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Jimmy’s Notes on ‘Episode 29: War of the Gargantuas (feat. Ben Chaffins)’

As I mentioned on Twitter today in my latest “tweet duel” with Marchand, I’m blaming this blog’s tardiness on tryptophan. Thanksgiving was a week ago, but whoever cooked that turkey must’ve added more of that stuff to it. (I can neither confirm nor deny that it may have been a kaiju turkey). Suffice it to say, the American personnel on Monster Island had a good time.

Strangely, I only wrote a few notes while listening to the live broadcast of the episode on War of the Gargantuas:

  • I think Marchand is on crack. I can’t find a different version of “The Words Get Stuck in My Throat” from the dubbed version of the movie. I did find out that DEVO covered it in 1979. They make it bearable.
  • Speaking of the song…why, Marchand, why?! Why did you say the Board would play that song in the elevators?! You know they’ll do it!
  • Kipp Hamilton died in 1981, so she won’t be able to sing for us on the Island. But like I said, DEVO cover.

Here are Nathan’s leftover notes with my annotations:

  • Starts with the Oodako (giant octopus). Tsuburaya had a thing for them. They show up in his movies and TV series often. It gets a beating from Kong and Gaira.
  • Gaira appears in four minutes.
  • These subtitles are a bit confused. First they say, “Frankenstein” (which the actor does say), but then they say, “Gargantua,” like the dub. And it comes out of nowhere.
  • Again, G98 parallels with the wrecked boats on shore with skin on it.
  • “Call 110!” (I’m guessing this is the Japanese version of 911. –Jimmy)
  • “Operation L,” huh? (Operation Luigi? Lorax? Lumpy? Oh, no! Not the Holiday Special! –Jimmy)
  • Gaira sorta goes after pigs in a barn like Baragon does a horse.
  • The protagonists hardly do anything. There’s a lot of military procedurals with nondescript soldiers.
  • Suddenly Gaira can handle sunlight better after Sanda saves him. And Sanda isn’t bothered by light.
  • Thankfully, the Gargantua suits look much better when wet than Kong.
  • Tamblyn and Mizuno talk about how the young people go out during times of trouble, which the same in evert country. They go hiking when kaiju are around. Youth filled cafes and theatres when Nazis occupied Paris. It’s a bit of thematic weight, anyway.
  • You’d think the whole plotline with any bits of flesh growing into other Gargnatuas would be a bigger deal in this. (The scientists here monitor them and Frankie closely because of this. –Jimmy)
  • Several clips from this film are used as part of the closing ceremonies at G-Fest. (One of these days I should attend. –Jimmy)
  • There is brief conflict between the scientists and soldiers over if the Gargantauas—or at least Sanda—should be kept alive for study. (This debate happens daily here on the Island. Just kidding. S.C.A.L.E. would sue us into oblivion if we hurt any of the kaiju. –Jimmy)
  • The fights have choreography more like wrestling matches because the monsters are humanoid. Brutal. (I may have been in a few Japanese wrestling matches…. –Jimmy)
  • Using a sweet-smelling flower to revive a woman? Clever. (I’ve tried it a few times. It works very well, if you know what I mean. –Jimmy)
  • It isn’t explained, but the helicopter’s bombing is what causes the volcanic eruption that swallows the Gargantuas.
  • It ends abruptly and on a bit of a dour note.

Honda Biography:

  • Since the monsters were smaller, the miniatures were larger and more detailed. This pleased Honda because the Toho art department had been cut from 32 to 14.
  • The Americanized script required nine scenes to be filmed two different ways.

Peter H. Brothers

  • Kimura’s script based on treatment by Reuben Bercovitch.
  • Nick Adams was unavailable because he was filming The Killing Bottle. Also, due to him trying to propose to Kumi Mizuno, there may have been tension between the two of them. (No excuse. –Jimmy)
  • He argues Tamblyn’s poor performance is can be blamed partially on Honda because he was easygoing and didn’t usually micro-manage actors.
  • This could be the saddest ending of any Honda film not because of character or monster death but the death of Akemi’s optimism in the final scenes.

Again, it’s short and sweet today.

You’ll be happy to know I made a glorious return to the producer booth for next week’s episode, which had Nathan going solo for a mini-analysis of Latitude Zero, which stars the Joker himself, Caesar Romero. We were also joined by Ms. Perkins, who had…important things to tell us. I am not at liberty to say more. After that is our season finale with Matt and Gratton from the Giant Monster BS podcast to discuss Space Amoeba. It’s hard to believe one chapter about to end and another one begin. “Poor Marchand,” is all I can say. For those who didn’t hear the live broadcast, you’ll understand next week.

Follow me on Twitter: @NasaJimmy

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Jimmy’s Notes on ‘Episode 28: Nick Hayden vs. The Beast from 20,000 Fathoms’

As Aerosmith once sang, “I’m back in the saddle again!”

It was nice getting some time off work and spending it in my garage with Jet Jaguar working on Mechani-Kong Mk. 2 (who’s almost done). I’ve only used about half of the parts I salvaged from both Mogueras. I should do something with the rest of them. Hmm….

I heard the initial broadcast for episode 29 while on my Board-mandated vacation, and I admit that Nathan did a good job without me and Jet did fine as my sub. But all of you will have wait until next week to hear it.

Anyway, on to my notes from episode 28:

  • It’s “transpacific flight” not “transatlantic flight,” Nathan. Wrong ocean.
  • Nick, from what the Island’s scientists have told me, there were more dinosaur and kaiju fossils up there in the Arctic than what you found. Possibly. Maybe. … I can neither confirm nor deny.
  • Oops. I wrote “Harryhausen” when I meant “Bradbury” in the info dump. And yet Nathan still read it that way. Thankfully, he fixed it in post, as obvious as it is.
  • A Life Day card and present? Seriously, Marchand? I reserve the right not to accept it. Even if that damn holiday is canon now. Also, I’m saving the “chill pills” for you, you hyperactive goof!
  • “Red” will eat anything, regardless of “deliciousness” or lack thereof.
  • Yes, I do have a Disco Space Nun flying saucer in my garage. I still haven’t gotten it opened, though. Personally, I’d rather find and examine a Xilien saucer. I’ve heard rumors there might be one of two that survived the invasion of 196X. I’ll keep you posted.
  • Hmm. A music festival on the Island? Maybe I should get my band back together….
  • So, funny story about how I found that orbital manhole cover: It was during the final test flight for the Gohten just before the War in Space. We were testing the Space Fighter launcher—you know, the brilliantly designed giant magnum revolver—to make sure it didn’t accidentally switch to laser cannon mode. I volunteered for the test. The launch system worked, but as I flew out, something splattered on my Space Fighter’s windshield. I thought it was a Space Bug (nasty things), but when I returned to the Gohten, I discovered that it was a fragment of that infamous manhole cover. It’d gotten stuck to my windshield thanks to some gum. I’ve no idea how it got there (what was that sewer worker chewing?!) or how it survived atmospheric entry (seriously, what was he chewing?!), and it did need to be removed with my laserknife (tough stuff). I wear it proudly as a pin, as you heard.
  • It’s “Manhattan Project,” Nathan, not “Project Manhattan.” Was that what the Dutch colonists who founded the city called their endeavor?
  • I do love pun times. Keep it up, Nick!
  • Here’s a link to the Godzilla zip line in mainland Japan. I think there’s a proposal to build one here on the Island, although I don’t know which Godzilla design will be used.
  • Nathan was wrong—Ray Bradbury did not write for The Outer Limits. In fact, he didn’t write for any TV series. However, his works were adapted by several TV series, including Tales of Tomorrow and Alfred Hitchcock Presents. He did contribute several scripts to The Twilight Zone, as Nick alluded to, but only one was produced: “I Sing the Body Electric,” which was the 100th episode and later adapted into a short story. (Who’s the lit nerd now, Marchand?)
  • Yeah, a World Children’s Land on Monster Island would be interesting, but where would the Board even put it? We barely have room for all the kaiju.
  • I’m not sure when I’ll finish my memoir, but I could always use your connections in the publishing world, Nathan. As for why I didn’t have you be a beta reader…well, as you’ve said yourself, Nick is the better writer. Sorry not sorry.

Now on to Nathan’s leftover notes. He’s gotten better about not overdoing his research and presenting most of his findings. In fact, he got through all of his notes on the Toku Topics.

The Film

  • I thought this WB logo wasn’t until the ‘80s? (Perhaps it was added later? –Jimmy)
  • Swirling drain! (insert obvious joke here). Or is it the proto-Ultra Q?
  • Gamera the Giant Monster copied some of this beginning. (Much to Nathan’s chagrin. –Jimmy)
  • Rhedosaurus appears 9 minutes in.
  • These are impressive arctic sets. The snow is better than Daimajin Strikes Again. You really feel the cold.
  • Awkward jump cut at 32:00.
  • Tom knows French? Okay. Convenient.
  • 43 minutes in, we get the ‘adaptation” part of the film. The attack on the lighthouse. Unlike in the story, there’s no fog horn. I think the monster gets angry at the light.
  • Army/Navy game. College football, man.
  • Section 8 discharge. I can’t hear that without thinking of Klinger from M*A*S*H*.
  • Tom and Lee see a ballet together. Which is it? (Shout-out to Bex and Princess Tutu!) (Don’t you owe Bex video proof that you can do ballet positions? Tsk tsk. –Jimmy)
  • Interestingly, they use a radioactive isotope to kill the beast. This once again illustrates the different attitudes toward nuclear things between the U.S. and Japan. Although, it could be argued that nuclear solutions are used later (Godzilla is atomic, and his ray powers the device that kills Hedorah). Then there’s KOTM19….
  • The soldier is a dead shot. How about that, Jimmy? (At least he’s not a Stormtrooper. –Jimmy)

It’s short and sweet today.

