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Bonus Episode 8 – ‘Godzilla: Singular Point’ (feat. Kaiju Weekly)

By our powers combined!

In true Amalgam Comics fashion, The Monster Island Film Vault and Kaiju Weekly have fused to form a super-show (“Kaiju Film Vault Weekly”?) to discuss 2021’s next big tent-pole kaiju release, the Netflix anime Godzilla: Singular Point. Nate, Travis, Michael, and even Jimmy From NASA get into just about everything about this 13-episode series released worldwide June 24, from the characters to the monsters to quantum physics. This series proved to be somewhat divisive in the Godzilla fanbase as it aired weekly in Japan starting in March, and your intrepid hosts were just as divided. Who liked it and who loved it? Listen to learn the answer!

Nate was unable to share his research on quantum mechanics because this broadcast went long, so Jimmy posted it as a bonus Jimmy’s Notes on the MIFV website as a supplement to this episode. Hopefully, it enhances your appreciation of this experimental Godzilla anime.

Additional music:

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, and The Cel Cast! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:

  • Intro: 0:00-4:50
  • News: 4:50-28:16
  • Toku Talk/Main Topic: 28:16-2:16:13
  • Housekeeping & Outro: 2:16:13-end

Podcast Links:

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #GodzillaSingularPoint

© 2021 Moonlighting Ninjas Media and Kaiju Weekly

Bibliography/Further Reading:

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BONUS Jimmy’s Notes on Quantum Mechanics (for KW Episode 80/MIFV Bonus Episode 8)

The special crossover broadcast between MIFV and Kaiju Weekly on Godzilla: Singular Point went long. So long, in fact, Nate wasn’t able to share his research on quantum mechanics. Their “Amalgam Universe” fusion wasn’t quite absolute. Well, I should say he wasn’t able to share our research. I did 97% of it since, you know, I worked at NASA. But as Nate said during the broadcast, he’s “the best three-percenter” we know. (I kid, by the way. Nate spent several hours researching, and he consulted with me and the other scientists on Monster Island).

So, as a supplement to this special episode (which will be out Wednesday on both the Kaiju Weekly and Monster Island Film Vault feeds), I’m presenting that research. I think it explains quantum mechanics pretty well for a layman and sheds a little light on Singular Point. It’ll hopefully make the series a bit easier to understand and increase your appreciation for it. Toh Enjoe, the screenwriter, is a former physicist, and that background is definitely apparent in this wonderful series.

Anyway, like I said, the episode drops Wednesday. Enjoy!

NOTE: All bullets in quotes are lifted directly from the listed sources. All others are paraphrases.

NOTE 2: Read Nate’s leftover notes on the series itself in another Jimmy’s Notes.

