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Category: Mini-sode

Episode 21: ‘Matango’ (Mini-Analysis)

Hello, kaiju lovers!

An artsy Japanese horror film about mushrooms based on a British short story?

That’s sounds insane enough to work!

Despite getting slapped with the schlocky English title, “Attack of the Mushroom People,” Matango ranks as one of director Ishiro Honda’s greatest achievements in tokustasu filmmaking. Screenwriter Takeshi Kimura considered it to be his magnum opus. It’s a story replete with subtlety and symbolism, an indictment of Japan’s newfound opulence and decadence in the early 1960s, and it’s as relevant now for any audience as it was back then. It’s such an important film, Nathan and his intrepid producer, Jimmy From NASA, interview the only scientist on Monster Island’s who’s brave and/or crazy enough to study the Matango—with frightening results! 

Featuring Daniel DiManna as the voice of Dr. Dante Dourif.

Episode image created by Michael Hamilton. Check out his podcast, The Kaiju Groupie.

This is meant to supplement this episode of Kaijuvision Radio: Episode 45: Matango (Attack of the Mushroom People) (1963) (Westernization and Globalization)

We’d like to give a shout-out to our Patreon patrons Travis Alexander and Michael Hamilton (cohosts of Kaiju Weekly); Danny DiManna (Godzilla Novelization Project); elizilla13; and Chris Cooke (host of One Cross Radio)! Thanks for your support!

You, too, can support us on Patreon!

This episode is approved by the Monster Island Board of Directors.

Podcast Social Media:
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Follow Jimmy on Twitter: @NasaJimmy
Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD

www.MonsterIslandFilmVault.com

#JimmyFromNASALives       #MonsterIslandFilmVault

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

  • “Attack of the Mushroom People: Ishiro Honda’s Matango William Hope Hodgson’s ‘The Voice in the Night’” by Anthony Camara (Monsters and Monstrosity from the Fin de Siécle to the Millennium, edited by Sharla Hutchinson and Rebecca A. Brown)
  • “The history and current state of drug abuse in Japan” by Kiyoshi Wada (Annals of the New York Academy of Sciences, Jan 2011, vol. 1216, no. 1, p 62-72)
  • Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godzisewski
  • “Ishiro Honda-thon Ep. 5: Matango (1963) Review” by Adam Noyes (AN Productions) (YouTube)
  • Kaijuvision Radio, “Episode 8: King Kong vs. Godzilla (1962)”
  • “Methamphetamine Solution: Drugs and the Reconstruction of Nation in Postwar Japan” by Miriam Kingsburg (The Journal of Asian Studies, Feb. 2013, vol. 72, no. 1, p. 141-162)
  • Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda by Peter H. Brothers
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Episode 19: ‘Gorath’ (feat. Jack “GMan” Hudgens)

Hello, kaiju lovers!

Before Armageddon, before Star Trek: The Motion Picture, there was Gorath. Nathan is joined by the most loved and hated film critic in the kaiju community, Jack “GMan” Hudgens, to discuss this Toho classic that has been described as the lovechild of Mothra (1961) and The Last War. While it isn’t the most exciting film, Nathan and GMan explore how its theme of unity is a timeless message, and one that people need to hear now more than ever. Along the way, they compare this to Star Trek and H.P. Lovecraft stories and discuss how Maguma the giant walrus has done nothing but get shoehorned into stories he didn’t need to be in. Also, GMan gets into a bar fight with Jimmy From NASA. Yep.

This is meant to supplement this episode of Kaijuvision Radio: Episode 44: Gorath (1962) (Near Earth Objects/Science of Gorath).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, elizilla13 and Joejira! Thanks for your support! (Forgive me for forgetting to say this on the air! I’ll make it up to you next time!)

You, too, can support us on Patreon!

Follow GMan on Twitter. Check out The Drift Space.

Read Jimmy’s Notes on this episode.

Podcast Social Media:
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Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 17: ‘The Last War’ (Mini-Analysis)

Hello, kaiju lovers!