As I already alluded to, next week Nathan is joined by Sci-Fi Japan writer Ben Chaffins, not for a bonus interview but to discuss the Toho classic War of the Gargantuas. Then Nathan does a mini-analysis of the semi-obscure—and quirky—Toho film, Latitude Zero. Expect lots of Batman jokes.

See you next week!

Follow me on Twitter: @NasaJimmy
Follow the Board on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#WeShallOvercome

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Jimmy’s Notes on ‘Episode 27: Frankenstein Conquers the World (feat. Travis Alexander)’

First, let me apologize to the Patrons because I didn’t get this finished in time for early access. You see, I was tasked by the Board of Directors with caretaking for the Matango while Dr. Douriff was on sabbatical for Halloween weekend, and I had…a weird experience that left me in the Monster Island Infirmary. Then, as announced by the Board on Twitter, I was given a clean bill of health but told to take a paid week off work. Normally, I’d probably come into the studio anyway, but I got used to spending the extra time in my garage working on Mechani-Kong Mk. 2 with Jet Jaguar. That knocked me out of my normal routine, so this didn’t get written in time for Patrons. That shouldn’t be an issue going forward.

As usual, with this being a shorter episode and derived from Nathan’s grad school research paper, I don’t have a lot in my notes. Regardless, let’s get into them.

My Notes:

  • Is it “Bar-a-gon” or “bare-a-gon,” Nathan? Pronunciations!
  • Nathan forgot to mention Frankenberry cereal when he said he would bring it up in an episode I don’t feel like talking about.
  • Was there a gremlin in Travis’s mic? It bugged out a few times. Did Goji-kun and Bro Kong return from fighting COVID-19 yet?
  • Actually, Frankenstein has been translated into Japanese six times, and two of those were before this film was released (1953 and 1959).
  • Can you blame me for crushing on Kumi Mizuno? I mean, look at her!
  • I might have to buy one of Travis’s T-shirts. Nathan already has one.
  • Yeah, I still don’t allow bearskin rugs into my apartment. And only recently did I let Chewbacca toys in. Because this thing.

Nathan’s Leftover Notes:

  • Un-subtitled German later. Indiana Jones-style map sequence. Japanese officers suggests the Germans are giving them Hitler. Implies he wasn’t dead but was hiding. (He’s dead. No boys from Brazil here. –Jimmy)
  • 15 years later, Dr. Bowen is working to treat radiation victims in Hiroshima. Treats dying child whose parents died in A-bomb. “The story of Hiroshima is too tragic. But it’s also a fact that is has given us the opportunity to study the cellular tissues of the human body. We must work to turn tragedy into eternal peace and happiness in the future.” (Nick Adams is awesome. –Jimmy)
  • Dr. Bowen: “…I came here after the war, because I was one of the people concerned about the A-bomb that was dropped on Hiroshima. I wanted to spend my life rehabilitating mankind, not in destroying it. But the more research work I do, the more I am troubled by my doubts. So I’m thinking of returning to America to start all over again.” (Nick Adams is still awesome. –Jimmy)
  • Like in King Kong, the feminine presence calms the savage.
  • A reporter asks if the boy was born after the war, but Bowen dodges it. (Like a boss! –Jimmy)
  • Minor character says he wouldn’t be surprised if a boy like Frankenstein was born after thousands of people died in bombings.
  • Baragon teased 23 minutes or so in.
  • Frankenstein is violent but also curious. He smashes a TV but won’t hurt Sueko. Goes for her necklace when it seemed he would attack her.
  • Is Frankenstein human? Some say he isn’t because he was manmade or acts savage. Put him in a zoo. Cut off his limbs to test if he is because he’s not a human being. Like Hibakusha.
  • Why is he is growing gigantic now in a short time and not during the 15 years he was in the city? (Because reasons. –Jimmy)
  • Like King Kong, he’s set off by lights.
  • Interestingly, Frankenstein never eats people. (Unlike his “son.” –Jimmy)
  • Frankenstein isn’t filmed like kaiju. He lacks the illusion of size because his footage wasn’t slowed down.
  • It’s Thing! 😛 (Which “Thing”? There are several. –Jimmy)
  • How and why did the severed hand shrink?
  • Where does Frankenstein find clothes that fit him? (From Kaiju Weekly’s Tee Public store, of course! –Jimmy)
  • The miniature work is still pretty effective.
  • This is a road/travel movie with all of these locations! Another map sequence.
  • Dr. Bowen is somewhat like Dr. Yamane in saying Frankie shouldn’t be killed.
  • This story is like the Universal film in that Frankie is a misunderstood monster who is tragically killed.
  • Baragon finally appears 56 minutes in. He seems to initially be filmed like proper kaiju.
  • Kimura’s reporters don’t believe the story of an innocent Frankie and the evil dinosaur. Even seem callous. Laugh it off. Unlike Sekizawa’s reporters.
  • At least two pieces of music in this film were recycled in Godzilla vs. Gigan.
  • If you want to kill him, capture him and starve him of protein. The hand died. (For the record, he isn’t treated like this on Monster Island. –Jimmy)
  • The noise Frankenstein makes at the end—the sorta scream—is a bit annoying.
  • Now Baragon is moving too quickly. It’s like Godzilla Raids Again.
  • Frankie has some nasty fangs.
  • Sequel baits at the end. (Only in the alternate ending—which does kinda payoff.. –Jimmy)

That’s all for today.

Join us next week when Nathan is joined once again by his friend Nick Hayden. This time they discuss the first Ray Harryhausen film covered on MIFV, The Beast from 20,000 Fathoms. Then later this month Nathan will be visited by Sci-Fi Japan writer Ben Chaffins to talk about this film’s pseudo-sequel, War of the Gargantuas.

Now, if you’ll excuse me, that robot monkey is calling.

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

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Jimmy’s Notes on ‘Episode 26: The Metters vs. Daimajin Strikes Again’

So…let me explain.

This all started as good-natured ribbing between me and Joy. I was just cracking jokes. However, the more she talked about how good she was with a sword, the more I wanted to test that theory. I’m an engineer, after all. Not to mention this sort of thing happened all the time when a new recruit walked onto base when I was in the Air Force. That’s why I unleashed the Dorats on her. If they scared her, I knew she lacked the courage of a swordfighter. I could’ve tried something a bit more…aggressive (I considered a Meganuron), but I knew that would be too dangerous. In retrospect, something that cute was probably bound to fail as a test of mettle. Obviously, we need to feed those flying gremlins radiation after midnight to unlock their killer instincts.

As for quarantining their dogs…okay, I admit I took advantage of an Island rule to annoy Joy. Her slapping me with a glove and challenging me to a duel was unexpected. Although, not nearly as unexpected as getting my butt kicked by Daimajin. If I believed in karma, I’d say I had it coming. I spent a good three days recovering in the infirmary. The soreness only subsided yesterday. I get a little nervous walking through Serizawa Memorial Park. I swear that statue is watching me. Now I know how Whovians feel around angel statutes.

Anyway, I do have some notes from the episode. I had to listen to the second half after it was published last week since I wasn’t there. It’s the usual stuff, as you’ll see.

My Notes:

  • It’s “Tsuruchiki,” Nathan. Admittedly, it’s a bit of a tongue twister name.
  • Irony would be a great source of renewable energy. Almost as good as plugging Marchand into one of my mechas. He’s practically a human dynamo.
  • Yes, I am proud of my haircut, Marchand, but no, I won’t exchange shampoo recommendations with Joy.
  • It was the Sengoku period, Nathan. After only a few episodes, that info slipped out of your big head. 😛
  • (I confess I got so frustrated with Joy, I broke several pencils points and stopped writing about her).
  • Tamashii is a Japanese toy company.
  • Midi-chlorians don’t exist. 😛
  • Nathan discussed bon festivals briefly for episode 9, which was on The Mysterians. (I liked that one).
  • No, Nathan, it was Emperor Hirohito. Akihito was his son (Emperor Heisei). If only I was there to correct you on that. I lived under Emperor Showa for a while, so I know.