  • Sources:
  • Richard Feynmann, who won the Nobel Peace Prize for his work on quantum electrodynamics, said, “If you think you understand quantum physics, you don’t understand quantum physics.”
  • However, has helped us develop technologies like computers, digital cameras, LED screens, lasers, and nuclear power plants.
  • Basically, everything works with quantum physics.
  • “It’s right there in the name– the word “quantum” comes from the Latin for “how much” and reflects the fact that quantum models always involve something coming in discrete amounts.”
  • “Quantum mechanics is a fundamental theory in physics that provides a description of the physical properties of nature at the scale of atoms and subatomic particles.[2]:1.1 It is the foundation of all quantum physics including quantum chemistry, quantum field theory, quantum technology, and quantum information science.”
  • “Classical physics, the description of physics that existed before the theory of relativity and quantum mechanics, describes many aspects of nature at an ordinary (macroscopic) scale, while quantum mechanics explains the aspects of nature at small (atomic and subatomic) scales, for which classical mechanics is insufficient. Most theories in classical physics can be derived from quantum mechanics as an approximation valid at large (macroscopic) scale.[3]”
  • “In classical mechanics, objects exist in a specific place at a specific time. However, in quantum mechanics, objects instead exist in a haze of probability; they have a certain chance of being at point A, another chance of being at point B and so on.”
  • “Quantum mechanics (QM) developed over many decades, beginning as a set of controversial mathematical explanations of experiments that the math of classical mechanics could not explain. It began at the turn of the 20th century, around the same time that Albert Einstein published his theory of relativity, a separate mathematical revolution in physics that describes the motion of things at high speeds. Unlike relativity, however, the origins of QM cannot be attributed to any one scientist.”
  • The three principles of quantum mechanics, which gained acceptance between 1900 and 1930:
    • “Quantized properties: Certain properties, such as position, speed and color, can sometimes only occur in specific, set amounts, much like a dial that “clicks” from number to number. This challenged a fundamental assumption of classical mechanics, which said that such properties should exist on a smooth, continuous spectrum. To describe the idea that some properties “clicked” like a dial with specific settings, scientists coined the word ‘quantized.’”
      • “In 1900, German physicist Max Planck sought to explain the distribution of colors emitted over the spectrum in the glow of red-hot and white-hot objects, such as light-bulb filaments. When making physical sense of the equation he had derived to describe this distribution, Planck realized it implied that combinations of only certain colors (albeit a great number of them) were emitted, specifically those that were whole-number multiples of some base value. Somehow, colors were quantized! This was unexpected because light was understood to act as a wave, meaning that values of color should be a continuous spectrum. What could be forbidding atoms from producing the colors between these whole-number multiples? This seemed so strange that Planck regarded quantization as nothing more than a mathematical trick.”
      • “Planck’s equation also contained a number that would later become very important to future development of QM; today, it’s known as ‘Planck’s Constant.’”
    • “Particles of light: Light can sometimes behave as a particle. This was initially met with harsh criticism, as it ran contrary to 200 years of experiments showing that light behaved as a wave; much like ripples on the surface of a calm lake. Light behaves similarly in that it bounces off walls and bends around corners, and that the crests and troughs of the wave can add up or cancel out. Added wave crests result in brighter light, while waves that cancel out produce darkness. A light source can be thought of as a ball on a stick being rhythmically dipped in the center of a lake. The color emitted corresponds to the distance between the crests, which is determined by the speed of the ball’s rhythm.”
      • “In 1905, Einstein published a paper, “Concerning an Heuristic Point of View Toward the Emission and Transformation of Light,” in which he envisioned light traveling not as a wave, but as some manner of “energy quanta.” This packet of energy, Einstein suggested, could “be absorbed or generated only as a whole,” specifically when an atom “jumps” between quantized vibration rates. This would also apply, as would be shown a few years later, when an electron “jumps” between quantized orbits. Under this model, Einstein’s “energy quanta” contained the energy difference of the jump; when divided by Planck’s constant, that energy difference determined the color of light carried by those quanta.”
      • “Roughly two decades after Einstein’s paper, the term “photon” was popularized for describing energy quanta, thanks to the 1923 work of Arthur Compton, who showed that light scattered by an electron beam changed in color. This showed that particles of light (photons) were indeed colliding with particles of matter (electrons), thus confirming Einstein’s hypothesis. By now, it was clear that light could behave both as a wave and a particle, placing light’s “wave-particle duality” into the foundation of QM.”
    • “Waves of matter: Matter can also behave as a wave. This ran counter to the roughly 30 years of experiments showing that matter (such as electrons) exists as particles.”
    • These aren’t physical waves, though. It’s an abstract mathematical description. In other words, no one knows if it’s real because no one has seen a quantum wave. All we see is an electron particle. This barrier in knowledge between the quantum realm and our world is called a measurement barrier.
    • The Double Slit experiment: Think of firing a paintball gun at a wall with two slits. You expect to see two lines on the back wall thanks to the slits. Quantum wavelengths enter those slits and then split off into new waves, creating multiple lines.
  • “Also in 1927, Heisenberg made another major contribution to quantum physics. He reasoned that since matter acts as waves, some properties, such as an electron’s position and speed, are “complementary,” meaning there’s a limit (related to Planck’s constant) to how well the precision of each property can be known. Under what would come to be called “Heisenberg’s uncertainty principle,” it was reasoned that the more precisely an electron’s position is known, the less precisely its speed can be known, and vice versa. This uncertainty principle applies to everyday-size objects as well, but is not noticeable because the lack of precision is extraordinarily tiny. According to Dave Slaven of Morningside College (Sioux City, IA), if a baseball’s speed is known to within a precision of 0.1 mph, the maximum precision to which it is possible to know the ball’s position is 0.000000000000000000000000000008 millimeters.”
  • “In 1927, Paul Dirac applied a quantum understanding of electric and magnetic fields to give rise to the study of “quantum field theory” (QFT), which treated particles (such as photons and electrons) as excited states of an underlying physical field.”
  • “Since the breakthrough of renormalization, QFT has served as the foundation for developing quantum theories about the four fundamental forces of nature: 1) electromagnetism, 2) the weak nuclear force, 3) the strong nuclear force and 4) gravity. The first insight provided by QFT was a quantum description of electromagnetism through “quantum electrodynamics” (QED), which made strides in the late 1940s and early 1950s. Next was a quantum description of the weak nuclear force, which was unified with electromagnetism to build “electroweak theory” (EWT) throughout the 1960s. Finally came a quantum treatment of the strong nuclear force using “quantum chromodynamics” (QCD) in the 1960s and 1970s. The theories of QED, EWT and QCD together form the basis of the Standard Model of particle physics. Unfortunately, QFT has yet to produce a quantum theory of gravity. That quest continues today in the studies of string theory and loop quantum gravity.”
  • “There’s lots of places to start this sort of discussion, and this is as good as any: everything in the universe has both particle and wave nature, at the same time. There’s a line in Greg Bear’s fantasy duology (The Infinity Concerto and The Serpent Mage), where a character describing the basics of magic says “All is waves, with nothing waving, over no distance at all.”
  • “One of the most surprising and (historically, at least) controversial aspects of quantum physics is that it’s impossible to predict with certainty the outcome of a single experiment on a quantum system. When physicists predict the outcome of some experiment, the prediction always takes the form of a probability for finding each of the particular possible outcomes, and comparisons between theory and experiment always involve inferring probability distributions from many repeated experiments.”
  • “The mathematical description of a quantum system typically takes the form of a “wavefunction,” generally represented in equations by the Greek letter psi: Ψ.”
  • “In either class of foundational model, the probability of finding an outcome is not given directly by the wavefunction, but by the square of the wavefunction … This is known as the “Born Rule” after German physicist Max Born who first suggested this (in a footnote to a paper in 1926), and strikes some people as an ugly ad hoc addition.”
  • Einstein’s EPR paper and “entanglement”:
    • “The EPR paper argued that quantum physics allowed the existence of systems where measurements made at widely separated locations could be correlated in ways that suggested the outcome of one was determined by the other. They argued that this meant the measurement outcomes must be determined in advance, by some common factor, because the alternative would require transmitting the result of one measurement to the location of the other at speeds faster than the speed of light. Thus, quantum mechanics must be incomplete, a mere approximation to some deeper theory (a “local hidden variable” theory, one where the results of a particular measurement do not depend on anything farther away from the measurement location than a signal could travel at the speed of light (“local”), but are determined by some factor common to both systems in an entangled pair (the “hidden variable”)).”
  • “This was regarded as an odd footnote for about thirty years, as there seemed to be no way to test it, but in the mid-1960’s the Irish physicist John Bell worked out the consequences of the EPR paper in greater detail. Bell showed that you can find circumstances in which quantum mechanics predicts correlations between distant measurements that are stronger than any possible theory of the type preferred by E, P, and R. This was tested experimentally in the mid-1970’s by John Clauser, and a series of experiments by Alain Aspect in the early 1980’s is widely considered to have definitively shown that these entangled systems cannot possibly be explained by any local hidden variable theory.”
  • Quantum tunneling: when a wavelength passes through a barrier, is degrades. If the barrier is narrow enough, it may still exist on the other side. Protons have a chance of existing on the other side. We’re alive because of it. This is what makes the sun shine. Protons normally repel each other, but they have a small chance of tunneling, which turns hydrogen into helium and releases fusion energy.

