Dinosaurs were wiped out twice. Or is it the “Power of the Retcon” again? It may have—according to Nathan—saved my life in the War in Space, but it’s scarier than the Infinity Gauntlet at this point. 😛
  • As for my T-Rex and triceratops story, the long and short of it is it happened, I confess, while I was field testing the ORCA on Skull Island. That’s all.
  • Gravity manipulation explains how Ghidorah can fly with one wing, but then why would be need wings at all? #sciencequestions
  • It makes Mothra Leo 130,000,002 years old, Nathan! Duh!
  • I anticipated Bex going from NEET to hikikimori. Miki’s powers might be rubbing off on me.
  • Nathan didn’t make it clear that the Tower of Waves novel (which has several different title translations, as you’ll see in his notes) ended in Aokigahara.
  • Sometimes I wonder, as unscientific as this sounds, if we have yurei wandering the jungles on the Island….
  • Nathan’s description of Sea of Trees is almost right. Both the American and the Japanese man intend to commit suicide there. IMDB summaries it like this: “A suicidal American befriends a Japanese man lost in a forest near Mt. Fuji and the two search for a way out.”

And now, as per my contractual obligations, her are Nathan’s leftover notes but with my snarky commentary:

Rebirth of Mothra III Notes:

  • This random dude is a Yankees fan. That’d make my alma mater’s b-ball coach happy. (Nathan told me he called Yankee Stadium “Mecca.” –Jimmy)
  • “Old Tanaka”? A nod to the producer?
  • Huh? Who’s the bust? Why are there lots of pictures of westerners in a Japanese classroom? (The increased westernization of Japan? –Jimmy)
  • No one is panicking on the street as Ghidorah flies over at 18:35 or so. (This is Japan. Kaiju attacks are as common as thunderstorms. –Jimmy)
  • Oh man! The sisters get sparkles this time! (And now so does your new “sister,” Nathan. 😛 –Jimmy)
  • Mothra leo appears 20 minutes in.
  • Some of these CGI effects—like the soccer ball hitting the membrane—look hokey.
  • The classic wing problem: they don’t flap enough.
  • Fairy shoots at Ghiddorah—and it does nothing.
  • Of course Lora betrays Moll—she’s played by a new actress. 😛 (A great man once said, “And I thought my jokes were bad.” –Jimmy)
  • Those CGI tentacles looked terrible.
  • This is starting to remind me of Gamera 3, and this was a year before it! (I don’t know if that’s too nice to this movie or too mean to Gamera 3. –Jimmy)
  • Oh no! Tiny grape Koolaide volcanos! (Sounds like my delicious science fair project. –Jimmy)
  • The set design for the dome is cool.
  • Hilariously, I think all three sisters wear go-go boots this time. (Do you have a thing for go-go boots, Nathan? This is the third episode you’ve mentioned them. 😛  –Jimmy)
  • Now the dome walls don’t dissolve things?
  • We still have 25 minutes to go, and thus feels like the end!
  • Moll dies—and becomes a Tron animation. (I’m sad this wasn’t said on the air. –Jimmy)
  • There’s a prehistoric Mothra. Because shut up.
  • Oh whoa! Belvera rides Fairy!
  • “Different opinions.” Yeah, on genocide, child murder, mind control. You know, small stuff. (You know, little things. –Jimmy)
  • It would’ve been cooler if the sister had to stab Moll with the sword to resurrect her. (That sounds a bit sadistic. –Jimmy)
  • Whoa. Did they actually have a bunch of child extras at the end or was it CGI?
  • These might be my favorite kids in the trilogy, but they do disappear for a bit in the middle.

Big Book 2 by John LeMay

  • There’s a photo of Tanaka in the parents’ house.

“Inside Japan’s ‘suicide forest’”

  • “More than 100 people who were not from the area surrounding Aokigahara committed suicide there between 2013 and 2015, according to a local government report. Countrywide, suicides totaled roughly 24,000 people in 2015 alone, according to the country’s Ministry of Health, Labor and Welfare. These numbers do not include attempted suicides.”
  • “One study found suicide death rates to be on the decline in many peer nations from 1985 to 2010, except in Japan and South Korea, where rates increased by 20% and 280%, respectively.”
  • “Other studies and government materials have cited a number of risk factors, including academic pressures, depression, overwork, financial struggles and unemployment.”
  • “Beyond that, there’s stigma around receiving mental health care, especially for men, and a greater tendency in Japan to view suicide as ‘a rational decision.’ One of the terms for suicide is ‘jiketsu,’ which means to decide for yourself.”

“Aokigahara Forest” (http://www.aokigaharaforest.com/)

  • “Because the landscape is so similar, the brain is distorted and it is difficult to keep direction at any time.”
  • “According to some Japanese spiritualists, the trees themselves soaked in themselves a malevolent energy accumulated over centuries.”

“What is Aokigahara? All About The Most Haunted Forest in Japan”

  • “It all started with a mystery novel called “Kuroi Jukai” (translated as Black Sea of Trees) by Seicho Matsumoto in 1960. The novel ends romantically with the lovers committing suicide in the forest, which revitalized the Suicide Forest’s popularity among those who wanted to end their life.”

I have to give it to Nathan: he got through most of his notes. Mind you, it was our second-longest episode yet, but listeners seem to like it. He does have a terrible habit of over-preparing, though.

Next week Nathan is solo—well, unless you count me heckling him—next week when he does a mini-analysis of 1963’s Matango, which was directed by Ishiro Honda. Then next month we start the “Daimajin Days” when Joe and Joy Metter return to see 1966’s Daimajin.

Also, I have some juicy super-secret inside information about Godzilla vs. Kong. 😉

Follow me on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

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