Now for Nathan’s leftover notes. He’s gotten better about remembering that every episode isn’t a doctoral thesis. 😛

The Film

  • Daimjain is similar to the Hebrew legend of the golem.
  • This film is unique in the trilogy in that it stars children. It’s kaiju Stranger Things (or Stand by Me). It’s also like a traditional fantasy story because it’s a journey. They meet strange people (old lady), cross rivers, climb mountains. The mochi are like the elvish bread. (Reminds me of my childhood. –Jimmy)
  • I don’t get the sandal flip for checking on his brother. (Like a coin flip, maybe? I had friends at the Japanese school I attended for a while who did it. What’s weird is a few of my Japanese friends did it while building Gohten. Weird. –Jimmy)
  • Sugi is the least impressive in terms of acting.
  • The Daimajin statue appears 27 minutes in (87 minute movie).
  • The boys ask Daimajin’s forgiveness for entering his mountain. They say they just want to save their dads. He sends his hawk and a small dust storm as a reply, which seems to be affirmatory.
  • No explanation for why this statue is in the middle of nowhere on this mountain.
  • The bad guys use guns again.
  • “Heightened sense of smell.” Okay, Wolverine.
  • Sugi has a dream where he’s running on the mountain and a hawk sort of attacks him. He falls and cries out for his father.
  • Broken posts look like crosses.
  • The villains show no respect to Daimjain when they step on his mountain.
  • Tsuruchiki buries it in snow and prays over it.
  • Daimajin’s shoulder pads still shake.
  • He smashes through a cliff like he did the wall in previous film. (Must be made of paper. –Jimmy)
  • During the finale it becomes quite apparent that the actors are wearing skull caps.
  • Wait…he stomps on the cave but his hand reaches in on impact?
  • How appropriate that Daimjain punishes evildoers in Hell’s Valley.
  • When Sugi calls to Daimajin at the end, is he hoping he will resurrect Kinta?
  • This film actually has credits! Probably because it didn’t have any at the start. Very modern. Ahead of its time.

The Toku Topic: Kami

  • Sources: Encyclopedia of Shinto, “Kami: The Evolution of Japan’s Native Gods” by Hashizume Daisaburō, “Meet the Gods: 13 Japanese Kami” by John Spacey, https://www.ancient.eu/Kami/, “Kami” (Wikipedia), https://en.wikipedia.org/wiki/Vai%C5%9Brava%E1%B9%87a
  • It’s best to think of “God” and kami as three different concepts.
    • “The written Japanese form, 神, is influenced by the Chinese meaning of the character. Common words in both languages using this character, such as 精神 (pronounced seishin in Japanese), meaning “spirit” or “mind,” and 神経 (shinkei), meaning “nerves,” are related to human mental qualities. Pronounced shen in Chinese, the character 神 carries some divine attributes, but they are of a decidedly low rank and far below those of the highest power in Chinese theology, termed 天 (tian) or 上帝 (shangdi) in Chinese.”
  •  “Kami were believed to possess human-like predilections in other ways as well, enjoying music, dance, and poetry, and disdaining behavior disruptive of natural or social order, together with pollutions (kegare) such as filth, blood, and death.”
  • “Heavenly bodies further include the sun, moon, and planets, while deified meteorological phenomena would include things like the kami of wind (kaze no kami), and kami of thunder (raijin). Kami related to geological formations include kami of earth (jigami or jinushigami); kami of mountains; kami of mountain passes; kami of thickets, forests, and groves; kami of rocks and boulders; kami of the sea (umi no kami); kami of rivers, lakes, ponds, and marshes; kami of islands; and so forth.
  • “So called “culture kami” can be broadly divided into the three categories (1) ‘community kami,’ namely those worshiped by particularistic social groups; (2) ‘functional kami,’ which are related to specific aspects or occupations in human life; and (3) ‘human kami,’ namely historical human beings treated as kami.
    Community kami may include yashikigami (kami of dwellings) buraku kami (kami of geographical communities); familial kami (tutelaries of consanguineous families); dōzokushin (kinship group tutelaries); and dōsojin and sai no kami (kami which stand at the entryways or borders of villages and protect residents from the intrusion of baneful outside forces).”
  • Speaking of which: “While studying to achieve enlightenment, Amida had vowed that he would strive to have all living things be reborn in this realm, which he reached upon becoming a Buddha. Rebirth in the superior realm of the Western Paradise meant being just one step from Buddhahood and was considered extremely important. The idea that people could become Buddhas after death spread through the doctrine that death could lead to the pure land, which in turn was a stage on the way to Buddhahood.”
  • “The new Shintō movement of Hirata Atsutane (1776–1843) triggered a great change in the way Japanese people thought about kami from the waning years of the Tokugawa shogunate through the early Meiji era (1868–1912). Hirata professed to be a disciple of Motoori, and his study of Shintō led him to proclaim that when people died, they did not become Buddhas or go to Yomi, the land of the dead, but instead became spirits (rei). In particular, those who died for Japan suffered no defilement and became eirei, “glorious spirits,” who would protect future generations. The revolutionary idea that people became spirits after death, maintaining their individuality throughout eternity, leads some to think Hirata had studied the Christian concept of the soul by secretly reading a Chinese translation of the Bible (then banned in Japan).” This paved the way for state Shinto. It also meant that the dead could be enshrined, which led to the construction of the controversial Yasukuni Shrine in 1869.

That does it for today.

Join us next week to hear our Halloween special when Nathan was joined by Kaiju Weekly co-host (and raging Kamen Rider fan) Travis Alexander for an extended mini-analysis to discuss Frankenstein Conquers the World (or as we like to call it here on the Island, “Frankie v. Barry”). (#Justice4Baragon)

Then we cover our first Ray Harryhausen film on the show with Nathan’s friend and returning Tourist Nick Hayden with The Beast from 20,000 Fathoms.

Now, if you’ll excuse me, I need two aspirin and a nap. Marchand is busy reminding me of my comeuppance.

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

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#WeShallOvercome

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Jimmy’s Notes on ‘Episode 25: Dogora, the Space Monster (feat. Michael “The Kaiju Groupie” Hamilton)’

Normally, my notes on mini-sodes—even extended ones—tend to be short.

Not today!

This week I earn my paycheck (and the ire of Marchand and “Mr. Groupie”) with a list of notes that would make Glen and the rest of my NASA trainers quite proud.

Five, four, three, two, one…

Liftoff!

My Notes

  • It’s “mark 3” not “mach 3,” Mr. Groupie. Do you have Kilara on the brain?
  • Regardless, I tried to ask the Board which “friend” I was building the Serpentera Mk. 3 for, and they wouldn’t tell me. I admit I’m a little concerned given that the previous models were used by alien invaders, and I have a history with extraterrestrial invasions.
  • Mr. Groupie got me swearin’ on the air! I went back to my New York roots!
  • Yes, the beginning of this film reminds me of being at NASA. And let me tell you, their space monster procedures were abysmal! I blame the bureaucracy.
  • Mr. Groupie, I’m as nostalgic as the next NASA engineer. We’re by definition geeks, and nostalgia runs deep in geek culture. You know this.
  • “Space junk”? You realize how often that joke came up while I was in NASA? Pshaw!
  • Yeah. That so-called “podcast.” 🙄
  • Oh, come on! You can’t put the word “space” in anything and make me like it. (Okay, maybe “space dog.”)
  • The scientific name given the giant bees (besides “Dogora deterrent”) by the Japanese scientists here is Kyodai Mitsubachi. Security Chief Douglas Gordon, on the other hand, nicknamed one the “Queen B—ch’ (although, I think he stole that from Tab Murphy).
  • Yes, I met Cthulhu. I’ve read the right pages of the Necronomicon to know how to deal with him.
  • Nathan, I’m surprised you didn’t compare Dogora’s weakness to the Martians dying from the common cold in War of the Worlds.
Star Wars Yoda GIF - StarWars Yoda Sad GIFs
  • Yes. I’m an unabashed fanboy for Kumi Mizuno and Nick Adams.
Tom Cruise Deal With It GIF
  • I think Nathan and Mr. Groupie were a bit confused. I’d sent feedback for 20 Million Miles to Earth not Monster Zero at the time of this broadcast. I tried to correct them, but they didn’t catch it. (Speaking of which, I did write that Monster Zero e-mail for Kaiju Weekly).
  • Yes, Carl Craig and I can both speak Japanese. I’m proud of that. Perhaps I should use it more often.
  • Yeah, Marchand, I’m going to have to give you some laser pistol safety training before I take you to my range again. And yes, you shoot like a Stormtrooper. But sure, Mr. Groupie, I’ll take you to my range next time you’re here.
  • Oh, I’m serious about that duel, Mr. Groupie. I’ll get it approved with the Board. Perhaps they’ll allow it if our weapons are set to stun. Too bad you backed down
  • I think you mean “west coast” not “west side,” Nathan. Or do you have Russ Tamblyn on the brain?
  • Yeah…Yakuza friend. I used to know him back in my scouting days. It’s not Masao. Gamera kids would never become Yakuza. Mostly because I think he might eat them if they did.
  • You called it “Daimajin Strikes Back” again, Marchand!
  • Yes, the Board likes 100 Grand bars. I tried Reese’s Pieces at first because of a movie I saw in the early ‘80s, but it didn’t work.
  • It wasn’t easy getting that clause added to your contract, Nathan. That’s how I discovered the Board liked 100 Grand bars.
  • Nathan eats super-spicy Jelly Belly jellybeans to put up with me.
  • “Like somebody I know”? Oh yeah. I know all about him. That was the last time I let him near my armed drones.