Until next time, remember: #WeShallOvercome

#JimmyFromNASALives

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Nathan is Interviewed by Kaiju Kim!

This past Sunday, I was interviewed by Kaiju Kim, who makes the most wholesome kaiju content you’ll see on YouTube. It was Father’s Day, so the chat was relatively quiet, but we still had a good time discussing kaiju literature–including books and short stories I’ve written and published myself. Give it a watch!

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Episode 43: ‘Godzilla’ (1954) (feat. The Tourists) | Godzilla Redux

Hello, kaiju lovers!

By popular (and Godzilla’s) demand, MIFV is starting a new series on episodes on the Godzilla franchise called “Godzilla Redux”! It starts with the one that started it all, the 1954 classic Godzilla (aka Gojira) starring Akira Takarada, Akihiko Hirata, and Takeshi Shimura, among others, and directed by Ishiro Honda. Of course, such a momentous film and occasion required all four of the original Tourists, Nick Hayden, Timothy Deal, and Joe & Joy Metter. Unfortunately for Nate, there is way, way, WAY too much scholarship on this film, so it was overwhelming to research and difficult to condense it all down. Regardless, the roundtable discusses the U.S. Occupation of Japan, the Lucky Dragon No. 5 incident, and how Dr. Serizawa should’ve been a cool anime character, among other subjects related to this film. 