Except today’s episode isn’t about giant monsters. Heck, it’s barely about tokusatsu. Nathan is analyzing the criminally underseen 1961 antiwar drama The Last War. While most of the creative team behind the camera aren’t the ones usually followed by kaiju/toku fans, there are several familiar faces in front of the camera: Frankie Sakai (Mothra), Yuriko Hoshi (Mothra vs. Godzilla, etc.), and Akira Takarada (too many to list). This film depicts a middle class Japanese family navigating everyday life interspersed with Japanese government officials and foreign soldiers trying to avoid World War III. It is a perfect snapshot of the Japanese national spirit at that moment in time and, Nathan argues, is the precursor to 1984’s The Return of Godzilla. As part of his analysis, Nathan reads the Bible passage quoted in the film (plus the following two verses that would’ve offered some hope) and a John Bradley poem that would’ve been perfect for the end of the film.

All this plus Nathan opens the mailbag to answer some listener feedback!

This is meant to supplement this episode of Kaijuvision Radio, which featured the fantastic Danny DiManna: Episode 43: The Last War (1961) (NATO) (The North Atlantic Treaty Organization).

I’d like to give a shout-out to our Patreon patrons Travis Alexander (host of Kaiju Weekly), Danny DiManna, and elizilla13! Thanks for your support!

Read Jimmy’s Notes on this episode.

Please donate to David Marshall and his family on GoFundMe.

Podcast Social Media:
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Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 15: ‘Battle in Outer Space’ (with Luke Jaconetti)

Hello, kaiju lovers!

Today’s episode is a little different. Think of it as an extended “mini-analysis.” It’s also the first film MIFV has covered that features no kaiju. Luke Jaconetti, the host of the Earth Destruction Directive podcast (and owner of an impossible-to-spell surname), joins Nathan to discuss the film featuring everyone not working on The Three Treasures in 1959: Battle in Outer Space. The podcast’s producer, Jimmy From NASA, loves this film because it’s the second entry in what he calls a “pseudo-trilogy.” After Luke recounts his globetrotting adventure getting to Monster Island despite worldwide travel bans, he and Nathan discuss how what this film lacks in character it more than makes up for with showmanship and spectacle. It was a snapshot of the world at the beginning of the Space Race and the Cold War. They connect it to films like Invasion of the Body Snatchers, Earth vs. the Flying Saucers, Star Wars, and even Toy Story 2! They also discuss whether or not the invading aliens, the Natal, could be interpreted as an anti-American commentary.

Are you stuck in quarantine? Enjoy some quality entertainment and enlightenment through this tokusatsu epic!

This was made as a supplement to this episode of Kaijuvision Radio, which featured Danny DiManna as Brian Scherschel’s guest host: Episode 42: Battle in Outer Space (1959) (The Space Race between the US and the USSR).

Podcast Social Media:
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Follow Jimmy on Twitter: @NasaJimmy

www.MonsterIslandFilmVault.com

#JimmyFromNASALives

© 2020 Moonlighting Ninjas Media

Bibliography/Further Reading:

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Bonus Episode #1: Jimmy From NASA Presents ‘Space Kong’

Hey, guys!

The Vault is now under new management—Jimmy From NASA! Yes, after starting a betting pool during Nathan’s livestream of Override: Mech City Brawl Friday night and cleaning out the Monster Island Board of Directors, Jimmy became the new host of the podcast but kept Nathan on as his producer. Nathan is still a bit sore about that, as you’ll hear, but Jimmy is sure he’ll get over it.

For his first episode, Jimmy is discussing his favorite unmade Kong film: “Space Kong.” This was a wild idea that came about in the 1960s while Merian C. Cooper was corresponding with comic book publisher Western/Gold Key Comics to produce a comic adaptation of original film and a sequel. This would’ve featured the children of the original characters and Carl Denham still young from finding the Fountain of Youth. Cooper suggested setting it on another planet with “King Kong reincarnated.” While Jimmy first learned of this lost project through a book written by his (first) flame war nemesis, John LeMay, he showed up that know-it-all by buying Cooper’s long lost story treatment for this proposed film on eBay using his newfound wealth. Be the first to hear about it in today’s episode!

Here’s Nathan’s transcript of Episode 14.