Now for Nathan’s leftover notes.

The Film:

  • Jimmy has a soft spot for this one because he’s a sucker for space monsters. (And I feel no shame. –Jimmy)
  • The opening and credits do remind me a bit of Battle in Outer Space.
  • Komai: Who’s almost the same character in Ghidorah.
  • (Typo in subtitles: “big jib.”) (They should’ve had me edit it. –Jimmy)
  • They were very trusting that the truck drivers would see her and not run her over.
  • Mark Jackson is Herbie’s new driver. (Only because he stole that Love Bug. –Jimmy)
  • The references to monsters as if they’re normal lends credence toward this being in the Showa-verse like Danny and I said. (See video and bonus episode. –Jimmy)
  • “Wine delivery”? When was that a thing before InstaCart?
  • This is the only time I can think of in a Showa Toho film that references ninjas—and it’s by an American! (Of course! Because they’re awesome! –Jimmy)
  • The big metal box—is that how you get some of your figures shipped, Michael?
  • The goon eating the rock candy that isn’t a diamond is trademark Sekizawa.
  • Oh crap! Dogora sounds like a Matango! Dr. Douriff might try to summon him! (Uh…someone keep every Lovecraft book away from him! –Jimmy)
  • I love how Komai casually climbs down the building to the next room.
  • The old “crystallographer” is a typical scientist who somehow knows all sciences.
  • This could almost be an Ultra Q episode.
  • The Ifukube music during the venom manufacturing montage sounds like what he’d compose for destroying the control device in Destroy All Monsters.
  • Labs around the world work to study and manufacture the wasp venom. Honda’s “brotherhood of man” theme.
  • Now we have the Mission: Impossible! scene with fuse and trying to get the gun. (A Walther PPK, to boot). Thank God Komai is a decent shot! (Where’s Tom Cruise when you need him? Oh yeah, in the gif above. 😛 –Jimmy)
  • There is some real military stock footage in this.
  • This guy’s obsession with dynamite and throwing sticks of it is hilarious!
  • And of course, the woman dies clutching a fistful of diamonds. (You sexist! Just kidding, of course. –Jimmy)
  • Ever seen ThunderCats? There was an episode where it rained rocks like in this.
  • Spin on Sekizawa’s formula: kaiju doesn’t solve human problem, but solving kaiju problem does solve human problem.
  • And all the diamonds are fake!
  • “Peaceful applications” of the tech developed to kill Dogora? Very idealistic. Very Honda.

Honda Biography

  • Japanese criminologists call the early 1950s-early 1960s the “period of gang wars.” Economic growth led to red light districts where crime thrived. This accounts for the popularity of gangster (yakuza) films during this time and why such elements were added to this film and Ghidorah the Three-Headed Monster.
  • The authors argue that one could interpret Dogora’s destruction of a TV satellite at the beginning of the film as a commentary on the banality of television or the monster’s appetite for coal a concern over industrial pollution. Even the specter of radioactive isotopes left over from the nuclear bombings. But they say the film doesn’t think much of these.
  • Jojiro Okami wrote the treatment, which was changed by Honda and Sekizawa, who added cops and robbers. He wasn’t consulted, which was usual.
  • Robert Dunham’s phrase, “Oh, Kami-sama” (“Oh, God!”) is a very western use of Japanese.
  • The original script was much more ambitious, with several ‘luminous monsters attacking New York and space stations while consuming diamonds and carbon. The Japanese authorities capture one and learn it can be killed with beta rays. Sadly, the film suffered from budget cuts.
  • It left so little of an impression, actor Natsuki didn’t recall being in it in 1996.

LeMay

  • TV Guide description read on Sanford and Son: “A giant coal-sucking jellyfish from space runs afoul of gangsters and is defeated wasp venom.”
  • “Uchu kaiju” = “space monster” (We knew all about those at NASA. –Jimmy)

Brothers

  • Influenced by the James Bond series (particularly Goldfinger)
  • Fewer deaths, more laughs in these films now.
  • Argues that the characters are overshadowed by the monsters. Honda’s characters are a “side-element” to the monsters.
  • The film’s poor box office made Tanaka take this formula further.

Notes on the Yakuza:

  • “Boryokudan, another word for Yakuza, is considered an insult. It refers to degenerate, violent gangsters with no sense of tradition or honor. This i­s how the Japanese police refer to the Yakuza.” (https://people.howstuffworks.com/yakuza.htm)
  • “Members are meant to observe strict codes of loyalty, silence, obedience, and the like.” (https://allthatsinteresting.com/yakuza-history/2)
  • Unlike in the film, women are marginalized in the Yakuza. Even wives and daughters are mostly servants. Sometimes they’re even used as prostitutes. However, Fumiko Taoka filled the power vacuum left by her husband for several months after he died, making one of the few women to be a boss (and it was for one of the largest gangs in Japan).
  • The Japanese government has employed them, but details are hazy. When President Eisenhower visited Japan in 1960, he was flanked by Yakuza bodyguards.
  • The drug trade is quite profitable for them. They run most of the drug traffic in the country, particularly meth. One member said, “One sure way of making money is drugs: that’s the one thing you can’t get hold of without an underworld connection.”
  • They also got involved in white-collar crime. “Early on, the Yakuza’s role in white-collar crime was mostly through something call Sōkaiya – their system for extorting businesses. They would buy enough stock in a company to be able to send their men into stockholder meetings, and there they would terrify and blackmail the companies into doing whatever they wanted.” … “At their peak, there were 50 registered companies listed on the Osaka Security Exchange that had deep ties to organized crime.” (https://allthatsinteresting.com/yakuza-history/4)
  • They now prefer using these legitimate businesses to make money rather than commit crimes.

That wraps things up.

Mr. Groupie insisted on driving Serpentera Mk. 3 back to West Virginia. Despite my hesitation, I let him. Thankfully, he didn’t wreck it (although we did have a close call with the Gateway Arch. Stop flying that low, Groupie!)

Tune in next week when Nathan is joined by Joe and Joy Metter to wrap up the “Daimajin Days” with Daimajin Strikes Again. I’m still recovering from injuries I suffered in that episode—but not from Joy!

Then Mr. Groupie’s partner in crime at Kaiju Weekly, Travis Alexander, joins us for an MIFV Halloween with Frankenstein Conquers the World (#Justice4Baragon).

Follow me on Twitter: @NasaJimmy

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#WeShallOvercome

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Jimmy’s Notes on ‘Episode 24: The Metters vs. Return of Daimajin’

Well, if I was a supervillain, this is the part where I would say,

I learned a valuable lesson during the episode 24 broadcast. Apparently, Dorats aren’t as aggressive as I thought they’d be. And I even fed them some gamma rays before unleashing them on Nathan’s friend Joy Metter. (However, I didn’t feed these little winged gremlins any radiation after midnight because we know how that turns out). Her dogs’ good vibes must’ve calmed them or something.

Perhaps I do need to try something “scarier” next time, as Joy joked, to truly test her mettle since she keeps acting like she’s a master swordsman (“swordswoman”? “swordsperson”? Damn you, political correctness!) Sadly, anything else would probably get me in trouble with the Board for endangering a tourist, but I’ll think of something.

Anyway, let’s get on to my notes from the episode:

  • I will admit, the new Board-mandated uniforms are growing on me. Pink is the new orange.
  • I neglected to include the IMDB scores for the first two Daimajin films in the Entertaining Info Dump. Oops. They’re 6.7 and 6.4, respectively.
  • It’s “Sama-no-suke,” not, “Sama-na-suke.” But hey, none of you grew up in Japan like I did.
  • I’ll give Joy credit for one thing: we can agree that Anakin Skywalker is as charming as a brick in Attack of the Clones.
  • It’s “Dodohei,” not, “Todohei,” Nathan. You think he’s a dog from Kansas?
  • Yes, Joe, Ryuta does have an arm. Two of them, in fact.
  • I can make an argument that Frozen is a kaiju movie: the big snowman. If Half Human counts….
  • Nathan, it’s “Iwamatsu” not “Imatsu.”
  • I’m pretty sure “Heian” is pronounced, “hay-on.” You know, like “Heisei” (“hay-say”).
  • It’s “kami” not “gami,” Joy.
  • Yawns, last I checked, were by definition audible, Joe.
  • I didn’t realize this until now because I liked the Star Wars reference, but the third film is Daimajin Strikes Again not Back. Also, Nathan used the wrong title for the DVD cover he used on the blog post just like ADV did. Oh well.