Check out Nick and Tim’s podcast, Derailed Trains of Thought!

Additional music:

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, and The Cel Cast! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:
Prologue: 0:00-1:11
Intro: 1:11-3:55
Main Discussion: 3:55-1:17:36
Housekeeping & Outro: 1:17:36-end

Podcast Links:
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Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault       #Godzilla

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Jimmy’s Notes on Episode 42: Ben Avery vs. ‘Gamera vs. Jiger’

As good as episode 42 was (because “life, the universe, and everything”), I took plenty of notes on it. Nate has some explaining to do! 😛

Let’s get started:

  • Nate mispronounced “syndrome.” Shame, shame. 😛
  • I asked Mr. Martin for his thoughts on pen theft, and this is what he told me on Twitter:
    • “Per the Standards and Practices memorandum issued by the (Monster Island Board of Directors): Any and all items located on Monster Island, its wharf and docking bay, and all nearby archipelagos, whether explicitly or implicitly stated, belong to the Monster Island Entertainment Corporation, LLC, and its subsidiaries and stockholders. Any willful destruction and/or unauthorized removal of MIEC ‘meek’) property is a crime under Oceanic Law; dismissal, fines, and jail time are all possible dependent upon the severity of the crime. Judgement will be handled by the Monster Island Judicial System (‘midges’) and justice will be swift and fair. The Monster Island Legal Action Team will oversee all prosecutions, with the current Attorney General presiding as Lead Counsel against any defendants.”
    • I then said, “Thank you. I now fear for (Ben Avery’s) life.” To which Mr. Martin said, “I believe the Board has discontinued the use of genetically-engineered Hunter-Tracker Meganula larvae, but don’t quote me on that until I get Gary to do the archive research.”
  • How did Ben watch both versions of the movie? I suspect he watched it with his kids before leaving for the Island and then again when he arrived.
  • The Exorcist film was released December 26, 1973. The novel was published June 1971. In other words, Gamera vs. Jiger predates both.
  • Yes, Shunsuke Kikuchi worked on both Dragon Ball and Dragon Ball Z.
  • “You and Jimmy”? You mean me and Masao? Be specific, Marchand!
  • The name of the Keisuke actor is Sanshiro Honoo.
  • It’s Lemuria, Nate. That was the other “lost continent” you couldn’t think of.
  • It annoys me that I forgot what I was going to say toward the end of the Toku Talk.
  • Nate was right. The Irwin Allen-produced submarine TV series was Voyage to the Bottom of the Sea.
  • According to this inflation calculator, $500 million in 1970 would be $3,469,007,731.96 in 2021(!).
  • Here are the authors the International Symposium of Science Fiction that Nate didn’t mention (all of them hailed from the Soviet Union):
    • Vasilii Pavlovich Berezhnoi
    • Yulii Iosifovich Kagarlitskii (aka Julius Kagarlitsky)
    • Ieremei Iudovich Parnov
    • Vasilii Dmitrievich Zackharchenko
  • Personally, I loved Expo ’70! Seeing Gamera there was exciting. He even remembered me and gave me a wave. But sadly, all my photos from the event were destroyed when the Messiah 13 Aliens attacked New York. L
  • Your Dad guarded a moon rock, eh, Nate? That’s impressive, but I have Venus rocks. I’ll show them to you next time you come over to my quarters, Nate.
  • This is the human washing machine, and I do like this model. 😉
  • This was the best info I could find quickly on Tiger Child. And it’s not a nature documentary. It’s loftier than that, it seems.
  • Here’s an article on maglev technology. It’s mostly used for trains. If you’ve been to Disneyworld in Florida, you’ve ridden a train that uses it.
  • Nice catch at the end with Patreon, Ben. In order to donate $3 a day, someone would have to become my intern—which would be nice, actually.