Follow Jimmy on Twitter: @NasaJimmy

#JimmyFromNASALives
#WeShallOvercome

Podcast Social Media:
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www.MonsterIslandFilmVault.com

© 2020 Jimmy From NASA & Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 13: ‘The Three Treasures’ (Mini-Analysis)

Hello, kaiju lovers!

The unintentional “epic films month” continues with 1959’s The Three Treasures (aka The Birth of Japan), but thankfully this episode doesn’t cross the “Kurosawa threshold.” This is a religious epic in the vein of Cecil B. DeMille’s The Ten Commandments except it’s about Shinto. It tells the tale of Prince Yamato Takeru (played by the always awesome Toshiro Mifune), the legendary 13th emperor of Japan (who’s being covered in our 13th episode…oh boy…). Interspersed throughout the film are vignettes depicting stories from Japanese mythology that parallel the prince’s life. Nathan zeroes in on several of the film’s story elements, including the Japanese creation myth, the Imperial Regalia of Japan, and Yamata no Orochi the eight-headed dragon. There’s so much that could be said about this film, Nathan may have to do a follow-up with Rev. Mifune (no relation to Toshiro Mifune) or the guys at The Kaiju Apostle.

Nathan then reads yet more feedback clarifying the Batman Meets Godzilla story treatment—or rather, the Twitter war that almost broke out over it.

Speaking of which, Batman Meets Godzilla, one of the craziest yet most intriguing lost projects made famous by John LeMay’s book, The Big Book of Japanese Giant Monster Movies: The Lost Films (which now has a new “mutated” edition), is being adapted into a fan-made comic book miniseries!

T-SHIRT GIVEAWAY: Everyone who shares the Facebook and/or Twitter posts for this episode (or tags the show when they share it themselves) will be entered for a drawing for a Batman Meets Godzilla T-shirt. (One entry per person per social media). Entries will be taken from March 25 to March 31 at 11:59pm (EST). The winner must then send Nathan his/her shirt size, shirt color, and mailing address to be forwarded to the team at Batman Meets Godzilla. Here’s a link to the Tee Public site with this epic shirt.

Here’s the KVR episode: Episode 41: The Three Treasures a.k.a. Nippon tanjo (The Birth of Japan) (1959) (Shinto)

This episode featured the songs “‘BATMAN’ [OG Theme Song Remix!]” by Remix Maniacs & “ULTRAMAN” by Nobuko Toda and Kazuma Jinnouchi.

Join the Kaiju Quarantine Discord server!

Here are Jimmy’s, er, Nathan’s Notes on this episode.

© 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 11: ‘Varan the Unbelievable’ (Mini-Analysis)

Hello, kaiju lovers!

In Nathan’s continuing series of mini-sodes on films covered by Bran Scherschel on Kaijuvision Radio after Nathan left the show, he examines Ishiro Honda’s overlooked 1958 kaiju film Varan the Unbelievable (or Daikaiju Baran). While Honda didn’t think much of it (especially after its tumultuous production when the American TV network co-producing it pulled out), it was the first kaiju film written for Toho by the fabled Shinichi Sekizawa. The second half is a by-the-numbers monster movie, but the first half is intriguing because it touches on then contemporary issues with the burakumin, a discriminated social class in Japan. Their name means “village people” (no, not the disco band!), and they were essentially the “untouchables” of Japanese culture for centuries. When seen through that lens, this film offers more than a cool kaiju.

After that, Nathan reads some listener feedback, including a letter from someone who offers some clarification on the (in)famous Batman Meets Godzilla script.

Speaking of which, Batman Meets Godzilla, one of the craziest yet most intriguing lost projects made famous by John LeMay’s book, The Big Book of Japanese Giant Monster Movies: The Lost Films (which now has a new “mutated” edition), is being adapted into a fan-made comic book miniseries!

T-SHIRT GIVEAWAY: Everyone who shares the Facebook and Twitter posts for this episode (or tags the show when they share it themselves) will be entered for a drawing for a Batman Meets Godzilla T-shirt. (One entry per person per social media). Entries will be taken from February 26 to March 4 at 11:59pm (EST). The winner must then send Nathan his/her shirt size, shirt color, and mailing address to be forwarded to the team at Batman Meets Godzilla. Here’s a link to the Tee Public site with this epic shirt.