And now, in fulfillment of my contractual obligations, here’s Nathan’s leftover notes:

The Film

  • Barr says it “explores the clash between tradition and modernity, between peacefulness and warmongering.”
  • The first two films put a premium on the “old ways” of worship. Are we supposed to sympathize with the persecuted nobles, villagers, and Daimajin?
  • Interesting that the characters don’t bow before passing through the torii gate.
  • We get some foreshadowing with Daimajin’s face glowing red. Said to be a sign of misfortune and his anger.
  • In this, the priestess is also the dead lord’s daughter. The characters are combined.
  • Daimajin is fond of mountains. (I would correct him by saying he’s on an island in this one, but it’s at least mountainous. –Jimmy)
  • Ifukube’s music shines in this score.
  • The priestess calls Daimjain “Kamisama.” Is this the Japanese word for the Christian God? (That’s what most westerners think. It makes sense since it would translate as “Lord God” or “lord of the gods.” Or at least “lord of the kami.” –Jimmy)
  • “They have taken our statue but not our soul.” –Sayuri (Probably the best line in the film. –Jimmy)
  • I think Juro would’ve been better off killing Danjo. (Actually, he kept him alive for leverage. –Jimmy)
  • “Juro’s in the well?!” (Call Lassie! Or Teddy Kong! –Jimmy)
  • There is some added suspense thanks to the statue being shattered.
  • Another divine warning with the soldier in a boat stabbed with a rock. This gives a kid the chance to set Katsushige free.
  • Sayuri hanging on the cross and praying—offering her life to Daimajin—echoes the Christ story. Then she cries and her tears awaken him. The wind extinguishes the fire.
  • The statue emerges whole from the water. He appears 61 minutes into the 78-minute movie.
  • This reminds me a bit of the story of Elijah and the prophets of Baal.
  • They try to blow up Daimajin again, and this time it doesn’t work. The shot of him in the smoke is great.
  • His footsteps are ominous.
  • Sayuri’s tears fall from her face to her praying hands to the lake water, and Daimajin dissolves into water.

Toku Topic

  • SHRINES: “The etymology of the early word for shrine, yashiro 社 is thought to have meant a temporary structure (yashiro 屋代) erected for worship, in the same way that nawashiro meant a hut for raising seedlings, and an ajiro meant a spot for drying fishing nets.” Festivals would be held there. “Accordingly, the concept of the sacred also changed from one in which kami were thought to be visiting deities (raihōshin) that descended at set times each year, to one in which the kami resided permanently in the shrine as a tutelary of its parishioners.”
  • SHRINES: “By contrast, another term denoting a shrine, miya 宮, is believed to derive from the honorific expression for a building (miya 御屋). Until the early Heian period, however, few shrines were permitted the status of miya, and of the 2,861 shrines listed in the Engishiki’s “Register of Divinities,” only eleven are included in this category.”
  • SHRINES: “The earliest type of shrine architecture is seen in the shinmeizukuri style of the Shōden (honden) of the Grand Shrines of Ise, and the taishazukuri style of the Izumo Shrine’s honden. The former originates in the style of grain storehouse used to store rice, while the latter is based on the style of ancient dwellings in the Izumo area. Both styles are reflected in ancient palace architecture, and eventually they were used in permanent shrine buildings, becoming the source for more complicated styles….”
  • SHRINES: While governors got more involved with the festivals centered around kami worship in medieval Japan, this system dissolved as warrior families arose, and “ancient imperially granted shrine lands (shinryō) and other lands commended by secular houses were gradually transformed into the system of estates known as shōen. Under this system, powerful shrines tried to ensure their territorial integrity by commending their lands to the imperial house or other power clans who acted as ‘rights holders’ (honjo) for the land. … “At the outset of Hōjō Yasutoki’s Jōei shikimoku (1232) appears an exhortation to keep shrines in good repair and to be diligent in worship, and this became a maxim for future generations. This pattern was also incorporated and continued in the Edo shogunate’s laws regulating shrines and their priests, the Shosha negi kannushi hatto of 1665. On this basis the shoguns and daimyō bestowed “vermilion-seal” or “black-seal” land grants upon important shrines and diligently contributed to the rebuilding or repair of shrine buildings.”
  • SHRINES: 70% of Japanese people visit a shrine at least once a year at New Year. This is called Hatsumōdë.
  • TORII: Most are made of wood and painted red, but a few are black or made of stone. (This was brought up in the episode, but I left it in this blog to explain why they’re red. While torii were once white for sacredness, they are painted red because to the Japanese that is the color of vitality and protection against evil. It had a practical reason, too. Red paint contains mercury, which preserves the gate. –Jimmy)

I’m glad that was easier than in past weeks. Thanks, Nathan!

Next Wednesday, you’ll hear an episode featuring my former online nemesis Michael “The Kaiju Groupie” Hamilton (MIFV Patron and co-host of the Kaiju Weekly podcast, among other things), who discusses Dogora, the Space Monster with Nathan. Then the Metters return to finish the “Daimajin Days” with Daimajin Strikes Again.

Also, this month is our first anniversary (hoo-ah!), so Nathan will be joined by Danny DiManna of the Godzilla Novelization Project for a special bonus episode to celebrate.

Join us!

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

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#WeShallOvercome

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Jimmy’s Notes on ‘Episode 23: Atragon’

This week’s “Jimmy’s Notes” on episode 23 (Atragon) is short and sweet. Good, I say. Jet Jaguar and I have been very busy continuing to rebuild Mechani-Kong in my garage. I ordered mech parts from a Chinese company on eBay, and they arrived a week late. Then the shipment was delayed because the Board of Directors implemented more safety protocols for off-Island shipments. When I heard that I was more forgiving. I don’t think I’ll order from that eBay seller again, though. (Poor Nathan is still waiting for his S.H. FigureArts Ultraman figure to show up from China, though).

Along with that, our continued frustrations with a new condenser microphone in our recent broadcasts with Joe and Joy “How-Did-I-Not-Get-Scared-By-The-Dorats?” Metter has required that I procure a replacement. That’s arriving today, thankfully.

This intro is longer than usual because, to my surprise, I only have a few notes for this episode besides Nathan’s leftovers. Let’s get to them.

  • Keep denying the super-special Godzilla vs. Kong premiere will happen in November, Marchand. You’ll feel real lonely that night. Ozaki and the EDF Mutants will be the security detail that night, so don’t even think of sneaking in!
  • Nathan said, “expectation,” when he meant, “affection.” Your mouth does go faster than your brain, doesn’t it?
  • You called the Gotengo “Atragon” once, which is technically wrong, but it was how it was written in the subtitles. You get a pass this time.

Nathan’s Leftover Notes on the Film:

  • Starts “in media res.” Almost feels like a trailer. A little confusing.
  • Sekizawa humor. Swimsuit model sneezes because of cold.
  • Feels a bit like a Universal monster movie from 1950s, especially with half-melted diver.
  • I’d make an Uber joke, but the guy has a cabbie hat.
  • Man made out of vapor—wrong movie, dude! (“Human Vapor.” Haha. 😛 –Jimmy)
  • Kenji Sahara is almost unrecognizable with the chinstrap beard. (He looks like your brother. 😛 –Jimmy)
  • “Action Magazine.” What kind of mag is that? It could be taken a few ways—especially if they want photos of a swimsuit model. (How dirty is that mind of yours, Marchand? –Jimmy)
  • (Former Rear Admiral) Kusumi: represents modern Japan that has moved on from war to join world community
    • Was silent out of loyalty to Jinguji until situation was dire.
    • Doesn’t salute back to soldiers, only nods; evidence of his change?
  • Gotengo is derived from real super-subs supposedly developed by Japan in WWII. (Yep. I have several blueprints for those subs. And the Gotengo. –Jimmy)
  • Capt. Jinguji: represents old imperial japan and those who didn’t move on.
    • “Enslaved” natives of island?
    • Was going to be played by Toshiro Mijune. Would’ve been different. (It would’ve made the Island’s chaplain happy. –Jimmy)
    • Asks who made Japan renounce war in new constitution, but Kusumi is too shocked to answer. Then conversation moves on. Interesting. US isn’t mentioned directly.
    • He seems shaken by his daughter’s words, yet doesn’t chase after her.
    • Wears old field uniform during operation against Mu.
    • Takes action when Makoto is kidnapped. True change? (As someone who has met the man on two occasions—and survived—I’d say, “Yes.” –Jimmy)
    • “I think I was wearing rusty armor. I took it off and feel fine.”
    • “We will attack so long as you tell us to surrender! But we’ll listen to peace talks.” Indicates change. Empress refuses like Imperial Japan in WWII.
  • The Mu Empire is modeled Imperial Japan.
    • Sank 12,000 years ago. Atlantis. Related to Seatopia? 😛 (According to you and Danny DiManna, they are. –Jimmy)
    • Has a powerful navy with submarines.
    • Seeks to conquer surface because they believe it is rightfully theirs. Like Japan seeking to build pan-Asian empire.
    • Calls humans “people of the colonies.” “Return our colonies immediately!” Presumptive. UN building, London Bridge, Arch de Triumph, the Kremlin(?), Manhattan (bridge) shown. Worldwide threat. Says New York and Tokyo are first targets. Appropriate. Alliance between U.S. and Japan.
    • The Empress refuses to lower herself to undressing in front of foreigners (and men?) to change into diving suit. Pride that is broken.
    • Empress accuses Jinguji of defying them, and he says the Mu defied “us.” “Killing me cannot kill our empire’s heart!” He’s taken aback, as if it sounded like something he believed. (It’s a literal reference to the Mu power source, but it’s also an effective metaphor).
  • The Mu city looks, well, like a model. On the other hand, some shots remind me of Metropolis. (Except without the cool robot lady. –Jimmy)
  • Manda was added later, but he doesn’t feel shoehorned unlike Magma in Gorath. (Everything is less shoehorned than that walrus! –Jimmy)
  • An ultimatum on film: forerunner to Xiliens in Monster Zero. ( J -Jimmy)
  • It’s the satellite from The Mysterians! (24:00)
  • Red Satan is the name of world’s largest submarine. And it’s an American sub. Oh boy…. Could it be a commentary on nuclear power and not an anti-American sentiment? (I doubt it. –Jimmy)
  • H-bomb usage limited by water depth and “moral principles.” Japan’s anti-nuclear principles? (This was several years before those were codified. –Jimmy)
  • The UN wants Gotengo to be used. Requests it. International feel.
  • One of Jinguji’s men follows Makoto. Gets captured. Only gives ‘reservation number” (8561), a Navy tag to be used for Yasukuni Shrine. Very interesting. Only time I can think of that this was mentioned in a Honda film. Amano snaps to attention when he learns who Kusumi is.
  • True Stories magazine. Sounds more legit.
  • Mu leader called Hierarch. Interesting. Subservient to Empress.
  • “Transfer our hardships to the slaves on earth!”
  • 35:00: Lots of extras. Another sign Honda wanted to direct a musical. (I’d watch a musical of this film! But I’m strange. –Jimmy)
  • Protagonists are met by soldiers wearing well-maintained WWII Japanese military uniforms.
  • Has WWII-era “rising sun” flag. Not used now because of war connections.
  • The Gotengo is a crazy-cool vehicle. Flying sub with drill on front and freeze laser. Not unlike Nautilus in 20,000 Leagues Under the Sea. Film spends several minutes showing it off. (Just like Robert Wise would do 16 years later in the first Star Trek film. –Jimmy)
  • 47:45: Thunderbirds are go!
  • Unusual for a Sekizawa script because of how political it is; but it wouldn’t have been appropriate for Kimura because he was too cynical. This is a story of moving on, redemption. It reflects his attitude. Kimura wouldn’t have been right for this story.
  • The second dance number makes me think of The Ten Commandments for some reason. The set and costumes, maybe?
  • Is Manda their god or the messenger? He’s called both.
  • Manda appears 63 minutes in.
  • Mt. Mihara. I associate that with G84/vs. Biollante.
  • The sinkhole scene is spectacular. Incredible effects. Horrifying.
  • The Mu ships with the dragon figureheads look great. I love how lasers fire from the mouths.
  • Now Jinguji has his white uniform?!
  • The Empress packed her clothes?
  • Manda looks like a Chinese dragon. Is that saying something? (Not everything is a hidden message, Nathan. Cool your English major jets. –Jimmy)
  • Manda is dispatched pretty quickly. Sign of being added last minute during short production.