Now for the contractually-obligated leftover notes from Nate’s episode prep:

The Film (Main Notes)

  • Hiroshi has the bushiest eyebrows. (He practically has to comb them. –Jimmy)
  • There’s a nice matting of a long distance live action shot with some toku footage of Gamera.
  • Jiger is female. Jiger has a giant head. Big head code? She drinks water after awakening. Rarely seen. Jiger doesn’t crawl, unlike other quadrupeds. (“Big head code”? That was a thing in ‘90s video games, right? I know, “Okay, boomer.” 😛 –Jimmy)
  • How did Gamera go from flying to swimming in one cut? (Bad editing. –Jimmy)
  • You know, Jiger, Mothra did that ship-destroying move first. Must be a female kaiju thing. (I’ll pass that observation along to the scientists. –Jimmy)
  • Jiger means “terrible as a demon,” apparently.
  • Now the “Gamera song” has gone from listing planet names to the days of the week. Because. (The original was better. Because it was in my movie, of course. –Jimmy)
  • Gamera has a cheerleading squad. (Lucky bastard! –Jimmy)
  • Gamera stole the “tail smash” move from Godzilla.
  • Those x-rays are on display on the Island and used for reference.
  • These kids just know how to operate the sub. (Well, Masao and I did, too. But, you know, we’re smart. –Jimmy)
  • Unsurprisingly, the English-speaking actors aren’t great.
  • What does people from Africa getting weak going north and Eskimos getting weak going south have to do with Jiger being weak to sound?
  • 80 metric tons? Gamera’s a lot lighter than basically every Toho kaiju. By a lot. Godzilla is at least a 1,000 times heavier. (Talk about completely different weight classes! –Jimmy)
  • The kids yell at Gamera as if he can hear them. Which it seems he can. (Because…psychic? –Jimmy)

Intro by Ragone

  • In Shoben Jump Magzaine, Jiger was called “Monster X.”

The Commentary by Edward L. Holland

  • Yuasa sought out the child actors in this film.
  • There was a second monster boom in Japan in 1971.
  • Jiger’s roar is a variation of Guiron’s.
  • Yuasa was fond of beer.
  • Says the film plays out a bit like an Ultraman episode.
  • Sithantaku, the “Eifel Tower of Osaka.”
  • Story has it that Tsuburyaya sent a letter to Yuasa telling him to tone down the gore in the Gamera films.
  • Gamera looks like a vinyl toy after being impregnated by Jiger.
  • They use an “opaque projector on steroids” to discuss Gamera’s anatomy.

Galbraith

  • People either think it’s outrageous or “routine.”

Toku Topic: Expo ‘70

  • Many science fiction writers and artists were involved with the Expo, including:
    • A farcical multi-screen science fiction film created by writer Abe Kõbõ and filmmaker Teshigahara Hiroshi for the Auto Pavilion.
  • “With its characteristic rhetoric of multi-polar humanism, the text goes on to assert that wisdom to avoid such a dire fate and unlock the ‘prosperity of mankind’ can be found not in one place but ‘wherever human beings can be found.’ ‘If the diverse wisdoms of mankind can be effectively exchanged and [allowed to] mutually stimulate each other,’ the text continues, ‘a higher level of knowledge can appear, and from the understanding and tolerance between different traditions, we can achieve the harmonious development of a better life for all of mankind.’”
  • The corporate pavilions, which were dominated by domestic Japanese pavilions, also featured various visions of the future. “The Mitsubishi Future Pavilion, which was divided into a display of the untamed elemental power of ‘Japan’s Nature’ followed by ‘Japan’s Sky,’ ‘Japan’s Sea,’ and ‘Japan’s Earth’ as they would be developed in the twenty-first century: space stations and a weather monitoring and control center in the sky; an underwater city, ‘marine pasture,’ and power plant in the sea; and a twenty-first century city on land.
  • The biggest reason Expo ’70 was seen as a “city of the future” (mirai no toshi) was the “juxtaposition of innovative architectural forms, including Tange’ s Grand Roof, the low inflated dome of the American Pavilion and aggressively pitched roof of the Soviet Pavilion, and most especially, the contributions of the young Japanese architects associated with the Metabolist movement, including Kikutake Kiyonori’s Expo Tower and Kurokawa Kishô’s Toshiba IHI Pavilion and Takara Beautilion, all interpenetrated by the futuristic transportation infrastructure of monorails and moving sidewalks.” (By the way, the Metabolist movement was a postwar architectural movement in Japan that sought to fuse architectural megastructures with organic growth).

Writing this made me nostalgic for Expo ’70. I was barely 11 and was very impressionable. I’ve little doubt attending it pushed me toward a career in space and NASA.