Here’s the KVR episode: Episode 40: Varan (1958) (Hisabetsu-Buraku) (Discriminated Communities)

This episode featured the song “‘BATMAN’ [OG Theme Song Remix!]” by Remix Maniacs.

Be sure to read Jimmy’s Notes on this episode.

(c) 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 9: ‘The Mysterians’ (Mini-Analysis)

Hello, kaiju lovers!

Nathan covers yet another film discussed on his former podcast, Kaijuvision Radio, by Brian Scherschell: Ishiro Honda’s 1957 tokusatsu classic, The Mysterians. While Godzilla (1954) singlehanded created the kaiju and tokusatsu genres, this film arguably ushered in Toho’s “golden age,” which would last for a decade. While Nathan does touch on Moguera, the special effects, and the film’s many influences, the bulk of his analysis is focused on Japan’s relationship with the United Nations, which the nation joined just a year before the film was released. The Mysterians expresses Japan’s—and Honda’s—postwar ideal of “proactive pacifism,” which it saw in the U.N. Throw in a few snarky interruptions from the podcast’s intrepid producer, Jimmy From NASA, and a random cameo from a psycho-powered dictator, and it’s a typical Wednesday at The Monster Island Film Vault.

After that, Nathan dumps out the mailbag to read several iTunes reviews and e-mails from listeners.

Speaking of which, be sure to check out the upcoming fan project, Batman Meets Godzilla, one of the craziest yet most intriguing lost projects made famous by John LeMay’s book, The Big Book of Japanese Giant Monster Movies: The Lost Films (which now has a new “mutated” edition).

T-SHIRT GIVEAWAY: Everyone who shares the Facebook and Twitter posts for this episode from the podcast’s pages will be entered for a drawing for a Batman Meets Godzilla T-shirt. (One entry per person per social media). Entries will be taken from January 22 to January 28 at 11:59pm (EST). The winner must then send Nathan his/her shirt size, shirt color, and mailing address to be forwarded to the team at Batman Meets Godzilla. Here’s a link to the Tee Public site with this epic shirt.

Here’s the KVR episode: Episode 39: The Mysterians (1957) (Normalization of Japan-USSR Relations)

This episode featured the song “‘BATMAN’ [OG Theme Song Remix!]” by Remix Maniacs.

Read Jimmy’s Notes on this episode.

(c) 2020 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading:

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Episode 7: ‘Half Human’ (Mini-Analysis)

Merry Christmas, kaiju lovers!

As part of Nathan’s continuing series on films covered in his absence on Kaijuvision Radio, this mini-sode examines Ishiro Honda’s 1955 film Half Human, which is infamous for being banned by Toho. Heck, it was stashed so far back in the Island’s film vault, it took Goji-kun and Bro Kong (the podcast mascots and possibly Godzilla and Kong’s “little” brothers) a long time to find it for Nathan to watch. Strange as it may sound, it’s serendipitous that this episode was released on Christmas Day because the film takes place partly on New Year’s Day. It follows a group of scientists and students investigating the appearance of the Abominable Snowman in the Japanese Alps, where they encounter a savage tribe who worships the Snowman. Nathan’s analysis focuses on the natives, their parallels to the Ainu (Japan’s indigenous people), and how this portrayal got the film banned. He argues that, despite possible insensitivities, Half Human is unfairly censored and deserves to be viewed by a wider audience.

All this plus our first listener feedback letters and the Monster Island Christmas party—wherein Nathan learns that kaiju can sing Christmas carols (or so his intrepid producer, Jimmy From NASA, tells him even though he hasn’t fixed the ORCA yet).

Here’s the Kaijuvision Radio episode on the film: Episode 38: Half Human (1955) (Genetic Origin of the Ainu People).

Here’s the blog with the rules for the Destroyer novella giveaway.

This episode featured “We Three Kings” by Jay Man (OurMusicBox on YouTube).

See you in 2020, listeners!

#JimmyFromNASALives

© 2019 Nathan Marchand & Moonlighting Ninjas Media

Bibliography/Further Reading

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