That’s a wrap for this week!

Our next episode will be part two of the “Daimajin Days” with Return of Daimjain and the return of Joe and Joy “I-Don’t-Look-Like-a-Swordfighter” Metter. Then my former nemesis Michael “The Kaiju Groupie” Hamilton makes his first appearance on the show (remarkably) for a Board-approved extended mini-sode on Dogora, the Space Monster. I’ll be nice to him since he’s a Patron. He helps to keep the emergency evacuation system (EES) working properly in the radio studio.

Follow me on Twitter: @NasaJimmy

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Jimmy’s Notes on ‘Episode 22: The Metters vs. Daimajin’

Episode 22 was beset by many-a-peril during its production, both in front of the mics and behind the scenes. It was late for our Patreon Patrons, but we did manage to get it published on time. We’re a stubborn and determined lot.

That being said, I have more notes on this than I usually do—mostly because Marchand was copy-and-pasting stuff from his research as opposed to writing paraphrases. I’ve spoken with him about this and convinced him it would be better for everyone involved—especially the Tourists on the show—to do that less from now on. He agreed.

So, after some copious editing, here are my notes.

  • Nathan, goofball that you are, you didn’t set up your new microphone correctly, which is why the episode doesn’t sound as good as it normally does. Live and learn. And research your mic next time!
  • There has actually been more kaiju films where the suit actor’s eyes could be seen than you think. I’m surprised Nathan forgot to mention these. Besides Daimajin and War of the Gargantuas, there was King Kong (1976) (how could he forget that?), Yeti: Giant of the 2oth Century (unfortunately for everyone besides Travis from Kaiju Weekly), and if you want to count him, the Snowman from Half Human. The Babylonian Demon from Yokai Monsters: Spook Warfare has a suit actor whose eyes can be seen. I was also told if you pause Ebirah, Horror of the Deep at the right spot when Godzilla rips off the crustacean’s claw, you can seen Haruo Nakajima’s eyes, although that’s a filmmaking mistake.
  • Haniwa weren’t so much guardians as they were grave markers and boundary markers, and later were believed to house the spirit of the deceased. Read more here.
  • Moses pleads for Israel in Exodus 32:11-14.
  • It’s pronounced, “Samanosuke,” Nathan. And Joe. Man, this name is a tongue twister for us Americans.
  • You don’t believe I have a lightsaber, huh? Just wait. Also, Disney can have it—when the Mouse pulls from my cold, dead fingers!
  • The line from Firefly Nathan was trying to remember was said by Captain Mal: “If I ever kill you, you’ll be awake, you’ll be facing me, and you’ll be armed.”
  • Joe and Joy are going to start saying, “You wants to take Teddy to see Gamera?” as a euphemism for a walk.
  • Nathan says, “Fascinating,” a lot in this episode. Is he Spock?
  • He also says, “Interesting,” a lot. Expand your vocabulary!
  • It wasn’t the Onin War you referenced in episode 13, Nathan, it was the Genpei War.
  • Joe didn’t say it was Portuguese missionaries, Nathan. He said it was Catholic missionaries.
  • Dainichi is the central deity worshipped in esoteric Buddhism. You can read more about him here.

Here’s Nathan’s overabundance of leftover notes.

The Film

  • Eyeball at beginning is meant to symbolize Daimjain contentedly watching events.
  • I didn’t remember the scene of the kid being chased by the forest spirits. The hand was just a tree branch. What’s with the quick cuts of animals? Was this real?
  • The princess is pale, unlike the others. (Old timey view of feminine beauty. I preferred tanned girls, myself. –Jimmy)
  • The bullets don’t hurt Daimajin. Chains cannot hold Daimajin. Daimajin controls the elements, like fire.

Toku Topics

Sengoku Period

  • “The beginning of the Sengoku period witnessed the Onin War (1467-1477 CE) which destroyed Heiankyo. The fighting that followed over the next century would eventually reduce the warlords to only a few hundred in number as the country was effectively carved up into princedoms.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Ashikaga Shogunate (1338-1573 CE) held control of the central part of Japan, and the bureaucracy at the capital was relatively efficient, but the outer provinces were left semi-independent as local warlords or daimyo ruled their own lands how they saw fit. Local officials and estate managers such as the jito found it much more difficult to secure the taxes the state was due from landlords who now had no fear of any government reprisals.” (https://www.ancient.eu/Sengoku_Period/)
  • “In the absence of a strong central government…the rule of law was very often replaced by the rule of force. The more powerful lords absorbed the lands of their weaker rivals and became known as sengoku daimyo. The warlords then passed on their position of strength to their male heir and so the position of daimyo became hereditary unless challenged by ambitious subordinate commanders. The wealth of the daimyo came from commerce, trade, and taxes imposed on those peasants who farmed on their estates. Daimyo may have been a law unto themselves but many of them did formulate law codes to better regulate the sometimes thousands of people under their command.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Warring States period kicked off with the Onin War (Onin No Ran, 1467-1477 CE). This civil war – its name derives from the year period – broke out because of the bitter rivalry between the Hosokawa and Yamana family groups. By the end of the decade, though, the fighting had sucked in most of the influential clans of Japan. The conflict revolved around each side backing a different candidate for the position of shogun – a particularly pointless debate since shoguns, like the emperors, no longer had any real power. Rather, the war is seen by historians as merely a result of the overly aggressive warlords of Japan being rather too keen to put their samurai to some use – good or bad. Even when the war ended in 1477 CE there was no victor and no resolution to the inherent militarism that fractured Japan for the next century as warlords fought each other with no one in particular ever achieving any dominance.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Onin War had sorted out who were the weak and the strong daimyo, who thus became much fewer in number (by 1600 CE there would be only about 250 of them in all of Japan).” (https://www.ancient.eu/Sengoku_Period/)
  • “The upheaval resulted in the further weakening of central authority, and throughout Japan, regional lords, called daimyōs, rose to fill the vacuum. In the course of this power shift, well-established clans such as the Takeda and the Imagawa, who had ruled under the authority of both the Kamakura and Muromachi bakufu, were able to expand their spheres of influence. There were many, however, whose positions eroded and were eventually usurped by more capable underlings.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “As a result of the constant threat of war and pillage in this period, castles were built with much greater frequency than previously in towns, at mountain passes, along vital roads, and on larger estates. The latter type, which could take the form of fortified mansions, was known as yashiki; Ichijodani (base of the Asakura family) and the moated Tsutsujigasaki (of the Takeda family) were excellent examples of this building trend. Some castles, such as Omi-Hachiman near Lake Biwa, caused an entire town to later spring up around them, the jokomachi. … Constructed on large stone bases, the wooden superstructures included walls, towers, and gates, which had narrow windows for archers and from which hung boulders on ropes, ready to be dropped on any attackers.” (https://www.ancient.eu/Sengoku_Period/)
  • “As trade with Ming China grew, the economy developed, and the use of money became widespread as markets and commercial cities appeared. Combined with developments in agriculture and small-scale trading, this led to the desire for greater local autonomy throughout all levels of the social hierarchy. As early as the beginning of the 15th century, the suffering caused by earthquakes and famines often served to trigger armed uprisings by farmers weary of debt and taxes.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “Towns and cities became larger, with many having a population of over 30,000, thanks to a boom in international trade (daimyo wanted foreign luxury goods like Ming porcelain to demonstrate their status), weekly markets, and the development of trade guilds. Measures, weights, and currencies were standardized in many domains to facilitate trade. Meanwhile, the fortunes of the many Buddhist temples scattered across Japan plummeted as no longer backed by the state they could not so easily extract contributions from local communities.” (https://www.ancient.eu/Sengoku_Period/)
  • “The Ashikaga Shogunate would be terminated by the warlord Oda Nobunaga (l. 1534-1582 CE) who finally brought some stability to central Japan. Oda Nobunaga had expanded his territory gradually through the 1550/60s CE from his base at Nagoya Castle as he defeated all comers thanks to his martial skills and innovative use of firearms. The Warring States period comes to an end with the seizure of Heiankyo by Nobunaga in 1568 CE. The warlord then exiled the last Ashikaga shogun, Ashikaga Yoshiaki, in 1573 CE. The unification of the country would continue under Nobunaga’s immediate successors, Toyotomi Hideyoshi (1537-1598 CE) and Tokugawa Ieyasu (1543-1616 CE).” (https://www.ancient.eu/Sengoku_Period/)
  • “The Sengoku period ended when Toyotomi loyalists were defeated at the Siege of Osaka in 1615.” (https://en.wikipedia.org/wiki/Sengoku_period)