Anyway, next week’s episode marks the beginning of a new chapter for MIFV: “Godzilla Redux.” Nate will be covering the Godzilla films he discussed on…his previous podcast with…someone else. He starts with the beginning, naturally, with Godzilla (1954). He’s bringing back the original Tourist crew of Nick Hayden, Timothy Deal, Joe Metter, and Joy Metter. Then we have a special crossover episode with Kaiju Weekly for the soon-to-be-internationally-released anime Godzilla: Singular Point. We’re working out the details, but it should be BIG. Then the “Year of Gamera” continues with Gamera vs. Zigra, which will feature Kaiju Weekly co-host/MIFV MAX member Travis Alexander and Atomic Turtle host Matt Noponen. I know Nate dislikes it, but come on! A beautiful woman parades around in a bikini for 15-20 minutes! What’s not to like?

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

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Episode 42: Ben Avery vs. ‘Gamera vs. Jiger’

Hello, kaiju lovers!

The “Year of Gamera” reaches its midpoint in an episode that’s the answer to life, the universe, and everything. Well, not really. But you will hear Nate and returning guest/multi-podcaster Ben Avery discuss 1970’s Gamera vs. Jiger. This movie, which shockingly opened the year the Japanese film industry crashed, serves as a (sorta) big budget travelogue/commercial for Expo ’70, the first world’s fair held in Asia. Both “Cornjob” and a yellow submarine return, but outer space is replaced with “innerspace” as the Kennys travel inside Gamera to cure him of his “impregnation” by Jiger, an ancient female demon beast. I’m not making this up. It’s a movie that may have anticipated The Exorcist and Alien. The Toku Topic, naturally, is Expo ’70. I mean, what else would it be?

Afterward, Nate and Jimmy get a surprise visit from Monster Island’s resident mad scientist and mushroom enthusiast, Dr. Dante Dourif, who’s been sent on a mission to “stabby-stabby” Nate with a syringe filled with his mushroom-enhanced COVID-19 vaccine. Oh my….

Check out all of Ben’s podcasts:
Strangers and Aliens
Welcome to Level 7
The Comic Book Time Machine
Supersonic Pod Comics

Guest stars:

  • Daniel DiManna as Dr. Dourif

Additional music:

Sound effects sourced from Freesound.org.

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, and The Cel Cast! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

Buy official MIFV merch on TeePublic!

This episode is approved by the Monster Island Board of Directors.

Timestamps:
Intro: 0:00-6:02
Entertaining Info Dump: 6:02-13:07
Toku Talk: 13:07-55:48
Advertisement: 55:48-56:25
Toku Topic: 56:25-1:30:29
Housekeeping & Outro: 1:30:29-1:40:35
Epilogue: 1:40:35-end

Podcast Social Media:
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Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Jimmy’s Notes on Episode 41: ‘Sayonara Jupiter’ (Mini-Analysis)

I’m amazed we weren’t bombarded with e-mails and DM’s calling me crazy. Why? Sayonara Jupiter isn’t exactly a classic for tokusatsu fans, but I love the damn film. Marchand can joke all he wants about it only being because of the infamous zero gravity sex scene or because it was dedicated everyone from my former employer—which means it was dedicated to me. And let me tell you, I wasn’t the only one at NASA who tried zero G lovemaking. However, I will tell you that, as John Varley showed in his novel Titan, it takes great care and every move must be planned. Otherwise, you risk a concussion, and that would kill the mood. I speak from experience.

(Poor Maggie. She dumped me the next day at the infirmary for that. Served me right).

Anyway, as usual with Nate’s scripted episodes, I don’t have many notes since he consults with me before going on the air, especially with a space film like this. I do have the leftover notes from his research, though. Here they are:

  • Solar System Weekly magazine. They still thought paper mags would be a thing in 150 years. (I still have a subscription. –Jimmy)
  • There’s a lot of English being spoken in this. (It’s a very international film. Also, English is already the trade language on Earth, so it makes sense it would be in space. –Jimmy)
  • Blatant product placement for Coke in zero G! (And I still prefer Pepsi. –Jimmy)
  • Loves long sequences of the spaceships. And odd cinematography at weird angles. (Beautiful. –Jimmy)
  • Also, Zoids! (You mean “droids”? 😛 –Jimmy)
  • The woman knows a little Japanese. And she speaks it perfectly.
  • Characters switch between English and Japanese and still understand each other. Proto-Final Wars. Star Wars. (Two words: universal translator. –Jimmy)
  • Ha! American watches Ghidorah the Three-Headed Monster. Honda watched a samurai movie. (That’s a popular film in NASA. –Jimmy)
  • Hmm. That’s a clever logo. Many meanings.
  • Why do the old ladies dress like they’re from ‘50s? (Because they’re old? 😛 –Jimmy)
  • There’s some strange parallelism between the protester attack and GT3HM. (Which is weird. –Jimmy)
  • Hirata appears. He has a mustache.
  • Of course Honda grabs the cute terrorist and takes her away. In a slo-mo hall scene. Well, they know each other, at least.
  • Space Arrow. (I love this ship. Not as much as other ships, but it’s still excellent engineering. –Jimmy)
  • The ship’s AI is named Navajo. Okay…. (The combat AI was named “Tom A. Hawk. 😛  –Jimmy)
  • Oh no. A photo of his family. He’s dead.
  • The scale of these miniatures aren’t quite as convincing as American sci-fi films.
  • Is the Jupiter Ghost ship the dark spot? It’s 120 KM long—3/4 of a mile!
  • There are several interracial romances between Japanese and westerners in this. (You can thank Nick Adams and Glen for that. J -Jimmy)
  • What’s happening with this red wormhole thing? Where’d it come from? (Amusing that computer screams “Wake up”). Later established to be a black hole. (Shouldn’t it be a “red hole”? –Jimmy)
  • The Japanese actors speak surprisingly good English.
  • Einstein City? Where’s that? (The moon. –Jimmy)
  • ‘80s-style retro-future. (Reminds me of my youth. –Jimmy)
  • Hippy Jesus gets a music video?
  • These people hardly seem like terrorists. (That’s what terrorists want you to think! –Jimmy)
  • Some of the acting is subpar. Mostly the westerners.
  • Pills that give you courage without side effects? That’s an interesting drug. Placebo? (The pill is a lie. –Jimmy)
  • “Neo-retro.” (Good one, Nate. –Jimmy)
  • What’s with the graffiti on the walls of the control room? (Freedom of expression is encouraged in NASA. Sometimes. –Jimmy)
  • I don’t get Carlos’s weird love for Jupiter. He wants to give it a “perfect death.”
  • Crewman named Tanaka. Another homage?
  • They have a warp core?
  • I get the feeling the conflicting theme here is whether humanity has the right to destroy a planet to save themselves. Destroy part of nature to save themselves.
  • Eiji says he’ll “turn to gas” to protect the solar system. (All matter can become gas at the right temperatures. That sounded unintentionally frightening. –Jimmy)
  • One guy—a westerner—gets excited at the end, but everyone else is somber. Probably for the deaths and other sacrifices.
  • Eiji and his lover get graves on an asteroid. Carlos asks for one next to him. Millie says she’s tired of making graves for those she loves. A statement celebrating life.
  • First scene based on images from Voyager 1 and 2 of Mars.
  • The Jupiter Church scenes were filmed in Okinawa.
  • Says the Jupiter Ghost was a lifeform?! So, it’s a kaiju?! It was a massive model.
  • Found the theory about solarizing a planet to be “romantic.”
  • Komtasu wrote the novel and created the studio Io to make the film.
  • Hashimoto whispered to Komatsu just before starting filming: “Komatsu-san, I hope we stay in the planning stages forever.” (That would drive me crazy! I like results and enjoying the fruits of my labor. –Jimmy)
  • The same special effects system used for Star Wars, Motion Control System (MCS) was requested, but the staff was inexperienced with it and had to learn it. They even had a “top secret” robot cameraman called “Abbot” that required the operator to spend a day at lecture and training to learn its computer system.
  • First Japanese film to use computer graphics.
  • The miniature designers also worked on Macross and Gundam.
  • Several sources say Gorath eventually led to this film. (That damn rogue star still gives me nightmares! –Jimmy)
  • Considered making this into an anime first.
  • Director Tezuka modeled all his scientist characters after Komatsu.
  • Yuko Weisser says a theater group he was in called Forest of Muses (Muse No Mori) made their own stage version of the film subtitled End of Miyazu. It featured yakuza clan trying to explode Jupiter. The clan’s ladies were the main characters.

And now my Jimmy’s Notes on Toho classics comes to end. But now I get to write them as part of MIFV’s “Godzilla Redux.” Which means we eventually get to discuss my “man crush,” as Marchand puts it, Nick Adams again!

Next week Nate continues the “Year of Gamera” with Gamera vs. Jiger, an episode that will feature podcaster and writer Ben Avery. Then the aforementioned “Godzilla Redux” begins with the original 1954 classic, Godzilla, directed by Ishiro Honda.

Until then, remember: #WeShallOvercome

Follow me on Twitter: @NasaJimmy
Follow MIBOD on Twitter: @MonsterIslaBOD
Follow Raymund Martin (The Monster Island Legal Team) on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CrystalLadyJes1

#JimmyFromNASALives

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Episode 41: ‘Sayonara Jupiter’ (Mini-Analysis)

Hello, kaiju lovers!