Christianity Comes to Japan

  • “The Portuguese land on Tanegashima, becoming the first Europeans to arrive in Japan, and introduce the harquebus into Japanese warfare.” (https://en.wikipedia.org/wiki/Sengoku_period)
  • “In 1543 the first Europeans arrived in Japan. Two (maybe three) Portuguese merchants aboard a Chinese ship were blown off course and forced to land on the island of Tanegashima, just south of Kyushu. Only six years later, the first Christian missionary came to Japan. What followed was, what some historians call, Japan’s ‘Christian century.’ Despite 100 years of Christian dominance, today only about 1% of the Japanese population is Christian. … Those first Portuguese men to arrive at Tanegashima also brought the first guns to Japan. Today’s article will focus on the sixteenth century, during which time guns and Christianity were often entwined. Both had a heavy impact on Kyushu and Japan at large during this period, known as the Warring States period (sengoku jidai), a century where central authority in Japan had lost its sway and samurai clans vied for dominance.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Shimazu family who ruled Satsuma also controlled Tanegashima, the island where the first Europeans had landed. The Shimazu had been impressed by European firearms and were quick to reproduce them. So, when Xavier arrived they respectfully welcomed him, curious to see what he might have brought along. They gave him permission to speak to their subjects and, through translators, they began to preach. Xavier and his Spanish colleagues began studying Japanese, and soon were attempting the occasional sermon in Japanese, transliterated into the Roman alphabet for them. For the most part, Xavier and European missionaries who followed were quite impressed with the Japanese people.” (https://www.tofugu.com/japan/history-of-christianity/)
  • Ten months after Xavier’s arrival, the Shimazu changed their stance towards the Christians, prohibiting proselytizing and further conversions. This was probably prompted by the landing of a Portuguese ship at Hirado, in northern Kyushu and outside of Shimazu territory, which dashed Shimazu hopes of securing European trade through the missionaries. … (he went several journeys and preached, winning some converts).” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Nobunaga never converted, and it doesn’t seem that he ever believed in the Christian message, but he certainly had no love for Buddhist institutions either. A number had been thorns in his side. He burned the great temple complex on Mt. Hiei, killing roughly 25,000, and spent eleven years fighting the ikko-ikki, a type of militant Buddhist group. … Unfortunately…in 1582 Nobunaga was betrayed by one of his generals, and chose to kill himself rather than be captured. … Nobunaga had been a source of hope for the Jesuits, and with his death there were even harder times ahead for the Christian mission in Japan.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Just before leaving Japan in 1551, Francis Xavier met with Otomo Sorin (1530-1587), lord of Bungo (in eastern Kyushu). … In 1578, he converted to Christianity, taking the name Francisco in honor of Xavier. Actually, a marital problem led to his conversion. Sorin had married a woman in 1550, who was staunch in her traditional religious beliefs and shared a contentious relationship with the Jesuits. She is known only as Jezebel, the name the Jesuits used to refer to her. In 1578, Sorin became ill, which the priest Luis Frois claimed was Jezebel’s fault. He was nursed by one of her ladies-in-waiting, with whom he fell in love. Sorin had his new paramour spirited away to a seaside villa where they were free to hear Christian instruction. First, she converted, taking the name Julia. Later Sorin also converted. They soon married, and Jezebel, as a pagan, was no object. To many observers Sorin’s behavior was scandalous, but to the Jesuits he was a hero. Sorin’s happiness did not last long.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “…in 1582, (Sorin) and two other Christian lords sponsored the first official Japanese embassy to Europe. The embassy was the brainchild of Italian Jesuit, Allesandro Valignano (1539-1606), who had been preaching in Japan for three years. The Tensho Embassy (named after the reign-name of the time) consisted of four Japanese converts. … The embassy arrived in Lisbon in 1584, and from there went on to Rome. During their European tour, they met several kings and two successive popes. In Rome, one of the converts was made an honorary citizen. They returned to Japan in 1590, after which Valignano ordained them as the first Japanese Jesuit fathers.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “Crucifixion was introduced into Japan during the Sengoku period (1467–1573), after a 350-year period with no capital punishment.[116] It is believed to have been suggested to the Japanese by the introduction of Christianity into the region,[116] although similar types of punishment had been used as early as the Kamakura period. Known in Japanese as haritsuke (磔), crucifixion was used in Japan before and during the Tokugawa Shogunate. Several related crucifixion techniques were used. Petra Schmidt, in “Capital Punishment in Japan”, writes:[117] ‘Execution by crucifixion included, first of all, hikimawashi (i.e, being paraded about town on horseback); then the unfortunate was tied to a cross made from one vertical and two horizontal poles. The cross was raised, the convict speared several times from two sides, and eventually killed with a final thrust through the throat. The corpse was left on the cross for three days. If one condemned to crucifixion died in prison, his body was pickled and the punishment executed on the dead body. Under Toyotomi Hideyoshi, one of the great 16th-century unifiers, crucifixion upside down (i.e, sakasaharitsuke) was frequently used. Water crucifixion (mizuharitsuke) awaited mostly Christians: a cross was raised at low tide; when the high tide came, the convict was submerged under water up to the head, prolonging death for many days.’ Crucifixion was used as a punishment for prisoners of war during World War II. Ringer Edwards, an Australian prisoner of war, was crucified for killing cattle, along with two others. He survived 63 hours before being let down.” (https://en.wikipedia.org/wiki/Crucifixion#Japan)
  • “Added to the fear of foreign conquest, one of the biggest concerns that Toyotomi Hideyoshi and Tokugawa Ieyasu had always had with Christianity was the matter of loyalty. For a Christian samurai, did allegiance to the shogun or the pope take precedence? In 1612 there was a bribery scandal, involving a daimyo and a member of Ieyasu’s council, both Christians. This showed that ties between the faithful might be stronger than those to the central authority. In addition, at the execution of a Christian, a priest told the crowd that obedience to the Church should trump obedience to their daimyo. …Then in 1614 he issued the ‘Statement on the Expulsion of the Bataren,’ in which accusations against the priests were leveled. They were commanded to leave the country at once, and Japanese converts were ordered to renounce their faith. Most missionaries left the country, but some continued to operate in secret. Those who were caught were executed. Anti-Christian measures became even harsher under the third Tokugawa shogun, Iemitsu, who took power in 1623. It’s estimated that in 1612 there were approximately 300,000 Christians in Japan, but by 1625 there were half that or fewer.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Tokugawa shogunate had begun to persecute Christians, largely out of a fear that Christianity would subvert the order and hierarchy that they had struggled for so long to create and maintain. In 1614, Tokugawa Ieyasu issued a proclamation expelling Catholic missionaries from Japan. Japanese Christians were forced to go underground, becoming known as Hidden Christians (kakure kirishitan). Under successive shoguns, persecution intensified. The final straw was to come in 1637, when a revolt broke out in Kyushu.” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The Shimabara Peninsula lies on the western part of Kyushu, somewhat out of the way. … The life of a Japanese peasant was generally filled with a good deal of suffering. It wasn’t unusual for a lord to treat them poorly. Yet, Matsukura Shigemasa (the new lord as of 1610) was exceptionally cruel. He taxed everything, even births and deaths, and didn’t take kindly to those who couldn’t pay. Being thrown into a water-filled prison was perhaps the best one could hope for. His most notorious punishment was called the raincoat dance (mino odori), so named because the victim, wearing a straw raincoat, was doused in oil and set on fire, causing them to dance about. Sometimes the family members of those who failed to pay were taken hostage or punished as well. In 1637, when one of Shigemasa’s men assaulted a farmer’s pregnant wife the people finally snapped.”
  • “This led to a rebellion that holed up in Hara Castle, which was defensible despite the peasants only using farming tools since weapons were illegal for them.” 
  • “This young man was Amakusa Shiro (c. 1621-1638). Born on one of the Amakusa Islands, he was the son of a former Konishi clan retainer (the family’s Christian head, Konishi Yukinaga was killed for picking the wrong side at Sekigahara). He studied with Jesuits in Nagasaki, and according to local lore, made a name for himself preaching equality and dignity for the poor on the island of Oyano. Little else is known about him, but during the rebellion his followers began to think he was the one foretold years earlier by Father Marco Ferraro, a priest who worked in the area before being expelled. He said that, ‘After 25 years a child of God will appear and save the people.’” (https://www.tofugu.com/japan/history-of-christianity/)
  • “The rebels were able to hold out for a surprisingly long time. However, as the winter months wore on, hunger took its toll and the defenses were breached. The victors spent three days slaughtering the rebels. An estimated total of 37,000 were killed, including Amakusa Shiro, and as John Dougill points out, ‘It’s invidious to play the numbers game when it concerns the dead, but the number killed at Shimabara is almost identical to the 39,000 who died in the Nagasaki atomic bomb.’ 10,000 heads were staked up around the castle, and 3,300 were sent to Nagasaki for the same treatment: a clear warning to the people.” (https://www.tofugu.com/japan/history-of-christianity/)
  • Following the Shimabara Rebellion, the Tokugawa took the final step in guarding the country against foreign subversion by expelling all Europeans from Japan and banning their reentry on pain of death. The one exception to this was the tiny island of Dejima, just off Nagasaki’s coast, where an extremely limited number of Dutch ships were allowed to dock and trade. (https://www.tofugu.com/japan/history-of-christianity/)