A chapter closes on today’s episode as Nate concludes his “mini-sode” series on the Toho classics he missed out on in his previous podcast life. This week he discusses the almost-forgotten hard sci-fi tokusatsu film from 1984, Sayonara Jupiter (aka Bye Bye Jupiter). It was something of a transitional film for Toho since its cast and crew included players from both the Showa and Heisei eras, including Akihiko Hirata (in his final role), Sakyo Komatsu (author of Submersion of Japan), Koichi Kawakita (FX director for the Heisei Godzilla series), and Koji Hashimoto (director of Return of Godzilla/Godzilla 1985). Unfortunately, the Hollywood-caliber special effects can’t save it from an overstuffed script that has a Jupiter Solarization Project, an eco-cult/terrorist group, and Nazca lines on Mars, among other things. If the film is known for anything, though, it’s the (in)famous zero gravity sex scene (which may or may not be intrepid producer Jimmy From NASA’s favorite part). Yep.

After Nate gets into all of this, he reads some listener feedback in the form of three new Apple Podcasts reviews and then gets a visit from Monster Island’s security chief, Captain Douglas Gordon, who brings along a famous friend he says is upset with Nate. This leads to an important announcement about MIFV’s next episode series.

After the credits, Nate and Jimmy are visited by Jessica, still fresh off of her exploits as magical girl superheroine Crystal Lady. She’s been given some, shall we say, “special” earrings by the nefarious Monster Island Board of Directors. Let’s just say Nate and Jess butt heads more than usual because of them.

Guest stars:

  • Sarah Marchand as Jessica Shaw

Epilogue Parts 1-2 (“Introducing Godzilla Redux” and “Influencers”) written by Nathan Marchand.

Additional music:

Sound effects sourced from Freesound.org, including one by InspectorJ, and the Toho Foley library.

We’d like to give a shout-out to our MIFV MAX patrons Travis Alexander and Michael Hamilton (co-hosts of Kaiju Weekly); Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; and Damon Noyes! Thanks for your support!

You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month!

This episode is approved by the Monster Island Board of Directors.

Timestamps:
Intro/Film Analysis: 0:00-15:14
Ad: 15:14-17:09
Listener Feedback: 17:09-22:17
Outro, Epilogue Part 1, and Credits: 22:17-31:31
Epilogue Part 2: 31:31-end

Podcast Social Media:
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Instagram

Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD
Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam
Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2021 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Kaiju Weekly 074 – Pacific Rim: The Black (with Nathan Marchand) (Re-Upload)

Hey there, kaiju lovers! Like I did with the Monster Hunter review I did on the Forever Classic Podcast, I’m re-uploading this episode of Kaiju Weekly for any of you who missed it. While I experimented with a “Special Report” episode on season one of Netflix’s Pacific Rim: The Black, I couldn’t find time in MIFV’s schedule to make to make a proper episode on it. Then I had the chance to sub for Travis Alexander, one of the co-hosts of Kaiju Weekly, on their review of it. So, with their permission, I’m re-sharing it here. I highly recommend listening to Kaiju Weekly because it’s a fun and entertaining podcast, and the one in the kaiju community with whom I have the closest ties.

The original show notes:

We continue “Mecha May” with a look at the 2021Netflix anime series, Pacific Rim: The Black featuring returning guest and friend of the podcast, Nathan Marchand of The Monster Island Film Vault.

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Set after Pacific Rim: Uprising, Kaiju have ravaged Australia, two siblings pilot a Jaeger to search for their parents, encountering new creatures, characters, and allies.

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CHECK OUT MIFV!

https://podcasts.apple.com/us/podcast/the-monster-island-film-vault/id1472692780

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KAIJU RAMEN MAGAZINE:

https://www.kaijuramenmagazine.com/

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CONTACT KAIJU WEEKLY:

kaijuweekly@gmail.com

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FOLLOW ALL THINGS KAIJU WEEKLY:

Follow us on Twitter

Follow us on Instagram

Subscribe to our YouTube Channel

Become a Patreon

Kaiju Weekly Merch

FOLLOW MICHAEL, THE KAIJU GROUPIE:

https://linktr.ee/admin

Music for the Podcast provided by Kweer Kaiju

**All film, audio clips, and graphics belong to their respective copyright holders with no infringement being intended or implied.**

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