If you read all of this, you’re my hero(es).

Join us next week when Nathan analyzes a film with one of the most beautiful ships ever constructed: Atragon. Maybe I’ll tell the story of how I took that ship for a joyride in my younger days. (Oh wait, I already did on Kaiju Weekly). Then the Metters return next month for part two of the “Daimajin Days” to discuss Return of Daimajin. I’ll be keeping my foil handy in case Joy tries starting anything with me. 😛

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Jimmy’s Notes on ‘Episode 21: Matango (Mini-Analysis)’

It’s been a rough week on Monster Island, what with the Board of Directors mandating masks (again). I’m a big fan of them hiring Douglas Gordon as the Island’s security chief, though. Plus, the Board is sharing some…inside info with me you may hear on a future episode.

Anyway, I only have a few of my own notes plus Nathan’s notes from his independent study for this week’s blog. I think he only has a few more of the films from that study left. Atragon and Frankie v. Barry, I think. Regardless, I have some snark to deliver.

  • It’s “Ghost in the Shell,” Nathan, not “Ghost in a Shell.” Direct vs. indirect articles. Big difference, as you know.
  • Trust me when I say some things in Tokyo will follow you everywhere. At least for a while. And I don’t mean puppies.
  • Birds get sucked into jet engines a lot, man. We pilots do have our own superstitions. Canada geese are the worst offenders. (Sorry, Chris Cooke).
  • To learn more about Hahajima, which has the big mountain Dd G told us about, click here. Let me tell you, it is a beautiful place. Nathan, Jet Jaguar, and I will be taking a hike there soon.
  • If you’re curious about the DC Comics villain Matango, read this.

Here are Nathan’s leftover notes:

  • Kubo’s face is seen. He’s unscarred. (Which makes the ending that much more interesting. –Jimmy)
  • Music during credits is weirdly upbeat.
  • “Tokyo and all her dust.” Men and money are left behind.
  • Writer loses his pages in water. I’d be upset. But he thinks writers steal everything. (You would know better than me, Nathan. –Jimmy)
  • “Top lady” = mistress (and double entendre?) (Yep. –Jimmy)
  • 40 million yen yacht. Best that money can buy. Destroyed by storm.
  • Scare girls and then treat them tender. “That’s not psychology—that’s a paperback novel!” (One of the best lines in the film! –Jimmy)
  • Professor is a psychologist. Appropriate and ironic.
  • The women are polar opposites. Mami (Mizuno) is a flirtatious harlot while Akiko is a chaste, shy girl who’s never been kissed.
  • 7 characters for the 7 deadly sins. (You can thank Danny DiManna for that idea. I still can’t figure out which character is which sin, though. Maybe Rev. Mifune could help explain?  –Jimmy)
  • Music is somewhat minimalistic for the most part. Not Ifukube or Sato. (It was Sadao Bekku. –Jimmy)
  • The hallucinations begin before they reach the island with the phantom ship. Perhaps an indication that Yoshida is already unhinged.
  • Fog is a common motif. It obscures. It clouds. Drug reference?
  • This film is Lost meets Gilligan’s Island with a Twilight Zone ending.
  • The set design for the ship is great. The mold everywhere. Unique. Like a haunted house. Reminiscent of classic Universal horror.
  • Is it possible this whole film is Akira Kubo’s fever dream? How much of it is true? There are things that don’t add up. (Given what we heard from Dr. Dourif, I’m pretty sure it was real. –Jimmy)
  • The mold is great foreshadowing for Matango.
  • Eyeless turtle: foreboding.
  • Matnago is said to be a radiation mutant. Anti-nuclear. Doesn’t explain everything.
  • Nationality of boat concealed. Communist and western. Even Japan. Humanity represented. No one is innocent.
  • Matango is the forbidden fruit. May eat everything else but that.
  • Plays on natural need—eating—and makes it scary. Do it and suffer. Much like Nightmare on Elm Street with sleeping. (“Never eat again…”. –Jimmy)
  • The location photography is amazing.
  • Is this island attracting boats to it and sinking them? Bermuda Triangle?
  • First Matango appears almost 43 minutes in.
  • Two characters fire at Matango but not sure they hit it or saw anything but audience sees mushroom goo on ground.
  • This film was almost banned because of the mushroom man make-up. Looked like bombing victims. (The Hibakusha, which we’ll be discussing in a future episode. –Jimmy)
  • Even the characters think they saw ghosts—but there are footprints.
  • Illustrates why William Golding had no girls in Lord of the Flies: aggravates things. Aggravates men. Unlike that story, they are just as corruptible. (To hear his full reasoning from the foreword to his book, watch this video. –Jimmy)
  • “Akiko…this is Mother.” (Clearly that was the mushrooms talking. Those lying Matango! –Jimmy)
  • Yoshida says frayed nerves make people see witches and devils. Tries to explain strange happenings away. (That just sounds like trick-or-treaters at Halloween. –Jimmy)
  • Yoshida and Mami have a full-on make-out session. Most sexual thing in a Honda film.
  • Koyama pulls rope as he falls. Lifeline. Symbolic. Body has bills strewn about him. Also symbolic. Died amassing useless wealth.
  • Mami’s wardrobe changes to reflect her allegiance. Green and plantlike.
  • One character eats Matango and has vision of dancing showgirls amid Tokyo neon. Drugs. Revelry. Opulence.
  • The Matango laugh was recycled later for Baltan on Ultraman. (And it’s just as disturbing coming from those big beetles! –Jimmy)
  • Sakuta runs, but he eventually jumps overboard. Then writes on wall that everyone else is dead. Betrayal.
  • The professor and Akiko decide to leave. Almost happy ending. Then mushroom people show up. Like a zombie movie. Night of the Living Dead? Hacks off an arm. (Maybe George Romero saw this movie? –Jimmy)
  • Seems a little convenient that he leaves on boat and gets found. Why take him to psychiatric ward?
  • Doctor says, “We are grateful that you were able to come back.” Are they speaking of him as a patient? (Another parallel to The Cabinet of Dr. Caligari. –Jimmy)
  • (In “The Voice in the Night,”) John and his fiancée are like the prof and student in the film: innocent but they succumb to temptation. And are corrupted spiritually and physically. (Read more about this story here. –Jimmy)

That does it for my notes this week.

Join us next Wednesday to hear the start of the “Daimajin Days” when Nathan’s friends Joe and Joy Metter returned to start their journey through the Daimajin trilogy. Then this month’s mini-analysis will be on Ishiro Honda’s other 1963 classic, Atragon.

As the Board says, “Together we can find a better way forward.”

Follow me on Twitter: @NasaJimmy

Follow the Board on Twitter: @MonsterIslaBOD

#JimmyFromNASALives
#WeShallOvercome

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